The Museum Wiesbaden is a two-branch museum of

art Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of wha ...

and natural history in the

Hessian A Hessian is an inhabitant of the German state of Hesse. Hessian may also refer to: Named from the toponym *Hessian (soldier), eighteenth-century German regiments in service with the British Empire **Hessian (boot), a style of boot **Hessian f ...

capital of

Wiesbaden Wiesbaden () is a city in central western Germany and the capital of the state of Hesse. , it had 290,955 inhabitants, plus approximately 21,000 United States citizens (mostly associated with the United States Army). The Wiesbaden urban area ...

, Germany. It is one of the three Hessian State museums, in addition to the museums in

Kassel Kassel (; in Germany, spelled Cassel until 1926) is a city on the Fulda River in northern Hesse, Germany. It is the administrative seat of the Regierungsbezirk Kassel and the district of the same name and had 201,048 inhabitants in December 2020 ...

and

Darmstadt Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it th ...

History

The foundation of the originally three museums traces back to the citizens of the city and to

Johann Wolfgang von Goethe Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as trea ...

, who stayed in Wiesbaden in 1814/1815 for a rehabilitation measure, and worked hard to establish such a cultural institution. In 1825 he persuaded the Frankfurter private collector to donate his extensive collections of works of art,

antiquities Antiquities are objects from antiquity, especially the civilizations of the Mediterranean: the Classical antiquity of Greece and Rome, Ancient Egypt and the other Ancient Near Eastern cultures. Artifacts from earlier periods such as the Meso ...

and

in kind The term in kind (or in-kind) generally refers to goods, services, and transactions not involving money or not measured in monetary terms. It is a part of many spheres, mainly economics, finance, but also politics, work career, food, health and othe ...

to the

Duchy of Nassau The Duchy of Nassau (German: ''Herzogtum Nassau'') was an independent state between 1806 and 1866, located in what is now the German states of Rhineland-Palatinate and Hesse. It was a member of the Confederation of the Rhine and later of the G ...

in return for the payment of an

annuity In investment, an annuity is a series of payments made at equal intervals.Kellison, Stephen G. (1970). ''The Theory of Interest''. Homewood, Illinois: Richard D. Irwin, Inc. p. 45 Examples of annuities are regular deposits to a savings account, mo ...

for life. Under the responsibility of the newly founded associations, but controlled by the

ducal Duke is a male title either of a monarch ruling over a duchy, or of a member of royalty, or nobility. As rulers, dukes are ranked below emperors, kings, grand princes, grand dukes, and sovereign princes. As royalty or nobility, they are ran ...

government, the citizens of Wiesbaden and the region were able to quickly expand these collections. Together with the pieces of the ("Association for Nassauian Antiquity and Historical Research") founded in 1812, three originally independent museums emerged. In addition to the ''Verein für Nassauische Altertumskunde und Geschichtsforschung'' the ("Nassau Society of Natural Science)" and the ("Nassau Kunstverein") (art society) were responsible for these museums. Following the death of the Duke, the Hereditary Prince's Palace at

Wilhelmstraße Wilhelmstrasse (german: Wilhelmstraße, see ß) is a major thoroughfare in the central Mitte (locality), Mitte and Kreuzberg districts of Berlin, Germany. Until 1945, it was recognised as the centre of the government, first of the Kingdom of Pru ...

, built for his son, was now available for other purposes. In contrast to other cities, at a very early stage it was possible to find rooms for the cultural assets collected by the

citizenry Citizenship is a "relationship between an individual and a state to which the individual owes allegiance and in turn is entitled to its protection". Each state determines the conditions under which it will recognize persons as its citizens, and ...

. In 1821 the three museums and the regional library of Hessen were thus able to move into the palace, which is nowadays the seat of the

Chamber of Commerce and Industry A chamber of commerce, or board of trade, is a form of business network. For example, a local organization of businesses whose goal is to further the interests of businesses. Business owners in towns and cities form these local societies to a ...

of Wiesbaden. Around the middle of the 19th century the building became too small, due to the busy collection activities and new acquisitions. The call for a new building became louder and louder. After the three museums came under Prussian control in 1866, the city of Wiesbaden took over these institutions in 1899. This change was generally accepted because Wiesbaden had sufficient funds at the end of the 19th century to promote culture. According to plans by architect

Theodor Fischer Theodor Fischer (28 May 1862 – 25 December 1938) was a German architect and teacher. Career Fischer planned public housing projects for the city of Munich beginning in 1893. He was the joint founder and first chairman of the Deutscher Wer ...

, the foundation stone for a new building with three wings was laid at the corner of Wilhelmstraße/Rheinstraße in 1913. Previously, the banker's mansion Mons had stood there, in which the reception building of Ludwigsbahnhof was housed until 1906. The interior design of the three houses was influenced to a large extent by the three directors and the curators, as there were different needs. The first to open was the ''Gemäldegalerie'' on October 1, 1915. In the same year the ''Natural Sciences Collection'' was also able to move into the new building, but it was not until after the end of the First World War that the ''Natural Sciences Museum'' and the ''Museum of Nassau Antiquities'' reopened on 15 July 1920. Half of the picture gallery was to be used for changing exhibitions, which were carried out by the ''Nassauischer Kunstverein'' in the 1920s and early 1930s. During this time, citizens of Wiesbaden also contributed to important additions to the collections. The natural science collections showed systematic exhibitions on topics of

geology Geology () is a branch of natural science concerned with Earth and other astronomical objects, the features or rocks of which it is composed, and the processes by which they change over time. Modern geology significantly overlaps all other Ear ...

paleontology Paleontology (), also spelled palaeontology or palæontology, is the scientific study of life that existed prior to, and sometimes including, the start of the Holocene epoch (roughly 11,700 years before present). It includes the study of fossi ...

and

biology Biology is the scientific study of life. It is a natural science with a broad scope but has several unifying themes that tie it together as a single, coherent field. For instance, all organisms are made up of cells that process hereditary i ...

. Ecological aspects were also presented for the first time. During the

Second World War World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...

, the building was partly used for military purposes. With few exceptions, the collections survived the war unscathed. However, the exhibitions were dismantled and most of the showcases were damaged. Only slowly the rooms were able to regain their original function after renovation. This delay had another reason: the

Americans Americans are the Citizenship of the United States, citizens and United States nationality law, nationals of the United States, United States of America.; ; Although direct citizens and nationals make up the majority of Americans, many Multi ...

, who moved to Wiesbaden after 1945, turned the museum into a Central Collecting Point. Temporarily stored art treasures were shown, such as the

bust of Nefertiti The Nefertiti Bust is a painted stucco-coated limestone bust of Nefertiti, the Great Royal Wife of Egyptian pharaoh Akhenaten. The work is believed to have been crafted in by Thutmose because it was found in his workshop in Amarna, Egypt. It ...

or the painting

The Man with the Golden Helmet ''The Man with the Golden Helmet'' (c. 1650) is an oil on canvas painting formerly attributed to the Dutch painter Rembrandt and today considered to be a work by someone in his circle. ''The Man with the Golden Helmet'' is an example of Dutch Gold ...

, which was attributed to Rembrandt at the time. After their return, a collection was rebuilt from the 1950s onwards with very few resources. Clemens Weiler played a major role in the construction of the

Alexej von Jawlensky Alexej Georgewitsch von Jawlensky (russian: Алексе́й Гео́ргиевич Явле́нский, translit=Alekséy Geórgiyevich Yavlénskiy) (13 March 1864 – 15 March 1941), surname also spelt as Yavlensky, was a Russian expressioni ...

-Collection, which is today the most important collection of the house. The Natural Science Museum was largely rebuilt by Friedrich Heineck, who was impeached of office during the war. It was the aim of the museum to show in particular info on the

biome A biome () is a biogeographical unit consisting of a biological community that has formed in response to the physical environment in which they are found and a shared regional climate. Biomes may span more than one continent. Biome is a broader ...

s in the exhibitions. The reconstruction was not entirely successful, partly because rooms were still being used by other people (e. g. by an American library and an urban archive). In 1973 the three museums came into the possession of the

state of Hesse Hesse (, , ) or Hessia (, ; german: Hessen ), officially the State of Hessen (german: links=no, Land Hessen), is a state in Germany. Its capital city is Wiesbaden, and the largest urban area is Frankfurt. Two other major historic cities are Darm ...

. Since that time they have been united in a three-division house, the Museum Wiesbaden. The ("Nassau Kunstverein"), which had previously been housed in the museum, was moved to the historic villa on

15 in the immediate vicinity. Since 2010 Alexander Klar has been director of the museum. He succeeds Volker Rattemeyer, who ran the museum for 23 years. Under his leadership, in 2007 it was elected by the

International Association of Art Critics The International Association of Art Critics (''Association Internationale des Critiques d’Art'', ''AICA'') was founded in 1950 to revitalize critical discourse, which suffered under Fascism during World War II. Affiliated with UNESCO AICA was ad ...

(Association Internationale des Critiques d' Art (AICA)) as ''Museum of the Year''. From 1994 to 1997, the Kassel architects Schultze and Schulze completely renovated the rooms of the art collection, from 2003 to 2006 the roofs, the entrance area and the lecture hall and opened up new exhibition rooms of the art collection. From 2007 to 2012, the north and south wings were to be renovated. In the north wing, the natural history collection can be shown again from 2013 onwards. According to press reports and reports from the state government, the collection of Nassauian antiquities SNA was handed over to the city of Wiesbaden in 2009. The Old Masters are to be shown in the freed south wing. From 1994 to 1997, the Kassel architects Schultze and Schulze completely renovated the rooms of the art collection, from 2003 to 2006 the roofs, the entrance area and the lecture hall and opened up new exhibition rooms of the art collection. From 2007 to 2012, the north and south wings were renovated. Since 2013, the natural history collection is now on show in the north wing. The ''Collection of Nassau Antiquities'' is now shown at the ''Stadtmuseum am Markt'' in Wiesbaden. In the freed south wing, the

Old Masters In art history, "Old Master" (or "old master")Old Masters De ...

are presented in connection with contemporary art The chronological sequence was abandoned in favour of spaces on the themes "religion", "portrait", "mythology", "still life" and "landscape".

Art collection

The museum's art collection dates back to the former collection of Johann Isaak von Gerning from Frankfurt. Through purchases, donations and loans, the art collection has become one of the most important in Germany, especially in the area of the 19th and 20th centuries. The Museum Wiesbaden endeavours to identify

Nazi plunder Nazi plunder (german: Raubkunst) was the stealing of art and other items which occurred as a result of the Art theft and looting during World War II, organized looting of European countries during the time of the Nazi Party in Germany. The loot ...

in its own collection and, if necessary, to return it to the legitimate heirs. In October 2014, the museum therefore launched a spectacular campaign entitled ''Wiesbaden schafft die Wende!'' ("Wiesbaden is making the turn!") The painting ''Die Labung'' by

Hans von Marées Hans von Marées (24 December 1837 – 5 June 1887) was a German painter. Initially specialising in portraiture he later turned to mythological subjects. He spent the last years of his life in Italy. Life Marées was born into a banking family ...

, stolen by the

Nazi regime Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was ...

in 1935, came into the possession of the museum in 1980. It was still shown in the context of this action, but only the reverse of the painting. It was not until the beginning of November, by which time donations had already raised enough money for the now legitimate purchase, that the painting could be turned back.

Sculptures

Sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...

s do not play a significant role in the art collection of the Museum Wiesbaden. However, some interesting works are represented. French sculpture of the late 19th and early 20th centuries is presented with a work by one of its main representatives, Aristide Maillol's ''Badende''. The German sculptors of the first half of the 20th century are represented by

Max Klinger Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmak ...

(portrait bust of

Friedrich Nietzsche Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his ...

, ca. 1910),

Franz von Stuck Franz von Stuck (February 23, 1863 – August 30, 1928), born Franz Stuck, was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with '' The ...

Georg Kolbe Georg Kolbe (15 April 1877 – 20 November 1947) was a German sculptor. He was the leading German figure sculptor of his generation, in a vigorous, modern, simplified classical style similar to Aristide Maillol of France. Early life and educa ...

Wilhelm Lehmbruck Wilhelm Lehmbruck (4 January 188125 March 1919) was a German sculptor. Biography Born in Meiderich (part of Duisburg from 1905), he was the fourth of eight children born to the miner Wilhelm Lehmbruck and his wife Margaretha. He was able to stu ...

Gerhard Marcks Gerhard Marcks (18 February 1889 – 13 November 1981) was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics. Early life Marcks was born in Berlin, where, at the age of 18, ...

Emy Roeder Emy Roeder (30 January 1890 – 7 February 1971) was a modern German sculptor born in Würzburg, Germany. During the first third of the twentieth century she was one of a number of women that were associated with the German Expressionist movement ...

and Ernst Barlach (Der Tod, 1925).

Graphic art

Compared to the collection of paintings, the graphic art collection is less important. Work before 1800 is scarce. In the 19th century, on the other hand, there are a number of works by Ludwig Knaus,

Arnold Böcklin Arnold Böcklin (16 October 182716 January 1901) was a Swiss symbolist painter. Biography He was born in Basel. His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk tra ...

and

Max Slevogt Max Slevogt (8 October 1868 – 20 September 1932) was a German Impressionist painter and illustrator, best known for his landscapes. He was, together with Lovis Corinth and Max Liebermann, one of the foremost representatives in Germany of th ...

, among others. In the first half of the 20th century, the

expressionists Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it rad ...

stand out, especially

(see

-Collection, excellently represented with drawings,

woodcut Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that ...

s and

Lithographs Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...

). These include works by Die Brücke-artists such as

Ernst Ludwig Kirchner Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-centur ...

Erich Heckel Erich Heckel (31 July 1883 – 27 January 1970) was a German painter and printmaker, and a founding member of the group ''Die Brücke'' ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Oly ...

and

Karl Schmidt-Rottluff Karl Schmidt-Rottluff (Karl Schmidt until 1905; 1 December 1884 – 10 August 1976) was a German expressionist painter and printmaker; he was one of the four founders of the artist group Die Brücke. Life and work Schmidt-Rottluff was born in ...

, as well as works by the artists of the Blaue Reiter-Editorial Association. Of particular note are works by

Franz Marc Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of ''Der Blaue Reiter'' (The Blue Rider), a journal whose name later b ...

August Macke August Robert Ludwig Macke (3 January 1887 – 26 September 1914) was a German Expressionist painter. He was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly act ...

and above all Wassily Kandinsky's watercolour ''Allerheiligen'' ("All Saints", 1910) from the collection of Hanna Bekker vom Rath. Works by other artists of the time, such as

Edvard Munch Edvard Munch ( , ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, ''The Scream'' (1893), has become one of Western art's most iconic images. His childhood was overshadowed by illness, bereavement and the dr ...

Otto Dix Wilhelm Heinrich Otto Dix (; 2 December 1891 – 25 July 1969) was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with Geor ...

Oskar Kokoschka Oskar Kokoschka (1 March 1886 – 22 February 1980) was an Austrian artist, poet, playwright, and teacher best known for his intense Expressionism, expressionistic portraits and landscapes, as well as his theories on vision that influenced the ...

Käthe Kollwitz Käthe Kollwitz ( born as Schmidt; 8 July 1867 – 22 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including ''The Weavers'' and ''T ...

and

Pablo Picasso Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th ce ...

, can also be found. Constructivist works, including those by

László Moholy-Nagy László Moholy-Nagy (; ; born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the i ...

, the artist couple Robert Michel and

Ella Bergmann-Michel Ella Bergmann-Michel (20 October 1896 – 8 August 1971) was a German abstract artist, photographer and documentary filmmaker. An early student of constructivist art in Germany, her contributions to modern abstract art are often forgotten in Am ...

, as well as

Friedrich Vordemberge-Gildewart Friedrich Vordemberge-Gildewart (November 17, 1899, Osnabrück, Germany – December 19, 1962, Ulm) was a German Neo-plasticist (De Stijl) painter. He was one of the first painters to work for his entire career within an abstract style. Lif ...

, form another focal point of the collection. The graphic art collection after 1945 is extensive, which is why only a few names are mentioned here.

Informalism Informalism or Art Informel is a Painting, pictorial movement from the 1943–1950s, that includes all the Abstract painting, abstract and Action painting, gestural tendencies that developed in France and the rest of Europe during the World War ...

is represented by works by

Karl Otto Götz Karl Otto Götz (22 February 1914 – 19 August 2017) often simply called K.O. Götz, was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and ac ...

, Otto Greis and

Bernard Schultze Bernard Schultze (31 May 1915 in Schneidemühl, now Piła, Poland – 14 April 2005 in Cologne) was a German abstract painter who co-founded the Quadriga group of artists along with Karl Otto Götz and two other artists. On 7 July 1955 he marrie ...

. Further sheets from the 1940s and 1950s come from

Willi Baumeister Willi Baumeister (22 January 1889 – 31 August 1955) was a German painter, scenic designer, art professor, and typographer. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics. Life Born ...

HAP Grieshaber Helmut Andreas Paul Grieshaber or HAP Grieshaber (15 February 1909 – 12 May 1981) was a German artist. His preferred medium was large format woodcuts. Biography Grieshaber was born in Rot an der Rot. He went to school in Nagold and later in R ...

and above all from the extensive

Ernst Wilhelm Nay Ernst Wilhelm Nay (June 11, 1902 – April 8, 1968) was a German painter and graphic designer of classical modernism. He is considered one of the most important painters of German post-war art. Biography Nay came from a Berlin civil servant' ...

collection. Minimalist tendencies are shown in the works of

Sol LeWitt Solomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including conceptual art and minimalism. LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he pref ...

. Pop art is represented by

Thomas Bayrle Thomas Bayrle (born 7 November 1937 in Berlin) is a German sculptor, painter, graphic artist and video artist. He is known as a pop artist. Life Thomas Bayrle is the son of the painter and graphic artist Alf Bayrle and the art historian Elis ...

, among others.

Old Masters

Compared to the 19th and 20th century collections, the

Old Masters In art history, "Old Master" (or "old master")Old Masters De ...

are rarely represented in the museum. The focus is on Italian and Dutch artists from the 15th century onwards. The most important Italians are

Prospero Fontana Prospero Fontana (1512–1597) was a Bolognese painter of late Renaissance and Mannerist art. He is perhaps best known for his frescoes and architectural detailing. The speed in which he completed paintings earned him commissions where he wo ...

Albertino Piazza Alberto or Albertino Piazza (1490–1528) was an Italian painter. He was born and died in Lodi, Lombardy. His elder brother Martino was also a painter. References External links * 1490 births 1528 deaths 16th-century Italian painters ...

(''Heimsuchung Mariae'', "Visitation of Mary")),

Domenico Tintoretto Domenico Robusti, also known as Domenico Tintoretto, (1560 – 17 May 1635) was an Italian painter from Venice. He grew up under the tutelage of his father, the renowned painter Jacopo Tintoretto. Life Apprenticeship Domenico was born in Ve ...

, Marietta Robusti,

Sebastiano del Piombo Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian ...

Alessandro Rosi Alessandro Rosi (28 December 1627 in – 19 April 1697 in Florence) was an Italian artist, working during the Baroque period, for the Medicis and other patrons. Biography Rosi trained in the workshops of Jacopo Vignali and Cesare Dandini, ...

Luca Giordano Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Ear ...

Francesco Solimena Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of ...

Sebastiano Ricci Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesqu ...

Cristoforo Munari Cristoforo Munari (July 21, 1667 – June 3, 1720) was an Italian painter in the Baroque period specializing in still life paintings. He was also known as ''Cristofano Monari''. His initial training was in Reggio Emilia, his birthplace, and he c ...

and Gennaro Greco.

Dutch painting Dutch commonly refers to: * Something of, from, or related to the Netherlands * Dutch people () * Dutch language () Dutch may also refer to: Places * Dutch, West Virginia, a community in the United States * Pennsylvania Dutch Country People E ...

is represented by artists such as

Joos van Cleve Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the tr ...

(''Christuskind mit Weintraube'', "Christ Child with Grape"), Albrecht Bouts,

Otto van Veen Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius (1556 – 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for r ...

Joos de Momper Joos de Momper the Younger or Joost de Momper the Younger (1564February5, 1635) was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momp ...

Frans Floris Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.< ...

Roelant Savery Roelant Savery (or ''Roeland(t) Maertensz Saverij'', or ''de Savery'', or many variants; 1576 – buried 25 February 1639) was a Flanders-born Dutch Golden Age painter. Life Savery was born in Kortrijk. Like so many other artists, he belonge ...

Gerard van Honthorst Gerard van Honthorst (Dutch: ''Gerrit van Honthorst''; 4 November 1592 – 27 April 1656) was a Dutch Golden Age painting, Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickn ...

Willem van de Velde Willem van de Velde the Elder (1610/11 – 13 December 1693) was a Dutch Golden Age seascape painter, who produced many precise drawings of ships and ink paintings of fleets, but later learned to use oil paints like his son. Biography Wi ...

Jan Lievens Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter L ...

Frans Snyders Frans Snyders or Frans Snijders (11 November 1579, Antwerp – 19 August 1657, Antwerp) was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with ...

(''Stillleben'', "Still life") and

Nicolaes Berchem Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre ...

. Late German

Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...

and

Renaissance art Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occ ...

is represented by the Master of the Heisterbach Altar, the Master of the Holy Family,

Lucas Cranach the Elder Lucas Cranach the Elder (german: Lucas Cranach der Ältere ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is know ...

, Bartholomew Bruyn the Elder and

Hans Muelich Hans Muelich or Mielich (1516 – 1573), was a German painter and woodcutter. Biography He was born in Munich as the son of the city painter Wolfgang Muelich and studied with Barthel Beham. He is known as a portrait painter and for histori ...

. The German

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

and

Classicism Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aestheti ...

is represented by Johann Conrad Seekatz and January Zick, Nicolas Treu,

Johann Georg Platzer Johann Georg Platzer (1704–1761) was a prolific Austrian Rococo painter and draughtsman. Life and career Platzer was born in Eppan in the County of Tyrol, and came from a family of painters. He painted primarily historical and mythical scene ...

und

Angelika Kauffmann Maria Anna Angelika Kauffmann ( ; 30 October 1741 – 5 November 1807), usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, ...

(''Bildnis Johann Isaak von Gerning'', 1798 – "Portrait of Johann Isaak von Gerning"). English painting is represented by

Joshua Reynolds Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depend ...

19th-century collection

The 19th century is excellently represented in the collection. Although the great names and French

Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating ...

are missing, a broad overview for this period is guaranteed. With artists such as

Wilhelm von Kobell Wilhelm von Kobell (6 April 1766 – 15 July 1853) was a German painter, printmaker and teacher. Biography Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's in ...

, Carl Morgenstern and Georg Waldmueller, German

genre painting Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached ...

is particularly well represented. Ludwig Knaus from Wiesbaden, who at his time was equally important as

Adolph von Menzel Adolph Friedrich Erdmann von Menzel (8 December 18159 February 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of th ...

, is represented in practically no other museum here. His ''Spaziergang im Tuileriengarten'' ("Walk in the Tuilerie Garden") of around 1855 is an early approach to

, from which he later withdrew. The

Düsseldorf school of painting The Düsseldorf school of painting is a term referring to a group of painters who taught or studied at the Düsseldorf Academy (now the Staatliche Kunstakademie Düsseldorf or Düsseldorf State Art Academy) during the 1830s and 1840s, when the A ...

is represented by several works of the brothers

Andreas Achenbach Andreas Achenbach (29 September 1815, Kassel – 1 April 1910, Düsseldorf) was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School. His brother, Oswald, was also a ...

and

Oswald Achenbach Oswald Achenbach (; 2 February 18271 February 1905) was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Thr ...

. The ''Deutschrömer'' – German artists and writers who lived in Rome – are represented by

Anselm Feuerbach Anselm Feuerbach (12 September 1829 – 4 January 1880) was a German painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applie ...

(''Nanna'', 1861),

and

Karl Friedrich Lessing Karl Friedrich Lessing (15 February 1808, Breslau – 4 January 1880, Karlsruhe) was a German historical and landscape painter, grandnephew of Gotthold Ephraim Lessing and one of the main exponents of the Düsseldorf school of painting. Biograp ...

and

Johann Wilhelm Schirmer Johann Wilhelm Schirmer (5 September 1807 in Jülich – 11 September 1863 in Karlsruhe) was a German landscape artist born in Jülich, within the Kingdom of Prussia, Prussian Duchy of Jülich. Biography Schirmer was started as a student of ...

are also featured.

Carl Spitzweg Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era. Life and career Spitzweg was born in U ...

(''The Butterflycatcher'', around 1840),

Wilhelm von Kaulbach Wilhelm von Kaulbach (15 October 18057 April 1874) was a German painter, noted mainly as a muralist, but also as a book illustrator. His murals decorate buildings in Munich. He is associated with the Düsseldorf school of painting. Biography E ...

Franz von Lenbach Franz Seraph Lenbach, after 1882, Ritter von Lenbach (13 December 1836 – 6 May 1904), was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society ...

and

form the counterpart of the

Munich School Munich School ( el, Σχολή του Μονάχου) is the name given to a group of painters who worked in Munich or were trained at the Royal Academy of Fine Arts of Munich (german: Münchner Akademie der Bildenden Künste) between 1850 and 19 ...

. The ''Leibl-Kreis'' in Munich is represented extensively, especially by

Wilhelm Trübner Wilhelm Trübner (February 3, 1851 – December 21, 1917) was a German realist painter of the circle of Wilhelm Leibl. Biography Trübner was born in Heidelberg. He was the third son of a silver- and goldsmith, Johann Georg Trübner, and h ...

, but also

Hans Thoma Hans Thoma (2 October 1839 – 7 November 1924) was a German painter. Biography Hans Thoma was born on 2 October 1839 in Bernau in the Black Forest, Germany. He was the son of a miller and was trained in the basics of painting by a painter of ...

Carl Schuch Carl Eduard Schuch (30 September 1846 – 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. From 1865 to 18 ...

and

Otto Scholderer Otto Franz Scholderer (25 January 1834 – 22 January 1902) was a German painter. Life He was born in Frankfurt am Main. On completing his schooling, Scholderer went to the Städel academy of arts in 1849, where he remained until 1851. Amo ...

are present with paintings in the collection.

French realism French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ...

is featured with works by

Gustave Courbet Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and t ...

Jean-François Millet Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism ...

and

Charles-François Daubigny Charles-François Daubigny ( , , ; 15 February 181719 February 1878) was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism. He was also a prolific printmaker, mostly in etchin ...

, while Russian realism is represented by a work by the

teacher

Ilya Repin Ilya Yefimovich Repin (russian: Илья Ефимович Репин, translit=Il'ya Yefimovich Repin, p=ˈrʲepʲɪn); fi, Ilja Jefimovitš Repin ( – 29 September 1930) was a Russian painter, born in what is now Ukraine. He became one of the ...

from the Ernst Alfred Aye Collection. The collection of this century ends with the works of the main representatives of German

, Max Liebermann and above all Lovis Corinth, of whom the museum owns five paintings (''Portrait von Frau Halbe'', 1898) as well as Oskar Moll (''Havelkähne'', 1907) and Christian Rohlfs.

Jawlensky-Collection

The works of the Russian artist

, who spent the last twenty years of his life in Wiesbaden, are outstanding in the collection of the Museum Wiesbaden. With 57 paintings and 35 graphics, the museum has the largest collection of this artist besides the Norton Simon Museum in Pasadena. The collection includes early works such as ''Stillleben mit Krug und Buch'' ("Still Life with Jug and Book", around 1902), many expressive major works such as ''Dame mit Fächer'' ("Woman with a Fan", 1909), ''Nikita'' (1910) or ''Selbstbildnis'' ("Self-portrait", 1912) and, above all, many works of the paintings in series, such as the variations ''Von Frühling, Glück und Sonne'' ("Of Spring, Happiness and Sun", 1917) or the Abstract Heads created in Wiesbaden as ''Kopf in Rot-Weiß-Gold'' ("Head in Red-White-Gold", 1927) and the meditations as ''Mein Geist wird weiterleben'' ("My Spirit will live on", 1935). Remarkable among the Still lifes is the painting ''Stillleben mit schwarzer Vase'' ("Still Life with Black Vase", 1910) and among the paintings of landscapes by Jawlensky the work ''Blaue Berge'' ("Blue Mountains", 1912). The collection of graphics include Lithography, lithographs such as ''Liegender weiblicher Akt''("Lying female nude", 1912) and drawings including ''Konstantinowka mit geneigtem Kopf'' ("Konstantinovka with inclined head", circa 1912). Most recently, the collection has been extended by eleven paintings and three drawings from the Hanna Bekker vom Rath Collection in 1987, including the portrait ''Bildnis Marianne von Werefkin'' ("Portrait of Marianne von Werefkin") from 1906. From September 17, 2021, to March 2022 the museum shows ''Alles! 100 Jahre Jawlensky in Wiesbaden (All! 100 years of Jawlensky in Wiesbaden)'' – an anniversary show celebrating the history of the collection with a complete exhibition of the works of expressionist Alexej von Jawlensky.

Expressionists and the Hanna Bekker vom Rath collection

Even before World War II, the Museum Wiesbaden had an important collection of works by the Expressionism#Expressionist groups of painters, Expressionists. In addition, the collection of the Wiesbaden art collector and patron Heinrich Kirchhoff was regularly exhibited, with which many modernist works could be shown. With the Nazi confiscation campaign under the title Degenerate Art, Entartete Kunst all modern works of art were removed from the museum, so that one had to start again after the war. High quality works were purchased from Paula Modersohn-Becker, Otto Mueller (''Liebespaar'') ("Love Couple", 1925), Emil Nolde, Walter Jacob, Conrad Felixmüller (''Familienbildnis Kirchhoff'', "Kirchhoff family portrait", 1920), Karl Hofer and above all from Jawlensky's companion Marianne von Werefkin (''Schindelfabrik'', "Schindel Factory", around 1910). In addition, a work of the Russian Natalia Goncharova was acquired. A milestone in the history of the art collection was the acquisition of a large part of the Hanna Bekker vom Rath collection. With this collection, the museum not only received 11 paintings and three drawings by Jawlensky, but also 16 other works of Classical Modernism. Graphics by Wassily Kandinsky and

as well as paintings by

(painting ''Maske vor Buschbockfell, "Mask in front of Buschbockfell", 1913), Adolf Hölzel, Ida Kerkovius,

and

have enriched the collection ever since. In addition, there are five paintings by Karl Schmidt-Rottluff, among which the painting ''Selbstportrait'' ("Self portrait", 1919), and two paintings by Max Beckmann, including the famous painting ''Weiblicher Akt mit Hund'' ("Female Nude with Dog", 1927). After this great enrichment, further individual works from this collection were acquired, to mention above all Jawlensky's painting ''Heilandsgesicht: Ruhendes Licht'' ("Face of Salvation: Resting Light") from 1921.

Constructivist artists

Constructivist art is a focal theme in the collection of the Museum Wiesbaden. Although some of the big names are missing, the collection still offers a good overview. Among others,

with his painting ''Architektur III'' (1920), Erich Buchholz, Walter Dexel as well as the post-war artists Klaus Staudt, Günter Fruhtrunk and François Morellet are included here. There are large complexes of works by the artist couple Robert Michel and

, Anton Stankowski, and above all by

with the painting complex ''K 116'' (1940). His archive is maintained by the museum.

Art since 1945

The Collection (artwork), Art collection of the Museum Wiesbaden is one of the most important art collections in Germany after 1945. It starts with Informalism, Art Informel. Here the German artists

(''Krakmo'', 1958), Otto Greis, Heinz Kreutz, Fred Thieler, Emil Schumacher, Hann Trier, Gerhard Hoehme and

(''Venen und Tang'', "Veins and Seaweed", 1955) are shown. The museum owns several of Bernard Schultze's ''Migofs'', a title which he attached to his sculptural works. The other positions of art of the 1940s and 1950s are envisioned by

with his painting ''Afrikanisch'' ("African", 1954),

, Max Ackermann, Rolf Cavael, Fritz Winter and above all the painter Otto Ritschl from Wiesbaden with his painting ''Komposition'' (1955). These artists are followed by Abstract art#20th century, abstract painting artists such as Rupprecht Geiger, Ulrich Erben, Bruno Erdmann and Gotthard Graubner. The Zero (art), ZERO group and kinetic art are featured by artists such as Günther Uecker with his work ''Spirale Weiß'' ("White spiral", 1963), Rolf Kissel, Hermann Goepfert, Heinz Mack and Adolf Luther. Also Sigmar Polke and, above all, Gerhard Richter belong to the collection. The museum possesses five paintings by Richter, including the famous ''Ein Wunder rettete'' ("A Miracle Saved", 1964). Surrealism is illustrated by two paintings by Max Ernst. In 1962 the legendary first Fluxus Festival took place in the museum. Of this period, the museum holds works by Joseph Beuys, Wolf Vostell and Nam June Paik. His work ''Zen for Head'' (1962) is part of the collection. The Postmodern art, American post-war art is featured by some of its main protagonists by works of Mark Rothko, Ad Reinhardt and Agnes Martin. Also listed in the collection are artists such as

, Donald Judd, Robert Mangold, Fred Sandback, Dan Flavin and Brice Marden. The museum also has the largest collection of works (graphics, paintings and objects) by the German-American Eva Hesse. One of her works is the wall object ''Eighter from Decatur'' (1965). The Painting#Contemporary art, painting of the 1970s and 1980s is portrayed by artists such as Georg Baselitz with his work ''Stillleben'' ("Still Life", 1969), Eugen Schönebeck, Jörg Immendorff and Thomas Bayrle. An outstanding focus of the collection is the Installation art, installation- and ''object'' art of the last thirty years. The most important artists in the collection are Dietrich Helms, Jeppe Hein, Rebecca Horn, Thomas Huber (artist), Thomas Huber, Vollrad Kutscher, Ingeborg Lüscher, Christiane Möbus, Norbert Radermacher, Franz Erhard Walther and Dorothee von Windheim with her work ''Fassade III'' (in English ''Facade III'') (1979). In addition, there are works of international artists such as Ilya Kabakov with his work ''Der Rote Waggon'' ("The Red Wagon", 1991), Micha Ullman, Richard Serra, Jochen Gerz with his composition ''Der Transsibirische-Prospekt'' ("Trans-Siberian View", 1977) and Christian Boltanski. Modern sculpture, Modernist sculpture is represented by Katsura Funakoshi with his work of art ''A Tale of the Sphinx'' (2004).

Art awards

Although the Museum Wiesbaden does not award any art awards itself, two of them are closely linked to the museum.

Alexej von Jawlensky Prize

On the occasion of the 50th anniversary of his death in 1991, the city of Wiesbaden established the Alexei von Jawlensky Prize, endowed with 18,000 Euros. Alexei von Jawlensky (1865–1941) was an important Russian artist in the first half of the 20th century who spent the last twenty years of his life in Wiesbaden. The prize is awarded every five years and has so far been awarded six times. The prize includes the purchase of a work for the Museum Wiesbaden and a special exhibition on the work of the winner in the Museum Wiesbaden. The previous laureates were: * 1991: Agnes Martin * 1996: Robert Mangold * 2001: Brice Marden * 2006: Rebecca Horn * 2010: Ellsworth Kelly * 2014: Richard Serra

Otto Ritschl Prize

The Otto Ritschl Prize was established by the Museumsverein Otto Ritschl e. V. in 2001. Otto Ritschl (1885–1976) was an important German post-war artist who lived in Wiesbaden until his death. An international jury awards the prize at irregular intervals, which is associated with a cash reward and an exhibition at the Museum Wiesbaden. The previous laureates were: * 2001 Gotthard Graubner * 2003 Ulrich Erben * 2009 Kazuo Katase * 2015 Katharina Grosse

Natural history collections

The originally independent Museum of Natural History in Wiesbaden was founded in 1829 by citizens of the region with the support of the Duke together with the (Nassau Association for Natural History). The beginning of the 19th century was marked by industrialization and enormous discoveries in the natural sciences. This is how the desire for a permanent institution was born. On the one hand, this offered the opportunity to establish an important place of education for the public and, on the other hand, to promote internal research. These goals are still pursued by today's natural history collections. One can find more information on this at the site of the Museum Wiesbaden.

Scientific collections

Originally the collection was intended to cover nature of the

. However, as the duchy lacked a university and international collections had to be integrated with the founding of the museum, this approach was abandoned. Nowadays the Natural History, Natural History Collections belong to the larger ones in Germany with material from all regions of the world. About one million individual objects and series are available to science and public relations. Several thousand first described specimens serve in particular research into biodiversity. With few exceptions, the collection survived the Second World War. A large part of the collection is documented in catalog, on index cards and digitally. Larger gaps exist especially in the areas of

and invertebrate animals. Digital photographs are also available of numerous items in the collection.

General geology and mineralogy

The mineralogical, mineral collection is still completely in its 19th-century form, as the exhibition combines both scientific and display collections in vitrines. In addition to a general mineral collection of worldwide origin, the focus is on finds from the region, which document in particular the mining industry, which was important until a few decades ago. The scientific collection comprises about 14,000 pieces, currently listed in a computerized catalog.

Geological history

Three Era (geology), geological eras are particularly represented in the immediate region of Wiesbaden. About 50,000 fossils are documented. From the recent history of the earth there are testimonies from the Pleistocene, which originate in particular from the . Regularly Rhine and Main (river), Main had dammed up in front of the Middle Rhine, Middle Rhine Valley and bones carried along remained in the sediment. Especially from the Interglacial, warm periods numerous fossils are preserved. A second focal point is the find area at the ''Caves of Steeden'', where the oldest artefact (archaeology), artefacts of Hesse were found. One of the most important collections is related to the following two earth ages. It is the largest part of the legacy of the brothers Guido Sandberger, Guido and Fridolin Sandberger. The Mainz Basin bears witness to the impressive world of life in the Paleogene. In this warmer phase after the extinction of the dinosaurs, the Mainz basin was regularly connected to the surrounding seas, in between these connections were lost, the inland sea sweetened out, a lake was formed and finally the water disappeared completely. In this change numerous animal species lived here, so there are traces of, amongst others, Manatees, Galeomorphii, Basking sharks, reef-forming mussel banks, but also land creatures, such as the Deinotherium, which was found in Eppelsheim. Especially artefacts from the Taunus originate from the Devonian, an equally warm time with a high sea level. Therefore, the collection contains evidence of an enormous marine fauna: trilobites, conodonts and graptolites. Beside it are worth mentioning: a Palaeozoic and mesozoic fish collection, an extensive Mesozoic vertebrates, vertebrate collection, a large and complete ichthyosaur specimen of Holzmaden, a well sorted paleontological reference collection from the hydrobiic layer of the Mainz Basin, an extensive Cephalopoda, Cephalopods collection, a well sorted Brachiopoda, Brachiopodes collection and an extensive collection of fossils from the Taunus#Description, Taunus quartzite (incl. Trace fossils).

References

External links

Museum Wiesbaden

Natural History Collection

Nassau Society of Natural Sciences

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