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Prospero Fontana
Prospero Fontana (1512–1597) was a Bolognese painter of late Renaissance and Mannerist art. He is perhaps best known for his frescoes and architectural detailing. The speed in which he completed paintings earned him commissions where he worked with other prominent artists of the period. He was a prominent figure in the city of Bologna, serving as official arbitrator in the business disputes of local artists. In his later career Fontana trained younger painters, including his own daughter Lavinia. Professional life Prospero Fontana was likely taught by Innocenzo da Imola, but there is a degree of uncertainty surrounding the relationship between the two men. As a teenager, Fontana was an assistant on Perino del Vaga's Palazzo Doria in Genoa. However, art historians cannot definitively identity Fontana's contributions to the decorations. In the 1550s, Fontana painted Pope Julius III's portrait and was pensioned at the pontifical court. He also decorated the Palazzo di Firenze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label=Emilian language, Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its Metropolitan City of Bologna, metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest University of Bologna, university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the List of largest European cities in history, largest Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thoma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Cesare Malvasia
Carlo Cesare Malvasia (1616–1693) was an Italian scholar and art historian from Bologna, best known for his biographies of Baroque artists titled ''Felsina pittrice'', published in 1678. Life and career Malvasia is the Bolognese equivalent of Giorgio Vasari, and saw his native city surpassing Florence in the artistic supremacy of his time. Born to an aristocratic family, he is also known as Count Carlo Malvasia. He received cursory training in painting under Giacinto Campana and Giacomo Cavedone. He also was an amateur poet and participated in local literary circles. He traveled to Rome in 1639 where he met Cardinal Bernardino Spada and the sculptor Alessandro Algardi. Records indicate he spent some time as a volunteer cavalier during the First War of Castro at the urging of his cousin Cornelio Malvasia; leader of the Papal Army cavalry. Thereafter he graduated as a lawyer, and lectured on the subject at the university in Bologna. He obtained a theology degree in 1653 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a very disciplined or productive painter, his artistic prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi In Art
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew ( 2:1– 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Calvaert
Denis (or Denys or Denijs) Calvaert (; around 154016 April 1619) was an Antwerp-born Flemish painter, who lived in Italy for most of his life, where he was known as Dionisio Fiammingo () or simply Il Fiammingo ("the Fleming"). Calvaert was a profound student of architecture, anatomy, and history. His works are characterized by their advanced composition and colouring. Calvaert is well known for his drawings and small copper paintings. Some of his best known works include his rendition of The Resurrection of Christ and Saint John the Baptist in the Wilderness. Biography After studying landscape-painting for some time in his native city (the Antwerp "Record of Artists" or " Liggeren" (1556–57), gives his name as Caluwaert), he first studied under Christiaen van Queecborn. He then went to Bologna, where he apprenticed under Prospero Fontana. His paintings acquired the mannerism of Flemish art and appeared to be the work of an Italian. From Bologna he went to Rome in 1572, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Sabbatini
Lorenzo Sabbatini or Sabatini, Sabattini or Sabadini (c. 1530–1576), sometimes referred to as Lorenzino da Bologna, was an Italian painter of the Mannerist period from Bologna. Biography Sabbatini was born in Bologna and studied with Prospero Fontana, who was his teacher and collaborator, and was a friend of Orazio Samacchini. His style was also influenced by Giorgio Vasari and the Emilian mannerism of Parmigianino. By 1565 he was working with the studio of Giorgio Vasari in Florence, where was elected member of the Academy. Between 1566 and 1573 he was in Bologna, where he decorated the walls of several churches, including Santa Maria delle Grazie, Chiesa della Morte, San Martino Maggiore, and San Giacomo Maggiore. In 1573 he moved to Rome to work under Vasari in the Cappella Paolina (with Federico Zuccari) and Sala Regia of the Vatican, where he adopted many of the stylistic traits of Raphael's school and produced perhaps his most famous painting, ''The Triumph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Carracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space.Agostino Carracci at Getty The academy helped propel painters of the School of Bologna to prominence. Life Agostino Carracci was born in |
Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led to A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
