Informalism
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Informalism
Informalism or Art Informel is a Painting, pictorial movement from the 1943–1950s, that includes all the Abstract painting, abstract and Action painting, gestural tendencies that developed in France and the rest of Europe during the World War II, similar to United States, American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, Matterism, matter painting, Paris School, New Paris School, tachisme and art brut. The France, French art critic Michel Tapié coined the term "art autre" (other art) in the Homonym, homonymous book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the Early 1950s. Its use in the expression of political ideologies in South America during the Early 1950s was quite common, as it was seen as the main way to show support for the changing political climate. Pictorial practices Within this t ...
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Laurent Jiménez-Balaguer
Laurent Jiménez-Balaguer (14 January 1928 – 16 April 2015) Born in L’Hospitalet del Llobregat, Barcelona (Catalonia), Spain. He lived and worked in Paris. During the 1950s, he was one of the most distinguished painters of Catalan art, known for creating a private language. He belonged to the Abstract Expressionism and European Informalism. These postmodern vanguardists have been characterized by their multiculturalism, manifested in their contrasting pictorial textures, and the need to invent a new mindset. Jiménez-Balaguer's purpose was to establish a framework of knowledge of the human psyche based on Ferdinand de Saussure's language model, in order to show how painting is a universal medium for the understanding of the Self. He regarded the construct of the Self as indispensable, and its visualization as vital; the human inner is neither an impalpable, untouchable soul nor an invisible, immaterial ego. His conception of creation and society involves him ...
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Tachisme
__NOTOC__ Tachisme (alternative spelling: Tachism, derived from the French word ''tache'', stain) is a French style of abstract painting popular in the 1940s and 1950s. The term is said to have been first used with regards to the movement in 1951.Ian Chilvers (2004''The Oxford Dictionary of Art'' Oxford University Press It is often considered to be the European response and equivalent to abstract expressionism, although there are stylistic differences (American abstract expressionism tended to be more "aggressively raw" than tachisme). It was part of a larger postwar movement known as Art Informel (or ''Informel''), which abandoned geometric abstraction in favour of a more intuitive form of expression, similar to action painting. Another name for Tachism is Abstraction lyrique (related to American Lyrical Abstraction). COBRA is also related to Tachisme, as is Japan's Gutai group. After World War II the term School of Paris often referred to Tachisme, the European equivalent of ...
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Alberto Burri
Alberto Burri (12 March 191513 February 1995; ) was an Italian visual artist, painter, sculptor, and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. He had connections with Lucio Fontana's spatialism and, with Antoni Tàpies, an influence on the revival of the art of post-war assembly in America (Robert Rauschenberg) as in Europe. Life In the “Overrated and Underrated” column published by the American art magazine ARTnews, Alberto Burri's name is often mentioned. Carolyn-Christov-Bakargiev mentioning him in the January 2005 issue for example. Alberto Burri was born on 12 March 1915 in Città di Castello, in Umbria to Pietro Burri, a tuscan wine merchant, and Carolina Torreggiani, an umbrian elementary school teacher. In 1935, Burri attended a government High school in Arezzo living as a boarder in a pension, and as his school reports noted, he studied Classics ...
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Abstract Expressionism
Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Art in Paris, Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates, it had been first used in Germany in 1919 in the magazine ''Der Sturm'', regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky. Style Technically, an important predecessor is surrealism, with its emphasis on spontaneous, Surrealist automatism, automatic, or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst, and David Alfaro Siqu ...
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Paris School
The School of Paris (french: École de Paris) refers to the French and émigré artists who worked in Paris in the first half of the 20th century. The School of Paris was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. ''School of Paris'' was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I the name was also applied to artists involved in the many collaborations and overlapping new art movements, between post-Impressionists and pointillism and Orphism, Fauvism and Cubism. In that period the artistic ferment took place in Montmartre and the well-established art scene there. But Picasso moved away, the war scattered almost everyone, by the 1920 ...
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Matterism
Matterism also known as Matter Painting () refers to a style of painting that emphasizes the material qualities of paint through heavy impasto. The style marked a return to impulses characteristic of abstract expressionism. Matterism first emerged in Paris in the 1940s in the work of Jean Dubuffet and Jean Fautrier. The style reached widespread popularity in the 1950s. See also * Informalism Informalism or Art Informel is a Painting, pictorial movement from the 1943–1950s, that includes all the Abstract painting, abstract and Action painting, gestural tendencies that developed in France and the rest of Europe during the World War ... References French art movements Painting techniques Abstract expressionism {{Painting-stub ...
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Georges Mathieu
Georges Mathieu (27 January 1921 – 10 June 2012) was a French abstract painter, art theorist, and member of the Académie des Beaux-Arts in Paris. He is considered one of the fathers of European lyrical abstraction, a trend of informalism. Biography Early life and education Mathieu was born in 1921 in Boulogne-sur-Mer. His father, Adolphe Georges Mathieu, was employed as a bank manager at Barclays. His mother, Madeleine Durpé, taught him drawing as a child. The family lived near the ramparts of the city at 38 Boulevard du Prince Albert. In 1933 Mathieu's parents divorced and he was placed in the care of his aunt at Versailles. From 1927 to 1933, he attended a variety of schools in Boulogne-sur-Mer and later in Lycée Hoche in Versailles. Thereafter, he studied English and law at the University of Lille. Mathieu obtained a position as an English teacher in 1942 at the lycée of Douai in the north of France. During the ensuing years he held several jobs, serving as an interp ...
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José Balmes
José Balmes Parramón (20 January 1927 – 28 August 2016) was a Spanish-born painter based in Chile. He received Chile's National Prize for Plastic Arts in 1999. Biography José Balmes was born in 1927 in the town of Montesquiu in Catalonia, where he spent his childhood until the Spanish Civil War broke out in 1936. Three years later, after the Nationalist victory, Balmes with his family was forced to leave Spain due to the militancy of his father, Damià Balmes, who was mayor of the town for the Republican Left of Catalonia. He traveled to Chile on the SS ''Winnipeg'', after the aid of that country's government to the Spanish Republicans. In what would become his new homeland, Balmes completed secondary education at the , and in 1943 he entered the School of Fine Arts of the University of Chile. There he had Pablo Burchard and Camilo Mori as teachers. In 1947 he obtained Chilean nationality. At the university, he interacted with other artists, including future National Ar ...
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Gracia Barrios
Gracia Barrios Rivadeneira (27 June 1927 – 28 May 2020) was a Chilean painter and the winner of the 2011 National Prize for Plastic Arts. Biography The daughter of writer Eduardo Barrios (winner of the 1946 National Prize for Literature) and pianist Carmen Rivadeneira, Gracia Barrios was interested in art from an early age. She took classes with the painter Carlos Isamitt and later, while still in school, attended evening classes at the School of Fine Arts of the University of Chile. After high school, she continued her higher education at the aforementioned university from 1944 to 1949. There she had as teachers Augusto Eguiluz, Carlos Pedraza, and Pablo Burchard, the latter having the greatest influence on her style. Barrios began her teaching career in 1953, at her alma mater, as an assistant in the drawing workshop of Carlos Pedraza. Later she assumed other positions, until 1973. During the 1960s she belonged to Grupo Signo, which broke with post-impressionism and adv ...
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Vasco Bendini
Vasco Bendini (27 February 1922 – 31 January 2015) was an Italian informalist painter. Life and career Born in Bologna, Bendini studied at the Bologna Academy of Fine Arts, under Giorgio Morandi and Virgilio Guidi. In 1956 he was invited to show his work at the 27th edition of the Venice Biennale. This was followed by two more participations, each time with a solo presentation of his work, in 1964 and 1972. After a period close to informalism, especially to the "last naturalism" theorized by , Bendini expanded his visual language to other forms, including Neo-Dada Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, a ..., Arte Povera and conceptual phases. In the late 1970s he eventually re-embraced an Informalist style in his paintings.Carlo Pirovano (cured by). "Bendini, Vasc ...
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Pierre Soulages
Pierre Jean Louis Germain Soulages (; 24 December 1919 – 26 October 2022) was a French painter, printmaker, and sculptor. In 2014, President François Hollande of France described him as "the world's greatest living artist." His works are held by leading museums of the world, and there is a museum dedicated to his art in his hometown of Rodez. Soulages is known as "the painter of black", owing to his interest in the colour "both as a colour and a non-colour. When light is reflected on black, it transforms and transmutes it. It opens a mental field all its own." He saw light as a work material; striations of the black surface of his paintings enable him to reflect light, allowing the black to come out of darkness and into brightness, thus becoming a luminous colour. Soulages produced 104 stained-glass windows for the Romanesque architecture of the Abbey Church of Sainte-Foy in Conques from 1987 to 1994. He received international awards, and the Louvre in Paris held a retrospect ...
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Willi Baumeister
Willi Baumeister (22 January 1889 – 31 August 1955) was a German painter, scenic designer, art professor, and typographer. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics. Life Born in Stuttgart in 1889, Baumeister completed an apprenticeship as a decorative painter in his native city from 1905 to 1907, followed by military service (fall 1907–1908). During his apprenticeship, Baumeister also began art studies at the Stuttgart Art Academy (Königlich Württembergische Akademie) (1905–1906), attended Robert Poetzelberger’s drawing class, and took additional lessons from Josef Kerschensteiner. In 1906 he resumed his apprenticeship and, in 1907, completed the trade test. Following his military service, Baumeister continued his studies at the art academy. Dismissed by his teacher Poetzelberger due to lack of talent, he switched into the composition class of Adolf Hölzel, with whom he studied until 1912, where he ...
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