Mary McCormic

Mary McCormic (November 11, 1889DOB is from her grave marker; the DOD listed in th
Social Security Death Index
states November 12, 1895; the grave marker is consistent with archival records, namely the 1910 US Census, which, places her DOB around 1889-1890 – February 10, 1981) was an American operatic soprano and a professor of opera at the University of North Texas College of Music (1945–1960).

Career

For more than a decade (early 1920s to late 1930s), McCormic was among the most famous sopranos in the world. She was most known for her leading roles with the Paris National Opera, the Opéra-Comique (14 years), the Monte Carlo Opera, and the Chicago Civic Opera (10 years). She spent much of 1937 touring with the Kryl Symphony Orchestra.

McCormic was born in Belleville, Arkansas. A onetime obscure Arkansas housewife, McCormic rose to stardom and enjoyed a colorful personal life — four marriages and four divorces (men of no resemblance to one another), almost a fifth, a high-dollar lawsuit defense for assaulting an unauthorized female biographer, boom and bust personal wealth, witty humor, and brush with royalty. McCormic captured world intrigue with the panache of the operas she starred in, all with the backdrop of being born at the end of the Gilded Age, growing up as a teenager during World War I, flourishing as an opera superstar through the Roaring Twenties, Prohibition, the Jazz Age, the Great Crash, and failing in her last two high-profile marriages in the throes of the Great Depression. She died, age 91, in Amarillo, Texas.

Selected singing roles

Chicago Opera Association

* 1921–1922 Season — Operatic debut as Micaela in '' Carmen.'' McCormic was a '' protégé'' of Mary Garden, who, rather than sing, debuted as General Director for what became the final year of Chicago Opera Association.
* February 1 and 8, 1922 — New York debut as Musetta in ''La Boheme'' at the Manhattan Opera House.

Chicago Civic Opera

* 1923 — Referred to as "the Cowgirl Soprano" by ''The New York Times,'' McCormic and Charles Marshall sang the leading roles in the premiere of '' The Snow Bird,'' an American one-act opera.Edward Colman Moore (1877-1935) (Moore was a music critic for the ''Chicago Daily Journal),'' ''Forty Years of Opera,'' pps. 260-261, Horace Liveright (1930), republished by Arno Press, (1977)

Paris Opera

* July 24, 1926 — McCormic was honored by receiving the title role for a special presentation of '' Romeo and Juliet'' with the Paris National Opera at the Paris Opera House in honor of Mulai Yusef, Sultan of Morocco."McCormack () as Juliet in Paris," ''New York Times,'' July 22, 1926

Opera Comique

* July 23, 1929 — Opera Comique debut, singing the title role in '' Manon''."Mary McCormic Hailed," ''New York Times,'' July 24, 1929 She and William Martin, in July 1927, earned the distinction of being the only American natives singing in leading roles with Opéra-Comique."Music in Paris,"
''Time,'' August 1, 1927 McCormic was the first American woman in 60 years to sign a long-term contract with Opera Comique."After Singing Career, Mary McCormic Enjoys Home Life," '' Amarillo Globe-Times,'' February 10, 1966, pg. 33

Artistic management

* 1924 — McCormic, early in her career, gained the artist management services of Charles L. Wagner (1869–1956), who also managed world figures that included Mary Garden, Amelita Galli-Curci, Walter Gieseking, Jussi Björling, Alexander Kipnis, and Jeanette MacDonald.
* 1938 — McCormic, later in her career, was managed by Mme. LaReine."Temperamental? Not Mary Mary McCormic – But She's Still Opera's Glamar Gal," ''Mansfield News Journal'' (Ohio), January 20, 1938, pps. 1 & 6

Early life

Born in Belleville, and reared in Dardanelle, and Ola – all three in Yell County, Arkansas – McCormic, was known growing up as Mamie Harris. Mary McCormic was one of 4 born to:
* John H. Harris ( 1860 in Forsyth, Georgia – 9 November 1946)"Harris Services This Afternoon," '' Amarillo Daily News,'' November 11, 1946, pg. 8., col 2 and wife,
* Mary Jimmie Harris (''née'' Williard; 1865 in Tennessee – 31 December 1929 in Amarillo, Texas)"Funeral for Mrs. Harris is Held Today," '' Amarillo Globe-Times,'' January 3, 1930, pg. 5., col 1
:# Odelle Crawford Harris (4 July 1886 in Belleville, Arkansas – 26 May 1950 in Amarillo, Texas)
:# Thurman Harris (died young)
:# Mamie Harris (11 November 1889 in Belleville, Arkansas – 10 February 1981 in Amarillo, Texas)
:# Williard Harris (10 February 1892 in Yell County, Arkansas – 24 March 1949 in Amarillo, Texas)"Willard Harris Dies at Age 57," '' Amarillo Daily News,'' March 25, 1949, pgs 1 & 15
:# Norborn Harris ( 1898 – 10 February 1944 in San Francisco)"Norbort Harris Dies in Railway Accident," '' Amarillo Globe-Times," February 14, 1944, pg. 3., col 2
::# Johnnie Harris (a girl, died young)

Mamie's interest in becoming an opera star began at age nine, and continued while attending Ola High School of Ola, Arkansas. She, with her family, moved to Portales, New Mexico, in 1907, then to Amarillo, Texas in 1909.

Emil Frey Myers (1886–1957) gave McCormic's her first voice lessons in Amarillo. He was the conductor the Amarillo Civic Chorus and was a major concert promoter in the Texas Panhandle. Myers, with his wife, Lila, founded the Amarillo School of Music, Inc.

McCormic's father and two brothers, Odell and Williard, built a grocery store business — "J H Harris & Sons" and "Harris Food Stores" and "Rolling Stone Stores" (as many as 10 stores located in Borger, Pampa, Dalhart and Amarillo). The business was sold in 1946, shortly before the death of the father. The father, Odell, and Williard also operated a ranch in Union County, NM, north of Clayton. The father purchased the first portion of the ranch in 1915.

During a 1914 Tri-State Fair Music Festival in Amarillo, McCormic became aware of the operatic possibilities of her voice.
Texas, a Guide to the Lone Star State
'', by Writers' Program of the Work Projects Administration in the State of Texas, Federal Writers' Project (1940), pg. 160 By way of a Methodist Choir in Chicago and a singing contest sponsored by Mary Garden, her operatic potential became known to others.
Arkansas: A Guide to the State
'' pg. 364, WPA (1941), pps. 123, 213, 364

College

McCormic studied music at Ouachita College, University of Arkansas and then, with the intention of becoming a lyric soprano, Northwestern University where she took vocal lessons."Mary McCormic to Sing at C.I.A. December 10," ''Denton Record-Chronicle,'' December 6, 1929 McCormic became a '' protégé'' of Mary Garden (1874–1967). Both McCormic and Garden had been vocal students of the renowned voice teacher Mrs. Sarah Robinson-Duff ''(née'' Robinson; 1858–1934)

Marriages

Quotes on men and marriage

Filmography

* 1933: '' Paddy the Next Best Thing''

Teaching

In 1944, Wilfred Bain, dean of the University of North Texas College of Music, recruited Mary McCormic to create and direct an Opera Workshop. McCormic transformed herself from diva to artist-in-residence educator. She founded, defined, directed, and, when necessary, defended the school's first Opera Workshop. She built the Opera Workshop from scratch – on a shoestring budget – molding it over 16 prolific years into what has become her crowning legacy that, for years, has enriched the Southwest. Wilfred Bain went down in history as one of the greatest music school deans of all time. In books and memoirs of accomplishments, Bain often tells of the hiring of Mary McCormic as one of this great accomplishments at North Texas.

The North Texas Opera Workshop was the first collegiate touring opera workshops west of the Mississippi and, at the time of its founding, was the only opera production company in existence in the Southwest. The San Antonio Grand Opera, Houston Grand Opera, Dallas Opera, Opera in the Heights and others were not yet in existence.

Through the opera workshop, McCormic pioneered an approach to opera in an era that wiped out major opera companies on the heels of the Great Depression. The new "low-cost workshop" model also offered new opportunities for composers who otherwise would never have their operas produced. And the workshop model gave hope for opera itself, when many in the world dismissed opera as a bygone luxury of the rich. The new "low cost model" also gave access in regions of the world that otherwise had little hope of having opera.

Under McCormic, the opera workshop performed locally, toured, and did broadcasts in radio and TV often with near quality of a reputable professional company.

When the Dallas Opera was founded in 1957, the UNT Opera Workshop and Vocal Studies provided a steady supply of singers for the Dallas Opera Chorus.

In 1966, McCormic retired and moved to Amarillo to make her home with her widowed sister-in-law, Mrs. Odell Harris.

The UNT Opera Workshop is an integral part of one of the most comprehensive music schools in the world; a school that, since the 1940s, has been among the largest in the country, and in recent years, holds the largest enrollment of any music institution accredited by the National Association of Schools of Music.

UNT Opera Workshop Productions

Directed by Mary McCormic

* ''The Bohemian Girl'' (1944)
* ''The Chocolate Soldier'' (Spring 1945)
* ''The Bohemian Girl'' (Summer 1945)
* '' The Stranger of Manzano'' (premier, May 1946)
* ''The Bohemian Girl'' (1946)
* ''Rigoletto'' (March 1948)
* '' Abduction from the Seraglio'' (May 1949)
* '' Daughter of the Regiment'' (Jan 1950) †
* '' Romeo and Juliet'' (1950)
* '' Otello'' (Nov 1951)
* ''La Boheme'' (Dec 1952)
* ''Faust'' (Dec 1953)
* ''HMS Pinafore'' (July 1954)
* '' Abduction from the Seraglio'' (May 1954)
* ''Die Fledermaus'' (April 1955)
* ''La Boheme'' (1955)
* '' Down in the Valley'' (1955)
* ''Trial by Jury'' (1955)
* ''The Saint of Bleecker Street'' (Summer 1955, 2nd Act)
* '' Boris Godunov'' (Summer 1955, last Act)
* ''Don Pasquale'' (Summer 1955, duets)
* '' Madama Butterfly'' (Summer 1955, duets)
* '' Pagliacci'' (1956)
* '' The Princess and the Pea'' (May 1956)
* ''La Serva Padrona'' (May 1956)
* ''La Boheme'' (Summer 1956)
* '' Down in the Valley'' (Summer 1956)
* ''Rigoletto'' (1957)
* '' Trouble in Tahiti'' (1957)
* '' Amelia Goes to the Ball'' (1957)
* '' The Impresario'' (1957)
* ''The Emperor's New Clothes'' (1957)
* '' The Marriage of Figaro'' (two casts, 1958)
* ''Faust'' (a scene, 1958)
* '' Comedy on the Bridge'' (1958)
* ''The Barber of Seville'' (excerpts, 1958)
* '' La Traviata'' (last act, 1958)
* '' Comedy on the Bridge'' (1959)
* ''Cavalleria Rusticana'' (1959)
* ''Tosca'' (1960)

* Dec 1958 — McCormic directed the first televised opera in the Southwest on WBAP-TV Fort Worth in a student production of '' Carmen''''Denton Record-Chronicle,'' November 20, 1958, pg. 4, col. 6

: † Mary Garden supervised the final ten-days of rehearsals"Mary Garden to Supervise NTex Opera," ''Denton Record-Chronicle,'' December 22, 1950

Composition dedicated to McCormic

* Blanche Robinson (Mrs. Martin Hennion Robinson) ''(née'
Williams
born May 18, 1883 near Liberty, Kansas; died August 1969 Los Angeles) composed "Love Was a Beggar" for Mary McCormic.

References

External links

: Mary is buried at Llano Cemetery, Amarillo in section D, lot 6 space 1 (February 12, 1981). By her is:
:::Pat Harris, Section D lot 6 space 1A (February 22, 1993)
:::Mary Elizabeth Harris, Section D lot 6 space 2 (February 6, 1990)
:::Willard Harris, Section D lot 6 space 2 (March 26, 1949)

McCormic's Grave Marker
an
Llano Cemetery
in Amarillo

Biography of Mary McCormic (in German)
'' Operissimo concertissimo'', Milan, Zurich

{{DEFAULTSORT:McCormic, Mary
American operatic sopranos
1889 births
1981 deaths
Chicago Civic Opera
Texas classical music
University of North Texas College of Music faculty
University of Arkansas alumni
Northwestern University alumni
People from Yell County, Arkansas
20th-century American women opera singers
Women music educators