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Comedy On The Bridge
''Veselohra na mostě (Comedy on the Bridge) is a radio opera in one act by Bohuslav Martinů to a Czech libretto by the composer, based on the comedy by Václav Kliment Klicpera and composed in 1935 in Polička.Rybka, James (2011). ''Bohuslav Martinu: The Compulsion to Compose.'' Scarecrow Press. p.198. It has later been staged successfully, in America and Czechoslovakia. The composer at this time in his career was able to explore the possibilities of new media for opera in two works composed in 1935 in response to commissions from Czechoslovak Radio: ''Hlas lesa'' (''The Voice of the Forest''), and ''Veselohra na mostě'' (''Comedy on the Bridge''). The latter's "simplicity of means and effective characterization fulfil perfectly the requirements for radio opera". Performance history The first performance was a broadcast by Czech Radio, Prague on 18 March 1937. The first staged performance was at Hunter College, New York City on 28 May 1951, which the composer attended, where th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Opera
Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. Radio operas were generally shorter than staged operas and some occupied less than fifteen minutes. Plots were usually more straightforward than those of stage operas.Lionel Salter: ''Radio'' in Sadie, vol. 3, pp. 1212-1214. The earliest radio operas were broadcast in the 1920s and followed earlier broadcasts of plays with incidental music. The first radio opera seems to have been '' The Red Pen'', composed by Geoffrey Toye to a libretto by A. P. Herbert. It was originally aired by the British Broadcasting Corporation on March 24, 1925."Broadcasting", ''The Times'', 20 March 1925, p. 6 Germany followed with Gustav Kneip's Christmas opera for children, ''Christkinds Erdenreise'' (The Christ-child's journey on Earth), 24 December 1929, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Operas
Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. Radio operas were generally shorter than staged operas and some occupied less than fifteen minutes. Plots were usually more straightforward than those of stage operas.Lionel Salter: ''Radio'' in Sadie, vol. 3, pp. 1212-1214. The earliest radio operas were broadcast in the 1920s and followed earlier broadcasts of plays with incidental music. The first radio opera seems to have been '' The Red Pen'', composed by Geoffrey Toye to a libretto by A. P. Herbert. It was originally aired by the British Broadcasting Corporation on March 24, 1925."Broadcasting", ''The Times'', 20 March 1925, p. 6 Germany followed with Gustav Kneip's Christmas opera for children, ''Christkinds Erdenreise'' (The Christ-child's journey on Earth), 24 December 1929, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Bohuslav Martinů
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Larmes Du Couteau
''Les larmes du couteau'' in Czech ''Slzy nože'' ('tears of the knife') is a 1928 opera by Bohuslav Martinů. The Gramophone - Volume 77 - Page 118 - 2000 "Les larmes du couteau is a strange surrealist piece (Eleonora is in love with a hanged man; her death - she dies only temporarily - brings him back to life, but he rejects her) but also one of Martinu's most promiscuous flirtations with 1920s modernism. A spikily lively manner, rooted in Stravinsky and his Parisian followers, is seasoned with popular idioms: foxtrots and a bluesy, Weill-ish aria for Eleonora; a nostalgic off-stage accordion gives a foretaste of Martinu's much later Julietta." Recordings *1999 - Martinu: Slzy nože - sung in Czech - Les larmes du couteau; with The Voice of the Forest 1CD Hana Jonášová, Lenka Smídová, Roman Janál, Helena Kaupová, Jaroslav Brezina, Vladimír Okénko; Chamber Choir, Prague Philharmonia Jirí Belohlávek Supraphon *2022 - Martinů: Larmes de couteau ; with Comedy on the Brid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supraphon
Supraphon Music Publishing is a Czech record label, oriented mainly towards publishing classical music and popular music, with an emphasis on Czech and Slovak composers. History The Supraphon name was first registered as a trademark in 1932. The name was used for the label of domestic albums produced for export by Ultraphon company. Post World War II Ultraphon was nationalized and changed its name to Gramofonové závody. In 1961 the name was changed to Gramofonové závody – Supraphon and later just to Supraphon in 1969. In Czechoslovakia, it was one of the three major state-owned labels, the other two being Panton and Opus. Panton is currently a division of Supraphon; Opus (operating in Slovakia) became independent after break-up of Czechoslovakia and was acquired by Warner Music Group in 2019. Catalogues The artistic direction of the firm gave rise to a broad catalogue of titles which systematically mapped out the works of Bedřich Smetana, Antonín Dvořák, Leoš J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
František Jílek
František Jílek (May 22, 1913 – September 16, 1993) was a Czech conductor, known especially for his interpretation of Leoš Janáček's works. Life Jílek began studying piano and composition as a pupil of Jaroslav Kvapil, and later studied conducting under Antonín Balatka and Zdeněk Chalabala at the Brno Conservatory. In 1937, Jílek completed his education at the Prague Conservatory, in the master class of Vítězslav Novák. From 1938 to 1949 he conducted the opera in Ostrava. In 1952, he became the principal conductor of the Janáček Opera in Brno, a position he held for 25 years. During his career Jílek frequently conducted the orchestra of the National Theatre in Prague, the Czech Philharmonic, as well as orchestras abroad. In 1978, he became the conductor of the Brno Philharmonic Orchestra. Work He conducted the complete operas of Bedřich Smetana and Leoš Janáček, and also focused on Russian and Italian operatic repertoire. The recordings of his int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Bis
''Alexandre bis'' (''Alexander Twice''; in Czech: ''Dvakrát Alexandr'') is a surrealist comic opera in one act by Bohuslav Martinů, ( H. 255), composed in 1937 to an original libretto written in French by . History The opera was intended by Martinů, who was then living in Paris, for performance at the Paris World Exhibition of 1937. However, various delays (including the intervening World War II) prevented its performance during the composer's lifetime. The opera's first performance was given at the Nationaltheater Mannheim on 18 February 1964, when it was conducted by Georg Calder. Shortly afterwards it was given its first performance in Martinů's native Czechoslovakia by the Janáček Theatre in Brno. It was first performed in America in October 2014 by Gotham Chamber Opera at the John Jay College of Criminal Justice in Manhattan. The opera is subtitled "The Tragedy of a Man who Had His Beard Cut", and the surrealist libretto is set in Paris about 1900. Although Martinů ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chant Du Monde
Le Chant du Monde is a French music publishing house. It was created in 1938 by Léon Moussinac and was supported in the beginning by classical composers Georges Auric, Arthur Honegger, Charles Koechlin, Darius Milhaud, Francis Poulenc, Albert Roussel, and conductors Roger Désormière and Manuel Rosenthal. Le Chant du Monde is particularly known worldwide for having gathered the first collection of traditional music and ethnographic recordings. It commissioned composers to transcribe French oral traditions and music alike. After World War II, the label acquired ''les Éditions sociales internationales'' and became the French editor of Russian composers Sergei Prokofiev, Dmitri Shostakovich, and Aram Khachaturian, and also the first producer of Léo Ferré, Mouloudji, Cora Vaucaire, then Colette Magny, Atahualpa Yupanqui, Uña Ramos and occasionally worked with Glenmor, Albert Marcœur, or Paolo Conte. The company merged in 1993 with Arlesian-based French distributor and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
