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Supraphon
Supraphon Music Publishing is a Czech record label, oriented mainly towards publishing classical music and popular music, with an emphasis on Czech and Slovak composers. History The Supraphon name was first registered as a trademark in 1932. The name was used for the label of domestic albums produced for export by Ultraphon company. Post World War II Ultraphon was nationalized and changed its name to Gramofonové závody. In 1961 the name was changed to Gramofonové závody – Supraphon and later just to Supraphon in 1969. In Czechoslovakia, it was one of the three major state-owned labels, the other two being Panton and Opus. Panton is currently a division of Supraphon; Opus (operating in Slovakia) became independent after break-up of Czechoslovakia and was acquired by Warner Music Group in 2019. Catalogues The artistic direction of the firm gave rise to a broad catalogue of titles which systematically mapped out the works of Bedřich Smetana, Antonín Dvořák, Leoš J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supraphon
Supraphon Music Publishing is a Czech record label, oriented mainly towards publishing classical music and popular music, with an emphasis on Czech and Slovak composers. History The Supraphon name was first registered as a trademark in 1932. The name was used for the label of domestic albums produced for export by Ultraphon company. Post World War II Ultraphon was nationalized and changed its name to Gramofonové závody. In 1961 the name was changed to Gramofonové závody – Supraphon and later just to Supraphon in 1969. In Czechoslovakia, it was one of the three major state-owned labels, the other two being Panton and Opus. Panton is currently a division of Supraphon; Opus (operating in Slovakia) became independent after break-up of Czechoslovakia and was acquired by Warner Music Group in 2019. Catalogues The artistic direction of the firm gave rise to a broad catalogue of titles which systematically mapped out the works of Bedřich Smetana, Antonín Dvořák, Leoš J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Haas Quartet
The Pavel Haas Quartet is a Czech string quartet which was founded in 2002. Their first album with the second quartets of Haas and Janáček won the 2007 ''Gramophone'' Award for Chamber music.''Gramophone'', 85:1024 (Awards 2007), p. 77 Accessed 3 February 2010. The ''Gramophone'' reviewer David Fanning described their playing as "streamlined but full-blooded". Their recording of the Dvořák String Quartets Op. 106 & [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Šejna
Karel Šejna (1 November 1896, Zálezly – 17 December 1982, Prague) was a Czech double bassist and conductor, the principal conductor of the Czech Philharmonic Orchestra in 1950. Life and career Šejna's musical studies were at the Prague Conservatory under Professor Černý (double-bass, 1914–20) and later with K. B. Jirák (composition). As a young man he gave several concerts in Egypt, and on his return to Czechoslovakia in 1921 he was appointed the first double-bassist of the Czech Philharmonic Orchestra, and shortly after (on 25 July 1922) also conducted the orchestra at a concert in Žofín Palace in Prague. Some compositions including a song-cycle and a string quartet date from this time. He began to conduct on recommendation of the principal conductor of the Czech Philharmonic of that time, Václav Talich. Talich gradually entrusted him with more difficult tasks, and later recommended him to the post of conductor of the Czechoslovak Railway Workers Symphony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Ančerl
Karel Ančerl (11 April 1908 – 3 July 1973) was a Czechoslovak conductor and composer, renowned especially for his performances of contemporary music and for his interpretations of music by Czech composers. Ančerl was born into a prosperous Jewish family in the village of Tučapy in southern Bohemia. After graduating from the Prague Conservatory, he pursued his conducting studies under Hermann Scherchen and Václav Talich. He was the assistant conductor at the Munich premiere of Alois Hába's quarter-tone opera ''Mother'' (1931) and conducted the orchestra of the avant-garde theatre ''Osvobozené divadlo'' in Prague (1931–1933). Conducting work for Czechoslovak radio was interrupted by World War II which resulted in his being imprisoned with his family in the Theresienstadt concentration camp in 1942 and then sent to Auschwitz in 1944. Unlike his wife and young son, Ančerl survived Auschwitz. After the war, Ančerl conducted for Radio Prague until 1950, when he becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mackerras
Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra. He also specialized in Czech music as a whole, producing many recordings for the Czech label Supraphon. Early life and education Mackerras was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin. His father was an electrical engineer and a Quaker. Mackerras grew up in a very musical family and his mother was immensely cultured. In 1928, when Charles was aged two, the family returned to Sydney, Australia. They initially lived in the suburb of Rose Bay, and in 1933 they moved to the then semi-rural suburb of Turramurra. Mackerras was the eldest of seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ida Haendel
Ida Haendel, (15 December 19281 July 2020) was a Polish-British-Canadian violinist. Haendel was a child prodigy, her career spanning over seven decades. She also became an influential teacher. Early career Born in 1928 to a Polish Jewish family in Chełm, Poland, her talents were evident when she picked up her sister's violin at the age of three. Major competition wins paved the way for success. Performing the Beethoven Violin Concerto, she won the Warsaw Conservatory's Gold Medal and the first Bronislaw Huberman, Huberman Prize in 1933, at 5 years old. At the age of seven she competed against towering virtuosos such as David Oistrakh and Ginette Neveu to become a laureate of the first Henryk Wieniawski Violin Competition in 1935. These accolades enabled her to study with the esteemed pedagogues Carl Flesch in London and George Enescu in Paris. During World War II she played in factories and for British and American troops and performed in Myra Hess's National Gallery concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Václav Talich
Václav Talich (; 28 May 1883, Kroměříž – 16 March 1961, Beroun) was a Czech violinist and later a musical pedagogue. He is remembered today as one of the greatest conductors of the 20th century, the object of countless reissues of his many recordings. Life Born in Kroměříž, Moravia, he started his musical career in a student orchestra in Klatovy. From 1897 to 1903 he studied violin with Otakar Ševčík at the Prague Conservatory, and later became the concertmaster of the Berlin Philharmonic for the 1903–04 season; he was so fascinated by the chief conductor Arthur Nikisch that he decided to become a conductor, studying conducting with Nikisch in Leipzig. He first conducted in Tbilisi in 1906, and his first conducting post was in Ljubljana with the Slovenian Philharmonic. He then went to Plzeň, where he conducted opera from 1912 to 1915. From 1915 to 1918 he was the violist of the Bohemian Quartet (later called Czech Quartet). Talich's career with the Czech P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saša Večtomov
Saša Večtomov (12 December 1930 – 29 December 1989) was a Czechoslovak cellist and music pedagogue. Biography Večtomov first studied piano and cello with his father, cellist/composer Ivan Večtomov (1902–81), a soloist in the Czech Philharmonic. He continued at Prague Conservatory under the tutelage of his father, and later at the Academy of Performing Arts in Prague alongside and under cellist/pedagogue . He then pursued his graduate studies at Moscow Conservatory under until 1957, and master classes at Accademia Musicale Chigiana under French cellist André Navarra. In 1951, together with Josef Suk (violin) and Jiří Hubička (piano), Večtomov established the concert ensemble Suk Trio. In 1956 he took over from Miloš Sádlo playing cello in the Czech Trio, in which he continued to perform concerts and record until his death 33 years later. He recorded many works on LP and CD as a solo performer, as well as for radio and television broadcasts. He also performe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panton Records
Panton Records or PANTON was a Czechoslovak and later Czech record label and music publishing house of the Czech Music Fund, founded in 1968. In Czechoslovakia, it was one of the three major state-owned labels, the other two being Supraphon and Opus. Panton specialized primarily in publishing contemporary classical sheet music. The company was active until the mid-1990s, after which its musical catalogue moved to Supraphon. at discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the la ...
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Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his '' Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a model. He was prolific, quickly composing chamber, orchestral, choral and instrumental w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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