Jussi Björling
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Jussi Björling
Johan Jonatan "Jussi" Björling ( , ; 5 February 19119 September 1960) was a Swedish tenor. One of the leading operatic singers of the 20th century, Björling appeared for many years at the Metropolitan Opera in New York City and less frequently at the major European opera houses, including the Royal Opera House in London and La Scala in Milan. He sang the Italian, French and Russian opera repertory with taste. Early life Björling (surname also spelled as "Bjoerling" and "Bjorling" in English-language sources) was born in Stora Tuna, Borlänge, Dalarna, Sweden, in February 1911. The midwife's register shows he was born on 5 February, but the church baptism records erroneously show 2 February, and that was the day on which he celebrated his birthday throughout his whole life. He was known throughout his life by the name Jussi, which he received as a child from his Finnish-born grandmother (Henrika Matilda Björling née Lönnqvist, b. 1844 Pori, d. 1918 Borlänge). His father, D ...
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WikiProject Classical Music/Style Guidelines
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ...
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Saul Og David
Saul (; he, , ; , ; ) was, according to the Hebrew Bible, the first monarch of the United Kingdom of Israel. His reign, traditionally placed in the late 11th century BCE, supposedly marked the transition of Israel and Judah from a scattered tribal society to organized statehood. The historicity of Saul and the United Kingdom of Israel is not universally accepted, as what is known of both comes from the Hebrew Bible. According to the text, he was anointed as king of the Israelites by Samuel, and reigned from Gibeah. Saul is said to have died by suicide when he "fell on his sword" during a battle with the Philistines at Mount Gilboa, in which three of his sons were also killed. The succession to his throne was contested between Ish-bosheth, his only surviving son, and David, his son-in-law; David ultimately prevailed and assumed kingship over Israel and Judah. Biblical account The biblical accounts of Saul's life are found in the Books of Samuel: House of King Saul According to ...
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La Fanciulla Del West
''La fanciulla del West'' (''The Girl of the West'') is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the 1905 play '' The Girl of the Golden West'' by the American author David Belasco. ''Fanciulla'' followed ''Madama Butterfly'', which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. ''Fanciulla'' displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910. Neve ...
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Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ...
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Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ...
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La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ...
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Hjördis Schymberg
Hjördis Gunborg Schymberg (April 24, 1909 – September 8, 2008) was a Swedish coloratura and lyric soprano active on the opera stage and in concert halls between 1934 and 1968. One of the leading singers of the Royal Swedish Opera, she was awarded the title of '' Hovsångerska'' (Court Singer) in 1943, and in her later years became a distinguished voice teacher. Biography Hjördis Schymberg was born on the island of Alnön on April 24, 1909, the fourth of five musically talented sisters. Her father worked in the local lumber mill and her mother was a seamstress. As a child, she played both the violin and piano and sang with the Gustavsberg children's orchestra. She and her sisters also sang in cafes and performed music to accompany silent films.Östlund (2009) At the age of 16, she had her own radio program, ''Tant Hjördis sjunger med barnen'' (Aunt Hjördis sings with children), but it was not until 1929 that she began formal vocal training with Brita von Vegesack. Three year ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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L'Africaine
''L'Africaine'' (''The African Woman'') is an 1865 French ''grand opéra'' in five acts with music by Giacomo Meyerbeer and a libretto by Eugène Scribe. Meyerbeer and Scribe began working on the opera in 1837, using the title ''L'Africaine'', but around 1852 changed the plot to portray fictitious events in the life of the Portuguese explorer Vasco da Gama and introduced the working title ''Vasco de Gama'', the French version of his name. The copying of the full score was completed the day before Meyerbeer died in 1864. The opera was premiered the following year by the Paris Opéra in a version made by François-Joseph Fétis, who restored the earlier title, ''L'Africaine''. The Fétis version was published and was used for subsequent performances until 2013, when some productions and recordings began using Meyerbeer's preferred title, ''Vasco de Gama'', for performing versions with revisions based on the manuscript score. In 2018 the music publisher Casa Ricordi, Ricordi issued a ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Mignon
''Mignon'' is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's " The Dead" (''Dubliners'') and Willa Cather's '' The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. Performance history The first performance was at the Opéra-Comique in Paris on 17 November 1866. The piece proved popular: more than 100 performances took place by the following July, the 1,000th was given there on 13 May 1894, and the 1,500th on 25 May 1919. The opera was also adapted and translated into German for performance in Berlin with Madame Lucca as Mignon. Lucca was well received, but the German critics were unhappy with the opera's alterations to the Goethe original, so Thomas composed a shor ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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