List of book arts centers

This is a list of book arts centers worldwide. These are university based programs, community programs, galleries, and museum collections, which focus on books arts, including bookbinding, book design, and the artistic medium known as artists books, all as distinct from the writing or publishing of books.

United States

Alabama

* In 1985, University of Alabama in Tuscaloosa, Alabama began to offer a master's degree in the book arts in the School of Library and Informational Studies. It emphasizes making books by hand.
* Edith Frohock taught book arts at University of Alabama at Birmingham. Frohock specialized in painting, printmaking and artist's books and was the first instructor to teach books as art in the South. Mary Ann Sampson credits Frohock for steering her in the direction of book arts.
* Space One Eleven in Birmingham, Alabama is a not-for-profit under the direction of Anne Arrasmith and Peter Prinz. The organization has exhibited books as art on numerous occasions including the work of Larry Gens Anderson, Pinky Bass, Jon Coffelt, Edith Frohock, Anne Howard, Joni Mabe, Mary Ann Sampson, David Sandlin, Joel Seah and Marie Weaver among many others who have worked in book arts.
* Agnes 1992–2001 was the first commercial gallery to show book arts in the South and one of only a handful in the country. During its eight years, the gallery, owned by Shawn Boley, Jon Coffelt and Janet Hughes exhibited the work of many noteworthy book artists including Sara Garden Armstrong, Pinky Bass, Mare Blocker, Elisa Bryan, Denise Carbone, Al Edwards
Susan Hensel
Jenny Holzer, Davi Det Hompson, Lee Isaacs, Sally Johnson, Susan E. King, Jim Koss, Ruth Laxson, Miranda Maher, Emily Martin, Vicki Ragan, Tut Altman Riddick, Anita Ronderos, Jessica Rosner, Ed Ruscha, David Sandlin, Claire Jeanine Satin and Joel Seah.
* OEO Press founded by Mary Ann Sampson. After studying bookmaking at UAB with Edith Frohock, Sampson says she was steering into a career in artist's books. Her press is located in Ragland, Alabama and continues to produce limited edition fine art books.

California

* The CODEX Foundation, founded in 2005 by Peter Rutledge Koch and Susan Filter, and located in Berkeley. They hold the CODEX International Symposium and Artists' Book Fair every two years in early February, on the odd year. It is the largest artists' book fair in the world with over 300 artists coming from more than 26 countries. The Codex Foundation exists to preserve and promote the contemporary hand-made book as a work of art in the broadest possible context and to bring to public recognition the artists, the craftsmanship, and the rich history of the civilization of the book.

* The San Francisco Center for the Book was founded by Mary Austin and Kathleen Burch in 1996 and was the first Center of its kind on the West Coast. SFCB maintains a 6,358 square foot facility that houses a large print studio, book bindery, and classroom and administrative space. SFCB offers four to five book arts-related exhibitions each year, focused on artist's books, design bindings, fine press books, artist retrospectives, and private collections among other topics. Its workshop program presents 325 letterpress printing, bookbinding, and related arts workshops to nearly 2,000 students annually. SFCB is also home to the annual Roadworks Steamroller Printing Festival, a local artist/vendor street festival that celebrates printing by using the road surface as a printing bed and antique steamrollers as presses for large-scale linocut prints. Attendance at this street festival tops 3,000.
* The Los Angeles art scene (see: Art in the Greater Los Angeles Area) is considered one of the founding homes of the artist's book. "Twenty-Six Gasoline Stations", created by Ed Ruscha in 1964 is one of the first artist's books. The Athenaeum Music & Arts Library in La Jolla has a large collection of artists' books, focusing on conceptual artists' books, and those created by California artists and presses. The library holds the complete collection of Ruscha's conceptual artist's books created during the 1960s and 70s.
* The Women's Graphic Center, at the Woman's Building, was founded in 1973, for women artists to create artist's books. Exhibitions were held there. The center closed in 1991. The Lab Press was founded in the 1970s by Woman's Building co-founder Sheila Levrant de Bretteville to teach printing and the making of books.
* The Otis College of Art and Design began collecting and exhibiting artists' books in the 1960s.

Florida

* Florida Atlantic University's Wimberly Library is home to th
Jaffe Center for Book Arts
which revolves around a collection of books as aesthetic objects focused on artists' books and limited editions. In 1998, Arthur and Mata Jaffe donated their collection of 2,800 books to FAU and the Jaffe Collection opened in 2000. Since then, the collection has grown to over 6,000 cataloged materials, as well as thousands more yet to be cataloged. In 2007, an expanded Jaffe Center for Book Arts opened; it included a letterpress studio, book bindery and paper making lab. In 2011, poet and artist Helen M. Salzberg established JCBA's Artist in Residence (AIR) program which funds two residencies each academic year. The AIRs produce creative works utilizing JCBA facilities. They also teach workshops and provide mentoring opportunities to FAU students and staff. JCBA is based at a university, but the center's programming is community-based: JCBA offers workshops and presents educational book arts programming (as well as intimate concerts, films and other book art related events) for the students and faculty of FAU as well as the broader community.
* The University of Florida in Gainesville, FL has a small collection o
book arts
in the Harold and Mary Jean Hanson Rare Book Collection, including engraving proofs from William Morris, engraved wood blocks by Eric Gill, and letterpress books by Julie Chen (book artist). In addition, undergraduate and graduate courses in book arts and letterpress are offered in the University of Florida College of the Arts.

Georgia

* Nexus Press, in Atlanta, was a major publisher of artists books. Founded in 1978 by Michael Goodman and Gary Lee Super, Nexus Press encouraged artists to make books as original works of art. Nexus Press was one of the few artists book publishing centers that provided artists with access to offset lithography as a creative process. Though the press also had letterpress equipment, it never was a center for fine print production. It was a center for experimental book production and produced more than 150 titles, including I Want to Take Picture, by Bill Burke. The Atlanta Contemporary Art Center suspended all Nexus Press operations in 2003.

Illinois

* The Columbia College Chicago Center for Book and Paper Arts, founded in 1994, offers a wide range of classes in papermaking, bookbinding, and printing, in addition to an active exhibition program, artists' residencies, and a lecture series. The center is also home to th
Interdisciplinary Arts MFA
i

a graduate program focused on using the book arts in the production of contemporary art.

The Joan Flasch Artists' Book Collection
which is housed within th
John M. Flaxman Library
at the School of the Art Institute of Chicago, is a large collection of artists' books. Click her

to access the collection online. International in scope, the collection is strongest in works by American and European artists with work dating from the early 1960s to the present. In addition to over 4,000 artists' books, periodicals and multiples, the collection also houses reference materials to support the study of artists' books, various archives related to the field, and an extensive array of exhibition catalogs as works of art, pamphlets, and other ephemera. Anyone is welcome to visit the artists' book collection; all items may be viewed in the study room only. Hours of access vary slightly by semester.

Iowa

* Th
University of Iowa Center for the Book
is a research program dedicated to the past, present, and future of the book. Located in the University of Iowa Graduate College, the Center integrates practice in the art of the book with study of the book in society. The center offers curricula in the arts of printing, binding, papermaking, and calligraphy, in the history and culture of books as a field of study, and in the expressive power of the book form. The center hosts visiting lectures and workshops with book scholars and artists, including the annual Brownell Lecture on the History of the Book and Mitchell Lecture on the Arts of the Book.
* The center offers a Master of Fine Arts in the Book Arts, as well as a Graduate Certificate, which can be pursued alongside a master's or doctoral degree in another department. The UICB also offers a joint degree with the School of Library and Information Sciences and affiliates with book scholars in UI departments and programs such as History, English, Journalism and Communication Studies, Religious Studies, the Writers' Workshop, and American Studies.
* In 2015, the Center entered a joint publishing project with University of Iowa Press, the University of Iowa Press called Impressions: Studies in the Art, Culture, and Future of Books, edited by Matthew P. Brown. The series invites works that attend to the changing meanings of authorship, publication, and reading and that explain the shifting valences of print, image, speech, script, and screen.

Maryland

* Th
Book Arts Conservatory
http://www.bookarts.us/index.html], a fine hand bindery and studio gallery. Book Arts is the culmination of the collective efforts of gifted American and Florentine bookbinders, conservators, book artists, letterpress printers and leather craftsmen. Inspired by the classic Florentine atelier and a 100 year old legacy, Book Arts coalesces a life-time of experience to make available timeless products, and uncompromising services employing the arts of fine binding. Specialties include hand tooling in genuine gold, fine leather bound editions, and bespoke presentation bindings. Works are accessioned across the globe into presidential and royal palace collections, and prominent museums.

Michigan

* The Kalamazoo Book Arts Center was founded in 2005 by artists and writers with a passion for book arts. Their vision is now a creative public space where artists and book enthusiasts of all kinds gather to collaborate and celebrate books and the many arts that inform them: papermaking, printmaking, letterpress, creative writing, and bookbinding. The KBAC provides workshops for children and adults, monthly exhibitions, and the Poets in Print reading and broadside series

Minnesota

* Minnesota Center for Book Arts in Minneapolis is the nation's largest and most comprehensive book arts center, offering extensive programs in papermaking, binding, printing, and other book-related art forms. The center has a large gallery space and sponsors a number of artist programs, including residencies, fellowships, and lecture series. In addition, educational opportunities are offered to both youth and adult learners through classes, tours, workshops and onsite visits.
* Susan Hensel Gallery is the home of "A Reader's Art", a long running survey show of artists books. Minneapolis, Minnesota. The mission for ''Susan Hensel Gallery'' is art, story and activism, bringing together artists working in all media in the service of story.

Mississippi

Mississippi Art Colony
The colony, established in 1948 is one of the oldest continuing artists colonies in the United States. Notable instructors are Edith Frohock who taught book arts as well as, Larry Gens Anderson, Frances de LaRosa, Moe Brooker, Howard Goodson, Fred Mitchell (artist), Shirley Romer
Alvin Sella
Barbara Gallagher, Auseklis Ozols, Johnnie Winona Ross and Hugh Williams.

New Hampshire

* The International School of Typography & Letters a
Golgonooza Letter Foundry & Press
holds classes and workshop retreats in Letterpress Printing, Typographic design, and the Book Arts as well as having a focus on the transformative effect of craft on creativity and process in art and music. Formed in 2013, after 30 years of making books as Golgonooza Letter Foundry & Press, the school offers ongoing internships to students. Julia Ferrari established the school after the loss of her partner, Dan Carr (punch cutter, poet, and type designer) in 2012.

New Jersey

* Rutgers, The State University of New Jersey has several significant programs that support artists' books. The Brodsky Center (formerly, Rutgers Center for Innovative Print and Paper), in New Brunswick, New Jersey