Lindsay Schoolcraft

Cradle of Filth are an English extreme metal band formed in Suffolk in 1991. The band's musical style evolved originally from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic metal and other metal genres. Their lyrical themes and imagery are heavily influenced by Gothic literature, poetry, mythology and horror films. The band consists of its founding member, vocalist Dani Filth, drummer Martin 'Marthus' Škaroupka, bassist Daniel Firth, guitarists Marek 'Ashok' Šmerda and Donny Burbage, and keyboardist Zoe Marie Federoff.

The band has broken free from its original niche by courting mainstream publicity. This increased accessibility has brought coverage from the likes of ''Kerrang!'' and MTV, along with frequent main stage appearances at major festivals such as Ozzfest, Download and even the mainstream Sziget Festival. They have sometimes been perceived as Satanic by casual observers, even though their outright lyrical references to Satanism are few and far between; their use of Satanic imagery has arguably always been more for shock value than any seriously held beliefs.

History

Early years (1991–1996)

Cradle of Filth's first three years saw three demos (''Invoking the Unclean'', ''Orgiastic Pleasures Foul'' and ''Total Fucking Darkness'') recorded amidst the sort of rapid line-up fluctuations that have continued ever since, with the band having more than thirty musicians in its history. An album entitled ''Goetia'' was recorded prior to the third demo and set for release on Tombstone Records, but all tracks were wiped when Tombstone went out of business and the band could not afford to buy the recordings from the studio. The band eventually signed to Cacophonous Records, and their debut album, ''The Principle of Evil Made Flesh'', was Cacophonous's first release in 1994. A step-up in terms of production from the rehearsal quality of most of their demos, the album was still nevertheless a sparse and embryonic version of what was to come, with lead singer Dani Filth's vocals in particular bearing little similarity to the style he was later to develop. The album was well-received however, and as recently as June 2006 found its way into ''Metal Hammer'''s list of the top ten black metal albums of the last twenty years.

Cradle's relationship with Cacophonous soon soured, the band accusing the label of contractual and financial mismanagement. Acrimonious legal proceedings took up most of 1995, and the original version of the band's second album, '' Dusk... and Her Embrace'' was recorded by the ''Principle...'' lineup for Cacophonous but scrapped. Subsequently re-worked with new band members for Music For Nations (see below), the embryonic Cacophonous version was eventually released as ''Dusk... and Her Embrace: The Original Sin'' in July 2016.

The band finally signed to Music for Nations in 1996 after only one more contractually obligated Cacophonous recording: the EP ''V Empire or Dark Faerytales in Phallustein'', which, it has since been conceded, was hastily written as a Cacophonous escape-plan. Despite the circumstances of its release however, its handful of tracks are staples of the band's live sets to this day, and "Queen of Winter, Throned" was listed among twenty-five "essential extreme metal anthems" in a 2006 issue of ''Kerrang!'' magazine. The EP also marked Sarah Jezebel Deva's debut with the band, replacing Andrea Meyer, Cradle's first female vocalist and self-styled "satanic advisor". Deva appeared on every subsequent Cradle release and tour until 2010's ''Darkly, Darkly, Venus Aversa'', but was never considered a full band member, since she also performed with The Kovenant, Therion and Mortiis, and fronted her own Angtoria project along with Cradle's former bass guitar player, Dave Pybus.

Music for Nations era (1996–2001)

The re-worked and re-recorded '' Dusk... and Her Embrace'' followed the same year: a critically acclaimed breakthrough album that greatly expanded the band's fan-base throughout Europe and the rest of the world. Cradle's inaugural album for Music for Nations set the tone for what was to follow. The album's production values matched the band's ambition for the first time, whilst Filth's vocal gymnastics were at their most extreme.

The increasingly theatrical stage shows of the 1997 European tour helped keep Cradle in the public eye, as did a burgeoning line of controversial merchandise, not least the notorious T-shirt depicting a masturbating nun on the front and the slogan "Jesus is a cunt" in large letters on the back. The T-shirt is banned in New Zealand, a handful of fans have faced court appearances and fines for wearing the shirt in public, and some band members themselves attracted a certain amount of hostile attention when they wore similar "I Love Satan" shirts to the Vatican. Alex Mosson, the Lord Provost of Glasgow from 1999 to 2003, called the shirts (and by implication the band) "sick and offensive". The band obviously approved, using the quote on the back cover of the 2005 DVD ''Peace Through Superior Firepower''.

In 1998, Filth began his long-running "Dani's Inferno" column for ''Metal Hammer'', and the band appeared in the BBC documentary series ''Living with the Enemy'' (on tour with a fan and his disapproving mother and sister) and released its third studio album, '' Cruelty and the Beast''. A fully realised concept album based on the legend of the "Blood Countess" Elizabeth Báthory, the album boasted the casting coup of Ingrid Pitt providing guest narration as the Countess; a role she first played in Hammer Film Productions' 1971 film '' Countess Dracula''. The album led to Cradle's US debut, and Dani claimed it in 2003 as the Cradle album of which he was most proud, although he conceded dissatisfaction with its sound quality.

The following year the band continued primarily to tour, but did release the EP ''From the Cradle to Enslave'', accompanied by the band's first music video, which formed the centrepiece of the DVD ''PanDaemonAeon''. Replete with graphic nudity and gore, the video was directed by Alex Chandon, who would go on to produce further Cradle promo clips and DVD documentaries, as well as the full-length feature film ''Cradle of Fear''.

The band released their fourth studio album in the Autumn of 2000. '' Midian'' was based around the Clive Barker novel '' Cabal'' and its subsequent film adaptation '' Nightbreed''. Like ''Cruelty and the Beast'', ''Midian'' featured a guest narrator, this time Doug Bradley, who starred in ''Nightbreed'' but remains best known for playing Pinhead in the '' Hellraiser'' series. Bradley's line "Oh, no tears please" from the song "Her Ghost in the Fog" is a quote of Pinhead's from the first ''Hellraiser'' ("No tears, please. It's a waste of good suffering..."), and Bradley would reappear on later albums ''Nymphetamine'', ''Thornography'' and ''Godspeed on the Devil's Thunder''. The video for "Her Ghost in the Fog" received heavy rotation on MTV2 and other metal channels, and the track also found its way onto the soundtrack of the werewolf movie '' Ginger Snaps'' (it would also feature, much later, in the video game '' Brütal Legend'').

Sony interlude (2001–2004)

The longest-ever interim period between full-length Cradle albums was nevertheless a busy time for the band. ''Bitter Suites to Succubi'' was released on the band's own Abracadaver label, and was a mixture of four new songs, re-recordings of three songs from ''The Principle of Evil Made Flesh'', two instrumental tracks and a cover of The Sisters of Mercy's "No Time to Cry". Stylistically similar to ''Midian'', the collection was, at the time, unique among Cradle releases in that it featured exactly the same band members as its predecessor. Further stop-gap releases followed in the form of the " best of" package ''Lovecraft & Witch Hearts'' and the live album, ''Live Bait for the Dead''. Finally, the band (principally Dani) also found time to appear in the horror film ''Cradle of Fear'' while they negotiated their first major-label signing with Sony Music.

'' Damnation and a Day'' arrived in 2003; Sony's heavyweight funding underwriting Cradle's undiminished ambition by finally bringing a real orchestra into the studio (the 101 piece Budapest Film Orchestra including the 40 piece Choir replacing the increasingly sophisticated synthesisers of previous albums) and thus marking the band's belated gestation—for one album only—into full-blown symphonic metal. ''Damnation'' featured the band's most complex compositions to date, outran its predecessors by a good twenty minutes and produced two more popular videos: the Jan Švankmajer-influenced ''Mannequin'' and ''Babalon A.D. (So Glad for the Madness)'', based on Pier Paolo Pasolini's film ''Salò''. Roughly half the album trod the conceptual territory of John Milton's ''Paradise Lost''—showing the events of the fall of man through the eyes of Lucifer—while the remainder comprised stand-alone tracks such as the Nile tribute "Doberman Pharaoh" and the aforementioned "Babalon A. D."; a reference to Aleister Crowley. "Babalon A. D." was the first DVD-only single to reach the UK's top 40 charts, according to the '' Guinness Book of Records of British Hit Singles and Albums''. Feeling that Sony's enthusiasm quickly palled however, Cradle jumped ship to Roadrunner Records after barely a year.

Move to Roadrunner (2004–2010)

2004's ''Nymphetamine'' was the band's first full album since ''Dusk...and Her Embrace'' to not be based around any sort of overarching concept (although references to the works of H. P. Lovecraft are made more than once). Cradle's bass guitarist Dave Pybus described it as an "eclectic mix between the group's ''Damnation'' and ''Cruelty'' albums with a renewed vigour for melody, songmanship and plain fucking weirdness." ''Nymphetamine'' debuted at No. 89 on the Billboard Top 200 chart, selling just under 14,000 copies, and the band's growing acceptance by the mainstream was confirmed when the album's title track was nominated for a Grammy award. The album's track "Coffin Fodder" was referenced in an episode of the Channel 4 sit-com ''The IT Crowd'' in February 2006.

''Thornography'' was released in October 2006. According to Dani Filth, the title "represents mankind's obsession with sin and self... an addiction to self-punishment or something equally poisonous... a mania." On the subject of the album's musical direction, Filth told ''Revolver'' magazine, "I'm not saying it's 'experimental', but we're definitely testing the limits of what we can do... A lot of the songs are really rhythmical— thrashy, almost—but they're all also really catchy." A flurry of pre-release controversy saw Samuel Araya's original cover artwork scrapped and replaced in May 2006, although numerous CD booklets had already been printed with the original image. ''Thornography'' received a similar reception to ''Nymphetamine'', garnering generally positive reviews, but raising a few eyebrows with the inclusion of a cover of Heaven 17's "Temptation" (featuring guest vocals from Dirty Harry (musician), Dirty Harry), which was released as a digital single and accompanying video shortly before the album. ''Thornography'' entered the Billboard chart at No. 66, having sold nearly 13,000 copies.

Long-term drummer Adrian Erlandsson departed the band in November 2006, with the intention of devoting his energies to his two side projects, Needleye and Nemhain. The official press release from Roadrunner saw Erlandsson state "I have enjoyed my time with Cradle but it is now time to move on. I feel I am going out on a high as ''Thornography'' is definitely our best album to date". He was replaced by Martin Škaroupka.

Work on the eighth studio album, released in October 2008 as ''Godspeed on the Devil's Thunder'', began early that year following a GWAR-supported tour which took place in Russia, Ukraine, United Kingdom, Romania, Slovakia and North America. ''Godspeed'' is a concept album based around the legend of Gilles de Rais, a 15th-century French nobleman who fought alongside Joan of Arc and accumulated great wealth before becoming an Occult, occultist, sexual deviant and murderer. ''Kerrang!'' preferred the album to the "relatively weak" ''Thornography'', calling it "grandiose and epic", while ''Metal Hammer'' said it had "genuine narrative depth and emotional resonance", and ''Terrorizer (magazine), Terrorizer'' called it "cohesive, consistent and convincing". It sold 11,000 copies in its week of release, entering the Billboard 200 at No. 48.

Peaceville Records (2010–2014)

Cradle's relationship with Roadrunner came to an end in April 2010, with the announcement that the band's next album would be released by the British independent label Peaceville Records, using Cradle's own Abracadaver imprint. Dani Filth cited "the artistic restrictions and mindless inhibitions imposed by a major label" as the band's reason for going independent. Early press releases named the new album ''All Hallows Eve'', but by August 2010 the title was confirmed as ''Darkly, Darkly, Venus Aversa''. Released on 1 November 2010, it is a concept album in the same vein as its predecessor, ''Godspeed on the Devil's Thunder''; this time centring on the demon Lilith, the first wife of the biblical Adam, and also making reference to Greek mythology, Greek, Egyptian mythology, Egyptian and Sumerian religion, Sumerian mythology, the Knights Templar and the Carmelite Nuns. The label referred to it as "a dark tapestry of horror, madness and twisted sex", while Filth called its sound "creepily melodic, like Mercyful Fate or a dark Iron Maiden". ''Metal Hammer'''s Dom Lawson felt it was "another sumptuous and spectacular eruption of gothic melodrama, perverted sonic schlock and balls-out extreme metal bombast", and likened it to an "instalment in an ongoing series of novels."

An EP entitled ''Evermore Darkly'', featuring "new tracks and rarities", was released in October 2011. The package included a DVD with a tour documentary, a live DVD recorded at 2011's Graspop Metal Meeting, Graspop festival and the video for "Lilith Immaculate".

In April 2012, the compilation album ''Midnight in the Labyrinth'' was released, featuring orchestral re-recordings of songs from the band's first three albums and the ''V Empire'' EP. Dani Filth had described it in the preceding months as "reinventing" the tracks as "full soundtrack quality stuff... with choirs, strings and some narration". This album's version of "Summer Dying Fast" was included on ''Evermore Darkly'' as a teaser for the full release (the ''Evermore'' track listing subtitles this version "''Midnight in the Labyrinth'' breadcrumb trail"), and "A Gothic Romance (Red Roses for the Devil's Whore)" was released online via Peaceville's website on 4 April. Sarah Jezebel Deva returned to provide female vocals for ''Midnight in the Labyrinth''; her first work with Cradle since her departure in 2008.

In July 2012, the band re-issued its back catalogue from 1994 to 2002, via The End Records.

Cradle's tenth studio album, ''The Manticore and Other Horrors'', was released on 29 October 2012 in Europe, and on 30 October in North America. Paul Allender told Ultimate Guitar Archive, Ultimate Guitar that "The last thing we want to do is come out with another album that sounds like the last two. We decided to change direction and go back to what we used to do with the female vocals; all the strong melody lines and harmonies... I've put a lot of punk rock, punk-orientated riffs back into it again. It's really gone quite dark and pretty hardcore."

On 2 September 2013, via his monthly blog, Dani Filth announced the crowd-funded Cradle of Filth comic book, "The Curse of Venus Aversa", and "a career spanning double-disc 'best of'" compilation that is yet to be named.

In March 2014, Cradle of Filth announced the first ever commercial release of their 1993 demo ''Total Fucking Darkness''. The album arrived on CD and limited edition vinyl the following May, on the independent Mordgrimm label. It features all the tracks from the original cassette, plus previously unreleased rehearsal recordings and the sole surviving track from their abandoned ''Goetia'' album.

Nuclear Blast Records (2014–2022)

In April 2014, Paul Allender stated on his official Facebook account that he had once again left Cradle of Filth, in favour of his new band Paul Allender, White Empress. Dani Filth stated about Allender departing the band: "Paul has been enthralled [''sic''] in his own project and he could not do the tour due to personal reasons. Since then the band has grown as a unit, we were only writing as one guitarist for the last three records and we now have two very competent guitarists. Paul had a very strong opinion about doing that [writing single guitar parts], and we're a two-guitar band. So that may be one of the things that kind of opened the fissure a bit."
James McIlroy also left the band at around this point due to imminent surgery for a spinal injury. Both guitarists were replaced for upcoming tours by Marek "Ashok" Šmerda of the Czech groups Root (band), Root and Inner Fear, and Richard Shaw of English acts Emperor Chung and NG26.

On 2 April 2014, Cradle of Filth's website announced that they were working on their follow-up to ''The Manticore and Other Horrors''. Dani Filth announced that they expected a Spring 2015 release and that three songs had already been written.

On 11 November 2014 it was reported on the official Cradle of Filth Facebook page that they had signed to Nuclear Blast Records for their new album and were expected to begin recording the follow up to ''The Manticore And Other Horrors'' later the same month. In early 2015, the working title of the album was revealed as ''Hammer of the Witches'' (inspired by the 1486 Malleus Maleficarum, treatise on the prosecution of witches by Heinrich Kramer). This title was eventually confirmed as official. The album was recorded at Grindstone Studios in Suffolk, England, with a tentative initial release date of 26 June. Over 21 and 22 March the band filmed scenes for a promo video for the song "Right Wing of the Garden Triptych". The shoot was in the hangar and fire station of former U.S. military base of RAF Bentwaters, Bentwaters, with additional narrative scenes (featuring actresses in a bondage setting) filmed on a farmstead near the Imperial War Museum Duxford. The video was directed by Sam Scott-Hunter.

On 21 April 2015, the album's release date was updated to sometime in July, and the band revealed ''Hammer of the Witches'' cover artwork by the Latvian post-modernist artist Arthur Berzinsh. The album was officially released through Nuclear Blast on 10 July 2015. The subsequent world tour included the band's largest set of UK dates for eight years in late 2015, and a set of North American shows in early 2016.

On 16 June 2017 the title of their twelfth studio album was revealed as ''Cryptoriana – The Seductiveness of Decay'' and it was given an official release date of 22 September 2017 through Nuclear Blast Records.

On 10 February 2020, it was announced on the band's social media that keyboardist and vocalist Lindsay Schoolcraft had departed from the band, citing mental health reasons, as well as giving the band room to progress. In the post the band announced that a replacement had been found, but did not immediately disclose their identity. Anabelle Iratni was later announced as the new keyboard player for the band in May 2021.

The band's thirteenth album, ''Existence Is Futile (Cradle of Filth album), Existence Is Futile'', was released on 22 October 2021. A music video was released for the single "Crawling King Chaos" in advance of the album on 30 July 2021. On 4 May 2022, Dani Filth announced the departure of guitarist Richard Shaw and keyboardist Anabelle. Filth stated, "We have to respect that people have personal commitments and/or sometimes find the career choice of being in a band like Cradle of Filth a tad overwhelming". At the same time, Donny Burbage joined as the new guitarist with Zoe Marie Federoff as the new keyboard player.

Napalm Records (2022–present)

On 9 May 2022, the band announced that they had signed to Napalm Records.

Vocalist Dani Filth mentioned in August 2022 that the band had been working on a collaboration with singer Ed Sheeran since the previous year. Filth explained that Sheeran had begun recording his vocals for the collaboration, but that Sheeran's touring schedule and the birth of his child caused delays. Sheeran's interest in a collaboration with Cradle of Filth stems from listening to Cradle, Slipknot (band), Slipknot and death metal during his childhood, and wanting to release his own heavy metal music, heavy metal or extreme metal music.

Musical style and influences

Though generally classified as an extreme metal band, Cradle of Filth's musical style has been described as symphonic metal, symphonic black metal, gothic metal, symphonic death metal, gothic black metal, dark metal, and symphonic gothic metal. Though they have since distanced themselves from the genre, their early material was considered black metal, but was also compared to death metal and thrash metal.

Despite these classifications, Cradle of Filth's particular genre has provoked a great deal of discussion, and their status as a black metal band or otherwise has been in debate since near the time that the group rose to fame. The band have cited first wave black metal, acts that were heavily influential to black metal such as Bathory (band), Bathory, Celtic Frost and Mercyful Fate among their influences, but Dani Filth, in a 1998 interview for BBC Radio 5 Live, BBC Radio 5 for example, said "I use the term 'heavy metal music, heavy metal', rather than 'black metal', because I think that's a bit of a fad now. Call it what you like: death metal, black metal, any kind of metal...". Gavin Baddeley's 2006 ''Terrorizer (magazine), Terrorizer'' interview states that "few folk, the band included, call Cradle black metal these days." In a 2006 interview with ''Terrorizer'', then-guitarist Paul Allender said, "We were never a black metal band. The only thing that catered to that was the corpse paint, make-up. Even when ''The Principle of Evil Made Flesh'' came out—you look at Emperor (band), Emperor and Burzum and all that stuff—we didn't sound anything like that. The way that I see it is that we were, and still are now, an extreme metal band."

However, the band's evolving sound has allowed them to continue resisting definitive categorisation. They have collaborated on projects such as Christian Death's ''Born Again Anti-Christian'' album (on the track "Peek-a-Boo") and have even experimented outside of metal music with dance remixes – such as "Twisting Further Nails", "Pervert's Church" and "Forgive Me Father (I'm in a Trance)".

Appearing on the BBC music quiz ''Never Mind the Buzzcocks'' on 9 April 2001, Filth jokingly described Cradle's sound as "heavy funk", and in an October 2006 interview stated, "we'd rather be known as solely 'Cradle of Filth', I think, than be hampered by stupid genre barriers."

Legacy

Cradle of Filth serves as an influence for a variety of bands, including Babymetal, Dimmu Borgir, Motionless In White, Ghost (Swedish band), Ghost, The Black Dahlia Murder (band), The Black Dahlia Murder, Ice Nine Kills, Belphegor (band), Belphegor, Alestorm, Bleeding Through, and Carach Angren, as well as for Ed Sheeran.

Band members

* Dani Filth – lead vocals (1991–present)
* Martin 'Marthus' Škaroupka – drums, keyboards (2006–present)
* Daniel Firth – bass (2012–present)
* Marek 'Ashok' Šmerda – guitars (2014–present)
* Donny Burbage – guitars (2022–present)
* Zoe Marie Federoff – keyboards, female vocals (2022–present)

Discography

; Studio albums

* ''The Principle of Evil Made Flesh'' (1994)
* '' Dusk... and Her Embrace'' (1996)
* '' Cruelty and the Beast'' (1998)
* '' Midian'' (2000)
* '' Damnation and a Day'' (2003)
* ''Nymphetamine'' (2004)
* ''Thornography'' (2006)
* ''Godspeed on the Devil's Thunder'' (2008)
* ''Darkly, Darkly, Venus Aversa'' (2010)
* ''The Manticore and Other Horrors'' (2012)
* ''Hammer of the Witches'' (2015)
* ''Cryptoriana – The Seductiveness of Decay'' (2017)
* ''Existence Is Futile (Cradle of Filth album), Existence Is Futile'' (2021)

Notes

References

External links

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{{Authority control

1991 establishments in England
Cradle of Filth,
English black metal musical groups
English gothic metal musical groups
Extreme metal musical groups
Metal Blade Records artists
Music for Nations artists
Musical groups established in 1991
Musical groups from Suffolk
Obscenity controversies in music
Roadrunner Records artists
Symphonic black metal musical groups
Symphonic metal musical groups