Karateka Of Fiamme Oro

(; ; Okinawan pronunciation: ) is a martial art developed in the Ryukyu Kingdom. It developed from the indigenous Ryukyuan martial arts (called , "hand"; ''tii'' in Okinawan) under the influence of Chinese martial arts, particularly Fujian White Crane. Karate is now predominantly a striking art using punching, kicking, knee strikes, elbow strikes and open-hand techniques such as knife-hands, spear-hands and palm-heel strikes. Historically, and in some modern styles, grappling, throws, joint locks, restraints and vital-point strikes are also taught. A karate practitioner is called a .

The Empire of Japan annexed the Ryukyu Kingdom in 1879. Karate came to mainland Japan in the early 20th century during a time of migration as Ryukyuans, especially from Okinawa, looked for work in the main islands of Japan. It was systematically taught in Japan after the Taishō era of 1912–1926. In 1922, the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. In 1924, Keio University established the first university karate club in mainland Japan, and by 1932 major Japanese universities had karate clubs. In this era of escalating Japanese militarism, the name was changed from ("Chinese hand" or "Tang hand") to ("empty hand") – both of which are pronounced ''karate'' in Japanese – to indicate that the Japanese wished to develop the combat form in Japanese style. After World War II, Okinawa became (1945) an important United States military site and karate became popular among servicemen stationed there.

The martial arts movies of the 1960s and 1970s served to greatly increase the popularity of martial arts around the world, and English-speakers began to use the word ''karate'' in a generic way to refer to all striking-based Asian martial arts. Karate schools ('' dōjōs'') began appearing around the world, catering to those with casual interest as well as those seeking a deeper study of the art.

Shigeru Egami, Chief Instructor of the Shotokan dōjō, opined that "the majority of followers of karate in overseas countries pursue karate only for its fighting techniques ... Movies and television ... depict karate as a mysterious way of fighting capable of causing death or injury with a single blow ... the mass media present a pseudo art far from the real thing." Shōshin Nagamine said: "Karate may be considered as the conflict within oneself or as a life-long marathon which can be won only through self-discipline, hard training and one's own creative efforts."

On 28 September 2015 karate featured on a shortlist (along with baseball, softball, skateboarding, surfing, and sport climbing) for consideration for inclusion in the 2020 Summer Olympics. On 1 June 2016 the International Olympic Committee's executive board announced they were supporting the inclusion of all five sports (counting baseball and softball as only one sport) for inclusion in the 2020 Games.

Web Japan (sponsored by the Japanese Ministry of Foreign Affairs) claims that karate has 50 million practitioners worldwide, while the World Karate Federation claims there are 100 million practitioners around the world.

Etymology

''Karate'' was originally written as in kanji. It was changed to a homophone meaning ''empty hand'' (空手) in 1935. The original use of the word "karate" in print is attributed to Ankō Itosu; he wrote it as "唐手". The Tang Dynasty of China ended in AD 907, but the kanji representing it remains in use in Japanese language referring to China generally, in such words as "唐人街" meaning Chinatown. Thus the word "karate" was originally a way of expressing "martial art from China."

The first documented use of a homophone of the logogram pronounced ''kara'' by replacing the Chinese character meaning "Tang Dynasty" with the character meaning "empty" took place in ''Karate Kumite'' written in August 1905 by Chōmo Hanashiro (1869–1945). Sino-Japanese relations have never been very good and especially at the time of the Japanese invasion of Manchuria, referring to the Chinese origins of karate was considered politically incorrect.

Another nominal development is the addition of ''dō'' (道:どう) to the end of the word karate. ''Dō'' is a suffix having numerous meanings including road, path, route and way. It is used in many martial arts that survived Japan's transition from feudal culture to modern times. It implies that these arts are not just fighting systems but contain spiritual elements when promoted as disciplines. In this context ''dō'' is usually translated as "the way of ___". Examples include aikido, judo, kyūdō and kendo. Thus karatedō is more than just empty hand techniques. It is "The Way of the Empty Hand".

History

Okinawa

Karate began as a common fighting system known as ''te'' ( Okinawan: ti) among the Pechin class of the Ryukyuans. After trade relationships were established with the Ming dynasty of China in 1372 by King Satto of Chūzan, some forms of Chinese martial arts were introduced to the Ryukyu Islands by the visitors from China, particularly Fujian Province. A large group of Chinese families moved to Okinawa around 1392 for the purpose of cultural exchange, where they established the community of Kumemura and shared their knowledge of a wide variety of Chinese arts and sciences, including the Chinese martial arts. The political centralization of Okinawa by King Shō Hashi in 1429 and the policy of banning weapons by King Shō Shin in 1477, later enforced in Okinawa after the invasion by the Shimazu clan in 1609, are also factors that furthered the development of unarmed combat techniques in Okinawa.

There were few formal styles of ''te,'' but rather many practitioners with their own methods. One surviving example is the Motobu-ryū school passed down from the Motobu family by Seikichi Uehara. Early styles of karate are often generalized as Shuri-te, Naha-te, and Tomari-te, named after the three cities from which they emerged. Each area and its teachers had particular kata, techniques, and principles that distinguished their local version of ''te'' from the others.

Members of the Okinawan upper classes were sent to China regularly to study various political and practical disciplines. The incorporation of empty-handed Chinese Kung Fu into Okinawan martial arts occurred partly because of these exchanges and partly because of growing legal restrictions on the use of weaponry. Traditional karate ''kata'' bear a strong resemblance to the forms found in Fujian martial arts such as Fujian White Crane, Five Ancestors, and Gangrou-quan ( Hard Soft Fist; pronounced "Gōjūken" in Japanese). Many Okinawan weapons such as the sai, tonfa, and nunchaku may have originated in and around Southeast Asia.

Sakukawa Kanga (1782–1838) had studied pugilism and staff (''bo'') fighting in China (according to one legend, under the guidance of Kosokun, originator of ''kusanku kata''). In 1806, he started teaching a fighting art in the city of Shuri that he called "Tudi Sakukawa," which meant "Sakukawa of China Hand." This was the first known recorded reference to the art of "Tudi," written as 唐手. Around the 1820s Sakukawa's most significant student Matsumura Sōkon (1809–1899) taught a synthesis of ''te'' (Shuri-te and Tomari-te) and Shaolin (Chinese 少林) styles. Matsumura's style would later become the Shōrin-ryū style.

Matsumura taught his art to Itosu Ankō (1831–1915) among others. Itosu adapted two forms he had learned from Matsumura. These are ''kusanku'' and ''chiang nan''. He created the ''ping'an'' forms ("''heian''" or "''pinan''" in Japanese) which are simplified kata for beginning students. In 1901, Itosu helped to get karate introduced into Okinawa's public schools. These forms were taught to children at the elementary school level. Itosu's influence in karate is broad. The forms he created are common across nearly all styles of karate. His students became some of the most well-known karate masters, including Gichin Funakoshi, Kenwa Mabuni, and Chōki Motobu. Itosu is sometimes referred to as "the Grandfather of Modern Karate."

In 1881, Higaonna Kanryō returned from China after years of instruction with Ryu Ryu Ko and founded what would become Naha-te. One of his students was the founder of Gojū-ryū, Chōjun Miyagi. Chōjun Miyagi taught such well-known karateka as Seko Higa (who also trained with Higaonna), Meitoku Yagi, Miyazato Ei'ichi, and Seikichi Toguchi, and for a very brief time near the end of his life, An'ichi Miyagi (a teacher claimed by Morio Higaonna (1877–1948). At the age of 20 he went to Fuzhou in Fujian Province, China, to escape Japanese military conscription. While there he studied under Shū Shiwa (Chinese: ''Zhou Zihe'' 1874–1926). He was a leading figure of Chinese Nanpa Shorin-ken style at that time. He later developed his own style of Uechi-ryū karate based on the Sanchin, Seisan, and Sanseiryu kata that he had studied in China.

Japan

Gichin Funakoshi, the founder of Shotokan karate, is generally credited with having introduced and popularized karate on the main islands of Japan. In addition, many Okinawans were actively teaching, and are thus also responsible for the development of karate on the main islands. Funakoshi was a student of both Asato Ankō and Itosu Ankō (who had worked to introduce karate to the Okinawa Prefectural School System in 1902). During this time period, prominent teachers who also influenced the spread of karate in Japan included Kenwa Mabuni, Chōjun Miyagi, Chōki Motobu, Kanken Tōyama, and Kanbun Uechi. This was a turbulent period in the history of the region. It includes Japan's annexation of the Okinawan island group in 1872, the First Sino-Japanese War (1894–1895), the Russo-Japanese War (1904–1905), the annexation of Korea, and the rise of Japanese militarism (1905–1945).

Japan was invading China at the time, and Funakoshi knew that the art of Tang/China hand would not be accepted; thus the change of the art's name to "way of the empty hand." The ''dō'' suffix implies that ''karatedō'' is a path to self-knowledge, not just a study of the technical aspects of fighting. Like most martial arts practised in Japan, karate made its transition from -''jutsu'' to -''dō'' around the beginning of the 20th century. The "''dō''" in "karate-dō" sets it apart from karate-''jutsu'', as aikido is distinguished from aikijutsu, judo from jujutsu, kendo from kenjutsu and iaido from iaijutsu.

Funakoshi changed the names of many kata and the name of the art itself (at least on mainland Japan), doing so to get karate accepted by the Japanese budō organization Dai Nippon Butoku Kai. Funakoshi also gave Japanese names to many of the kata. The five ''pinan'' forms became known as ''heian'', the three ''naihanchi'' forms became known as ''tekki'', ''seisan'' as ''hangetsu'', ''Chintō'' as ''gankaku'', ''wanshu'' as ''enpi'', and so on. These were mostly political changes, rather than changes to the content of the forms, although Funakoshi did introduce some such changes. Funakoshi had trained in two of the popular branches of Okinawan karate of the time, Shorin-ryū and Shōrei-ryū. In Japan he was influenced by kendo, incorporating some ideas about distancing