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Impressionism was a 19th-century
art movement An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defin ...
characterized by relatively small, thin, yet visible brush strokes, open
composition Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...
, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
work, ''Impression, soleil levant'' (''
Impression, Sunrise ''Impression, Sunrise'' (French: ''Impression, soleil levant'') is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring ...
''), which provoked the critic
Louis Leroy Louis Leroy (1812 - 1885) was a French 19th-century printmaker, painter, and playwright. Biography He is remembered as the journalist and art critic for the French satirical newspaper ''Le Charivari'', who coined the term "impressionists" to ...
to coin the term in a
satirical Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or e ...
review published in the Parisian newspaper ''
Le Charivari ''Le Charivari'' was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, ''Le Charivari'' began publishing ...
''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that became known as
impressionist music Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject ...
and
impressionist literature Literary Impressionism is influenced by the European Impressionist art movement, many writers adopted a style that relied on associations. The Dutch Tachtigers explicitly tried to incorporate impressionism into their prose, poems, and other litera ...
.


Overview

Radicals in their time, early Impressionists violated the rules of academic painting. They constructed their pictures from freely brushed colours that took precedence over lines and contours, following the example of painters such as
Eugène Delacroix Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: Britis ...
and J. M. W. Turner. They also painted realistic scenes of modern life, and often painted outdoors. Previously,
still life A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ...
s and
portrait A portrait is a portrait painting, painting, portrait photography, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, Personality type ...
s as well as
landscapes A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p ...
were usually painted in a studio. The Impressionists found that they could capture the momentary and transient effects of sunlight by painting outdoors or ''
en plein air ''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting ...
''. They portrayed overall visual effects instead of details, and used short "broken" brush strokes of mixed and pure unmixed colour—not blended smoothly or shaded, as was customary—to achieve an effect of intense colour vibration. Impressionism emerged in France at the same time that a number of other painters, including the Italian artists known as the
Macchiaioli The Macchiaioli () were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to ...
, and
Winslow Homer Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in ...
in the United States, were also exploring ''plein-air'' painting. The Impressionists, however, developed new techniques specific to the style. Encompassing what its adherents argued was a different way of seeing, it is an art of immediacy and movement, of candid poses and compositions, of the play of light expressed in a bright and varied use of colour. The public, at first hostile, gradually came to believe that the Impressionists had captured a fresh and original vision, even if the art critics and art establishment disapproved of the new style. By recreating the sensation in the eye that views the subject, rather than delineating the details of the subject, and by creating a welter of techniques and forms, Impressionism is a precursor of various painting styles, including
Neo-Impressionism Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, ''A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginnin ...
,
Post-Impressionism Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction ag ...
, Fauvism, and
Cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
.


Beginnings

In the middle of the 19th century—a time of change, as Emperor
Napoleon III Napoleon III (Charles Louis Napoléon Bonaparte; 20 April 18089 January 1873) was the first President of France (as Louis-Napoléon Bonaparte) from 1848 to 1852 and the last monarch of France as Emperor of the French from 1852 to 1870. A nephew ...
rebuilt Paris and waged war—the
Académie des Beaux-Arts An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, ...
dominated French art. The Académie was the preserver of traditional French painting standards of content and style. Historical subjects, religious themes, and portraits were valued; landscape and still life were not. The Académie preferred carefully finished images that looked realistic when examined closely. Paintings in this style were made up of precise brush strokes carefully blended to hide the artist's hand in the work. Colour was restrained and often toned down further by the application of a golden varnish. The Académie had an annual, juried art show, the
Salon de Paris The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art ...
, and artists whose work was displayed in the show won prizes, garnered commissions, and enhanced their prestige. The standards of the juries represented the values of the Académie, represented by the works of such artists as
Jean-Léon Gérôme Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The ran ...
and
Alexandre Cabanel Alexandre Cabanel (; 28 September 1823 – 23 January 1889) was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to ''Diccionario Enciclopedi ...
. In the early 1860s, four young painters—
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
,
Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
,
Alfred Sisley Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedicatio ...
, and Frédéric Bazille—met while studying under the academic artist
Charles Gleyre Marc Gabriel Charles Gleyre (2 May 1806 – 5 May 1874), was a Swiss artist who was a resident in France from an early age. He took over the studio of Paul Delaroche in 1843 and taught a number of younger artists who became prominent, including H ...
. They discovered that they shared an interest in painting landscape and contemporary life rather than historical or mythological scenes. Following a practice—pioneered by artists such as the Englishman
John Constable John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedha ...
— that had become increasingly popular by mid-century, they often ventured into the countryside together to paint in the open air. Their purpose was not to make sketches to be developed into carefully finished works in the studio, as was the usual custom, but to complete their paintings out-of-doors. By painting in sunlight directly from nature, and making bold use of the vivid synthetic pigments that had become available since the beginning of the century, they began to develop a lighter and brighter manner of painting that extended further the
Realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
of
Gustave Courbet Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and t ...
and the
Barbizon school The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name ...
. A favourite meeting place for the artists was the Café Guerbois on Avenue de Clichy in Paris, where the discussions were often led by
Édouard Manet Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born ...
, whom the younger artists greatly admired. They were soon joined by Camille Pissarro,
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...
, and Armand Guillaumin. During the 1860s, the Salon jury routinely rejected about half of the works submitted by Monet and his friends in favour of works by artists faithful to the approved style. In 1863, the Salon jury rejected Manet's ''The Luncheon on the Grass'' ''( Le déjeuner sur l'herbe)'' primarily because it depicted a nude woman with two clothed men at a picnic. While the Salon jury routinely accepted nudes in historical and allegorical paintings, they condemned Manet for placing a realistic nude in a contemporary setting. The jury's severely worded rejection of Manet's painting appalled his admirers, and the unusually large number of rejected works that year perturbed many French artists. After Emperor Napoleon III saw the rejected works of 1863, he decreed that the public be allowed to judge the work themselves, and the
Salon des Refusés The Salon des Refusés, French for "exhibition of rejects" (), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863. Today, b ...
(Salon of the Refused) was organized. While many viewers came only to laugh, the Salon des Refusés drew attention to the existence of a new tendency in art and attracted more visitors than the regular Salon. Artists' petitions requesting a new Salon des Refusés in 1867, and again in 1872, were denied. In December 1873,
Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
,
Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Re ...
,
Pissarro Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). H ...
,
Sisley Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedicatio ...
, Cézanne, Berthe Morisot,
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
and several other artists founded the ''Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs'' ("Cooperative and Anonymous Association of Painters, Sculptors, and Engravers") to exhibit their artworks independently. Members of the association were expected to forswear participation in the Salon. The organizers invited a number of other progressive artists to join them in their inaugural exhibition, including the older
Eugène Boudin Eugène Louis Boudin (; 12 July 18248 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summa ...
, whose example had first persuaded Monet to adopt ''plein air'' painting years before. Another painter who greatly influenced Monet and his friends,
Johan Jongkind Johan Barthold Jongkind (3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism. Biography Jongkind was born in the town of Lattro ...
, declined to participate, as did Édouard Manet. In total, thirty artists participated in their first exhibition, held in April 1874 at the studio of the photographer
Nadar Gaspard-Félix Tournachon (5 April 1820 – 20 March 1910), known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloon (aircraft), balloonist, and proponent of Aircraft#Heavier-than-air – aerodynes, h ...
. The critical response was mixed. Monet and Cézanne received the harshest attacks. Critic and humorist
Louis Leroy Louis Leroy (1812 - 1885) was a French 19th-century printmaker, painter, and playwright. Biography He is remembered as the journalist and art critic for the French satirical newspaper ''Le Charivari'', who coined the term "impressionists" to ...
wrote a scathing review in the newspaper ''Le Charivari'' in which, making wordplay with the title of Claude Monet's ''
Impression, Sunrise ''Impression, Sunrise'' (French: ''Impression, soleil levant'') is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring ...
'' ''(Impression, soleil levant)'', he gave the artists the name by which they became known. Derisively titling his article " The Exhibition of the Impressionists", Leroy declared that Monet's painting was at most, a sketch, and could hardly be termed a finished work. He wrote, in the form of a dialogue between viewers, :"Impression—I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it ... and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape." The term ''Impressionist'' quickly gained favour with the public. It was also accepted by the artists themselves, even though they were a diverse group in style and temperament, unified primarily by their spirit of independence and rebellion. They exhibited together—albeit with shifting membership—eight times between 1874 and 1886. The Impressionists' style, with its loose, spontaneous brushstrokes, would soon become synonymous with modern life. Monet, Sisley, Morisot, and Pissarro may be considered the "purest" Impressionists, in their consistent pursuit of an art of spontaneity, sunlight, and colour. Degas rejected much of this, as he believed in the primacy of drawing over colour and belittled the practice of painting outdoors. Renoir turned away from Impressionism for a time during the 1880s, and never entirely regained his commitment to its ideas. Édouard Manet, although regarded by the Impressionists as their leader, never abandoned his liberal use of black as a colour (while Impressionists avoided its use and preferred to obtain darker colours by mixing), and never participated in the Impressionist exhibitions. He continued to submit his works to the Salon, where his painting ''Spanish Singer'' had won a 2nd class medal in 1861, and he urged the others to do likewise, arguing that "the Salon is the real field of battle" where a reputation could be made. Among the artists of the core group (minus Bazille, who had died in the Franco-Prussian War in 1870), defections occurred as Cézanne, followed later by Renoir, Sisley, and Monet, abstained from the group exhibitions so they could submit their works to the Salon. Disagreements arose from issues such as Guillaumin's membership in the group, championed by Pissarro and Cézanne against opposition from Monet and Degas, who thought him unworthy. Degas invited
Mary Cassatt Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar De ...
to display her work in the 1879 exhibition, but also insisted on the inclusion of
Jean-François Raffaëlli Jean-François Raffaëlli (April 20, 1850 – February 11, 1924) was a French realist painter, sculptor, and printmaker who exhibited with the Impressionists. He was also active as an actor and writer. Biography Born in Paris, he was of Tusc ...
, Ludovic Lepic, and other realists who did not represent Impressionist practices, causing Monet in 1880 to accuse the Impressionists of "opening doors to first-come daubers". The group divided over invitations to
Paul Signac Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. H ...
and
Georges Seurat Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
to exhibit with them in 1886. Pissarro was the only artist to show at all eight Impressionist exhibitions. The individual artists achieved few financial rewards from the Impressionist exhibitions, but their art gradually won a degree of public acceptance and support. Their dealer,
Durand-Ruel Paul Durand-Ruel (31 October 1831, Paris – 5 February 1922, Paris) was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste ...
, played a major role in this as he kept their work before the public and arranged shows for them in London and New York. Although Sisley died in poverty in 1899, Renoir had a great Salon success in 1879. Monet became secure financially during the early 1880s and so did Pissarro by the early 1890s. By this time the methods of Impressionist painting, in a diluted form, had become commonplace in Salon art.


Impressionist techniques

French painters who prepared the way for Impressionism include the Romantic colourist
Eugène Delacroix Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: Britis ...
, the leader of the realists
Gustave Courbet Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and t ...
, and painters of the Barbizon school such as
Théodore Rousseau Étienne Pierre Théodore Rousseau (April 15, 1812December 22, 1867) was a French painter of the Barbizon school. Life Youth He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but soon displaye ...
. The Impressionists learned much from the work of
Johan Barthold Jongkind Johan Barthold Jongkind (3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism. Biography Jongkind was born in the town of Lattro ...
,
Jean-Baptiste-Camille Corot Jean-Baptiste-Camille Corot ( , , ; July 16, 1796 – February 22, 1875), or simply Camille Corot, is a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast ...
and
Eugène Boudin Eugène Louis Boudin (; 12 July 18248 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summa ...
, who painted from nature in a direct and spontaneous style that prefigured Impressionism, and who befriended and advised the younger artists. A number of identifiable techniques and working habits contributed to the innovative style of the Impressionists. Although these methods had been used by previous artists—and are often conspicuous in the work of artists such as
Frans Hals Frans Hals the Elder (, , ; – 26 August 1666) was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem. Hals played an important role in the evolution of 17th-century group ...
,
Diego Velázquez Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of th ...
,
Peter Paul Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
,
John Constable John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedha ...
, and J. M. W. Turner—the Impressionists were the first to use them all together, and with such consistency. These techniques include: * Short, thick strokes of paint quickly capture the essence of the subject, rather than its details. The paint is often applied
impasto ''Impasto'' is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provide ...
. * Colours are applied side by side with as little mixing as possible, a technique that exploits the principle of
simultaneous contrast A contrast effect is the enhancement or diminishment, relative to normal, of perception, cognition or related performance as a result of successive (immediately previous) or simultaneous exposure to a stimulus of lesser or greater value in the s ...
to make the colour appear more vivid to the viewer. * Greys and dark tones are produced by mixing
complementary colour Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose hue) by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two co ...
s. Pure impressionism avoids the use of black paint. * Wet paint is placed into wet paint without waiting for successive applications to dry, producing softer edges and intermingling of colour. * Impressionist paintings do not exploit the transparency of thin paint films (glazes), which earlier artists manipulated carefully to produce effects. The impressionist painting surface is typically opaque. * The paint is applied to a white or light-coloured ground. Previously, painters often used dark grey or strongly coloured grounds. * The play of natural light is emphasized. Close attention is paid to the reflection of colours from object to object. Painters often worked in the evening to produce ''
effets de soir ''Effets de soir'' (also called ''effets de soir et de matin'') are the effects of light caused by the sunset, twilight, or darkness of the early evening or matins. They appear frequently in works by such painters as Vincent van Gogh, Bernhard Fri ...
''—the shadowy effects of evening or twilight. * In paintings made ''
en plein air ''En plein air'' (; French for 'outdoors'), or ''plein air'' painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein air' painting ...
'' (outdoors), shadows are boldly painted with the blue of the sky as it is reflected onto surfaces, giving a sense of freshness previously not represented in painting. (Blue shadows on snow inspired the technique.) New technology played a role in the development of the style. Impressionists took advantage of the mid-century introduction of premixed paints in tin tubes (resembling modern toothpaste tubes), which allowed artists to work more spontaneously, both outdoors and indoors. Previously, painters made their own paints individually, by grinding and mixing dry pigment powders with linseed oil, which were then stored in animal bladders. Many vivid synthetic pigments became commercially available to artists for the first time during the 19th century. These included
cobalt blue Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminum(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl2O4. Cobalt blue is lighter ...
,
viridian Viridian is a blue-green pigment, a hydrated chromium(III) oxide, of medium saturation and relatively dark in value. It is composed of a majority of green, followed by blue. Specifically, it is a shade of spring green, which places the color b ...
, cadmium yellow, and synthetic
ultramarine blue Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ''ultramarinus'', literally 'beyond the sea', because the pigment was imported into Europe from mines in Afg ...
, all of which were in use by the 1840s, before Impressionism. The Impressionists' manner of painting made bold use of these pigments, and of even newer colours such as cerulean blue, which became commercially available to artists in the 1860s.Wallert, Arie; Hermens, Erma; Peek, Marja (1995)
''Historical painting techniques, materials, and studio practise: preprints of a symposium, University of Leiden, Netherlands, 26–29 June 1995''
arina Del Rey, Calif. Getty Conservation Institute. p. 159. .
The Impressionists' progress toward a brighter style of painting was gradual. During the 1860s, Monet and Renoir sometimes painted on canvases prepared with the traditional red-brown or grey ground.Stoner, Joyce Hill; Rushfield, Rebecca Anne (2012)
''The conservation of easel paintings''. London: Routledge. p. 177
. .
By the 1870s, Monet, Renoir, and Pissarro usually chose to paint on grounds of a lighter grey or beige colour, which functioned as a middle tone in the finished painting. By the 1880s, some of the Impressionists had come to prefer white or slightly off-white grounds, and no longer allowed the ground colour a significant role in the finished painting.


Content and composition

Prior to the Impressionists, other painters, notably such 17th-century Dutch painters as
Jan Steen Jan Havickszoon Steen (c. 1626 – buried 3 February 1679) was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour. Life ...
, had emphasized common subjects, but their methods of
composition Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...
were traditional. They arranged their compositions so that the main subject commanded the viewer's attention. J. M. W. Turner, while an artist of the
Romantic era Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate ...
, anticipated the style of impressionism with his artwork. The Impressionists relaxed the boundary between subject and background so that the effect of an Impressionist painting often resembles a snapshot, a part of a larger reality captured as if by chance. Photography was gaining popularity, and as cameras became more portable, photographs became more candid. Photography inspired Impressionists to represent momentary action, not only in the fleeting lights of a landscape, but in the day-to-day lives of people. The development of Impressionism can be considered partly as a reaction by artists to the challenge presented by photography, which seemed to devalue the artist's skill in reproducing reality. Both portrait and
landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the ...
paintings were deemed somewhat deficient and lacking in truth as photography "produced lifelike images much more efficiently and reliably". In spite of this, photography actually inspired artists to pursue other means of creative expression, and rather than compete with photography to emulate reality, artists focused "on the one thing they could inevitably do better than the photograph—by further developing into an art form its very subjectivity in the conception of the image, the very subjectivity that photography eliminated". The Impressionists sought to express their perceptions of nature, rather than create exact representations. This allowed artists to depict subjectively what they saw with their "tacit imperatives of taste and conscience".Sontag, Susan (1977) On Photography, Penguin, London Photography encouraged painters to exploit aspects of the painting medium, like colour, which photography then lacked: "The Impressionists were the first to consciously offer a subjective alternative to the photograph".Levinson, Paul (1997) ''The Soft Edge; a Natural History and Future of the Information Revolution'', Routledge, London and New York Another major influence was Japanese
ukiyo-e Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surfac ...
art prints (
Japonism ''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japo ...
). The art of these prints contributed significantly to the "snapshot" angles and unconventional compositions that became characteristic of Impressionism. An example is Monet's ''Jardin à Sainte-Adresse'', 1867, with its bold blocks of colour and composition on a strong diagonal slant showing the influence of Japanese prints.
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
was both an avid photographer and a collector of Japanese prints. His ''The Dance Class'' ''(La classe de danse)'' of 1874 shows both influences in its asymmetrical composition. The dancers are seemingly caught off guard in various awkward poses, leaving an expanse of empty floor space in the lower right quadrant. He also captured his dancers in sculpture, such as the ''
Little Dancer of Fourteen Years ''The Little Fourteen-Year-Old Dancer'' (French: ') is a sculpture begun c. 1880 by Edgar Degas of a young student of the Paris Opera Ballet dance school, a Belgian named Marie van Goethem. Description The sculpture is one-third life size an ...
''.


Women Impressionists

Impressionists, in varying degrees, were looking for ways to depict visual experience and contemporary subjects. Women Impressionists were interested in these same ideals but had many social and career limitations compared to male Impressionists. They were particularly excluded from the imagery of the bourgeois social sphere of the boulevard, cafe, and dance hall. As well as imagery, women were excluded from the formative discussions that resulted in meetings in those places; that was where male Impressionists were able to form and share ideas about Impressionism. In the academic realm, women were believed to be incapable of handling complex subjects which led teachers to restrict what they taught female students. It was also considered unladylike to excel in art since women's true talents were then believed to center on homemaking and mothering. Yet several women were able to find success during their lifetime, even though their careers were affected by personal circumstances – Bracquemond, for example, had a husband who was resentful of her work which caused her to give up painting. The four most well known, namely,
Mary Cassatt Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar De ...
,
Eva Gonzalès Eva Gonzalès (April 19, 1849 – May 6, 1883) was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-95), and Mar ...
,
Marie Bracquemond Marie Bracquemond (1 December 1840 – 17 January 1916) was a French Impressionist artist. She was one of four notable women in the Impressionist movement, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-1895), and Eva Gonzales (1847- ...
, and Berthe Morisot, are, and were, often referred to as the 'Women Impressionists'. Their participation in the series of eight Impressionist exhibitions that took place in Paris from 1874 to 1886 varied: Morisot participated in seven, Cassatt in four, Bracquemond in three, and Gonzalès did not participate. The critics of the time lumped these four together without regard to their personal styles, techniques, or subject matter. Critics viewing their works at the exhibitions often attempted to acknowledge the women artists' talents but circumscribed them within a limited notion of femininity. Arguing for the suitability of Impressionist technique to women's manner of perception, Parisian critic S.C. de Soissons wrote:
One can understand that women have no originality of thought, and that literature and music have no feminine character; but surely women know how to observe, and what they see is quite different from that which men see, and the art which they put in their gestures, in their toilet, in the decoration of their environment is sufficient to give is the idea of an instinctive, of a peculiar genius which resides in each one of them.
While Impressionism legitimized the domestic social life as subject matter, of which women had intimate knowledge, it also tended to limit them to that subject matter. Portrayals of often-identifiable sitters in domestic settings (which could offer commissions) were dominant in the exhibitions. The subjects of the paintings were often women interacting with their environment by either their gaze or movement. Cassatt, in particular, was aware of her placement of subjects: she kept her predominantly female figures from objectification and cliche; when they are not reading, they converse, sew, drink tea, and when they are inactive, they seem lost in thought. The women Impressionists, like their male counterparts, were striving for "truth," for new ways of seeing and new painting techniques; each artist had an individual painting style. Women Impressionists (particularly Morisot and Cassatt) were conscious of the balance of power between women and objects in their paintings – the bourgeois women depicted are not defined by decorative objects, but instead, interact with and dominate the things with which they live. There are many similarities in their depictions of women who seem both at ease and subtly confined. Gonzalès' ''Box at the Italian Opera'' depicts a woman staring into the distance, at ease in a social sphere but confined by the box and the man standing next to her. Cassatt's painting ''Young Girl at a Window'' is brighter in color but remains constrained by the canvas edge as she looks out the window. Despite their success in their ability to have a career and Impressionism's demise attributed to its allegedly feminine characteristics (its sensuality, dependence on sensation, physicality, and fluidity) the four women artists (and other, lesser-known women Impressionists) were largely omitted from art historical textbooks covering Impressionist artists until Tamar Garb's ''Women Impressionists'' published in 1986. For example, ''Impressionism'' by Jean Leymarie, published in 1955 included no information on any women Impressionists. Painter
Androniqi Zengo Antoniu Androniqi Zengo Antoniu (26 May 1913 – 10 February 2000) was an Albanian painter. She is considered to the first professional woman painter from Albania, along with her sister Sofia Zengo Papadhimitri, and with Vangjush Mijo is credited with ...
is co-credited with the introduction of impressionism to Albania.


Prominent Impressionists

The central figures in the development of Impressionism in France, listed alphabetically, were: * Frédéric Bazille (1841–1870), who only posthumously participated in the Impressionist exhibitions *
Gustave Caillebotte Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early ...
(1848–1894), who, younger than the others, joined forces with them in the mid-1870s *
Mary Cassatt Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar De ...
(1844–1926), American-born, she lived in Paris and participated in four Impressionist exhibitions *
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...
(1839–1906), although he later broke away from the Impressionists *
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
(1834–1917), who despised the term ''Impressionist'' * Armand Guillaumin (1841–1927) *
Édouard Manet Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born ...
(1832–1883), who did not participate in any of the Impressionist exhibitions *
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
(1840–1926), the most prolific of the Impressionists and the one who embodies their aesthetic most obviously * Berthe Morisot (1841–1895) who participated in all Impressionist exhibitions except in 1879 * Camille Pissarro (1830–1903) *
Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
(1841–1919), who participated in Impressionist exhibitions in 1874, 1876, 1877 and 1882 *
Alfred Sisley Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedicatio ...
(1839–1899)


Gallery

File:Frederic Bazille Paysage au bord du Lez.jpg, Frédéric Bazille, ''Paysage au bord du Lez'', 1870,
Minneapolis Institute of Art The Minneapolis Institute of Art (Mia) is an arts museum located in Minneapolis, Minnesota, United States. Home to more than 90,000 works of art representing 5,000 years of world history, Mia is one of the largest art museums in the United State ...
File:Sisley-Bridge at Villeneuve-la-Garenne.jpg,
Alfred Sisley Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedicatio ...
, ''Bridge at Villeneuve-la-Garenne'', 1872,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
File:Berthe Morisot, Le berceau (The Cradle), 1872.jpg, Berthe Morisot, '' The Cradle'', 1872,
Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art ...
File:Guillaumin SoleilCouchantAIvry.jpg, Armand Guillaumin, ''Sunset at Ivry (Soleil couchant à Ivry)'', 1873,
Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art ...
File:Edouard Manet Boating.jpg,
Édouard Manet Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born ...
, ''Boating'', 1874,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
File:Sisley la seine au point du jour 1877.jpg,
Alfred Sisley Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedicatio ...
, ''La Seine au Point du jour'', 1877, Museum of modern art André Malraux – MuMa,
Le Havre Le Havre (, ; nrf, Lé Hâvre ) is a port city in the Seine-Maritime department in the Normandy region of northern France. It is situated on the right bank of the estuary of the river Seine on the Channel southwest of the Pays de Caux, very cl ...
File:Edouard Manet 039.jpg,
Édouard Manet Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born ...
, ''
The Plum ''Plum Brandy'', also known as ''The Plum'' (French: ''La Prune''), is an oil painting by Édouard Manet. It is undated but thought to have been painted about 1877. The painting measures by . It depicts a woman seated alone at a table in a caf ...
'', 1878,
National Gallery of Art The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of char ...
, Washington, D.C. File:La Falaise à Fécamp - Claude Monet - ABDAG003046.jpg, alt=Landscape painting depicting the cliffs of Normandy by Claude Moneyt,
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
, ''La Falaise à Fécamp'', 1881,
Aberdeen Art Gallery Aberdeen Art Gallery is the main visual arts exhibition space in the city of Aberdeen, Scotland. It was founded in 1884 in a building designed by Alexander Marshall Mackenzie, with a sculpture court added in 1905. In 1900, it received the art ...
File:Edouard Manet, A Bar at the Folies-Bergère.jpg,
Édouard Manet Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born ...
, ''
A Bar at the Folies-Bergère ''A Bar at the Folies-Bergère'' (french: Un bar aux Folies Bergère) is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies ...
(Un Bar aux Folies-Bergère)'', 1882,
Courtauld Institute of Art The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist coll ...
File:Edgar Degas - After the bath, woman drying herself - Google Art Project.jpg,
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
, ''After the Bath, Woman Drying Herself'', c. 1884–1886 (reworked between 1890 and 1900), MuMa,
Le Havre Le Havre (, ; nrf, Lé Hâvre ) is a port city in the Seine-Maritime department in the Normandy region of northern France. It is situated on the right bank of the estuary of the river Seine on the Channel southwest of the Pays de Caux, very cl ...
File:Edgar Degas - In a Café - Google Art Project 2.jpg,
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
, '' L'Absinthe'', 1876,
Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art ...
, Paris File:Edgar Germain Hilaire Degas 069.jpg,
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
, ''Dancer Taking a Bow (The Prima Ballerina)'', 1878, Getty Center, Los Angeles File:Edgar Germain Hilaire Degas 032.jpg,
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
, ''Woman in the Bath'', 1886,
Hill–Stead Museum Hill–Stead Museum is a Colonial Revival house and art museum set on a large estate at 35 Mountain Road in Farmington, Connecticut. It is best known for its French Impressionist masterpieces, architecture, and stately grounds. The property was ...
,
Farmington, Connecticut Farmington is a town in Hartford County in the Farmington Valley area of central Connecticut in the United States. The population was 26,712 at the 2020 census. It sits 10 miles west of Hartford at the hub of major I-84 interchanges, 20 miles ...
File:Edgar Degas - Dancers at the Barre - Google Art Project.jpg,
Edgar Degas Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is es ...
, ''Dancers at The Bar'', 1888,
The Phillips Collection The Phillips Collection is an art museum founded by Duncan Phillips (art collector), Duncan Phillips and Marjorie Acker Phillips in 1921 as the Phillips Memorial Gallery located in the Dupont Circle neighborhood of Washington, D.C. Phillips was the ...
, Washington, D.C. File:Gustave Caillebotte - Paris Street; Rainy Day - Google Art Project.jpg,
Gustave Caillebotte Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early ...
, ''
Paris Street; Rainy Day ''Paris Street; Rainy Day'' (french: Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work.Hagen, 624 It shows a number of individuals walking through the Pla ...
'', 1877,
Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...
File:Pierre-Auguste Renoir 089.jpg,
Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
, ''
La Parisienne LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figur ...
'', 1874,
National Museum Cardiff National Museum Cardiff ( cy, Amgueddfa Genedlaethol Caerdydd) is a museum and art gallery in Cardiff, Wales. The museum is part of the wider network of Amgueddfa Cymru – National Museum Wales. Entry is kept free by a grant from the Welsh Gov ...
File:Pierre-Auguste Renoir, 1880, Portrait of Mademoiselle Irène Cahen d'Anvers, Sammlung E.G. Bührle.jpg,
Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
, ''
Portrait of Irène Cahen d'Anvers The ''Portrait of Irène Cahen d’Anvers'', or ''The Little Girl with the Blue Ribbon'' (french: La Petite Fille au ruban bleu) or ''Little Irène'' (french: La Petite Irène), is an oil painting by French Impressionist artist Pierre-Auguste Reno ...
'' (''La Petite Irène''), 1880, Foundation E.G. Bührle, Zürich File:Two Sisters (On the Terrace).jpg,
Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
, ''
Two Sisters (On the Terrace) ''Two Sisters'' or ''On the Terrace'' is an 1881 oil-on-canvas painting by French artist Pierre-Auguste Renoir in the collection of the Art Institute of Chicago. The dimensions of the painting are 100.5 cm × 81 cm. The title ''Two Sis ...
'', 1881,
Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...
File:Girl with a Hoop.JPG,
Pierre-Auguste Renoir Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
, ''Girl with a Hoop'', 1885, National Gallery of Art, Washington, D.C. File:Camille Pissarro Washerwoman, Study The Metropolitan Museum of Art.jpg, Camille Pissarro, ''Washerwoman, Study'', 1880.
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
File:Camille Pissarro - Conversation - Google Art Project.jpg, Camille Pissarro, ''Conversation'', c. 1881.
National Museum of Western Art The is the premier public art gallery in Japan specializing in art from the Western tradition. The museum is in the museum and zoo complex in Ueno Park in Taitō, central Tokyo. It received 1,162,345 visitors in 2016. History The NMWA was es ...
File:Claude Monet The Cliffs at Etretat.jpg,
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
, ''The Cliff at Étretat after the Storm'', 1885,
Clark Art Institute The Sterling and Francine Clark Art Institute, commonly referred to as the Clark, is an art museum and research institution located in Williamstown, Massachusetts, United States. Its collection consists of European and American paintings, sculp ...
,
Williamstown, Massachusetts Williamstown is a town in the northern part of Berkshire County, in the northwest corner of Massachusetts, United States. It shares a border with Vermont to the north and New York to the west. It is part of the Pittsfield, Massachusetts Metropolit ...
File:The Child's Bath by Mary Cassatt 1893.jpg,
Mary Cassatt Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar De ...
, ''The Child's Bath (The Bath)'', 1893, oil on canvas,
Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...
File:Brooklyn Museum - Portrait of Mme Boursier and Her Daughter (Portrait de Mme Boursier et de sa fille) - Berthe Morisot.jpg, Berthe Morisot, ''Portrait of Mme Boursier and Her Daughter'', c. 1873, Brooklyn Museum File:Claude Monet, Le Grand Canal.jpg,
Claude Monet Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During ...
, ''Le Grand Canal'', 1908, Museum of Fine Arts, Boston


Timeline: lives of the Impressionists


Associates and influenced artists

Among the close associates of the Impressionists were several painters who adopted their methods to some degree. These include Jean-Louis Forain (who participated in Impressionist exhibitions in 1879, 1880, 1881 and 1886) and Giuseppe De Nittis, an Italian artist living in Paris who participated in the first Impressionist exhibit at the invitation of Degas, although the other Impressionists disparaged his work. Federico Zandomeneghi was another Italian friend of Degas who showed with the Impressionists.
Eva Gonzalès Eva Gonzalès (April 19, 1849 – May 6, 1883) was a French Impressionist painter. She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-95), and Mar ...
was a follower of Manet who did not exhibit with the group. James Abbott McNeill Whistler was an American-born painter who played a part in Impressionism although he did not join the group and preferred grayed colours. Walter Sickert, an English artist, was initially a follower of Whistler, and later an important disciple of Degas; he did not exhibit with the Impressionists. In 1904 the artist and writer Wynford Dewhurst wrote the first important study of the French painters published in English, ''Impressionist Painting: its genesis and development'', which did much to popularize Impressionism in Great Britain. By the early 1880s, Impressionist methods were affecting, at least superficially, the art of the Salon. Fashionable painters such as Jean Béraud and Henri Gervex found critical and financial success by brightening their palettes while retaining the smooth finish expected of Salon art. Works by these artists are sometimes casually referred to as Impressionism, despite their remoteness from Impressionist practice. The influence of the French Impressionists lasted long after most of them had died. Artists like Jesekiel David Kirszenbaum, J.D. Kirszenbaum were borrowing Impressionist techniques throughout the twentieth century.


Beyond France

As the influence of Impressionism spread beyond France, artists, too numerous to list, became identified as practitioners of the new style. Some of the more important examples are: * The American Impressionism, American Impressionists, including
Mary Cassatt Mary Stevenson Cassatt (; May 22, 1844June 14, 1926) was an American painter and printmaker. She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), but lived much of her adult life in France, where she befriended Edgar De ...
, William Merritt Chase, Frederick Carl Frieseke, Childe Hassam, Willard Metcalf, Lilla Cabot Perry, Theodore Robinson, Edmund C. Tarbell, Edmund Charles Tarbell, John Henry Twachtman, Catherine Wiley and J. Alden Weir. * The Australian Impressionism, Australian Impressionists, including Tom Roberts, Arthur Streeton, Walter Withers, Charles Conder and Frederick McCubbin (who were prominent members of the Heidelberg School), and John Russell (Australian artist), John Russell, a friend of Van Gogh, Rodin, Monet and Matisse. * The Amsterdam Impressionism, Amsterdam Impressionists in the Netherlands, including George Hendrik Breitner, Isaac Israëls, Willem Bastiaan Tholen, Willem de Zwart, Willem Witsen and Jan Toorop. * The California Impressionism, California Impressionists, including William Wendt, Guy Rose, Alson Clark, Donna N. Schuster, and Sam Hyde Harris. * Anna Boch, Vincent van Gogh's friend Eugène Boch, Georges Lemmen and Théo van Rysselberghe, Impressionist painters from Belgium. * Ivan Grohar, Rihard Jakopič, Matija Jama, and Matej Sternen, Impressionists from Slovenia. Their beginning was in the school of Anton Ažbe in Munich and they were influenced by Jurij Šubic and Ivana Kobilca, Slovenian painters working in Paris. * Wynford Dewhurst, Walter Richard Sickert, and Philip Wilson Steer were well known Impressionist painters from the United Kingdom. Pierre Adolphe Valette, who was born in France but who worked in Manchester, was the tutor of L. S. Lowry. * The German Impressionists, including Max Liebermann, Lovis Corinth, Ernst Oppler, Max Slevogt and August von Brandis. * László Mednyánszky and Pál Szinyei Merse, Pál Szinyei-Merse in Hungary * Theodor von Ehrmanns and Hugo Charlemont who were rare Impressionists among the more dominant Vienna Secessionist painters in Austria. * William John Leech, Roderic O'Conor, and Walter Osborne in Ireland * Konstantin Korovin and Valentin Serov in Russia * Francisco Oller, Francisco Oller y Cestero, a native of Puerto Rico and a friend of Pissarro and Cézanne * James Nairn in New Zealand * William McTaggart in Scotland * Laura Muntz Lyall, a Canadian artist * Władysław Podkowiński, a Polish Impressionist and Symbolism (arts), symbolist * Nicolae Grigorescu in Romania * Nazmi Ziya Güran, who brought Impressionism to Turkey * Chafik Charobim in Egypt * Eliseu Visconti in Brazil * Joaquín Sorolla in Spain * Faustino Brughetti, Fernando Fader, Candido Lopez, Martín Malharro, Walter de Navazio, Ramón Silva in Argentina * Skagen Painters a group of Scandinavian artists who painted in a small Danish fishing village * Nadežda Petrović, Milo Milunović, Kosta Miličević, Milan Milovanović (painter), Milan Milovanovi and Mališa Glišić in Serbia * Ásgrímur Jónsson in Iceland * Fujishima Takeji in Japan * Frits Thaulow in Norway and later France


Sculpture, photography and film

The sculptor Auguste Rodin is sometimes called an Impressionist for the way he used roughly modeled surfaces to suggest transient light effects.Kleiner, Fred S., and Helen Gardner (2014). ''Gardner's art through the ages: a concise Western history''. Boston, MA: Wadsworth, Cengage Learning. p. 382. . Pictorialism, Pictorialist photographers whose work is characterized by soft focus and atmospheric effects have also been called Impressionists. French Impressionist Cinema is a term applied to a loosely defined group of films and filmmakers in France from 1919 to 1929, although these years are debatable. French Impressionist filmmakers include Abel Gance, Jean Epstein, Germaine Dulac, Marcel L’Herbier, Louis Delluc, and Dmitry Kirsanoff.


Music and literature

Musical Impressionism is the name given to a movement in European classical music that arose in the late 19th century and continued into the middle of the 20th century. Originating in France, musical Impressionism is characterized by suggestion and atmosphere, and eschews the emotional excesses of the Romantic era. Impressionist composers favoured short forms such as the nocturne, Arabesque (classical music), arabesque, and Prelude (music), prelude, and often explored uncommon scales such as the whole tone scale. Perhaps the most notable innovations of Impressionist composers were the introduction of major 7th chords and the extension of chord structures in 3rds to five- and six-part harmonies. The influence of visual Impressionism on its musical counterpart is debatable. Claude Debussy and Maurice Ravel are generally considered the greatest Impressionist composers, but Debussy disavowed the term, calling it the invention of critics. Erik Satie was also considered in this category, though his approach was regarded as less serious, more musical novelty in nature. Paul Dukas is another French composer sometimes considered an Impressionist, but his style is perhaps more closely aligned to the late Romanticists. Musical Impressionism beyond France includes the work of such composers as Ottorino Respighi (Italy), Ralph Vaughan Williams, Cyril Scott, and John Ireland (composer), John Ireland (England), Manuel De Falla and Isaac Albeniz (Spain), and Charles Griffes (America). The term Impressionism has also been used to describe works of literature in which a few select details suffice to convey the sensory impressions of an incident or scene. Impressionist literature is closely related to Symbolism (arts), Symbolism, with its major exemplars being Charles Baudelaire, Baudelaire, Stéphane Mallarmé, Mallarmé, Arthur Rimbaud, Rimbaud, and Paul Verlaine, Verlaine. Authors such as Virginia Woolf, D.H. Lawrence, Henry James, and Joseph Conrad have written works that are Impressionistic in the way that they describe, rather than interpret, the impressions, sensations and emotions that constitute a character's mental life.


Post-Impressionism

During the 1880s several artists began to develop different precepts for the use of colour, pattern, form, and line, derived from the Impressionist example: Vincent van Gogh, Paul Gauguin,
Georges Seurat Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
, and Henri de Toulouse-Lautrec. These artists were slightly younger than the Impressionists, and their work is known as post-Impressionism. Some of the original Impressionist artists also ventured into this new territory; Camille Pissarro briefly painted in a Pointillism, pointillist manner, and even Monet abandoned strict ''plein air'' painting.
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...
, who participated in the first and third Impressionist exhibitions, developed a highly individual vision emphasising pictorial structure, and he is more often called a post-Impressionist. Although these cases illustrate the difficulty of assigning labels, the work of the original Impressionist painters may, by definition, be categorised as Impressionism. File:A Sunday on La Grande Jatte, Georges Seurat, 1884.png,
Georges Seurat Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough su ...
, ''A Sunday Afternoon on the Island of La Grande Jatte'', 1884–1886, The Art Institute of Chicago File:Vincent Van Gogh 0016.jpg, Vincent van Gogh, ''Cypresses'', 1889,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
File:Paul Gauguin 044.jpg, Paul Gauguin, ''The Midday Nap'', 1894,
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
File:Card Players-Paul Cezanne.jpg,
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...
, ''The Card Players'', 1894–1895,
Musée d'Orsay The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art ...
, Paris


See also

* Art periods * Cantonese school of painting * Expressionism (as a reaction to Impressionism) * Les XX * Luminism (Impressionism) * History of Painting * Western Painting


Notes


References

* Baumann, Felix Andreas, Marianne Karabelnik-Matta, Jean Sutherland Boggs, and Tobia Bezzola (1994). ''Degas Portraits''. London: Merrell Holberton. * Bomford, David, Jo Kirby, John Leighton, Ashok Roy, and Raymond White (1990). ''Impressionism''. London: National Gallery. * Denvir, Bernard (1990). ''The Thames and Hudson Encyclopaedia of Impressionism''. London: Thames and Hudson. * Distel, Anne, Michel Hoog, and Charles S. Moffett (1974).
Impressionism; a centenary exhibition, the Metropolitan Museum of Art, December 12, 1974 – February 10, 1975
''. New York: Metropolitan Museum of Art. * Eisenman, Stephen F (2011). "From Corot to Monet: The Ecology of Impressionism". Milan: Skira. . * Gordon, Robert; Forge, Andrew (1988). ''Degas''. New York: Harry N. Abrams. * Gowing, Lawrence, with Adriani, Götz; Krumrine, Mary Louise; Lewis, Mary Tompkins; Patin, Sylvie; Rewald, John (1988). ''Cézanne: The Early Years 1859–1872''. New York: Harry N. Abrams. * Jensen, Robert (1994). ''Marketing modernism in fin-de-siècle Europe''. Princeton, N.J.: Princeton University Press. . * Moskowitz, Ira; Sérullaz, Maurice (1962). ''French Impressionists: A Selection of Drawings of the French 19th Century''. Boston and Toronto: Little, Brown and Company. * Rewald, John (1973). ''The History of Impressionism'' (4th, Revised Ed.). New York: The Museum of Modern Art. * Richardson, John (1976). ''Manet'' (3rd Ed.). Oxford: Phaidon Press Ltd. * Rosenblum, Robert (1989). ''Paintings in the Musée d'Orsay''. New York: Stewart, Tabori & Chang. * Moffett, Charles S. (1986). "The New Painting, Impressionism 1874–1886". Geneva: Richard Burton SA.


External links


Hecht Museum
*
Museumsportal Schleswig-Holstein

''Impressionism : A Centenary Exhibition, the Metropolitan Museum of Art, December 12, 1974 – February 10, 1975''
fully digitized text from The Metropolitan Museum of Art libraries

''The Guardian'', 24 February 2007 * ''Impressionism: Paintings collected by European Museums'' (1999) was an art exhibition co-organized by the High Museum of Art, Atlanta, the Seattle Art Museum, and the Denver Art Museum, touring from May through December 1999
Online guided tour

''Monet's Years at Giverny: Beyond Impressionism''
1978 exhibition catalogue fully online as PDF from The Metropolitan Museum of Art, which discusses Monet's role in this movement
''Degas: The Artist's Mind''
1976 exhibition catalogue fully online as PDF from The Metropolitan Museum of Art, which discusses Degas's role in this movement
Definition of impressionism on the Tate Art Glossary
{{Authority control Impressionism, Art movements French art Articles which contain graphical timelines