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Café Guerbois
Café Guerbois, on Avenue de Clichy in Paris, was the site of late 19th-century discussions and planning amongst artists, writers and art lovers – the '' bohèmes'' (bohemians), in contrast to the ''bourgeois''. Centered on Édouard Manet, the group gathered at the café usually on Sundays and Thursdays. Émile Zola, Frédéric Bazille, Louis Edmond Duranty, Henri Fantin-Latour, Emmanuel Chabrier, Edgar Degas, Claude Monet, Pierre-Auguste Renoir and Alfred Sisley regularly joined in the discussions. Tinterow, Gary. Henri Loyrette (1994). Origins of Impressionism'. Metropolitan Museum of Art. p. 314. . . Sometimes Paul Cézanne and Camille Pissarro also joined them. The group is sometimes called the Batignolles Group and many of the members are associated with Impressionism. Conversations there were often heated. On one evening in February 1870, things became so heated that Manet, insulted by a review that Duranty wrote, wounded Duranty in a duel A duel is an arran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Sisley
Alfred Sisley (; ; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape ''en plein air'' (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs. Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased. Richard Shone: ''Sisley.'' London: Phaidon Press 1999. Biography Sisley was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coffeehouses And Cafés In Paris
A coffeehouse, coffee shop, or café is an establishment that primarily serves coffee of various types, notably espresso, latte, and cappuccino. Some coffeehouses may serve cold drinks, such as iced coffee and iced tea, as well as other non-caffeinated beverages. In continental Europe, cafés serve alcoholic drinks. A coffeehouse may also serve food, such as light snacks, sandwiches, muffins, fruit, or pastries. Coffeehouses range from owner-operated small businesses to large multinational corporations. Some coffeehouse chains operate on a franchise business model, with numerous branches across various countries around the world. While ''café'' may refer to a coffeehouse, the term "café" generally refers to a diner, British café (colloquially called a "caff"), "greasy spoon" (a small and inexpensive restaurant), transport café, teahouse or tea room, or other casual eating and drinking place. A coffeehouse may share some of the same characteristics of a bar or restaurant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th Century In Paris
19 (nineteen) is the natural number following 18 and preceding 20. It is a prime number. Mathematics 19 is the eighth prime number, and forms a sexy prime with 13, a twin prime with 17, and a cousin prime with 23. It is the third full reptend prime, the fifth central trinomial coefficient, and the seventh Mersenne prime exponent. It is also the second Keith number, and more specifically the first Keith prime. * 19 is the maximum number of fourth powers needed to sum up to any natural number, and in the context of Waring's problem, 19 is the fourth value of g(k). * The sum of the squares of the first 19 primes is divisible by 19. *19 is the sixth Heegner number. 67 and 163, respectively the 19th and 38th prime numbers, are the two largest Heegner numbers, of nine total. * 19 is the third centered triangular number as well as the third centered hexagonal number. : The 19th triangular number is 190, equivalently the sum of the first 19 non-zero integers, that is als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duel
A duel is an arranged engagement in combat between two people, with matched weapons, in accordance with agreed-upon Code duello, rules. During the 17th and 18th centuries (and earlier), duels were mostly single combats fought with swords (the rapier and later the small sword), but beginning in the late 18th century in England, duels were more commonly fought using pistols. Fencing and shooting continued to co-exist throughout the 19th century. The duel was based on a Code of conduct, code of honor. Duels were fought not so much to kill the opponent as to gain "satisfaction", that is, to restore one's honor by demonstrating a willingness to risk one's life for it, and as such the tradition of dueling was originally reserved for the male members of nobility; however, in the modern era, it extended to those of the upper classes generally. On occasion, duels with swords or pistols were fought between women. Legislation against dueling goes back to the medieval period. The Fourth Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batignolles Group
The ''Batignolles group'' (Le groupe des Batignolles) was a group of young avant-garde painters from the end of the 19th century who gathered around Édouard Manet. The group bears its name in reference to the Batignolles district, where the artists used to meet between 1869 and 1875. Many of the artists in the group later became known for the Impressionism movement.Rogers, Maria. (1970)959 "The Batignolles group: Creators of impressionism." pp. 194-220 in M. C. Albrecht, J. H. Barnett, et al. (eds) The Sociology of Art and Literature'. New York: Praeger. Background Édouard Manet (1832–1883) lived on Boulevard des Batignolles, and maintained his workshop on Rue Guyot (now renamed Rue Médéric). He achieved some success at the Salon in 1861 with '' The Spanish Singer'' (1860), which received accolades from writer Charles Baudelaire (1821–1867) and journalist and literary critic Théophile Gautier (1811–1872). This enhanced reputation also brought younger artists into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Pissarro
Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of Saint Thomas, U.S. Virgin Islands, St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Loyrette
Henri Loyrette (born 31 May 1952 in Neuilly-sur-Seine, a suburb of Paris) was the chairman of Admical, a French organisation dedicated to corporate philanthropy., and the former director of the Louvre Museum (2001–2013). He became first curator and then director of the Musée d'Orsay in 1978 and 1994 respectively. Career Loyrette's appointment to the directorship of the Louvre Museum was announced on 28 March 2001. According to Resnicow Shroeder Associates, previously Loyrette had "served as Director of the Musée d'Orsay from 1994 to 2001, and curator at the Musée d'Orsay from 1978 to 1999". Loyrette's contract was extended for another three years (through 2013), during which he was to oversee construction of an expansion in Paris, as well as a new branch in Abu Dhabi. Exhibitions Loyrette has organized several exhibitions on diverse subjects, including exhibitions on Edgar Degas, Honoré Daumier, and the origins of Impressionism. In 2012, Loyrette endorsed an exhibition w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Tinterow
Gary Tinterow OAL (born 1953 in Louisville) is an American art historian and curator. A specialist on 19th-century French art, Tinterow is currently Director and Margaret Alkek Williams Chair of the Museum of Fine Arts, Houston. Career Born in Louisville, but raised in Houston, Tinterow graduated from Bellaire High School in 1972. He then received a Bachelor of Arts in American Studies from Brandeis University in 1976. His senior honors thesis was on Jewish architecture and was titled "Post-World War II Synagogue Architecture in America." Tinterow then proceeded to receive a Master of Arts in Art History from Harvard University in 1983. After graduating from Harvard, Tinterow was hired at Metropolitan Museum of Art, where he would remain until 2012. There, he served as the Engelhard Chairman of the Department of Nineteenth-Century, Modern, and Contemporary Art. During that tenure, Tinterow was part of a group of curators to help formalize the Association of Art Museum Curators ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
