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Jean-Léon Gérôme
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students. Early life Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy in 1843. He visited Florence, Rome, the Vatican and Pompeii. On his return to Paris in 1844, like many students of Delaroche, he joined the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadar
Gaspard-Félix Tournachon (5 April 1820 – 20 March 1910), known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloon (aircraft), balloonist, and proponent of Aircraft#Heavier-than-air – aerodynes, heavier-than-air flight. In 1858, he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son, Paul Nadar (1856–1939), continued the studio after his death. Life Gaspard-Félix Tournachon (also known as Nadar) was born in early April 1820 in Paris, though some sources state he was born in Lyon. His father, Victor Tournachon, was a printer and bookseller. Nadar began to study medicine but quit for economic reasons after his father's death. Nadar started working as a caricaturist and novelist for various newspapers. He fell in with the Parisian bohemian group of Gérard de Nerval, Charles Baudelaire, and Théodore de Banville. His friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest École des Beaux-Arts is the École nationale supérieure des Beaux-Arts in Paris, now located on the city's left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists in Europe. Beaux-Arts style was modeled on classical "antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the Académie des Beaux-Arts was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert, Prince Consort
Prince Albert of Saxe-Coburg and Gotha (Franz August Karl Albert Emanuel; 26 August 1819 – 14 December 1861) was the consort of Queen Victoria from their marriage on 10 February 1840 until his death in 1861. Albert was born in the Saxon duchy of Saxe-Coburg-Saalfeld to a family connected to many of Europe's ruling monarchs. At the age of twenty, he married his first cousin Victoria; they had nine children. Initially he felt constrained by his role as consort, which did not afford him power or responsibilities. He gradually developed a reputation for supporting public causes, such as educational reform and the abolition of slavery worldwide, and was entrusted with running the Queen's household, office, and estates. He was heavily involved with the organisation of the Great Exhibition of 1851, which was a resounding success. Victoria came to depend more and more on Albert's support and guidance. He aided the development of Britain's constitutional monarchy by persuading his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoleon III Of France
Napoleon III (Charles Louis Napoléon Bonaparte; 20 April 18089 January 1873) was the first President of France (as Louis-Napoléon Bonaparte) from 1848 to 1852 and the last monarch of France as Emperor of the French from 1852 to 1870. A nephew of Napoleon I, he was the last monarch to rule over France. Elected to the presidency of the Second Republic in 1848, he seized power by force in 1851, when he could not constitutionally be reelected; he later proclaimed himself Emperor of the French. He founded the Second Empire, reigning until the defeat of the French Army and his capture by Prussia and its allies at the Battle of Sedan in 1870. Napoleon III was a popular monarch who oversaw the modernization of the French economy and filled Paris with new boulevards and parks. He expanded the French overseas empire, made the French merchant navy the second largest in the world, and engaged in the Second Italian War of Independence as well as the disastrous Franco-Prussian War, du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Louis Hamon
Jean-Louis Hamon (5 May 1821 – 29 May 1874) was a French painter. Hamon was born at Plouha, in today's Côtes-d'Armor ''département'', in France. At an early age he was intended for the priesthood, and placed under the care of the brothers Lamennais, but his strong desire to become a painter finally triumphed over family opposition, and in 1840 he left Plouha for Paris—his sole resources being a pension of five hundred francs, granted him for one year only by the municipality of his native town. At Paris Hamon received valuable advice and encouragement from Paul Delaroche and Charles Gleyre, and in 1848 he made his debut at the Salon with ''Le Tombeau du Christ'' (Musée de Marseille), and a decorative work, ''Dessus de Porte.'' The works which he exhibited in 1849, ''Une Affiche romaine'', ''L'Égalité au sérail'', and ''Perroquet jasant avec deux jeunes filles'', obtained no marked success. His lack of success led Hamon to accept a job as a designree in the Sè ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Pierre Picou
Henri-Pierre Picou (Nantes 27 February 1824 – 17 July 1895) was a French painter. His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes. He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-Léon Gérôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, ''Cléopâtre et Antoine sur le Cydnus''. Also known as ''Cleopatra on the Cydnus'', it is commonly regarded as Picou's masterpiec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Grec
Néo-Grec was a Neoclassical Revival style of the mid-to-late 19th century that was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III (1852–1870). The Néo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum. The style mixed elements of the Graeco-Roman, Pompeian, Adam and Egyptian Revival styles into "a richly eclectic polychrome mélange."James Stevens Curl & Susan Wilson, eds., "Néo-Grec," ''The Oxford Dictionary of Architecture'' (Oxford University Press, 2015/ref> "The style enjoyed a vogue in the United States, and had a short-lived impact on interior design in England and elsewhere." Architecture In architecture, the Néo-Grec is not always clearly distinguishable from the Neoclassical designs of the earlier part of the century, in bui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockfight
A cockfight is a blood sport, held in a ring called a cockpit. The history of raising fowl for fighting goes back 6,000 years. The first documented use of the ''word'' gamecock, denoting use of the cock as to a "game", a sport, pastime or entertainment, was recorded in 1634, after the term "cock of the game" used by George Wilson, in the earliest known book on the sport of cockfighting in ''The Commendation of Cocks and Cock Fighting'' in 1607. But it was during Magellan's voyage of discovery of the Philippines in 1521 when modern cockfighting was first witnessed and documented for Westerners by the Italian Antonio Pigafetta, Magellan's chronicler, in the Kingdom of Taytay. The combatants, referred to as gamecocks (not to be confused with game birds), are specially bred and conditioned for increased stamina and strength. Male and female chickens of such a breed are referred to as game fowl. Cocks possess congenital aggression toward all males of the same species. Wagers are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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