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Tom Roberts
Thomas William Roberts (8 March 185614 September 1931) was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism. After studying in Melbourne, he travelled to Europe in 1881 to further his training, and returned home in 1885, "primed with whatever was the latest in art". A leading proponent of painting ''en plein air'', he joined Frederick McCubbin in founding the Box Hill artists' camp, the first of several ''plein air'' camps frequented by members of the Heidelberg School. He also encouraged other artists to capture the national life of Australia, and while he is best known today for his "national narratives"—among them ''Shearing the Rams'' (1890), '' A break away!'' (1891) and ''Bailed Up'' (1895)—he earned a living as a portraitist, and in 1903 completed the commissioned work '' The Big Picture'', the most famous visual representation of the first Australian Parliament. Life Roberts was born ...
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The Big Picture (painting)
''The Opening of the First Parliament of the Commonwealth of Australia by H.R.H. The Duke of Cornwall and York (later H.M. King George V), May 9, 1901'', more commonly known in Australia as ''The Big Picture'', is a 1903 painting by the Australian artist Tom Roberts. The painting, measuring , or roughly 10 by 17 feet, depicts the opening of the first Parliament of Australia at the Royal Exhibition Building in Melbourne on 9 May 1901. The painting is part of the Royal Collection but has been on permanent loan to the Parliament of Australia since 1957. The work, currently on display in Parliament House, Canberra, has been described by Andrew Mackenzie as "...undoubtedly the principal work of art recording Australia's Parliamentary History." Background On 31 July 1900, after decades of debates and negotiations, the colonies on the Australian continent formed a federation. While the new Constitution of Australia called for a new capital to be constructed, away from the major ...
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Shearing The Rams
''Shearing the Rams'' is an 1890 in art, 1890 painting by Australian artist Tom Roberts. It depicts sheep shearers plying their trade in a timber shearing shed. Distinctly Australian in character, the painting is a celebration of pastoral life and work, especially "strong, masculine labour", and recognises the role that the wool industry played in the development of the country. One of the best-known and most-loved paintings in Australia, ''Shearing the Rams'' has been described as a "masterpiece of Australian Impressionism, Australian impressionism" and "the great icon of Australian popular art history". It forms part of the National Gallery of Victoria's Australian art collection, held at the Ian Potter Centre: NGV Australia, Ian Potter Centre in Federation Square, Melbourne. Composition Roberts modelled his painting on a shearing shed at what is now called Killeneen, an Cattle station#Outstations, outstation of the Brocklesby sheep station, near Corowa in the Riverina regio ...
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Dorchester, Dorset
Dorchester ( ) is the county town of Dorset, England. It is situated between Poole and Bridport on the A35 trunk route. A historic market town, Dorchester is on the banks of the River Frome to the south of the Dorset Downs and north of the South Dorset Ridgeway that separates the area from Weymouth, to the south. The civil parish includes the experimental community of Poundbury and the suburb of Fordington. The area around the town was first settled in prehistoric times. The Romans established a garrison there after defeating the Durotriges tribe, calling the settlement that grew up nearby Durnovaria; they built an aqueduct to supply water and an amphitheatre on an ancient British earthwork. After the departure of the Romans, the town diminished in significance, but during the medieval period became an important commercial and political centre. It was the site of the "Bloody Assizes" presided over by Judge Jeffreys after the Monmouth Rebellion, and later the trial of t ...
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Collingwood, Victoria
Collingwood is an inner-city suburb in Melbourne, Victoria, Australia, 3km north-east of Melbourne's Central Business District, located within the City of Yarra local government area. Collingwood recorded a population of 9,179 at the 2021 census. The area now known as Collingwood is thought to have been named Yálla-birr-ang by the Wurundjeri people, the original Indigenous inhabitants of the area. Following colonisation, the suburb was named in 1842 after Baron Collingwood or an early hotel which bore his name. Collingwood is one of the oldest suburbs in Melbourne and is bordered by Smith Street, Alexandra Parade, Hoddle Street and Victoria Parade. Collingwood is notable for its historical buildings, with many nineteenth century dwellings, shops and factories still in use. Its major thoroughfare Smith Street, is one of Melbourne's major nightlife and retail strips, and has been voted the coolest street in the world. History Toponymy It was 'named after' Lord Horatio Ne ...
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Heidelberg, Victoria
Heidelberg is a suburb of Melbourne, Victoria, Australia, northeast of Melbourne's central business district, located within the City of Banyule local government area. Heidelberg recorded a population of 7,360 at the 2021 census. Once a large town on Melbourne's outskirts, Heidelberg was absorbed into Melbourne as part of the latter's northward expansion after World War II. Heidelberg once had its own historic central business district including its own municipality in the former City of Heidelberg. Heidelberg lends its name to the Heidelberg School, an impressionist art movement that developed in and around the town in the late 19th-century. History The land at Heidelberg was sold by Crown auction in 1838, making it one of the earliest rural allotments in Australia, as Melbourne was founded only three years earlier. By 1840, ''Warringal'' had been established as a surveyed township, the name referring to an Aboriginal term for '' eagle's nest''. Eventually, ''Warringal'' ...
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Box Hill, Victoria
Box Hill is a suburb of Melbourne, Victoria, Australia, east of the city's Central Business District (CBD), located within the City of Whitehorse local government area. Box Hill recorded a population of 14,353 at the 2021 census. Founded as a township in the 1850s, Box Hill grew over the following century into a small city with its own CBD, its own municipality in the former City of Box Hill, and its own suburbs, including Box Hill North and Box Hill South. In the 1950s, Box Hill was absorbed into Melbourne as part of the eastward expansion of the metropolis. Today, Box Hill is notable for its large Chinese community, and is home to the city's tallest high-rise buildings outside the CBD. A major transportation hub for Melbourne's eastern suburbs, Box Hill is home of one of the city's busiest train stations, located beneath Box Hill Central. It is also served by the route 109 tram and numerous bus routes. History Early settlement Box Hill was first settled by the squa ...
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Grosvenor Chambers
Grosvenor Chambers, at number 9 Collins Street, Melbourne, contained the first custom-built complex of artists' studios in Australia. The construction costs were almost £6,000 and the building opened in April 1888. The owner was Charles Stewart Paterson (1843-1917). He, in partnership with his brother James, had a high-end decorating business in Melbourne. Another brother was the painter John Ford Paterson who sometimes exhibited with the Heidelberg School artists. The basement atelier was occupied initially by sculptor Percival Ball. The upper floor consisted of five well-lit artists' studios. The ground floor housed the showroom for the Paterson’s decorative arts business. The middle floor had space for a costumier, fabric showroom and workshop. Many notable artists rented a studio in the building or exhibited their work there. These include, Tom Roberts, Frederick McCubbin, Arthur Streeton, Percival Ball, Charles Francis Summers, Clara Southern, Jane Sutherland, Cha ...
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James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ...
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Jules Bastien-Lepage
Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City. Life and work Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy. Education Jules Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at Verdun. Prompted by a love of art, he went to Paris in 1867, where he was admitted to the École des B ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Ramon Casas I Carbó
Ramon Casas i Carbó (; 4 January 1866 – 29 February 1932) was a Catalan artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond. He was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets (El garrot). Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as ''modernisme''. Barcelona and Paris Casas was born in Barcelona. His father had made a fortune in Matanzas, Cuba; his mother was from a well-off Catalan family. In 1877 he abandoned the regular course of schooling to study art in the studio of Joan Vicens. In 1881, still in his teens, he was a co-founder of the magazine ''L'Avenç''; the 9 October 1881 issue included his sketch of the cloister of Sant Benet ...
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Laureano Barrau
Laureano Barrau Buñol (1863, Barcelona –1957, Santa Eulària des Riu) was a Spanish impressionist painter. Education Barrau began his education in Barcelona, his native city. Later, he studied in Madrid, finding the Spanish old masters. At 20, Barrau went to Paris and enrolled at the Académie des Beaux-Arts where Gerome was his tutor. Two years later, Barrau won the Prix de Rome in Barcelona. This afforded him the opportunity to study the great Italian masters for three years. Career When he was 28, Barrau was given the title of ''Societaire'' (Member) of the Salon de la Nationales des Beaux-Arts de Paris. He earned medals in the principal cities in Europe and today his paintings hang in museums in Spain, Paris, Brussels, Buenos Aires, Montevideo and Rio de Janeiro. At age 47, Barrau moved to picturesque Ibiza Ibiza (natively and officially in ca, Eivissa, ) is a Spanish island in the Mediterranean Sea off the eastern coast of the Iberian Peninsula. It is from ...
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