History of broadcasting

It is generally recognized that the first radio transmission was made from a temporary station set up by Guglielmo Marconi in 1895 on the Isle of Wight. This followed on from pioneering work in the field by a number of people including Alessandro Volta, André-Marie Ampère, Georg Ohm and James Clerk Maxwell.''Australian Radio History'', Bruce Carty, Sydney, 2011

The radio broadcasting of music and talk intended to reach a dispersed audience started experimentally around 1905–1906, and commercially around 1920 to 1923. VHF (very high frequency) stations started 30 to 35 years later.
In the early days, radio stations broadcast on the longwave, mediumwave and shortwave bands, and later on VHF (very high frequency) and UHF (ultra high frequency). However, in the United Kingdom, Hungary, France and some other places, from as early as 1890 there was already a system whereby news, music, live theatre, music hall, fiction readings, religious broadcasts, etc., were available in private homes nd other placesvia the conventional telephone line, with subscribers being supplied with a number of special, personalised headsets. In Britain this system was known as Electrophone, and was available as early as 1895 or 1899 ources varyand up until 1926. In Hungary, it was called Telefon Hírmondó 893-1920s and in France, Théâtrophone 890-1932.

By the 1950s, virtually every country had a broadcasting system, typically one owned and operated by the government. Alternative modes included commercial radio, as in the United States; or a dual system with both state sponsored and commercial stations, introduced in Australia as early as 1924, with Canada following in 1932. Today, most countries have evolved into a dual system, including the UK. By 1955, practically every family in North America and Western Europe, as well as Japan, had a radio. A dramatic change came in the 1960s with the introduction of small inexpensive portable transistor radios which greatly expanded ownership and usage. Access became practically universal around the world.

Early broadcasting

Australia

Formative years

Australian radio hams can be traced to the early 1900s. The 1905 ''Wireless Telegraphy Act'' whilst acknowledging the existence of wireless telegraphy, brought all broadcasting matters in Australia under the control of the Federal Government.R.R. Walker (1973) ''The Magic Spark – 50 Years of Radio in Australia'', Melbourne. In 1906, the first official Morse code transmission in Australia was by the Marconi Company between Queenscliff, Victoria and Devonport, Tasmania.

Experiments with broadcasting music

The first broadcast of music was made during a demonstration on 13 August 1919 by Ernest Fisk (later Sir Ernest) of AWA – Amalgamated Wireless (Australasia). A number of amateurs commenced broadcasting music in 1920 and 1921. Many other amateurs soon followed. 2CM was run by Charles MacLuran who started the station in 1921 with regular Sunday evening broadcasts from the Wentworth Hotel, Sydney. 2CM is often regarded as Australia's first, regular, non-official station.

Sealed set system

It was not until November 1923 when the government finally gave its approval for a number of officially recognised medium wave stations.
All stations operated under a unique Sealed Set system under which each set was sealed to the frequency of one station. Part of the price of the set went to the government via the Postmaster-General's Department (PMG), with money also going to the broadcaster. Apart from extremely limited advertising, this was the broadcasters' only source of income. From the outset problems with the system came to the fore. Many young people built their own sets, which could receive all the stations.

Categories in Australia from 1924

As quickly as July 1924, the Sealed Set system was declared to be unsuccessful and it was replaced by a system of A Class and B Class stations. There were one or two A Class stations in each major market and these were paid for by a listener's licence fee imposed on all listeners-in. The five former sealed set stations became A Class stations, and they were soon joined by stations in other State capitals.

Amateur broadcasters continued to operate in the long wave and short wave bands.

A national service, the Australian Broadcasting Commission, was formed in July 1932, when the Australian Broadcasting Company's contract expired.

Early experiments with television

As early as 1929, two Melbourne commercial radio stations, 3UZ and 3DB were conducting experimental mechanical television broadcasts – these were conducted in the early hours of the morning, after the stations had officially closed down. In 1934 Valentine McDowall conducted experiments in electronic television. at amateur station 4CM Brisbane

Mobile stations

Two of Australia's most unusual medium wave stations were mobile stations 2XT and 3YB. They both operated in eras prior to the universal establishment of rural radio stations. 2XT was designed and operated by AWA within the State of New South Wales, from a NSW Railways train, between November 1925 and December 1927. 2XT, which stood for ''experimental train'', visited over 100 rural centres. Engineers would set up a transmitting aerial and the station would then begin broadcasting. This led to the further sales of AWA products. 3YB provided a similar service in rural Victoria between October 1931 and November 1935. Initially, the station operated from a Ford car and a Ford truck, but from 17 October 1932 they operated from a converted 1899 former Royal Train carriage. Whilst the engineers were setting up the station's 50-watt transmitter in the town being visited, salesmen would sign up advertisers for the fortnight that 3YB would broadcast from that region. The station was on the air from 6.00 and 10.00 pm daily, and its 1,000-record library was divided into set four-hour programs, one for each of 14 days. In other words, the music broadcast from each town was identical. The station was operated by Vic Dinenny, but named after announcer Jack Young from Ballarat. On 18 January 1936, Dinenny set up 3YB Warrnambool, followed on 18 May 1937 by 3UL Warragul.

The merchant vessel MV ''Kanimbla'' is believed to be the world's only ship built with an inbuilt broadcasting station. The Kanimbla was constructed in Northern Ireland in 1936 and was primarily designed for McIlwraith, McEacharn & Co to ply passengers between Cairns and Fremantle. The broadcasting station was constructed and operated by AWA and was initially given the ham radio callsign VK9MI but was later 9MI. (At this time, the "9" in the callsign was aberrationary ee "Call Signs, above) The station made an experimental broadcast before leaving Northern Ireland, and a number of such broadcasts at sea, on the way to Australia. 9MI's first official broadcast in April 1939 was made from the Great Australian Bight. The station broadcast on short wave, usually a couple of times per week, but many of its programs were relayed to commercial medium wave stations that were also owned by AWA. The 9MI manager and announcer (and probably the only member of staff) was Eileen Foley. 9MI ceased broadcasting at the commencement of World War II in September 1939. The Kanimbla was commissioned as a Royal Navy (later Royal Australian Navy) vessel with the name HMS/HMAS Kanimbla. It had an extremely prominent and successful war-time career.

Canada

The history of broadcasting in Canada begins as early as 1919 with the first experimental broadcast programs in Montreal. The Canadians were swept up in the radio craze and built crystal sets to listen to American stations while The Marconi Wireless Telegraph Company of Canada offered its first commercially produced radio-broadcast receiver (Model "C") in 1921, followed by its "Marconiphone" Model I in 1923. Main themes in the history include the development of the engineering technology; the construction of stations across the country and the building of networks; the widespread purchase and use of radio and television sets by the general public; debates regarding state versus private ownership of stations; financing of the broadcasts media through the government, license fees, and advertising; the changing content of the programming; the impact of the programming on Canadian identity; the media's influence on shaping audience responses to music, sports and politics; the role of the Québec government; Francophone versus Anglophone cultural tastes; the role of other ethnic groups and First Nations; fears of American cultural imperialism via the airwaves; and the impact of the Internet and smartphones on traditional broadcasting media.

Radio signals carried long distances, and a number of American stations could easily be received in parts of Canada. The first Canadian station was CFCF, originally an experimental station from the Marconi Company in Montreal. Civilian use of Wireless Telegraphy had been forbidden in Canada for the duration of World War I. The Marconi Wireless Telegraph Company of Canada was the only one to retain the right to continue radio experiments for military use. This proved instrumental in giving the company a lead in developing an experimental radio broadcasting station immediately after the war. The first radio broadcast in Canada was accomplished by The Marconi Wireless Telegraph Company of Canada in Montreal on December 1, 1919 under the call sign XWA (for "Experimental Wireless Apparatus") from its Williams Street factory. The station began regular programming on May 20, 1920 and its call letters were changed to CFCF on November 4, 1920. In Toronto, the first radio station was operated by the ''Toronto Star'' newspaper. Station CKCE began in April 1922 and was so well received that the Star pushed forward with its own studios and transmitting facilities, returning to the air as CFCA in late June 1922. In Montreal, another newspaper, ''La Presse'', put its own station, CKAC on the air in late September 1922. Because there were governmental limitations on radio frequencies back then, CKAC and CFCF alternated—one would broadcast one night, and the other would broadcast the night after that.

As radio grew in popularity during the mid-1920s, a problem arose: the U.S. stations dominated the airwaves and with a limited number of frequencies available for broadcasters to use, it was the American stations that seemed to get most of them. This was despite an agreement with the US Department of Commerce (which supervised broadcasting in the years prior to the Federal Radio Commission) that a certain number of frequencies were reserved exclusively for Canadian signals. But if a US station wanted one of those frequencies, the Department of Commerce seemed unwilling to stop it, much to the frustration of Canadian owners who wanted to put stations on the air. The Canadian government and the US government began negotiations in late 1926, in hopes of finding a satisfactory solution. Meanwhile, in 1928, Canada got its first network, operated by the Canadian National Railways. CNR had already made itself known in radio since 1923, thanks in large part to the leadership of CNR's president, Sir Henry Thornton. The company began equipping its trains with radio receivers, and allowed passengers to hear radio stations from Canada and the US. In 1924, CN began building its own stations, and by 1928, it was able to create a network.

Cuba

There was interest in radio almost from broadcasting's earliest days. Due to the proximity of Cuba to the U.S. state of Florida, some Cubans would try to listen to the American stations whose signals reached the island. But there was no radio station in Cuba until 1922. The arrival of the first radio station, PWX, was greeted with enthusiasm. PWX, owned by the Cuban Telephone Company, was located in Havana. It was a joint venture with the International Telephone and Telegraph Company of New York. PWX debuted on the air on October 10, 1922. PWX broadcast programs in both English and Spanish, and its signal was easily received at night in a number of American cities. Another early station in Cuba was owned by Frank Jones, an American amateur radio operator and Chief Engineer of the Tuinucu Sugar Company. The station used amateur call letters, and went on the air as 6KW. In late 1928, PWX began using the call letters CMC. Its slogan was "If you hear 'La Paloma,' you are in tune with CMC." As with many other countries, interest in radio expanded, and by 1932, Cuba had more than thirty stations, spread out in cities all over the island.

France

Radio Paris began operations in 1922, followed by Radio Toulouse and Radio Lyon. Before 1940, 14 commercial and 12 public sector radio stations were in operation. The government exerted tight control over radio broadcasting. Political debate was not encouraged. In the 1932 election campaign, for example, the opposition was allowed one broadcast while the incumbent made numerous campaign broadcasts. Radio was a potentially powerful new medium, but France was quite laggard in consumer ownership of radio sets, With 5 million radio receivers in 1937, compared to over 8 million and both Britain and Germany, and 26 million in the United States. The government imposed very strict controls on news dissemination. After 1938, stations were allowed only three brief daily bulletins, of seven minutes each, to cover all the day's news. The Prime Minister's office closely supervised the news items that were to be broadcast. As war approached, Frenchmen learned little or nothing about it from the radio. The government thought that policy wise, because it wanted no interference in its policies. The unexpected result, however, was the Frenchman were puzzled and uncertain great crises erupted in 1938–39, and their morale and support for government policies was much weaker than in Britain.

Germany

The first civilian radio broadcast was a Christmas concert at December 22, 1920. While its reception was confirmed from all over Europe, reception in Germany was still a punishable offense, as a result of the Treaty of Versailles.

The first radio station in Germany went on the air in Berlin in late 1923, using the call letters "LP." Before 1933, German radio broadcasting was Conducted by 10 regional broadcasting monopolies, each of which had a government representative on its board. The Post Office Provided overall supervision. A listening fee of per receiver paid most costs, and radio station frequencies were limited, which even restricted the number of amateur radio operators. Immediately following Hitler's assumption of power in 1933, Joseph Goebbels became head of the Ministry for Propaganda and Public Enlightenment and took full control of broadcasting. Non-Nazis were removed from broadcasting and editorial positions. Jews were fired from all positions.

Germany was easily served by a number of European mediumwave stations, including the BBC
...