A contralto () is a type of classical female

singing Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music ( arias, recitatives, songs, etc.) that can be sung with or ...

voice The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound producti ...

whose

vocal range Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of st ...

is the lowest female

voice type A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, ...

. The contralto's vocal range is fairly rare; similar to the

mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middl ...

, and almost identical to that of a

countertenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist ...

, typically between the F below middle C (F₃ in

scientific pitch notation Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number id ...

) to the second F above middle C (F₅), although, at the extremes, some voices can reach the D below middle C (D₃) or the second B above middle C (B₅). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto.

History

"Contralto" is primarily meaningful only in reference to classical and

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

tic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "

s". The Italian terms "contralto" and "

alto The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruse ...

" are not synonymous, "alto" technically denoting a specific

in choral singing without regard to factors like

tessitura In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characte ...

, vocal

timbre In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musica ...

, vocal facility, and

vocal weight Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music. Lighter voices are often associated with the term ...

. However, there exists some French choral writing (including that of

Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ...

and Poulenc) with a part labelled "contralto", despite the tessitura and function being that of a classical alto part. The Saracen princess Clorinde in André Campra's 1702 opera ''

Tancrède ''Tancrède'' is a 1702 ''tragédie en musique'' (a French opera in the lyric tragedy tradition) in a prologue and five acts by composer André Campra and librettist Antoine Danchet, based on ''Gerusalemme liberata'' by Torquato Tasso. The opera ...

'' was written for

Julie d'Aubigny Julie d'Aubigny (; 1673–1707), better known as Mademoiselle Maupin or La Maupin, was a French opera singer. Little is known for certain about her life; her tumultuous career and flamboyant lifestyle were the subject of gossip, rumour, and co ...

and is considered the earliest major role for ''bas-dessus'' or contralto voice.The part of Clorinde is notated in the soprano clef
original score, p. 71
, but, although it never descends below d′, tradition has it that it was the first major ''bas-dessus'' (contralto) role in the French opera history (Sadie, Julie Anne, ''Maupin'', in

Sadie, Stanley Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...

(ed), ''op. cit.'', III, p. 274).

Vocal range

The contralto has the lowest vocal range of the female

s, with the lowest

. The contralto

is between

tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...

and

. Although tenors, baritones, and basses are male singers, some women can sing as low (albeit with a slightly different timbre and texture) as their male counterparts. Some of the rare female singers who specialized in the tenor and baritone registers include film actress

Zarah Leander Zarah Leander (; 15 March 1907 – 23 June 1981) was a Swedish singer and actress whose greatest success was in Germany between 1936 and 1943, when she was contracted to work for the state-owned Universum Film AG (UFA). Although no exact record ...

, the Persian ''āvāz'' singer

Hayedeh Ma'soumeh Dadehbala ( fa, معصومه دده‌بالا; 10 April 1942 – 20 January 1990), known professionally as Hayedeh ( fa, هایده), was an Iranian singer with a contralto vocal range. Known for her wide range of voice, her career span ...

, the child prodigy

Ruby Helder Ruby Helder (March 3, 1890 – November 21, 1938) was a British opera singer known for her powerful contralto voice. Early life and family Helder was born Emma Jane Holder in 1890 in the Easton district of Bristol. Her father, Thomas, a dairyman ...

(1890–1938), and Bavarian novelty singer Bally Prell.

Subtypes and roles in opera

Within the contralto voice type category are three generally recognized subcategories: coloratura contralto, an agile voice specializing in florid passages; lyric contralto, a voice lighter in timbre; and dramatic contralto, the deepest, darkest, and most powerful contralto voice. The coloratura contralto was a favorite voice type of Rossini's. Many of his roles listed below were written with this type of voice in mind. Lyric contraltos are heavily utilized in both the French and English operatic repertoire. Many of the Gilbert and Sullivan contralto roles are best suited with a lyric contralto voice. Ma Moss in ''

The Tender Land ''The Tender Land'' is an opera with music by Aaron Copland and libretto by Horace Everett, a pseudonym for Erik Johns. History The opera tells of a farm family in the Midwest of the United States. Copland was inspired to write this opera aft ...

'' is a notable lyric contralto role. The dramatic contralto voice is heard in much of the German operatic repertoire. Erda in ''

Der Ring des Nibelungen (''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibe ...

'' and Gaea in ''Daphne'' are both good examples of the dramatic contralto. True operatic contraltos are rare, and the operatic literature contains few roles written specifically for them. Contraltos sometimes are assigned feminine roles like Teodata in ''

Flavio ''Flavio, re de' Longobardi'' ("Flavio, King of the Lombards", HWV 16) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Nicola Francesco Haym, after Matteo Noris's ''Flavio Cuniberto''. It was Ha ...

'', Angelina in ''

La Cenerentola ' ('' Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera ''Cendrillon'' ...

'', Rosina in ''

The Barber of Seville ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based ...

'', Isabella in ''

L'italiana in Algeri ''L'italiana in Algeri'' (; ''The Italian Girl in Algiers'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San ...

'', and Olga in ''

Eugene Onegin ''Eugene Onegin, A Novel in Verse'' (Reforms of Russian orthography, pre-reform Russian: ; post-reform rus, Евгений Оне́гин, ромáн в стихáх, p=jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, r=Yevgeniy Onegin, roman v stikhakh) is ...

'', but more frequently they play female villains or trouser roles. Contraltos may also be cast in roles originally written for castrati. A common saying among contraltos is that they may play only "witches, bitches, or britches." Examples of contralto roles in the standard operatic repertoire include the following: *Angelina^*, ''

'' ( Rossini) *Arnalta, ''

L'incoronazione di Poppea ''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni ...

'' (

Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is consider ...

) *Arsace, ''

Semiramide ''Semiramide'' () is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Feni ...

'' (Rossini) *Art Banker, ''

Facing Goya ''Facing Goya'' (2000) is an opera in four acts by Michael Nyman on a libretto by Victoria Hardie. It is an expansion of their one-act opera called ''Vital Statistics'' from 1987, dealing with such subjects as physiognomy, eugenics, and its pra ...

'' ( Nyman) *Azucena^*, ''

Il trovatore ''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...

'' (Verdi) *Auntie^*, landlady of The Boar, ''

Peter Grimes ''Peter Grimes'', Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem '' The Borough''. The "borough" of the opera is a fictional ...

'' (

Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...

) *The Baroness, '' Vanessa'' (

Barber A barber is a person whose occupation is mainly to cut, dress, groom, style and shave men's and boys' hair or beards. A barber's place of work is known as a "barbershop" or a "barber's". Barbershops are also places of social interaction and publi ...

) *Bradamante, ''

Alcina ''Alcina'' (Händel-Werke-Verzeichnis, HWV 34) is a 1735 opera seria by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during ...

'' ( Handel) *La Cieca, '' La Gioconda'' (

Ponchielli Amilcare Ponchielli (, ; 31 August 1834 – 16 January 1886) was an Italian opera composer, best known for his opera ''La Gioconda''. He was married to the soprano Teresina Brambilla. Life and work Born in Paderno Fasolaro (now Paderno Ponchiel ...

) *Cornelia, ''

Giulio Cesare ''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica (''opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nic ...

'' (Handel) *The Countess^*, '' The Queen of Spades'' (

Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...

) *Didone, '' Egisto'' ( Cavalli) *Dryade, ''

Ariadne auf Naxos (''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's ...

'' (

Strauss Strauss, Strauß or Straus is a common Germanic surname. Outside Germany and Austria ''Strauß'' is always spelled ''Strauss'' (the letter " ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" usually re ...

) *Erda, ''

Das Rheingold ''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's '' Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National ...

, Siegfried'' (

Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...

) *Felicia, '' Il crociato in Egitto'' (

Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le d ...

) *Madame Flora (Baba), ''

The Medium ''The Medium'' is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by the Alice M. Ditson Fund at Columbia University, its first performance was there on 8 May 1946. The opera's first profes ...

'' ( Menotti) *Fidès, ''

Le prophète ''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the ...

'' (

) *Florence Pike, ''

Albert Herring ''Albert Herring'', Op. 39, is a chamber opera in three acts by Benjamin Britten. Composed in the winter of 1946 and the spring of 1947, this comic opera was a successor to his serious opera ''The Rape of Lucretia''. The libretto, by Eric Croz ...

'' (Britten) *Gaea, ''

Daphne Daphne (; ; el, Δάφνη, , ), a minor figure in Greek mythology, is a naiad, a variety of female nymph associated with fountains, wells, springs, streams, brooks and other bodies of freshwater. There are several versions of the myth in whi ...

'' (

) *Geneviève, '' Pelléas et Mélisande'' (

Debussy (Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the ...

) *Griselda, '' Griselda'' (

Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widesprea ...

) *Hélène Bezukhova, ''

War and Peace ''War and Peace'' (russian: Война и мир, translit=Voyna i mir; pre-reform Russian: ; ) is a literary work by the Russian author Leo Tolstoy that mixes fictional narrative with chapters on history and philosophy. It was first published ...

'' (Prokofiev) *Hippolyta, '' A Midsummer Night's Dream'' (Britten) *Isabella^*, ''

'' (Rossini) *Katisha, ''

The Mikado ''The Mikado; or, The Town of Titipu'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen Gilbert and Sullivan, operatic collaborations. It opened on 14 March 1885, in London, whe ...

'' ( Gilbert and Sullivan) *Klytemnestra^*, '' Elektra'' ( Richard Strauss) *Lel, ''

The Snow Maiden ''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed ...

'' (

Rimsky-Korsakov Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsk ...

) *Little Buttercup, ''

H.M.S. Pinafore ''H.M.S. Pinafore; or, The Lass That Loved a Sailor'' is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, whic ...

'' (Gilbert and Sullivan) *Lucretia, ''

The Rape of Lucretia ''The Rape of Lucretia'' (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play '. Performance history The opera was fi ...

'' (Britten) *Maddalena^*, ''

Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had co ...

'' (Verdi) *Magdelone, '' Maskarade'' ( Nielsen) *Mamma Lucia, ''

Cavalleria rusticana ''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play ...

'' ( Mascagni) *Ma Moss, ''

'' ( Copland) *Malcolm^*, ''

La donna del lago ''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 19 ...

'' (Rossini) *Margret, ''

Wozzeck ''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama '' Woyzeck'', which the German playwright Georg Büchner left incomplete at ...

'' (

Berg Berg may refer to: People *Berg (surname), a surname (including a list of people with the name) *Berg Ng (born 1960), Hong Kong actor * Berg (footballer) (born 1989), Brazilian footballer Former states * Berg (state), county and duchy of the Hol ...

) *Maria, ''

Porgy and Bess ''Porgy and Bess'' () is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play '' Porgy'', it ...

'' ( Gershwin) *The Marquise of Berkenfield, ''

La fille du régiment ' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra ...

'' (

Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style duri ...

) *Marthe, ''

Faust Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroa ...

'' ( Gounoud) *Marilyn Klinghoffer, ''

The Death of Klinghoffer ''The Death of Klinghoffer'' is an American opera, with music by John Adams to an English-language libretto by Alice Goodman. First produced in Brussels and New York in 1991, the opera is based on the hijacking of the passenger liner ''Achille ...

'' ( Adams) *Mary, ''

Der fliegende Holländer ' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner cla ...

'' (Wagner) *Miss Todd, ''

The Old Maid and the Thief ''The Old Maid and the Thief'' is a radio opera in one act by Italian-American composer Gian Carlo Menotti. The work uses an English language libretto by the composer which tells a twisted tale of morals and evil womanly power. Menotti writes in ...

'' (Menotti) *Mother, ''

The Consul ''The Consul'' is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera. Performance history Its first performance was on March 1, 1950 at the Schubert Theatre in Philadelphia with Patricia Neway as t ...

'' (Menotti) *Mother Goose, ''

Mother Goose The figure of Mother Goose is the imaginary author of a collection of French fairy tales and later of English nursery rhymes. As a character, she appeared in a song, the first stanza of which often functions now as a nursery rhyme. This, howeve ...

'' (Felix Jarrar) *Mother Goose, ''

The Rake's Progress ''The Rake's Progress'' is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings '' A Rake's Prog ...

'' ( Stravinsky) *Mrs. Noye, ''

Noye's Fludde ''Noye's Fludde'' is a one-act opera by the British composer Benjamin Britten, intended primarily for amateur performers, particularly children. First performed on 18 June 1958 at that year's Aldeburgh Festival, it is based on the 15th-century ...

'' (

) *Mrs. Prin, ''

Tabula Rasa ''Tabula rasa'' (; "blank slate") is the theory that individuals are born without built-in mental content, and therefore all knowledge comes from experience or perception. Epistemological proponents of ''tabula rasa'' disagree with the doctri ...

'' ( Felix Jarrar) *Mistress Quickly, ''

Falstaff Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays '' Henry IV, Part 1'' and '' Part 2'', w ...

'' (Verdi) *Norn (I), ''

Götterdämmerung ' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as ...

'' (Wagner) *Olga^*, ''

'' (Tchaikovsky) *Orfeo, '' Orfeo ed Euridice'' (

Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...

) (originally for castrato) *Orlando, '' Orlando Furioso'' (

) *Orsini, '' Lucrezia Borgia'' (Donizetti) *Polina, '' The Queen of Spades'' (Tchaikovsky) *Ratmir, '' Ruslan and Lyudmila'' ( Glinka) *Rosina^*, ''

'' (Rossini) *Rosmira/Eurimene^*, ''

Partenope ''Partenope'' ("Parthenope", HWV 27) is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and li ...

'' (Handel) *Ruth, ''

The Pirates of Penzance ''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 187 ...

'' (Gilbert and Sullivan) *Schwertleite, ''

Die Walküre (; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on ...

'' (Wagner) *Smeaton, ''

Anna Bolena ''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', bo ...

'' (Donizetti) *Sosostris, ''

The Midsummer Marriage ''The Midsummer Marriage'' is an opera in three acts, with music and libretto by Michael Tippett. The work's first performance was at Covent Garden, on 27 January 1955, conducted by John Pritchard. The reception of the opera was controversial, o ...

'' ( Tippett) *Stella, '' What Next?'' (

Carter Carter(s), or Carter's, Tha Carter, or The Carter(s), may refer to: Geography United States * Carter, Arkansas, an unincorporated community * Carter, Mississippi, an unincorporated community * Carter, Montana, a census-designated place * Carter ...

) *Tancredi, ''

Tancredi ''Tancredi'' is a ''melodramma eroico'' ('' opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write '' Semiramide'' ten years later), based on Voltaire's play ''Tancrède'' (17 ...

'' (Rossini) *Ulrica, ''

Un ballo in maschera ''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. Th ...

'' (Verdi) *Widow Begbick^*, ''

Rise and Fall of the City of Mahagonny ''Rise and Fall of the City of Mahagonny'' (german: Aufstieg und Fall der Stadt Mahagonny, links=no) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the i ...

'' ( Weill) *3rd Woodsprite, '' Rusalka'' ( Dvořák) *La Zia Principessa, ''

Suor Angelica ''Suor Angelica'' (''Sister Angelica'') is an opera in one act by Giacomo Puccini to an original Italian libretto by Giovacchino Forzano. It is the second opera of the trio of operas known as ''Il trittico'' (''The Triptych''). It received its wo ...

'' (

Puccini Giacomo Puccini ( Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long ...

) *Zita, ''

Gianni Schicchi () is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Pucci ...

'' (

) * ^* indicates a role that may also be sung by a

References

External links

* * {{Authority control Italian opera terminology Musical terminology Opera terminology Pitch (music) Voice types

History

Vocal range

Subtypes and roles in opera

See also

References

Further reading

External links