Ruslan And Lyudmila (opera)
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Ruslan And Lyudmila (opera)
''Ruslan and Lyudmila'' ( rus, Руслан и Людмила, Ruslán i Lyudmíla, link=no ) is an opera in five acts (eight tableaux) composed by Mikhail Glinka between 1837 and 1842. The opera is based on the 1820 poem of the same name by Alexander Pushkin. The Russian libretto was written by Valerian Shirkov, Nestor Kukolnik and N. A. Markevich, among others. Pushkin's death in the famous duel prevented him from writing the libretto himself as planned. Today, the best-known music from the opera is its overture. Performance history The premiere took place in Saint Petersburg on 27 November(Old Style) 1842 at the Bolshoi Kamenniy Teatr. The initial lack of enthusiasm for this Russian-inspired production has been attributed to the Saint Petersburg's audience's growing taste at the time for Italian opera, which was so pronounced that in 1843, Tsar Nicholas I established an Italian opera company in the Bolshoi Kamenniy Teatr, and the Russian opera company lost its home. Four year ...
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Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five (composers), The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth n ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Emiliya Lileyeva
Emilia Bashur ( bg, Емилия Башур, née Valeva), known by her stage name Emilia, is a Bulgarian pop folk singer. She has released eight studio albums to date. Early life Emilia was born in Galabovo Galabovo ( bg, Гълъбово , from гълъб ''galab'', "dove" + -ovo) is a town in south-central Bulgaria, part of Stara Zagora Province. It is the administrative centre of the homonymous Galabovo Municipality. As of December 2009, the to ... on 21 March 1982. She has one older sister, Daniela. Emilia became interested in music at an early age and began singing in the local choir. She began learning traditional Bulgarian music with Jivka Dimitrova and Dimitar Kolev. Several years later, she signed a contract with the Bulgarian record label Payner. In 1999, she recorded her first song- "Its over with you" which became popular in the pop-folk culture. Her debut album ''Veselo Momiche'' (''Happy Girl'') was successful. She has a son, Ivan and a daughter, Mira. Dis ...
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Varangians
The Varangians (; non, Væringjar; gkm, Βάραγγοι, ''Várangoi'';Varangian
" Online Etymology Dictionary
: варяже, varyazhe or варязи, varyazi) were , conquerors, traders and settlers, mostly from . Between the 9th and 11th centuries, Varangians ruled the state of

Anna Petrova-Vorobyova
Anna may refer to: People Surname and given name * Anna (name) Mononym * Anna the Prophetess, in the Gospel of Luke * Anna (wife of Artabasdos) (fl. 715–773) * Anna (daughter of Boris I) (9th–10th century) * Anna (Anisia) (fl. 1218 to 1221) * Anna of Poland, Countess of Celje (1366–1425) * Anna of Cilli (1386–1416) * Anna, Grand Duchess of Lithuania (died 1418) * Anne of Austria, Landgravine of Thuringia (1432–1462) * Anna of Nassau-Dillenburg (died 1514) * Anna, Duchess of Prussia (1576–1625) * Anna of Russia (1693–1740) * Anna, Lady Miller (1741–1781) * Anna Russell, Duchess of Bedford (1783–1857) * Anna, Lady Barlow (1873–1965) * Anna (feral child) (1932–1942) * Anna (singer) (born 1987) Places Australia * Hundred of Anna, a cadastral district in South Australia Iran * Anna, Fars, a village in Fars Province * Anna, Kohgiluyeh and Boyer-Ahmad, a village in Kohgiluyeh and Boyer-Ahmad Province Russia * Anna, Voronezh Oblast, an urban locality in Voronezh ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Khazars
The Khazars ; he, כּוּזָרִים, Kūzārīm; la, Gazari, or ; zh, 突厥曷薩 ; 突厥可薩 ''Tūjué Kěsà'', () were a semi-nomadic Turkic people that in the late 6th-century CE established a major commercial empire covering the southeastern section of modern European Russia, southern Ukraine, Crimea, and Kazakhstan. They created what for its duration was the most powerful polity to emerge from the break-up of the Western Turkic Khaganate. Astride a major artery of commerce between Eastern Europe and Western Asia, Southwestern Asia, Khazaria became one of the foremost trading empires of the Early Middle Ages, early medieval world, commanding the western March (territory), marches of the Silk Road and playing a key commercial role as a crossroad between China, the Middle East and Kievan Rus'. For some three centuries (c. 650–965) the Khazars dominated the vast area extending from the Volga-Don steppes to the eastern Crimea and the northern Caucasus. Khazari ...
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Semen Hulak-Artemovsky
Semen Stepanovych Hulak-Artemovsky ( uk, Семен Степанович Гулак-Артемовський, also referred to as Semyon Gulak-Artemovsky and Artemovs’kyj) ( – ), was a Ukrainians, Ukrainian opera composer, singer (baritone), actor, and dramatist who lived and worked in Imperial Russia. He is known mainly for his comic opera ''Zaporozhets za Dunayem'' (''A Zaporozhian Host, Zaporozhian (Cossack) Beyond the Danube''), as well as for his dramatic talent and his powerful, rich baritone voice. He was the nephew of the poet Petro Hulak-Artemovsky and a close friend of Taras Shevchenko. Biography Hulak-Artemovsky was born in Horodyshche, Kiev Governorate (today in independent Ukraine) to the family of a priest, and went on to study at the Kiev Theological Seminary from 1835 to 1838. Having gained the attention of Mikhail Glinka, at the age of twenty five Semen was brought to the capital of the empire, St Petersburg, in 1838 to receive vocal training directly from G ...
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Osip Petrov
Osip Afanasievich Petrov (russian: link=no, Осип Афанасиевич Петров, ) was a Russian operatic bass-baritone of great range and renown, whose career centred on St Petersburg. Biography Osip Petrov was born in Yelisavetgrad (now Kropyvnytskyi) in Ukraine, then part of Russia. He started his career by singing in a church chorus. Petrov then worked in Russian provincial theaters (including Poltava, where he worked together with Mikhail Shchepkin). From 1830 until his death in 1878 he worked for the Mariinsky Theatre, St Petersburg. His career was one triumph after another, and he created a number of important roles in Russian operas, by composers such as Dargomyzhsky, Glinka, Mussorgsky, Rimsky-Korsakov, Anton Rubinstein, Tchaikovsky and others. His 50th anniversary as a singer was the cause for national celebration. On 21 April 1876, on the stage of the Maryinsky Theatre, he was presented with a gold medal, the personal gift of Tsar Alexander II. The Pres ...
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Knight
A knight is a person granted an honorary title of knighthood by a head of state (including the Pope) or representative for service to the monarch, the church or the country, especially in a military capacity. Knighthood finds origins in the Greek ''hippeis'' and '' hoplite'' (ἱππεῖς) and Roman '' eques'' and ''centurion'' of classical antiquity. In the Early Middle Ages in Europe, knighthood was conferred upon mounted warriors. During the High Middle Ages, knighthood was considered a class of lower nobility. By the Late Middle Ages, the rank had become associated with the ideals of chivalry, a code of conduct for the perfect courtly Christian warrior. Often, a knight was a vassal who served as an elite fighter or a bodyguard for a lord, with payment in the form of land holdings. The lords trusted the knights, who were skilled in battle on horseback. Knighthood in the Middle Ages was closely linked with horsemanship (and especially the joust) from its origins in th ...
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Mariya Stepanova
Mariya Matveyevna Stepanova (Russian: Мария Матвеевна Степанова) (1811 or 1816 – 1903) was a Russian opera singer who created the leading soprano roles in ''A Life for the Tsar'', ''Ruslan and Lyudmila'', and ''Dmitry Donskoy''.Forbes, Elizabeth (2008)"Stepanova, Mariya Matveyevna"in L. Macy (ed.). ''The Grove Book of Opera Singers'', p. 465. Oxford University Press. ISBN Stepanova was born into a family of musicians active in the Imperial Theatres in Saint Petersburg. She initially studied to be ballet dancer and was then trained in singing by Catterino Cavos. She made her operatic debut in 1835 and the following year created the role of Antonida in Glinka's ''A Life for the Tsar''. She sang with the Imperial Opera at the Imperial Bolshoi Kamenny Theatre in Saint Petersburg until 1846 and then at the Bolshoi Theatre in Moscow until 1855 when she retired from the stage. During that time, she periodically returned to perform in Saint Petersburg where she c ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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