Semen Hulak-Artemovsky
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Semen Hulak-Artemovsky
Semen Stepanovych Hulak-Artemovsky ( uk, Семен Степанович Гулак-Артемовський, also referred to as Semyon Gulak-Artemovsky and Artemovs’kyj) ( – ), was a Ukrainians, Ukrainian opera composer, singer (baritone), actor, and dramatist who lived and worked in Imperial Russia. He is known mainly for his comic opera ''Zaporozhets za Dunayem'' (''A Zaporozhian Host, Zaporozhian (Cossack) Beyond the Danube''), as well as for his dramatic talent and his powerful, rich baritone voice. He was the nephew of the poet Petro Hulak-Artemovsky and a close friend of Taras Shevchenko. Biography Hulak-Artemovsky was born in Horodyshche, Kiev Governorate (today in independent Ukraine) to the family of a priest, and went on to study at the Kiev Theological Seminary from 1835 to 1838. Having gained the attention of Mikhail Glinka, at the age of twenty five Semen was brought to the capital of the empire, St Petersburg, in 1838 to receive vocal training directly from G ...
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Semen Hulak-Artemovsky
Semen Stepanovych Hulak-Artemovsky ( uk, Семен Степанович Гулак-Артемовський, also referred to as Semyon Gulak-Artemovsky and Artemovs’kyj) ( – ), was a Ukrainians, Ukrainian opera composer, singer (baritone), actor, and dramatist who lived and worked in Imperial Russia. He is known mainly for his comic opera ''Zaporozhets za Dunayem'' (''A Zaporozhian Host, Zaporozhian (Cossack) Beyond the Danube''), as well as for his dramatic talent and his powerful, rich baritone voice. He was the nephew of the poet Petro Hulak-Artemovsky and a close friend of Taras Shevchenko. Biography Hulak-Artemovsky was born in Horodyshche, Kiev Governorate (today in independent Ukraine) to the family of a priest, and went on to study at the Kiev Theological Seminary from 1835 to 1838. Having gained the attention of Mikhail Glinka, at the age of twenty five Semen was brought to the capital of the empire, St Petersburg, in 1838 to receive vocal training directly from G ...
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Imperial Chapel Choir
Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas * Imperial, West Virginia * Imperial, Virginia * Imperial County, California * Imperial Valley, California * Imperial Beach, California Elsewhere * Imperial (Madrid), an administrative neighborhood in Spain * Imperial, Saskatchewan, a town in Canada Buildings * Imperial Apartments, a building in Brooklyn, New York * Imperial City, Huế, a palace in Huế, Vietnam * Imperial Palace (other) * Imperial Towers, a group of lighthouses on Lake Huron, Canada * The Imperial (Mumbai), a skyscraper apartment complex in India Animals and plants * '' Cheritra'' or imperial, a genus of butterfly Architecture, design, and fashion * Imperial, a luggage case for the top of a coach * Imperial, the top, roof or second-storey compartment of ...
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Romanization Of Russian
The romanization of the Russian language (the transliteration of Russian text from the Cyrillic script into the Latin script), aside from its primary use for including Russian names and words in text written in a Latin alphabet, is also essential for computer users to input Russian text who either do not have a keyboard or word processor set up for inputting Cyrillic, or else are not capable of typing rapidly using a Keyboard layout#Russian, native Russian keyboard layout (JCUKEN). In the latter case, they would type using a system of transliteration fitted for their keyboard layout, such as for English QWERTY keyboards, and then use an automated tool to convert the text into Cyrillic. Systematic transliterations of Cyrillic to Latin There are a number of distinct and competing standards for the romanization of Russian Cyrillic, with none of them having received much popularity, and, in reality, transliteration is often carried out without any consistent standards. Scientific tr ...
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Romanization Of Ukrainian
The romanization of Ukrainian, or Latinization of Ukrainian, is the representation of the Ukrainian language in Latin alphabet, Latin letters. Ukrainian is natively written in its own Ukrainian alphabet, which is based on the Cyrillic script. Romanization may be employed to represent Ukrainian text or pronunciation for non-Ukrainian readers, on computer systems that cannot reproduce Cyrillic characters, or for typists who are not familiar with the Ukrainian keyboard layout. Methods of romanization include transliteration (representing written text) and transcription (linguistics), transcription (representing the spoken word). In contrast to romanization, there have been several historical proposals for a native Ukrainian Latin alphabet, usually based on those used by West Slavic languages, but none have caught on. Romanization systems Transliteration Transliteration is the letter-for-letter representation of text using another writing system. Rudnyckyj classified transliteratio ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ...
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Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Bolshoi Theatre
The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Moscow), Maly Theatre (''Small Theatre'') in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi Theatre, Saint Petersburg, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others). The Bolshoi Ballet and Bolshoi Opera are among the oldest and best known ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil. The main building of the theatre, rebuilt and renovat ...
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Fomka The Fool
''Fomka the Fool'' '' (Fomka-durachok: russian: Фомка-дурачок)'' is a one-act opera by Anton Rubinstein to a libretto by M. L. Mikhaylov. It was given its only performance in 1853. Background ''Fomka'' was the second of Rubinstein's operas to be performed. It was commissioned, together with two other one-act operas, '' The Siberian Hunters'' and ''Vengeance'', by the Grand Duchess Yelena Pavlovna. The first performance was on at the Alexandrinsky Theatre in St. Petersburg. The title role was sung by Lev Leonov, the son of the pianist John Field. The performance appears to have been a disaster. The composer wrote 'It was performed in such a way that I gathered everything up and do not intend to give any more of my works on the Russian stage .. he performersmissed out whole bars, came in early, forgot their parts . Rubinstein went to the theatre office the next day and insisted that his score be returned to him. The failure was an incentive for Rubinstein to quit Rus ...
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Dmitry Donskoy (opera)
''Dmitry Donskoy'' ''(russian: Дмитрий Донской''), also known as ''The Battle of Kulikovo (russian: Куликовская битва)'' was the first opera written by Anton Rubinstein. It has three acts and a libretto by Count Vladimir Sollogub and Vladimir Zotov, based on a drama by Vladislav Ozerov. First performed in 1852, the opera, apart from its overture, is now lost. Background Rubinstein asked for a libretto from Sollogub, who had also worked on Glinka's successful opera '' A Life for the Tsar'', on what was ostensibly also a nationalist theme, the success of Dmitry Donskoy at the Battle of Kulikovo (1380) against the commander of the Tatar Golden Horde, Mamai. However he ignored the historic elements in favour of a fairly routine operatic love story. The overture was completed first and was performed at a concert in 1850. But Rubinstein faced trouble with the Russian censors, who forbade any stage presentation of Donskoy himself singing. Eventually the ...
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