Semiramide
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Semiramide
''Semiramide'' () is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice in Venice on 3 February 1823. ''Semiramide'' was Rossini's final Italian opera and according to Richard Osborne, "could well be dubbed ''Tancredi Revisited''". As in ''Tancredi'', Rossi's libretto was based on a Voltaire tragedy. The music took the form of a return to vocal traditions of Rossini's youth, and was a melodrama in which he "recreated the baroque tradition of decorative singing with unparalleled skill". The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are of a high order, as is the orchestral writing, which makes full use of a large pit. After this splendid work, one of his finest in the genre, Rossini turned his back on Italy and moved to Paris. Apart from ''Il viaggio a Reims'', which i ...
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Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ...
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Giulia Grisi
Giulia Grisi (22 May 1811 – 29 November 1869) was an Italian opera singer. She performed widely in Europe, the United States and South America and was among the leading sopranos of the 19th century.Chisholm 1911, p. ? Her second husband was Giovanni Matteo Mario de Candia (also known as "Mario the Tenor"), scion of a noble family of the Kingdom of Sardinia. She is buried at Père Lachaise Cemetery in Paris. Her grave is marked "Juliette de Candia", styled in her married last name; usually better known by the courtesy title the Marquesse of Candia. Early life Born in Milan, Giulia Grisi was the daughter of Gaetano Grisi, one of Napoleon's Italian officers, and Giovanna née Grassini. She came from a musically gifted family, her maternal aunt Giuseppina Grassini (1773–1850) being a favourite opera singer both on the continent and in London. Her older sister, Giuditta and her cousin Carlotta were both artistes, the former as a singer and the latter as a ballet dancer. Giuditta ...
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Semiramis
''Samīrāmīs'', hy, Շամիրամ ''Šamiram'') was the semi-legendary Lydian- Babylonian wife of Onnes and Ninus, who succeeded the latter to the throne of Assyria, according to Movses Khorenatsi. Legends narrated by Diodorus Siculus, who drew primarily from the works of Ctesias of Cnidus,Diodorus Siculus: The Library of History, Book II, Chapters 1-22 describe her and her relationships to Onnes and King Ninus. Armenians and the Assyrians of Iraq, northeast Syria, southeast Turkey, and northwest Iran still use ''Shamiram'' as a given name for girls. The real and historical Shammuramat (the original Akkadian form of the name) was the Assyrian wife of Shamshi-Adad V (ruled 824 BC–811 BC). She was the ruler of the Neo-Assyrian Empire as its regent for five years before her son Adad-nirari III came of age and took the reins of power. She ruled at a time of political uncertainty, which is one of the possible explanations for why Assyrians may have accepted the rule of a woman w ...
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Tancredi
''Tancredi'' is a ''melodramma eroico'' ('' opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write ''Semiramide'' ten years later), based on Voltaire's play ''Tancrède'' (1760). The opera made its first appearance at the Teatro La Fenice in Venice on 6 February 1813, and because ''Il signor Bruschino'' premiered in late January, the composer must have completed ''Tancredi'' in less than a month. The overture, borrowed from ''La pietra del paragone'', is a popular example of Rossini's characteristic style and is regularly performed in concert and recorded. Considered by Stendhal, Rossini's earliest biographer, to be "high amongst the composer's masterworks", and describing it as "a genuine thunderbolt out of a clear, blue sky for the Italian lyric theatre," his librettist Gaetano Rossi notes that, with it, "Rossini rose to glory".Rossi, in Osborne, Richard 2007, p. 199 Richard Osborne proclaims it to be "his f ...
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Gaetano Rossi
Gaetano Rossi (; 18 May 1774 – 25 January 1855) was an Italian opera librettist for several of the well-known ''bel canto''-era composers including Gioachino Rossini, Gaetano Donizetti, and Saverio Mercadante in Italy and Giacomo Meyerbeer in one of his early Italian successes. Other composers with whom he worked included Simon Mayr, a composer and Donizetti's teacher, as well as the prolific Giovanni Pacini. Biography Born in Verona, Rossi was writing religious verse by the time that he was 13 years old. He wrote libretti for about 60 years, beginning in 1797 with mostly farsas. Rossi wrote the texts for some significant operas by the well-known composers of the era. These included ''Tancredi'' and ''Semiramide'' for Rossini and '' Il crociato in Egitto'' for Meyerbeer, as well as later operas for Donizetti such as ''Maria Padilla'' (as co-author) and ''Linda di Chamounix''. In addition to his writing, he also worked for a time as the stage director for the Teatro Filarmonico ...
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Sémiramis (tragedy)
''Sémiramis'' (1746) is a tragedy in five acts by Voltaire, first performed in 1748 and published in 1749. Action The plot is very similar to that of Voltaire's earlier unsuccessful tragedy '' Ériphyle''. The action takes place in a courtyard in front of the palace of Sémiramis in Babylon, in front of the Hanging Gardens. Sémiramis, after having her husband Ninos poisoned, now rules the Babylonian Empire. She now decides to marry the stranger Arsace instead of Assur, Prince of the Bélus. Arsace learns that he is in fact Ninias, the son, presumed dead, of Sémiramis and Ninos. Assur tries to eliminate his rival Arsace; Sémiramis tries to save her son, but is mortally wounded by him in a scuffle. Arsace/Ninias thereby avenges his father's death. Dispute with Crébillon When Voltaire was given the opportunity to write a piece of grand theatre to commemorate the birth of the dauphin’s first son in 1746, he selected the apparently inappropriate story of the ancient queen S ...
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Teatro Dell'Opera Di Roma
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ...
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Voltaire
François-Marie Arouet (; 21 November 169430 May 1778) was a French Age of Enlightenment, Enlightenment writer, historian, and philosopher. Known by his ''Pen name, nom de plume'' M. de Voltaire (; also ; ), he was famous for his wit, and his criticism of Christianity—especially Criticism of the Catholic Church, of the Roman Catholic Church—and of slavery. Voltaire was an advocate of freedom of speech, freedom of religion, and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including stageplay, plays, poems, novels, essays, histories, and scientific Exposition (narrative), expositions. He wrote more than 20,000 letters and 2,000 books and pamphlets. Voltaire was one of the first authors to become renowned and commercially successful internationally. He was an outspoken advocate of civil liberties and was at constant risk from the strict censorship laws of the Catholic French monarchy. His polemics ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Isabella Colbran
Isabella Angela Colbran (2 February 1785 – 7 October 1845) was a Spanish opera soprano and composer. She was known as the muse and first wife of composer Gioachino Rossini. Early years Colbran was born in Madrid, Spain, to Giovanni Colbran, King of Spain Carlo III's head court musician and violinist, and Teresa Ortola. She started her musical studies as a singer and composer at the age of six with composer and cellist Francisco Parjea, castrato Carlo Martinelli, and famous castrato and composer Girolamo Crescentini. In 1801, Colbran and her father moved to Paris where she made her concert debut and was warmly received by Napoleon's court. Both of them traveled to Italy, going to Milan, Venice, Rome, before settling and moving permanently to Naples. She inherited land in Sicily and a villa in Castenaso in 1820, after her father's death. Opera career Colbran's dramatic soprano voice and sizable three octave range allowed her to have extremely successful opera career. S ...
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Elisabetta, Regina D'Inghilterra
''Elisabetta, regina d'Inghilterra'' (; ''Elizabeth, Queen of England'') is a ''dramma per musica'' or opera in two acts by Gioachino Rossini to a libretto by Giovanni Schmidt, from the play ''Il paggio di Leicester'' (''Leicester's Page'') by Carlo Federici, which itself "was derived from a novel ''The Recess'' (1785) by Sophia Lee." It was premiered at the Teatro San Carlo in Naples on 4 October 1815 and was the first of nine operas which Rossini wrote for the San Carlo. Altogether, this was one of eighteen operas which he wrote during the time he spent in Naples. Rossini took melodies from other operas to compose ''Elisabetta'', including the overture, first written for ''Aureliano in Palmira'', which is famous as the overture to ''The Barber of Seville''. As Holden notes, with the re-uses of earlier music, "it is as if Rossini wished to present himself to the Neapolitan public by offering a selection of the best music from operas unlikely to have been revived in Naples."H ...
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Otello (Rossini)
''Otello'' is an opera in three acts by Gioachino Rossini to an Italian libretto by after William Shakespeare's play '' Othello, or The Moor of Venice''; it was premiered in Naples, Teatro del Fondo, 4 December 1816. The plot of the libretto differs greatly from Shakespeare's play in that it takes place wholly in Venice, not mainly on Cyprus, and the dramatic conflict develops in a different manner. The role of Iago is much less diabolical than Shakespeare's play or Verdi's 1887 opera ''Otello'', which was also based on it. Shakespeare derived his play from the story ''Un Capitano Moro'' ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. In further contrast, the role of Roderigo, a sub-plot in Shakespeare and Verdi, is very prominent in Rossini's version—some of the most difficult and brilliant music being assigned to the character Rodrigo. The roles of Otello, Iago, and Rodrigo are all composed for the tenor voice. Rossini's ''Otello'' is an ...
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