The Consul
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The Consul
''The Consul'' is an opera in three acts with music and libretto by Gian Carlo Menotti, his first full-length opera. Performance history Its first performance was on March 1, 1950 at the Schubert Theatre in Philadelphia with Patricia Neway as the lead heroine Magda Sorel, Gloria Lane as the secretary of the consulate, Marie Powers as the mother, and Andrew McKinley as the magician Nika Magadoff. The opera opened two weeks later at the Ethel Barrymore Theatre in New York City where it enjoyed a run of nearly eight months. Neway (alternating with Yul Brynner's sister, Vera Brynner) also led the Broadway cast, this time with Rosemary Kuhlmann as the secretary of the consulate. Neway, Kuhlmann, and Powers also performed these roles in the UK at the Cambridge Theatre in February 1951, with Norman Kelley playing the role of the magician Nika. For the opera's La Scala debut in January 1951, Powers and McKinley reprised their roles, and Clara Petrella portrayed Magda. Zechariah Chafee ...
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Gian Carlo Menotti
Gian Carlo Menotti (, ; July 7, 1911 – February 1, 2007) was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent. Like Wagner, Menotti wrote the libretti of all his operas. He wrote the classic Christmas opera '' Amahl and the Night Visitors'' (1951), along with over two dozen other operas intended to appe ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Lehman Engel
A. Lehman Engel (born September 14, 1910, Jackson, Mississippi - died August 29, 1982, New York City) was an American composer and conductor of Broadway musicals, television and film. Work in theatre, television and films Engel worked in a variety of positions on television specials. He was composer and conductor of the music for the famed 1954 television production of Shakespeare's ''Macbeth'', starring Maurice Evans and Judith Anderson, but did not work on the 1960 remake starring the same two actors. He was conductor of the first (and so far, the only) television version of Leonard Bernstein's ''Wonderful Town'' (1958) (TV), as well as, in the preceding years, of the ''Hallmark Hall of Fame'' productions of Shakespeare's ''The Taming of the Shrew'' in 1956, ''Twelfth Night'' in 1957, and '' The Tempest'' in 1960, all with Maurice Evans. He also conducted the music for the Broadway musical version of ''Li'l Abner'', but not for the 1959 film version of the show. The music in ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Peter Lang (publisher)
Peter Lang is an academic publisher specializing in the humanities and social sciences. It has its headquarters in Pieterlen and Bern, Switzerland, with offices in Brussels, Frankfurt am Main, New York City, Dublin, Oxford, Vienna, and Warsaw. Peter Lang publishes over 1,800 academic titles annually, both in print and digital formats, with a backlist of over 55,000 books. It has its complete online journals collection available on Ingentaconnect, and distributes its digital textbooks globally through Kortext. Areas of publication The company specializes in the following twelve subject areas: History The company was founded in Frankfurt am Main in 1970 by Swiss editor Peter Lang. Since 1982 it has an American subsidiary, Peter Lang Publishing USA, specializing in textbooks for classroom use in education, media and communication, and Black studies, as well as monographs in the humanities and social sciences. Academic journals Peter Lang publishers 23 academic journals An ...
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New York Drama Critics' Circle
The New York Drama Critics' Circle is made up of 22 drama critics from daily newspapers, magazines and wire services based in the New York City metropolitan area. The organization is best known for its annual awards for excellence in theater.Jones, KennethPassing Strange and August: Osage County Win 2007–08 NY Drama Critics Circle Award" playbill.com, May 12, 2008. Retrieved May 26, 2018.Hetrick, Adam"NY Drama Critics' Circle Awards Matilda and Vanya and Sonia and Masha and Spike With Top Honors"playbill.com, May 3, 2013. Retrieved May 26, 2018. The organization was founded in 1935 at the Algonquin Hotel by a group that included Brooks Atkinson, Walter Winchell, and Robert Benchley. Adam Feldman of ''Time Out New York'' has been President of the organization since 2005; Joe Dziemianowicz is currently Vice President, and Zachary Stewart of TheaterMania serves as Treasurer. Member affiliations *''amNewYork'' *''The Hollywood Reporter'' *''New York (magazine), New York'' *''New ...
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Pulitzer Prize For Music
The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year." Because of the requirement that the composition have its world premiere during the year of its award, the winning work had rarely been recorded and sometimes had received only one performance. In 2004 the terms were modified to read, "For a distinguished musical composition by an American that has had its first performance or recording in the United States during the year." History In his will, dated April 16, 1904, Joseph Pulitzer established annual prizes for a number of creative accomplishments by living Americans, including prizes for journalism, novels, plays, historie ...
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University Of Pennsylvania Law Review
The ''University of Pennsylvania Law Review'' is a law review published by an organization of second and third year J.D. students at the University of Pennsylvania Law School. It is the oldest law journal in the United States, having been published continuously since 1852. Currently, seven issues are published each year with the last issue traditionally featuring papers from symposia held by the review each year. It is one of the four law reviews responsible for publication of the ''Bluebook''. It is one of seven official scholarly journals at the University of Pennsylvania Law School, and was the third most cited law journal in the world in 2006. In addition to the print edition, the ''University of Pennsylvania Law Review'' also publishes the ''University of Pennsylvania Law Review Online'', formerly named ''PENNumbra'', an online supplement, which publishes debates, essays, case notes, and responses to articles that appeared in the print edition. History The journal was found ...
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