Beethoven's Fifth Symphony
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The Symphony No. 5 in
C minor C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Cha ...
of
Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
, Op. 67, was written between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of western music. First performed in Vienna's
Theater an der Wien The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served prima ...
in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". As is typical of symphonies during the Classical period, Beethoven's Fifth Symphony has four
movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...
. It begins with a distinctive four-note "short-short-short-long" motif: :
The symphony, and the four-note opening motif in particular, are known worldwide, with the motif appearing frequently in popular culture, from disco versions to rock and roll covers, to uses in film and television. Like Beethoven's Eroica (heroic) and Pastorale (rural), Symphony No. 5 was given an explicit name besides the numbering, though not by Beethoven himself. It became popular under "Schicksals-Sinfonie" (Fate Symphony), and the famous five bar theme was called the "Schicksals-Motiv" (
Fate Motif Fate motif refers to a musical motif in a number of different works: * Symphony No. 5 (Beethoven) *''Carmen'' (opera by Bizet) * Symphony No. 6 (Mahler) * ''Pelleas und Melisande'' (Schoenberg) *Symphony No. 8 (Shostakovich) * Oboe Concerto (Strau ...
). This name is also used in translations.


History


Development

The Fifth Symphony had a long development process, as Beethoven worked out the musical ideas for the work. The first "sketches" (rough drafts of melodies and other musical ideas) date from 1804 following the completion of the Third Symphony. Beethoven repeatedly interrupted his work on the Fifth to prepare other compositions, including the first version of ''
Fidelio ''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, wi ...
'', the ''Appassionata'' piano sonata, the three ''Razumovsky'' string quartets, the
Violin Concerto A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up thro ...
, the Fourth Piano Concerto, the Fourth Symphony, and the Mass in C. The final preparation of the Fifth Symphony, which took place in 1807–1808, was carried out in parallel with the Sixth Symphony, which premiered at the same concert. Beethoven was in his mid-thirties during this time; his personal life was troubled by increasing deafness. In the world at large, the period was marked by the
Napoleonic Wars The Napoleonic Wars (1803–1815) were a series of major global conflicts pitting the French Empire and its allies, led by Napoleon I, against a fluctuating array of European states formed into various coalitions. It produced a period of Fren ...
, political turmoil in Austria, and the occupation of Vienna by
Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...
's troops in 1805. The symphony was written at his lodgings at the
Pasqualati House The Pasqualati House, notable for being a residence of Ludwig van Beethoven,Barry Cooper (musicologist), Barry Cooper, ''Beethoven'' (Master Musicians, 2008, Oxford University Press)"Beethoven" by Joseph Kerman and Alan Tyson in ''The New Grove Dic ...
in Vienna. The final movement quotes from a revolutionary song by Claude Joseph Rouget de Lisle.


Premiere

The Fifth Symphony premiered on 22 December 1808 at a mammoth concert at the
Theater an der Wien The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served prima ...
in Vienna consisting entirely of Beethoven premieres, and directed by Beethoven himself on the conductor's podium. The concert lasted for more than four hours. The two symphonies appeared on the programme in reverse order: the Sixth was played first, and the Fifth appeared in the second half. The programme was as follows: # The Sixth Symphony # Aria: ', Op. 65 # The Gloria movement of the Mass in C major # The Fourth Piano Concerto (played by Beethoven himself) # ''(Intermission)'' # The Fifth Symphony # The Sanctus and Benedictus movements of the C major Mass # A solo piano improvisation played by Beethoven # The Choral Fantasy Beethoven dedicated the Fifth Symphony to two of his patrons, Prince Franz Joseph von Lobkowitz and Count Razumovsky. The dedication appeared in the first printed edition of April 1809.


Reception and influence

There was little critical response to the premiere performance, which took place under adverse conditions. The orchestra did not play well—with only one rehearsal before the concert—and at one point, following a mistake by one of the performers in the Choral Fantasy, Beethoven had to stop the music and start again. The auditorium was extremely cold and the audience was exhausted by the length of the programme. However, a year and a half later, publication of the score resulted in a rapturous unsigned review (actually by music critic E. T. A. Hoffmann) in the ''
Allgemeine musikalische Zeitung The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical e ...
''. He described the music with dramatic imagery:
Radiant beams shoot through this region's deep night, and we become aware of gigantic shadows which, rocking back and forth, close in on us and destroy everything within us except the pain of endless longing—a longing in which every pleasure that rose up in jubilant tones sinks and succumbs, and only through this pain, which, while consuming but not destroying love, hope, and joy, tries to burst our breasts with full-voiced harmonies of all the passions, we live on and are captivated beholders of the spirits.
Apart from the extravagant praise, Hoffmann devoted by far the largest part of his review to a detailed analysis of the symphony, in order to show his readers the devices Beethoven used to arouse particular affects in the listener. In an essay titled "Beethoven's Instrumental Music", compiled from this 1810 review and another one from 1813 on the op. 70 string trios, published in three installments in December 1813, E.T.A. Hoffmann further praised the "indescribably profound, magnificent symphony in C minor": S
How this wonderful composition, in a climax that climbs on and on, leads the listener imperiously forward into the spirit world of the infinite!... No doubt the whole rushes like an ingenious rhapsody past many a man, but the soul of each thoughtful listener is assuredly stirred, deeply and intimately, by a feeling that is none other than that unutterable portentous longing, and until the final chord—indeed, even in the moments that follow it—he will be powerless to step out of that wondrous spirit realm where grief and joy embrace him in the form of sound....
The symphony soon acquired its status as a central item in the orchestral repertoire. It was played in the inaugural concerts of the
New York Philharmonic The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is ...
on 7 December 1842, and the S National Symphony Orchestra on 2 November 1931. It was first recorded by the Odeon Orchestra under Friedrich Kark in 1910. The First Movement (as performed by the Philharmonia Orchestra) was featured on the
Voyager Golden Record The Voyager Golden Records are two phonograph records that were included aboard both Voyager spacecraft launched in 1977. The records contain sounds and images selected to portray the diversity of life and culture on Earth, and are intended for ...
, a phonograph record containing a broad sample of the images, common sounds, languages, and music of Earth, sent into outer space aboard the Voyager probes in 1977. Groundbreaking in terms of both its technical and its emotional impact, the Fifth has had a large influence on composers and music critics, and inspired work by such composers as
Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with ...
,
Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...
(his 4th Symphony in particular),
Bruckner Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-Germa ...
,
Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
, and Berlioz. Since the Second World War, it has sometimes been referred to as the "Victory Symphony". "V" is coincidentally also the Roman numeral character for the number five and the phrase "
V for Victory ''V for Victory'', or ''V4V'' for short, is a series of turn-based strategy games set during World War II. They were the first releases for Atomic Games who went on to have a long career in the wargame industry. Like earlier computer adaptions ...
" became a campaign of the
Allies of World War II The Allies, formally referred to as the United Nations from 1942, were an international military coalition formed during the Second World War (1939–1945) to oppose the Axis powers, led by Nazi Germany, Imperial Japan, and Fascist Italy ...
after
Winston Churchill Sir Winston Leonard Spencer Churchill (30 November 187424 January 1965) was a British statesman, soldier, and writer who served as Prime Minister of the United Kingdom twice, from 1940 to 1945 during the Second World War, and again from ...
starting using it as a catchphrase in 1940. Beethoven's Victory Symphony happened to be his Fifth (or vice versa) although this is coincidental. Some thirty years after this piece was written, the rhythm of the opening phrase – "dit-dit-dit-dah" – was used for the letter "V" in Morse code, though this is also coincidental. During the Second World War, the
BBC #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ...
...
prefaced its broadcasts to
Special Operations Executive The Special Operations Executive (SOE) was a secret British World War II organisation. It was officially formed on 22 July 1940 under Minister of Economic Warfare Hugh Dalton, from the amalgamation of three existing secret organisations. Its pu ...
s (SOE) across the world with those four notes, played on drums. This was at the suggestion of intelligence agent
Courtenay Edward Stevens Courtenay Edward Stevens (14 April 1905 – 1 September 1976) was a British classicist. He was educated at Winchester College and received a first class degree in literae humaniores ("the Greats") from New College, Oxford. Stevens remained at O ...
.


Instrumentation

The symphony is scored for the following orchestra: ;
Woodwind Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and re ...
s: : :2
flutes The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...
:2
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...
s : :2 bassoons : ;
Brass Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other wit ...
: : :2
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
s in C : ;
Percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Ex ...
:
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally ...
(in G–C) ; Strings: :
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
s I, II :
viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...
s :
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G ...
s :
double bass The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar i ...
es


Form

A typical performance usually lasts around 30–40 minutes. The work is in four movements:


I. Allegro con brio

The first movement opens with the four-note motif discussed above, one of the most famous motifs in Western music. There is considerable debate among conductors as to the manner of playing the four opening bars. Some conductors take it in strict allegro tempo; others take the liberty of a weighty treatment, playing the motif in a much slower and more stately tempo; yet others take the motif ''molto ritardando'' (a pronounced slowing through each four-note
phrase In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consi ...
), arguing that the
fermata A fermata (; "from ''fermare'', to stay, or stop"; also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be ...
over the fourth note justifies this. Some critics and musicians consider it crucial to convey the spirit of ausend-two-and ''one'', as written, and consider the more common one-two-three-''four'' to be misleading. Critic Michael Steinberg stated that with the "ta-ta-ta-Taaa", "Beethoven begins with eight notes". He points out that "they rhyme, four plus four, and each group of four consists of three quick notes plus one that is lower and much longer (in fact unmeasured)." As well, the "space between the two rhyming groups is minimal, about one-seventh of a second if we go by Beethoven's metronome mark". In addition, "Beethoven clarifies the shape by lengthening the second of the long notes. This lengthening, which was an afterthought, is tantamount to writing a stronger punctuation mark. As the music progresses, we can hear in the melody of the second theme, for example (or later, in the pairs of
antiphon An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominentl ...
al chords of woodwinds and strings (i.e. chords that alternate between woodwind and string instruments)), that the constantly invoked connection between the two four-note units is crucial to the movement." Steinberg states that the "source of Beethoven's unparalleled energy ... is in his writing long sentences and broad paragraphs whose surfaces are articulated with exciting activity." Indeed, "the double 'ta-ta-ta-Taaa' is an open-ended beginning, not a closed and self-sufficient unit (misunderstanding of this opening was nurtured by a nineteenth-century performance tradition in which the first five measures were read as a slow, portentous exordium, the main tempo being attacked only after the second hold)." He notes that the "opening sso dramatic" due to the "violence of the contrast between the urgency in the
eighth notes 180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note ( American) or a quaver (British) is a musical note pla ...
and the ominous freezing of motion in the unmeasured long notes". He states that "the music starts with a wild outburst of energy but immediately crashes into a wall". Steinberg also asserts that " conds later, Beethoven jolts us with another such sudden halt. The music draws up to a half-cadence on a
G major G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable composi ...
chord, short and crisp in the whole orchestra, except for the first violins, who hang on to their high G for an unmeasured length of time. Forward motion resumes with a relentless pounding of eighth notes." The first movement is in the traditional
sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th c ...
that Beethoven inherited from his Classical predecessors, such as
Haydn Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led ...
and Mozart (in which the main ideas that are introduced in the first few pages undergo elaborate
development Development or developing may refer to: Arts *Development hell, when a project is stuck in development *Filmmaking, development phase, including finance and budgeting *Development (music), the process thematic material is reshaped * Photograph ...
through many keys, with a dramatic return to the opening section—the recapitulation—about three-quarters of the way through). It starts out with two dramatic
fortissimo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer dependin ...
phrases, the famous motif, commanding the listener's attention. Following the first four bars, Beethoven uses imitations and sequences to expand the theme, these pithy imitations tumbling over each other with such rhythmic regularity that they appear to form a single, flowing melody. Shortly after, a very short ''fortissimo'' bridge, played by the horns, takes place before a second theme is introduced. This second theme is in E major, the relative major, and it is more lyrical, written ''
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keybo ...
'' and featuring the four-note motif in the string accompaniment. The
codetta In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a st ...
is again based on the four-note motif. The development section follows, including the bridge. During the recapitulation, there is a brief solo passage for oboe in quasi-improvisatory style, and the movement ends with a massive coda.


II. Andante con moto

The second movement, in A major, the subdominant key of C minor's relative key ( E major), is a lyrical work in double variation form, which means that two themes are presented and varied in alternation. Following the variations there is a long coda. The movement opens with an announcement of its theme, a melody in unison by violas and cellos, with accompaniment by the double basses. A second theme soon follows, with a harmony provided by clarinets, bassoons, and violins, with a triplet arpeggio in the violas and bass. A variation of the first theme reasserts itself. This is followed up by a third theme,
thirty-second note In music, a thirty-second note (American) or demisemiquaver (British) is a note played for of the duration of a whole note (or ''semibreve''). It lasts half as long as a sixteenth note (or ''semiquaver'') and twice as long as a sixty-fourt ...
s in the violas and cellos with a counterphrase running in the flute, oboe, and bassoon. Following an interlude, the whole orchestra participates in a fortissimo, leading to a series of
crescendo In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer dependin ...
s and a coda to close the movement.


III. Scherzo: Allegro

The third movement is in
ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples inclu ...
, consisting of a
scherzo A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often re ...
and trio. While most symphonies before Beethoven's time employed a
minuet and trio A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompa ...
as their third movement, Beethoven chose to use the newer scherzo and trio form. The movement returns to the opening key of C minor and begins with the following theme, played by the cellos and double basses: \relative c
The opening theme is answered by a contrasting theme played by the
winds Wind is the natural movement of air or other gases relative to a planet's surface. Winds occur on a range of scales, from thunderstorm flows lasting tens of minutes, to local breezes generated by heating of land surfaces and lasting a few ...
, and this sequence is repeated. Then the horns loudly announce the main theme of the movement, and the music proceeds from there. The trio section is in C major and is written in a contrapuntal texture. When the scherzo returns for the final time, it is performed by the strings
pizzicato Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowe ...
and very quietly. "The scherzo offers contrasts that are somewhat similar to those of the slow movement 'Andante con moto''in that they derive from extreme difference in character between scherzo and trio ... The Scherzo then contrasts this figure with the famous 'motto' (3 + 1) from the first movement, which gradually takes command of the whole movement." The third movement is also notable for its transition to the fourth movement, widely considered one of the greatest musical transitions of all time.


IV. Allegro

The fourth movement begins without pause from the transition. The music resounds in C major, an unusual choice by the composer as a symphony that begins in C minor is expected to finish in that key. In Beethoven's words:
Many assert that every minor piece must end in the minor. Nego! ...Joy follows sorrow, sunshine—rain.
The triumphant and exhilarating finale is written in an unusual variant of sonata form: at the end of the development section, the music halts on a dominant
cadence In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (199 ...
, played fortissimo, and the music continues after a pause with a quiet reprise of the "horn theme" of the scherzo movement. The recapitulation is then introduced by a crescendo coming out of the last bars of the interpolated scherzo section, just as the same music was introduced at the opening of the movement. The interruption of the finale with material from the third "dance" movement was pioneered by
Haydn Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led ...
, who had done the same in his Symphony No. 46 in B, from 1772. It is unknown whether Beethoven was familiar with this work or not. The Fifth Symphony finale includes a very long coda, in which the main themes of the movement are played in temporally compressed form. Towards the end the tempo is increased to presto. The symphony ends with 29 bars of C major chords, played fortissimo. In '' The Classical Style'',
Charles Rosen Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music. He is remembered for his career as a concert pianist, for his recordings, and for his many writings, notable among them the book ''The Classical Sty ...
suggests that this ending reflects Beethoven's sense of proportions: the "unbelievably long" pure C major cadence is needed "to ground the extreme tension of
his His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, in ...
immense work."


Influences

The 19th century musicologist
Gustav Nottebohm Martin Gustav Nottebohm (12 November 1817, Lüdenscheid, Westphalia – 29 October 1882, Graz) was a pianist, teacher, musical editor and composer who spent most of his career in Vienna. He is particularly celebrated for his studies of Beethoven. ...
first pointed out that the third movement's theme has the same sequence of intervals as the opening theme of the final movement of Mozart's famous Symphony No. 40 in G minor, K. 550. Here are the first eight notes of Mozart's theme: \relative c'
While such resemblances sometimes occur by accident, this is unlikely to be so in the present case. Nottebohm discovered the resemblance when he examined a sketchbook used by Beethoven in composing the Fifth Symphony: here, 29 bars of Mozart's finale appear, copied out by Beethoven.


Lore

Much has been written about the Fifth Symphony in books, scholarly articles, and program notes for live and recorded performances. This section summarizes some themes that commonly appear in this material.


Fate motif

The initial motif of the symphony has sometimes been credited with symbolic significance as a representation of
Fate Destiny, sometimes referred to as fate (from Latin ''fatum'' "decree, prediction, destiny, fate"), is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual. Fate Although often ...
knocking at the door. This idea comes from Beethoven's secretary and factotum
Anton Schindler Anton Felix Schindler (13 June 1795 in Medlov – 16 January 1864 in Bockenheim (Frankfurt am Main)) was an Austrian law clerk and associate, secretary, and early biographer of Ludwig van Beethoven. Life Schindler moved to Vienna in 1813 to s ...
, who wrote, many years after Beethoven's death:
The composer himself provided the key to these depths when one day, in this author's presence, he pointed to the beginning of the first movement and expressed in these words the fundamental idea of his work: "Thus Fate knocks at the door!"
Schindler's testimony concerning any point of Beethoven's life is disparaged by many experts (Schindler is believed to have forged entries in Beethoven's so-called "conversation books", the books in which the deaf Beethoven got others to write their side of conversations with him). Moreover, it is often commented that Schindler offered a highly romanticized view of the composer. There is another tale concerning the same motif; the version given here is from
Antony Hopkins Antony Hopkins CBE (21 March 1921 – 6 May 2014) was a composer, pianist, and conductor, as well as a writer and radio broadcaster. He was widely known for his books of musical analysis and for his radio programmes ''Talking About Music'', b ...
's description of the symphony.
Carl Czerny Carl Czerny (; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and ...
(Beethoven's pupil, who premiered the "Emperor" Concerto in Vienna) claimed that "the little pattern of notes had come to eethovenfrom a yellow-hammer's song, heard as he walked in the
Prater The Prater () is a large public park in Leopoldstadt, Vienna, Austria. The Wurstelprater, an amusement park that is often simply called "Prater", lies in one corner of the Wiener Prater and includes the Wiener Riesenrad Ferris wheel. Name The ...
-park in Vienna." Hopkins further remarks that "given the choice between a yellow-hammer and Fate-at-the-door, the public has preferred the more dramatic myth, though Czerny's account is too unlikely to have been invented." In his '' Omnibus'' television lecture series in 1954, Leonard Bernstein likened the Fate Motif to the four note coda common to symphonies. These notes would terminate the symphony as a musical coda, but for Beethoven they become a motif repeating throughout the work for a very different and dramatic effect, he says. Evaluations of these interpretations tend to be skeptical. "The popular legend that Beethoven intended this grand exordium of the symphony to suggest 'Fate Knocking at the gate' is apocryphal; Beethoven's pupil,
Ferdinand Ries Ferdinand Ries (baptised 28 November 1784 – 13 January 1838) was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven. He composed eight symphonies, a violin concerto, nine piano concertos (the first concert ...
, was really author of this would-be poetic exegesis, which Beethoven received very sarcastically when Ries imparted it to him." Elizabeth Schwarm Glesner remarks that "Beethoven had been known to say nearly anything to relieve himself of questioning pests"; this might be taken to impugn both tales.


Beethoven's choice of key

The key of the Fifth Symphony,
C minor C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Cha ...
, is commonly regarded as a special key for Beethoven, specifically a "stormy, heroic tonality". Beethoven wrote a number of works in C minor whose character is broadly similar to that of the Fifth Symphony. Pianist and writer
Charles Rosen Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music. He is remembered for his career as a concert pianist, for his recordings, and for his many writings, notable among them the book ''The Classical Sty ...
says,
Beethoven in C minor has come to symbolize his artistic character. In every case, it reveals Beethoven as Hero. C minor does not show Beethoven at his most subtle, but it does give him to us in his most extroverted form, where he seems to be most impatient of any compromise.


Repetition of the opening motif throughout the symphony

It is commonly asserted that the opening four-note rhythmic motif (short-short-short-long; see above) is repeated throughout the symphony, unifying it. "It is a rhythmic pattern (dit-dit-dit-dot) that makes its appearance in each of the other three movements and thus contributes to the overall unity of the symphony" (Doug Briscoe); "a single motif that unifies the entire work" (Peter Gutmann); "the key motif of the entire symphony"; "the rhythm of the famous opening figure ... recurs at crucial points in later movements" (Richard Bratby). The '' New Grove'' encyclopedia cautiously endorses this view, reporting that " e famous opening motif is to be heard in almost every bar of the first movement—and, allowing for modifications, in the other movements." There are several passages in the symphony that have led to this view. For instance, in the third movement the horns play the following solo in which the short-short-short-long pattern occurs repeatedly: \relative c'' In the second movement, an accompanying line plays a similar rhythm: \new StaffGroup << \new Staff \relative c'' \new Staff \relative c'' >> In the finale, Doug Briscoe suggests that the motif may be heard in the piccolo part, presumably meaning the following passage: \new StaffGroup << \new Staff \relative c'' \new Staff \relative c >> Later, in the coda of the finale, the bass instruments repeatedly play the following: \new StaffGroup << \new Staff \relative c' \new Staff \relative c >> On the other hand, some commentators are unimpressed with these resemblances and consider them to be accidental. Antony Hopkins, discussing the theme in the scherzo, says "no musician with an ounce of feeling could confuse he two rhythms, explaining that the scherzo rhythm begins on a strong musical beat whereas the first-movement theme begins on a weak one.
Donald Tovey Sir Donald Francis Tovey (17 July 187510 July 1940) was a British musical analyst, musicologist, writer on music, composer, conductor and pianist. He had been best known for his '' Essays in Musical Analysis'' and his editions of works by Bach ...
pours scorn on the idea that a rhythmic motif unifies the symphony: "This profound discovery was supposed to reveal an unsuspected unity in the work, but it does not seem to have been carried far enough." Applied consistently, he continues, the same approach would lead to the conclusion that many other works by Beethoven are also "unified" with this symphony, as the motif appears in the "Appassionata" piano sonata, the Fourth Piano Concerto (), and in the String Quartet, Op. 74. Tovey concludes, "the simple truth is that Beethoven could not do without just such purely rhythmic figures at this stage of his art." To Tovey's objection can be added the prominence of the short-short-short-long rhythmic figure in earlier works by Beethoven's older Classical contemporaries such as Haydn and Mozart. To give just two examples, it is found in Haydn's "Miracle" Symphony, No. 96 () and in Mozart's Piano Concerto No. 25, K. 503 (). Such examples show that "short-short-short-long" rhythms were a regular part of the musical language of the composers of Beethoven's day. It seems likely that whether or not Beethoven deliberately, or unconsciously, wove a single rhythmic motif through the Fifth Symphony will (in Hopkins's words) "remain eternally open to debate".


Use of La Folia

Folia ''La Folía'' (Spanish), or ''Follies'' (English), also known as ''folies d'Espagne'' (French), ''La Follia'' (Italian), and ''Folia'' (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, ...
is a dance form with a distinctive rhythm and harmony, which was used by many composers from the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
well into the 19th and even 20th centuries, often in the context of a theme and variations. It was used by Beethoven in his Fifth Symphony in the harmony midway through the slow movement (bars 166–177). Although some recent sources mention that the fragment of the Folia theme in Beethoven's symphony was detected only in the 1990s, Reed J. Hoyt analyzed some Folia-aspects in the oeuvre of Beethoven already in 1982 in his "Letter to the Editor", in the journal ''College Music Symposium 21'', where he draws attention to the existence of complex archetypal patterns and their relationship.


New Instrumentation

The last movement of Beethoven's Fifth is the first time the piccolo, and contrabassoon were used in a symphony. While this was Beethoven's first use of the trombone in a symphony, in 1807 the Swedish composer Joachim Nicolas Eggert had specified trombones for his Symphony No. 3 in E major.


Textual questions


Third movement repeat

In the autograph score (that is, the original version from Beethoven's hand), the third movement contains a repeat mark: when the scherzo and trio sections have both been played through, the performers are directed to return to the very beginning and play these two sections again. Then comes a third rendering of the scherzo, this time notated differently for
pizzicato Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowe ...
strings and transitioning directly to the finale (see description above). Most modern printed editions of the score do not render this repeat mark; and indeed most performances of the symphony render the movement as ABA' (where A = scherzo, B = trio, and A' = modified scherzo), in contrast to the ABABA' of the autograph score. The repeat mark in the autograph is unlikely to be simply an error on the composer's part. The ABABA' scheme for scherzi appears elsewhere in Beethoven, in the Bagatelle for solo piano, Op. 33, No. 7 (1802), and in the Fourth, Sixth, and
Seventh Seventh is the ordinal form of the number seven. Seventh may refer to: * Seventh Amendment to the United States Constitution * A fraction (mathematics), , equal to one of seven equal parts Film and television *"The Seventh", a second-season e ...
Symphonies. However, it is possible that for the Fifth Symphony, Beethoven originally preferred ABABA', but changed his mind in the course of publication in favor of ABA'. Since Beethoven's day, published editions of the symphony have always printed ABA'. However, in 1978 an edition specifying ABABA' was prepared by Peter Gülke and published by
Peters Peters may refer to: People * Peters (surname) * Peters Band, a First Nations band in British Columbia, Canada Places United States * Peters, California, a census-designated place * Peters, Florida, a town * Peters Township, Kingman County, Kan ...
. In 1999, yet another edition, by
Jonathan Del Mar Jonathan Del Mar (born 7 January 1951) is a British music editor and conductor. Biography Jonathan Del Mar was born in London in 1951; his father was conductor Norman Del Mar. He studied at Christ Church, Oxford and the Royal College of Music ...
, was published by Bärenreiter which advocates a return to ABA'. In the accompanying book of commentary, Del Mar defends in depth the view that ABA' represents Beethoven's final intention; in other words, that conventional wisdom was right all along. In concert performances, ABA' prevailed until the 2000s. However, since the appearance of the Gülke edition, conductors have felt more free to exercise their own choice. Performances with ABABA' seem to be particularly favored by conductors who specialize in
authentic performance Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in whic ...
or historically informed performance (that is, using instruments of the kind employed in Beethoven's day and playing techniques of the period). These include Caroline Brown, Christopher Hogwood,
John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Ga ...
, and Nikolaus Harnoncourt. ABABA' performances on modern instruments have also been recorded by the New Philharmonia Orchestra under Pierre Boulez, the
Tonhalle Orchester Zürich Tonhalle is a German word meaning "tone hall", a concert hall. It may refer to: *Tonhalle Düsseldorf Tonhalle Düsseldorf is a concert hall in Düsseldorf. It was built by the architect Wilhelm Kreis. The resident orchestra, the ''Düsseldorfer ...
under
David Zinman David Zinman (born July 9, 1936, in Brooklyn, NY) is an American conductor and violinist. Education After violin studies at Oberlin Conservatory, Zinman studied theory and composition at the University of Minnesota, earning his M.A. in 1963. H ...
, and the
Berlin Philharmonic The Berlin Philharmonic (german: Berliner Philharmoniker, links=no, italic=no) is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. History The Berlin Philharmonic was fo ...
under
Claudio Abbado Claudio Abbado (; 26 June 1933 – 20 January 2014) was an Italian conductor who was one of the leading conductors of his generation. He served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony ...
.


Reassigning bassoon notes to the horns

In the first movement, the passage that introduces the second subject of the
exposition Exposition (also the French for exhibition) may refer to: *Universal exposition or World's Fair * Expository writing ** Exposition (narrative) * Exposition (music) *Trade fair A trade fair, also known as trade show, trade exhibition, or trade e ...
is assigned by Beethoven as a solo to the pair of horns. \relative c'' At this location, the theme is played in the key of E major. When the same theme is repeated later on in the recapitulation section, it is given in the key of C major.
Antony Hopkins Antony Hopkins CBE (21 March 1921 – 6 May 2014) was a composer, pianist, and conductor, as well as a writer and radio broadcaster. He was widely known for his books of musical analysis and for his radio programmes ''Talking About Music'', b ...
writes: In fact, even before Hopkins wrote this passage (1981), some conductors had experimented with preserving Beethoven's original scoring for bassoons. This can be heard on many performances including those conducted by Caroline Brown mentioned in the preceding section as well as in 2003 recording by Simon Rattle with the
Vienna Philharmonic The Vienna Philharmonic (VPO; german: Wiener Philharmoniker, links=no) is an orchestra that was founded in 1842 and is considered to be one of the finest in the world. The Vienna Philharmonic is based at the Musikverein in Vienna, Austria. It ...
. Although horns capable of playing the passage in C major were developed not long after the premiere of the Fifth Symphony (they were developed in 1814), it is not known whether Beethoven would have wanted to substitute modern horns, or keep the bassoons, in the crucial passage.


Editions

* The edition by
Jonathan Del Mar Jonathan Del Mar (born 7 January 1951) is a British music editor and conductor. Biography Jonathan Del Mar was born in London in 1951; his father was conductor Norman Del Mar. He studied at Christ Church, Oxford and the Royal College of Music ...
mentioned above was published as follows: Ludwig van Beethoven. ''Symphonies 1–9. Urtext.'' Kassel: Bärenreiter, 1996–2000, ISMN M-006-50054-3. * An inexpensive version of the score has been issued by
Dover Publications Dover Publications, also known as Dover Books, is an American book publisher founded in 1941 by Hayward and Blanche Cirker. It primarily reissues books that are out of print from their original publishers. These are often, but not always, book ...
. This is a 1989 reprint of an old edition (Braunschweig: Henry Litolff, no date).


Cover versions and other uses in popular culture

The Fifth has been adapted many times to other
genres Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
, including the following examples: * Franz Liszt arranged it for a piano solo in his ''Symphonies de Beethoven'', S. 464. * Electric Light Orchestra's version of "
Roll Over Beethoven "Roll Over Beethoven" is a 1956 hit song written by Chuck Berry, originally released on Chess Records single, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to replace classi ...
" incorporates the motif and elements from the first movement into a classic rock and roll song by
Chuck Berry Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into th ...
. * ''
Fantasia 2000 ''Fantasia 2000'' is a 1999 American animated musical anthology film An anthology film (also known as an omnibus film, package film, or portmanteau film) is a single film consisting of several shorter films, each complete in itself and distin ...
'' features a three-minute version of the first movement as its first segment. * An adaptation appears as the theme music for the TV show ''
Judge Judy ''Judge Judy'' is an American arbitration-based reality court show presided over by former Manhattan Family Court Judge Judith Sheindlin. The show featured Sheindlin as she adjudicated real-life small-claims disputes within a simulated courtr ...
'' since its 9th season in 2004. * A disco arrangement appears as "
A Fifth of Beethoven "A Fifth of Beethoven" is a disco instrumental recorded by Walter Murphy and the Big Apple Band, adapted from the first movement of Ludwig van Beethoven's Symphony No. 5. The record was produced by production music and sound effects recording p ...
" by
Walter Murphy Walter Anthony Murphy Jr. (born December 19, 1952) is an American composer, keyboardist, songwriter, and record producer. He is best known for the instrumental " A Fifth of Beethoven", a disco adaptation of Beethoven's Fifth Symphony which top ...
on the soundtrack to the 1977
dance film A dance film (also known as screen dance) is a film in which dance is used to reveal the central themes of the film, whether these themes be connected to narrative or story, states of being, or more experimental and formal concerns. In such films, ...
'' Saturday Night Fever''. * The Brazilian
telenovela A telenovela is a type of a television serial drama or soap opera produced primarily in Latin America. The word combines ''tele'' (for "television") and ''novela'' (meaning "novel"). Similar drama genres around the world include '' teleserye'' ...
'' Quanto Mais Vida, Melhor!'' presents a varied version of the composition in the opening theme, exploring different rhythms such as samba, classical music, pop and
rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wales ...
.


Notes and references


Further reading

* Carse, Adam (July 1948). "The Sources of Beethoven's Fifth Symphony." ''
Music & Letters ''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music fie ...
'', vol. 29, no. 3, pp. 249–262. * *Knapp, Raymond (Summer 2000). "A Tale of Two Symphonies: Converging Narratives of Divine Reconciliation in Beethoven's Fifth and Sixth." ''
Journal of the American Musicological Society The ''Journal of the American Musicological Society'' is a peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press and covers all aspects of musicology. The ' ...
'', vol. 53, no. 2, pp. 291–343.


External links


Beethoven's Symphony No. 5 – A Beginners' Guide – Overview, analysis and the best recordings – The Classic Review


* Analysis of th

on th
All About Ludwig van Beethoven
Page
Program notes
for a performance by the National Symphony Orchestra, Washington, DC. *
Project Gutenberg Project Gutenberg (PG) is a volunteer effort to digitize and archive cultural works, as well as to "encourage the creation and distribution of eBooks." It was founded in 1971 by American writer Michael S. Hart and is the oldest digital libr ...
has two
MIDI MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and ...
-versions of Beethoven's 5th symphony
Etext No. 117
an
Etext No. 156

Program notes
for a performance & lecture by Jeffrey Kahane and the
Los Angeles Chamber Orchestra The Los Angeles Chamber Orchestra (LACO) is an American chamber orchestra based in Los Angeles, California. LACO presents its Orchestral Series concerts at two venues, the Alex Theatre in Glendale and UCLA's Royce Hall. History James Arkatov, a ...
.
Sketch to the Scherzo from op. 67 Fifth Symphony from Eroica Skbk (1803) – Unheard Beethoven Website

Original Finale in c minor to Fifth Symphony op. 67, Gardi 23 (1804) – Unheard Beethoven Website

Symphony No. 5
played by
British Symphony Orchestra The British Symphony Orchestra (BSO or BrSO) is the name of a number of symphony orchestras, active in both concert halls and recording studios, which have existed at various times in Britain since c1905 until the present day. There were gaps of ...
,
Felix Weingartner Paul Felix Weingartner, Edler von Münzberg (2 June 1863 – 7 May 1942) was an Austrian conductor, composer and pianist. Life and career Weingartner was born in Zara, Dalmatia, Austria-Hungary (now Zadar, Croatia), to Austrian parents. ...
(rec. 1932)
Symphony No. 5
played by NBC Symphony Orchestra, Arturo Toscanini (rec. 1939)
Symphony No. 5
played by
Berliner Philharmoniker The Berlin Philharmonic (german: Berliner Philharmoniker, links=no, italic=no) is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. History The Berlin Philharmonic was fo ...
,
Wilhelm Furtwängler Gustav Heinrich Ernst Martin Wilhelm Furtwängler ( , , ; 25 January 188630 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major ...
(rec. 1947)


Scores

* * Mutopia project has
piano reduction score of Beethoven's 5th Symphony

Public domain sheet music
both typset and scanned on ''Cantorion.org''

of Beethoven's Fifth Symphony from Indiana University {{Authority control 1808 compositions 05 Compositions in C minor Music dedicated to benefactors or patrons Music dedicated to nobility or royalty Contents of the Voyager Golden Record