John Eliot Gardiner
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ...
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Fontmell Magna
Fontmell Magna is a village and civil parish in north Dorset, England. It is situated in the Blackmore Vale, close to the chalk hills of Cranborne Chase, on the A350 road south of Shaftesbury and north of Blandford Forum. In the 2011 census the parish had a population of 734. Toponymy The name Fontmell derives from a Celtic river-name meaning 'spring by the bare hill', and Magna—meaning great—distinguishes this settlement from Fontmell Parva (''parva'' meaning small), which is a few miles southwest in Child Okeford parish. In 877 Fontmell Magna was recorded as ''Funtemel'', in 1086 in the Domesday Book it was ''Fontemale'', and in 1391 it was ''Magnam Funtemell''. History Evidence of early human presence occurs in the east and northeast of the parish in the form of earthworks on the chalk hills: these consist of three cross-dykes, a barrow and a mound that is also possibly a barrow. In 932, King Æthelstan granted an estate at Fontmell to the nuns of Shaftesbury Abbey ...
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Period Instrument
In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments". This article consists of a list of such instruments in the European tradition, including both instruments that are now obsolete and early versions of instruments that continued to be used in later classical music. Renaissance (1400–1600) Strings * Violin * Viol * Viola * Cello * Lira da braccio * Contrabass * Violone * Lute * Theorbo * Archlute * Gittern * Mandore * Harp * Cittern * Vihuela Woodwinds * Cornamuse * Cromorne * Crumhorn * Rauschpfeife * Recorder * Shawm * Dulcian Brasses * Trumpet * Cornett * Sackbut * Serpent * Natural horn * Slide trumpet * Natural trumpet * Horn Keyboards * Clavichord * Harpsichord * Regal * Virginal * Ottavino * Organ Percussion * Drum * Timpani * Cymbals * Bass drum * Tabor Bar ...
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Göttingen Handel Festival
Göttingen (, , ; nds, Chöttingen) is a university city in Lower Saxony, central Germany, the capital of the eponymous district. The River Leine runs through it. At the end of 2019, the population was 118,911. General information The origins of Göttingen lay in a village called ''Gutingi, ''first mentioned in a document in 953 AD. The city was founded northwest of this village, between 1150 and 1200 AD, and adopted its name. In medieval times the city was a member of the Hanseatic League and hence a wealthy town. Today, Göttingen is famous for its old university (''Georgia Augusta'', or "Georg-August-Universität"), which was founded in 1734 (first classes in 1737) and became the most visited university of Europe. In 1837, seven professors protested against the absolute sovereignty of the kings of Hanover; they lost their positions, but became known as the "Göttingen Seven". Its alumni include some well-known historical figures: the Brothers Grimm, Heinrich Ewald, Wi ...
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Opéra National De Lyon
The Opéra National de Lyon, marketed as Opéra de Lyon during the last decade, is an opera company in Lyon, based and performing mostly at the Opéra Nouvel, an 1831 theater that was modernized and architecturally transformed in 1993. The inaugural performance of François-Adrien Boïeldieu's ''La Dame blanche'' was given on 1 July 1831. The Nineteenth and Twentieth Centuries saw some significant French premieres of major operas including Richard Wagner's ''Die Meistersinger'' in 1896, Giordano's '' Andrea Chénier'' in the following year, and Moussorgsky's ''Boris Godunov'' in 1913. In addition, many world premieres such as Arnold Schoenberg's ''Erwartung'' (1967) have been presented. In the years after the 1969 appointment of Louis Erlo as general director, many innovative productions and premieres of both French operas and Twentieth Century operas have been staged. Two significant French artists who have been associated with the Opéra in recent years are the stage director ...
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CBC Radio Orchestra
The CBC Radio Orchestra was a Canadian orchestra based in Vancouver, British Columbia, that was operated by the Canadian Broadcasting Corporation. Until the early 1980s CBC had a number of orchestras located in Winnipeg, Toronto, Montreal, and Halifax but due to federal government budget cuts they were eliminated and the CBC Vancouver Orchestra was promoted to national status. It changed names in 2000 to reflect its status as the CBC's only broadcast orchestra; the last radio orchestra in North America. History The orchestra was founded in 1938 under the name the CBC Vancouver Chamber Orchestra. A predecessor of the CBC, the Canadian National Railway Radio network also had a radio orchestra. The Canadian National Railway Radio Orchestra was conducted by Henri Miro in 1931–32. Over the years guest conductors have included Raffi Armenian, Kees Bakels, Michel Corboz, Victor Feldbrill, Serge Garant, Monica Huggett, Milton Katims, Gary Kulesha, Sir Ernest MacMillan, Ettore Mazzole ...
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Dallas Symphony Orchestra
The Dallas Symphony Orchestra (DSO) is an American orchestra based in Dallas, Texas. Its principal performing venue is the Morton H. Meyerson Symphony Center in the Arts District of downtown Dallas. History The orchestra traces its origins to a concert given by a group of forty musicians in 1900 with conductor Hans Kreissig. It continued to perform and grow in numbers and stature, so that in 1945 it was in a position to appoint Antal Doráti as music director. Under Doráti, the orchestra became fully professional. Several times during the history of the orchestra it has suspended operations, including periods during the First and Second World Wars from 1914 to 1918 and from 1942 to 1945, and more recently in 1974 due to fiscal restraints. Subsequent music directors have included Georg Solti, Anshel Brusilow, and Eduardo Mata. Andrew Litton was music director from 1994 to 2006. During Litton's tenure, the orchestra recorded the four Rachmaninoff piano concerti and the ''Rhapso ...
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Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writ ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Iphigénie En Tauride
''Iphigénie en Tauride'' (, ''Iphigenia in Tauris'') is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard. With ''Iphigénie,'' Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and they are ''récitatif accompagné'' (i.e. the strings and perhaps other instruments are playing, not just continuo accompaniment). The normal dance movements that one finds in the French ''tragédie en musique'' are almost entirely absent. The drama is ultimately based on the play ''Iphigenia in Tauris'' by the ancient Greek dramatist Euripides which deals with stories concerning the family of Agamemnon in the aftermath of the Trojan War. Performance history ''Iphigénie en Tauride'' was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes, had at ...
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Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the comp ...
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