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Iphigénie En Tauride
''Iphigénie en Tauride'' (, ''Iphigenia in Tauris'') is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard. With ''Iphigénie,'' Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and they are ''récitatif accompagné'' (i.e. the strings and perhaps other instruments are playing, not just continuo accompaniment). The normal dance movements that one finds in the French ''tragédie en musique'' are almost entirely absent. The drama is ultimately based on the play ''Iphigenia in Tauris'' by the ancient Greek dramatist Euripides which deals with stories concerning the family of Agamemnon in the aftermath of the Trojan War. Performance history ''Iphigénie en Tauride'' was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes, had at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul I Of Russia
Paul I (russian: Па́вел I Петро́вич ; – ) was Emperor of Russia from 1796 until his assassination. Officially, he was the only son of Peter III of Russia, Peter III and Catherine the Great, although Catherine hinted that he was fathered by her lover Sergei Saltykov.Aleksandr Kamenskii, ''The Russian Empire in the Eighteenth Century: Searching for a Place in the World'' (1997) pp 265–280. Paul remained overshadowed by his mother for most of his life. He adopted the Pauline Laws, laws of succession to the Russian throne—rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He also intervened in the French Revolutionary Wars and, toward the end of his reign, added Kingdom of Kartli-Kakheti, Kartli and Kakheti in Eastern Georgia into the empire, which was confirmed by his son and successor Alexander I of Russia, Alexander I. He was ''de facto'' Grand Master (order), Grand Master of the Knights Hospitaller, Order of Hospitallers from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentin Adamberger
Valentin Adamberger, also known by his Italian name Adamonti, (22 February 1740 or 6 July 174324 August 1804) was a German operatic tenor. His voice was universally admired for its pliancy, agility, and precision, and several composers of note, such as Mozart, wrote music specifically for him. Biography Adamberger was born either in Rohr, Bavaria in 1740 or in Munich in 1743. Beginning in 1755, he studied singing with Johann Walleshauser (also known as Giovanni Valesi) while at the ', a Jesuit institution in Munich. In 1760, he joined the ''Kapelle'' of Duke Clemens and upon the Duke's death in 1770 was taken into the Elector's Hofkapelle. He made his opera début at Munich in 1772. This was the beginning of a successful career singing leading tenor roles in opera seria at Modena, Venice, Florence, Pisa and Rome. He created roles in operas by J. C. Bach, Giuseppe Sarti, Pietro Guglielmi, Antonio Sacchini, Ferdinando Bertoni and others. The arias they wrote for his voice tended t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonia Bernasconi
Antonia Bernasconi (1741–1803) was a German operatic soprano, appearing in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince of Württemberg; after Wagele's death his widow married Andrea Bernasconi, ''Kapellmeister'' of the court at Munich and composer. Antonia received early music lessons from her stepfather, and she sang in Munich and other German cities. From 1765 she took part in operas in Vienna; her first appearance in a major role was at the Burgtheater in December 1767, in '' Alceste'', which Gluck had written expressly for her."Bernasconi, Antonia" ''''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kelly (tenor)
Michael Kelly (25 December 1762 – 9 October 1826) was an Irish tenor, composer and theatrical manager who made an international career of importance in musical history. One of the leading figures in British musical theatre around the turn of the nineteenth century, he was a close associate of playwright and poet Richard Brinsley Sheridan. He also became friends with musicians such as Mozart and Paisiello, and created roles for the operas of both composers. With his friend and fellow singer Nancy Storace, he was one of the first tenors of that era from Britain and Ireland to become famous in Italy and Austria. In Italy he was also known as O'Kelly or even Signor Ochelli. Although the primary source for his life is his ''Reminiscences'', doubt has been cast on the reliability of his own account, and it has been said that ' y statement of Kelly's is immediately suspect.' Dublin beginnings Michael Kelly's father Thomas, a Roman Catholic wine merchant and dancing-master, held an im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Alan Brown
Bruce Alan Brown is a professor of musicology at the USC Thornton School of Music Los Angeles, California. Life and career Bruce Alan Brown acquired degrees from the University of California at Berkeley (BA 1977, MA 1979, PhD 1986), and also studied harpsichord with Gustav Leonhardt at the Sweelinck Conservatorium, Amsterdam. Brown's research concerns the music of the later eighteenth century, theatre-music, performance practice, music in Vienna, Austria, and musical iconography. From 2005 to 2007 he served as Editor-in-Chief of the ''Journal of the American Musicological Society''. Publications * ''Gluck and the French Theatre in Vienna'' (Oxford, 1991) * ''W. A. Mozart: Così fan tutte'' (Cambridge, 1995) * ''W. A. Mozart: Idomeneo: Kritischer Bericht'', in ''Mozart: Idomeneo. Neue Ausgabe sämtlicher Werke'' ed. by Daniel Heartz (Kassel: Bärenreiter, 2005) * ''The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World'' (ed., with Rebecca Harris-Warric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and '' Così fan tutte'' (1790). Early career Lorenzo Da Ponte was born Emanuele Conegliano in 1749 in Ceneda in the Republic of Venice (now Vittorio Veneto, Italy). He was Jewish by birth, the eldest of three sons. In 1764, his father, Geronimo Conegliano, then a widower, converted himself and his family to Roman Catholicism in order to marry a Catholic woman. Emanuele, as was the custom, took the name of Lorenzo Da Ponte from the bishop of Ceneda who baptised him. Thanks to the bishop, the three Conegliano brothers studied at the Ceneda seminary. The bishop died in 1768, after which Lorenzo moved to the seminary at Portogruaro, where he took Minor Orders in 1770 and became Professor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph II, Holy Roman Emperor
Joseph II (German: Josef Benedikt Anton Michael Adam; English: ''Joseph Benedict Anthony Michael Adam''; 13 March 1741 – 20 February 1790) was Holy Roman Emperor from August 1765 and sole ruler of the Habsburg lands from November 29, 1780 until his death. He was the eldest son of Empress Maria Theresa and her husband, Emperor Francis I, and the brother of Marie Antoinette, Maria Carolina of Austria and Maria Amalia, Duchess of Parma. He was thus the first ruler in the Austrian dominions of the union of the Houses of Habsburg and Lorraine, styled Habsburg-Lorraine. Joseph was a proponent of enlightened absolutism; however, his commitment to secularizing, liberalizing and modernizing reforms resulted in significant opposition, which resulted in failure to fully implement his programs. Meanwhile, despite making some territorial gains, his reckless foreign policy badly isolated Austria. He has been ranked with Catherine the Great of Russia and Frederick the Great of Prussia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
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