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Piano Concerto No. 25 (Mozart)
The Piano Concerto No. 25 in C major, K. 503, was completed by Wolfgang Amadeus Mozart on December 4, 1786, alongside the Prague Symphony, K. 504. Although two more concertos ( No. 26, K. 537 and No. 27, K. 595) would later follow, this work is the last of what are considered the twelve great piano concertos written in Vienna between 1784 and 1786. Chronologically the work is the 21st of Mozart's 23 original piano concertos. K. 503 is now widely recognized "by common consent" as "one of Mozart's greatest masterpieces in the concerto genre." However, it had long been neglected in favor of Mozart's other "more brilliant" concertos, such as No. 21, K. 467. Though Mozart performed it on several occasions, it was not performed again in Vienna until after his death, and it only gained acceptance in the standard repertoire in the later part of the twentieth century. Mozart's pupil Johann Nepomuk Hummel valued it, as can be seen in the influence it had on Hummel's own Piano Concerto in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Andreas Stein
Johann (Georg) Andreas Stein (16 May 1728 in Heidelsheim – 29 February 1792 in Augsburg) was an outstanding German maker of keyboard instruments, a central figure in the history of the piano. He was primarily responsible for the design of the so-called German hammer action. Pianos with this hammer action, or its more developed form known as the Viennese action, may be said to be appropriate for the performance of the piano music of Haydn, Mozart, and the early Beethoven.Grove, "Stein" Life Stein was born in 1728 in Heidelsheim in the Upper Palatinate. He died in Augsburg in 1792. He learned his trade as an organ builder from his father in Heidelsheim and from August 1748 to January 1749 as a journeyman at two workshops, those of Johann Andreas Silbermann in Strasbourg and of Frantz Jacob Spath in Regensburg. Johann Andreas Silbermann was the eldest of the four sons of Andreas Silbermann, the elder brother of Gottfried Silbermann. Stein settled in Augsburg, probably in 1750 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Development
In music, development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material. Development is often contrasted with musical variation, which is a slightly different means to the same end. ''Development'' is carried out upon portions of material treated in many ''different'' presentations and combinations at a time, while ''variation'' depends upon ''one'' type of presentation at a time. In this process, certain central ideas are repeated in different contexts or in altered form so that the mind of the listener consciously or unconsciously compares the various incarnations of these ideas. Listeners may apprehend a "tension between expected and real results" (see irony), which is one "element of surprise" in music. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Marseillaise
"La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine"). The French National Convention adopted it as the Republic's anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. The song is the first example of the "European march" anthemic style. The anthem's evocative melody and lyrics have led to its widespread use as a song of revolution and its incorporation into many pieces of classical and popular music. History As the French Revolution continued, the monarchies of Europe became concerned that revolutionary fervor would spread to their countries. The War of the First Coalition was an effort to stop the revolution, or at least contain it to France. Initially, the French arm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quintet No
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuthbert Girdlestone
Cuthbert Morton Girdlestone (17 September 1895 – 10 December 1975) was a British musicology, musicologist and literary scholar. Born in Bovey Tracey, Devon, he was educated at University of Cambridge, Cambridge and the University of Paris, Sorbonne, and thereafter took up the chair in French in Armstrong College, Newcastle, Armstrong College, later to be King's College in Newcastle upon Tyne, Newcastle in 1926, a position he held until 1960. His most famous publications are his much-reprinted study of the Mozart Piano Concertos (1939, published originally in French) and his biography of Jean-Philippe Rameau (1957). Books *Girdlestone, Cuthbert. ''Mozart et ses concertos pour piano.'' Paris, Fischbacher. 1939. **Girdlestone, Cuthbert. ''Mozart and His Piano Concertos''. New York: Dover Publications, 1964. "An unabridged and corrected republication of the second (1958) edition of the work first published in 1948 by Cassell & Company, Ltd., London, under the title Mozart’s Piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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