String Quartet No. 10 (Beethoven)
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String Quartet No. 10 (Beethoven)
Ludwig van Beethoven's String Quartet No. 10 in E-flat major, Op. 74, was written in 1809 and is nicknamed the "Harp" quartet. The nickname "Harp" refers to the characteristic pizzicato sections in the ''allegro'' of the first movement, where pairs of members of the quartet alternate notes in an arpeggio, reminiscent of the plucking of a harp. Like many nicknames for Beethoven's works, this was created by the publisher. Movements 1. Poco adagio – Allegro The first movement is in sonata form. : Slow introduction – Poco adagio (mm. 1–24) :Exposition – Allegro (mm. 25–77) :: 1st tonal area, E major (mm. 25–51) :: Pizzicati lead transition to tonal area 2 :: 2nd tonal area, B major (mm. 52–69) :: Closing (mm. 70–77) ::Development (mm. 78–139) Recapitulation (mm. 140–205) ::Coda (mm. 206–262) The first movement starts with a tranquil introduction, marked Poco Adagio. This is followed by the resolute main theme, accompanied by the ''pizzicato'' motives which lend ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Rondo Form
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie (London: Macmillan, 1992). Form In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contras ...
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String Quartets By Ludwig Van Beethoven
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ens ...
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Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It ...
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Borromeo String Quartet
The Borromeo String Quartet is an American string quartet, in residence at the New England Conservatory since 1992. They have performed throughout North and South America, Europe, and Asia, at numerous festivals and in many distinguished chamber music series. They are named after the Borromean Islands. The ensemble was formed in 1989 by violinists Nicholas Kitchen and Ruggero Allifranchini, violist EnSik Choi, and cellist Yeesun Kim, who were then all young musicians at the Curtis Institute of Music. Kitchen and Kim are husband and wife. Violist Hsin-Yun Huang joined the ensemble in 1994 after Choi left to pursue other opportunities. Allifranchini and Huang left the ensemble in 2000 to be replaced, respectively, by William Fedkenheuer and Mai Motobuchi. In 2006, Fedkenheuer left to pursue other opportunities (is now a member of the Miró Quartet) and was replaced by violinist Kristopher Tong. The quartet's recent disk, ''As It Was, Is, And Will Be'' (2011), on the GM/Livi ...
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Markand Thakar
Markand Thakar (born 1955, New York City) is an American conductor. He is music director of Baltimore Chamber Orchestra (BCO). Biography From the age of six, Markand Thakar attended the Juilliard School's Pre-College Division, where he was a piano student of Leonora B. Pardee and a violin student of Christine Dethier. He also studied composition privately with Suzanne Bloch and Noah Creshevsky. Additional instrumental studies during summers at The Quartet Program included violin with Charles Castleman, viola with Heidi Castleman and Paul Doktor, and chamber music with Josef Gingold, Norman Carol, Renato Bonancini, Samuel Mayes, and the Tokyo Quartet. Thakar earned the Bachelor of Music degree in 1975 from Juilliard, with a major in composition as a student of Vincent Persichetti and Milton Babbitt, and a minor in violin performance as a student of Christine Dethier. After two years of private study of counterpoint and conducting with Jacques-Louis Monod, he attended Columb ...
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Joseph Kerman
Joseph Wilfred Kerman (3 April 1924 – 17 March 2014) was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book ''Contemplating Music: Challenges to Musicology'' (published in the UK as ''Musicology'') was described by Philip Brett in ''The Grove Dictionary of Music and Musicians'' as "a defining moment in the field."Brett He was Professor Emeritus of Musicology at the University of California, Berkeley. Life and career Kerman, the son of an American journalist, William Zukerman, was born in London and educated at University College School there.Hewett He then attended New York University where he received his BA in 1943 and Princeton University where he received his PhD in 1950. While at Princeton he studied under Oliver Strunk, Randall Thompson and Carl Weinrich and wrote his doctoral thesis on the Elizabethan madrigal. When young, he used Kerman as a pen-name, and then adopted it officially. From 1949 to 1951 he taught a ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ...
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Attacca
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe or ...
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Archduke Rudolf
en, Rudolph Francis Charles Joseph , caption = Rudolf in 1887 , spouse = , issue = Elisabeth Marie, Princess Otto of Windisch-Graetz , house = Habsburg-Lorraine , father = Franz Joseph I of Austria , mother = Empress Elisabeth of Austria , birth_date = , birth_place = Schloss Laxenburg, Laxenburg, Lower Austria, Austrian Empire , death_date = , death_place = Mayerling, Lower Austria, Austria-Hungary , burial_date = , burial_place = Imperial Crypt, Vienna , occupation = , signature = , religion = Roman Catholicism Rudolf, Crown Prince of Austria (Rudolf Franz Karl Josef; 21 August 1858 – 30 January 1889) was the only son and third child of Emperor Franz Joseph I of Austria and Duchess Elisabeth in Bavaria (Sissi). He was heir apparent to the imperial throne of the Austro-Hungarian Empire from birth. In 1889, he died in a suicide pact with his mistress Mary Vetsera at the Mayerling hunting lodge. Th ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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