Burkat Shudi (variants: Burkhart, Burkhardt, Schudi, Tschudi, Tshudi) (13 March 1702 – 19 August 1773) was an English harpsichord maker of Swiss origin.

Biography

He was born in Schwanden in the Canton of Glarus, and arrived in England in 1718, where he started work as a

joiner A joiner is an artisan and tradesperson who builds things by joining pieces of wood, particularly lighter and more ornamental work than that done by a carpenter, including furniture and the "fittings" of a house, ship, etc. Joiners may work in ...

. He married Catherine Wild, whose parents came from the same town as him, in 1728.

John Broadwood John Broadwood (6 October 1732 – 17 July 1812) was the Scottish founder of the piano manufacturer Broadwood and Sons. Life Broadwood was born 6 October 1732 and christened 15 Oct 1732 at St Helens, Cockburnspath in Berwickshire, and grew up in ...

worked for him from 1761, and in 1769 became his partner after marrying his daughter Barbara.

Johannes Zumpe Johannes (Johann Christoph) Zumpe (pronounced ''zumpy''; 14 June 1726 in Fürth, Free Imperial City of Nuremberg, modern Germany – buried 5 December 1790 in London, UK) was a leading maker of early English square pianos, a form of rectangul ...

also worked for him. He retired in 1771, being succeeded by his son, who was also called Burkat (c.1738–1803), following whose death the firm was taken over entirely by Broadwood, who had by then become a piano maker. There are twenty-three harpsichords by Shudi and 27 by Shudi and Broadwood in existence today. Three harpsichords exist by his nephew Joshua, who worked for him unsatisfactorily for a while, and one signed 'Bernard Shudi', about whom nothing is known.

Shudi's harpsichords

His harpsichords drew on the

Flemish Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...

tradition, dominated by Ruckers, whose harpsichords had become extremely prized in the 18th century; he himself owned and hired out two Ruckers harpsichords. The usual specifications for his single-manual harpsichords was 8' 8' or 8' 8' 4' and for his double-manual harpsichords 8' 8' 4' and lute stop. Most from c.1760 also had a buff stop, occasionally operated by a pedal. He made a great many innovations in the harpsichord: from c.1765 he introduced the machine stop, a mechanism engaged by a handstop and operated by a foot pedal which gradually reduces the registration on each manual; from c.1765 he extended the range down to CC; from c.1769 he introduced the Venetian swell: a contraption nearly identical in mechanism and purpose to the

expression pedal An expression pedal is an important control found on many musical instruments including organs, electronic keyboards, and pedal steel guitar. The musician uses the pedal to control different aspects of the sound, commonly volume. Separate expres ...

found on the organ, operated with a foot pedal and placed above the strings.Venetian swel
open
an
closed
He used leather plectra in some registers; it is not known whether he ever built an instrument with a 16' stop, though none survives with one. He also made claviorgans (a joint harpsichord and organ) though none of those instruments remain. Clavecin Shudi 1773

Charles Burney preferred the tone of Shudi's harpsichords to Kirkman's and his instruments were highly valued; his customers included

Frederick the Great Frederick II (german: Friedrich II.; 24 January 171217 August 1786) was King in Prussia from 1740 until 1772, and King of Prussia from 1772 until his death in 1786. His most significant accomplishments include his military successes in the S ...

Empress Maria Theresa Maria Theresa Walburga Amalia Christina (german: Maria Theresia; 13 May 1717 – 29 November 1780) was ruler of the Habsburg dominions from 1740 until her death in 1780, and the only woman to hold the position '' suo jure'' (in her own right) ...

, Joseph Haydn,

Muzio Clementi Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England. Encourag ...

the Prince of Wales Prince of Wales ( cy, Tywysog Cymru, ; la, Princeps Cambriae/Walliae) is a title traditionally given to the heir apparent to the English and later British throne. Prior to the conquest by Edward I in the 13th century, it was used by the rulers o ...

Thomas Gainsborough Thomas Gainsborough (14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of ...

, and George Frideric Handel.

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...

tried one of his harpsichords in 1765. His instruments were exported as far as Russia,

Oporto Porto or Oporto () is the second-largest city in Portugal, the capital of the Porto District, and one of the Iberian Peninsula's major urban areas. Porto city proper, which is the entire municipality of Porto, is small compared to its metropo ...

and

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...

(where one of his harpsichords was, according to Burney, regarded as a 'musical phenomenon'). It was

Frank Hubbard Frank Twombly Hubbard (May 15, 1920 – February 25, 1976) was an American harpsichord maker, a pioneer in the revival of historical methods of harpsichord building. Student days Born in New York, Hubbard studied English literature at Ha ...

's opinion that the harpsichords of Shudi and Kirkman represent 'the culmination of the harpsichord maker's art ..for sheer magnificence of tone, reedy trebles and sonorous basses, no other harpsichords ever matched them', though he was later put off building copies because so little significant music was written for them.

References

*Donald Howard Boalch, Peter Williams, Charles Mould: 'Shudi chudi, Tschudi, Tshudi Burkat urkhardt, Grove Music Online ed. L. Macy (Accessed 21 May 2007), http://www.grovemusic.com/

Biography

Shudi's harpsichords

See also

References

Further reading