List Of Historical Harpsichord Makers
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List Of Historical Harpsichord Makers
This page presents a graphical timelines, listing historical makers of the harpsichord and related instruments such as the virginal, spinet and clavicytherium. The makers are grouped according to which regional building tradition they belong. Graphical timeline overview Below is an overview of arguably the most important harpsichord makers whose names are known today, but the list is by no means exhaustive. Some of those listed were founders and members of influential harpsichord building dynasties. Others are known only through one or two instruments that have serendipitously survived, but are included because these instruments have proven a popular inspiration to modern builders who copy them. Some of the makers who started the historically informed harpsichord revival are also included. Notes on overview * Makers whose dates of birth or death are unknown are marked with an asterisk (*). In such cases, the time period indicated by the graphic is demarcated by the earliest or la ...
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Map Of Harpsichord Building Traditions
A map is a symbolic depiction emphasizing relationships between elements of some space, such as objects, regions, or themes. Many maps are static, fixed to paper or some other durable medium, while others are dynamic or interactive. Although most commonly used to depict geography, maps may represent any space, real or fictional, without regard to context or scale, such as in brain mapping, DNA mapping, or computer network topology mapping. The space being mapped may be two dimensional, such as the surface of the earth, three dimensional, such as the interior of the earth, or even more abstract spaces of any dimension, such as arise in modeling phenomena having many independent variables. Although the earliest maps known are of the heavens, geographic maps of territory have a very long tradition and exist from ancient times. The word "map" comes from the , wherein ''mappa'' meant 'napkin' or 'cloth' and ''mundi'' 'the world'. Thus, "map" became a shortened term referring to ...
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Girolamio Zenti
Girolamo Zenti (Viterbo c.1609 - Paris c.1666) (also: Girolama de Zenti, Gerolamo de Sentis, Hieronymus de Zentis) was an Italian harpsichord maker and organ builder in the 17th century. He is known as the probable inventor of the bentside spinet and for having traveled unusually extensively to practice his trade at the courts of Europe, including Rome, Florence, Paris, London and Stockholm Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people liv .... Biography Information on Zentis life is fragmentary and spread wide. Zenti was born in Viterbo, near Rome, and was registered as an instrument maker in the papal capital by 1638. He was apprentice to Giovani Battista Boni, and took over the workshop at the latter's death in 1641. He took a commission at the Swedish court in 1653, serving Christ ...
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Denis (harpsichord Makers)
The Denis family were French harpsichord makers from the mid 16th century to the beginning of the 18th century, by which time the Blanchet family had superseded them as the main harpsichord building dynasty in Paris. Members of the Denis family headed the instrument makers' guild for several generations, but only four harpsichords by members of the family have survived to modern times, and three spinets. Several of the Denis instruments are signed in red chalk under the sound board with the makers name, place of construction and date, along with three five-pointed stars. Instruments by the Denis family were held in high regard well after their time, as witnessed by an entry in the ''Encyclopédie Methodique'' from 1785: "The best makers of ordinary harpsichords have been the Ruckers in Antwerp... and Jean Denis of Paris". Known builders of the family The following family members are recorded as building instruments: Robert Denis I (1520 - 1589), a builder of organs and spine ...
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Dulcken
The Dulcken family were Flemish harpsichord makers of German origin. Joannes Daniel Dulcken (21 April 1706 – 11 April 1757) was born in Wingeshausen, the son of Georg Ludwig Dulcken (died Wingeshausen, before 1752). In 1736 he was in Maastricht, but by 1738 he had moved with his wife Susanna Maria Knopffell and their son to Antwerp where they became members of the Reformed church. He became an alderman in 1744, and lived in Hopland. He travelled to England in 1750 to sell two of his harpsichords. His will left all his harpsichord-making material to his son Joannes Dulcken; he died in Antwerp. He left a good reputation behind: Charles Burney claimed that, after the Ruckers family, 'the harpsichord-maker of the greatest eminence … was J. D. Dulcken'. He made single and double manual harpsichords, generally with a compass of five octaves (sometimes slightly less) and the common three registers; two 8' and one 4'. He decorated the soundboards with flowers and carved his initial ...
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Albert Delin (harpsichord Maker)
Albert Delin (17 April 1712, Ath – 26 Nov 1771, Tournai; also known as Albertus Delin) was a harpsichord maker in the Low Countries. Biography Born in Ath in Southern Netherlands (now in Belgium), he soon moved to the nearby town of Tournai to practice his trade. Little is known of his training but a remarkable number of his instruments have survived. His building style is quite contrary to his more famous contemporaries, like his neighbours Dulckens in Antwerp, the Hass family in Hamburg or the Taskins of Paris, that at the time created complex machines with an extensive variety of registers and knee levers. Delin's surviving instruments are simple, reminiscent of the old Ruckers instruments of a century before and of good workmanship as witnessed by the number of surviving instruments. Surviving instruments *Two surviving harpsichords (1750 and1768), both have a single manual and have only two 8' choirs and a buff stop, with all battens protruding through the instruments side ...
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Couchet
The Couchet family were Flemish harpsichord and virginal makers in Antwerp, closely associated with, and descendants of, the Ruckers family. Joannes Couchet (or Jan Couchet) (2 February 1615 – 30 March 1655) was a grandson of Hans Ruckers. He became the apprentice of his uncle Joannes Ruckers in 1626 and became a master after the latter's death in 1642. There are five instruments known to be by Joannes Couchet still in existence, most of which have had ''ravalements'', all dating from around 1650. Three of his seven children became harpsichord makers: Petrus Joannes Couchet became a master harpsichord maker and member of the Guild of St Luke in 1655 or 1656; Joseph Joannes Couchet became a member in 1666 or 1667. His instruments in existence today are a single manual harpsichord dated 1671 (possibly by Petrus Joannes), given a ''ravalement'' and made into a double manual by Pascal Taskin in 1778; a single manual harpsichord dated 1679; and a double manual harpsichord dated 168 ...
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Ruckers
The Ruckers family (variants: Ruckaert, Ruckaerts, Rucqueer, Rueckers, Ruekaerts, Ruijkers, Rukkers, Rycardt) were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th. The Ruckers family contributed immeasurably to the harpsichord's technical development, pioneering the addition of a second manual; the quality of their instruments is such that the name of Ruckers is as important to early keyboard instruments as that of Stradivarius is to the violin family. In the 18th century, Ruckers instruments were often modified by French makers in a process known as ''ravalement'', to allow for an extended range and other additions. The Ruckers family The family probably originated in Germany. The earliest known member, Hans Ruckers, was from Weissenburg, according to documents from 1530 in the Antwerp city archives, and the similarly name ...
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Ioes Karest
__NOTOC__ Ioes Karest (before 1500 – c.1560) was a Flemish harpsichord builder. Karest was born in Cologne sometime before 1500.Kottick, p. 31 By 1517 he was living and working in Antwerp,Kottick, p. 31 and was admitted to the Guild of St. Luke by 1523.Kottick, p. 55 In 1557, he, along with nine other builders, petitioned the Guild to regulate and control harpsichord building; their request was granted the following year.Kottick, p. 54 Ioes’ brother Goosen had been admitted to the Guild as an apprentice painter, but was apprenticed to Ioes from 1539 to 1542 in order to qualify as a harpsichord builder.O’Brien, pp. 14 - 15 Boalch states that Ioes and Goosen were sons of organbuilder Hans van Cuelen (before 1500 – c.1560),Boalch, p. 101 but Kottick points out that there is no evidence to back this claim.Kottick, p. 479 (note 5) Two instruments by Ioes Karest have survived; both are polygonal virginals. Both have sides of thin maple or sycamore,Kottick, p. 37 states simply ...
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Vincenzo Sodi
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor *Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer *Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter *Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter *Vincenzo Consolo (1933–2012), Italian writer *Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor *Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo *Vincenzo Marra (born 1972), Italian filmmaker *Vincenzo Migliaro (1858–1938), Italian painter *Vincenzo Natali (bo ...
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Giovanni Ferrini
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ...
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Carlo Grimaldi
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ...
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Bartolomeo Cristofori
Bartolomeo Cristofori di Francesco (; May 4, 1655 – January 27, 1731) was an Italian maker of musical instruments famous for inventing the piano. Life The available source materials on Cristofori's life include his birth and death records, two wills, the bills he submitted to his employers, and a single interview carried out by Scipione Maffei. From the latter, both Maffei's notes and the published journal article are preserved. Cristofori was born in Padua in the Republic of Venice. Nothing is known of his early life. A tale is told that he served as an apprentice to the great violin maker Nicolò Amati, based on the appearance in a 1680 census record of a "Christofaro Bartolomei" living in Amati's house in Cremona. However, as Stewart Pollens points out, this person cannot be Bartolomeo Cristofori, since the census records an age of 13, whereas Cristofori according to his baptismal record would have been 25 at the time. Pollens also gives strong reasons to doubt the a ...
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