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Frank Hubbard
Frank Twombly Hubbard (May 15, 1920 – February 25, 1976) was an American harpsichord maker, a pioneer in the revival of historical methods of harpsichord building. Student days Born in New York, Hubbard studied English literature at Harvard, graduating with AB, 1942 and AM, 1947. One of his friends was William Dowd, who had an interest in early instruments, and together they constructed a clavichord. This connection, with his interest as an amateur violinist in violin making and the location of his library reading stall near the stacks holding books on musical instruments, led to Hubbard's interest in the historic harpsichord. While pursuing graduate study at Harvard, Hubbard and Dowd both decided to leave to pursue instrument-making. In 1947, Hubbard went to England, and became an apprentice at the workshop of Arnold Dolmetsch in Haslemere. Not learning much about the historic harpsichord, he went to Hugh Gough in London in 1948, with whom he worked for a year. Dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Taskin
Pascal-Joseph Taskin (27 July 1723 – 9 February 1793) was a Belgium-born French harpsichord and piano maker. Biography Pascal Taskin, born in Theux near Liège, but worked in Paris for most of his life. Upon his arrival in Paris, he apprenticed in the workshop of François-Étienne Blanchet II. Little else is known of his activity until Blanchet's death on April 27, 1766. In early November of that year, he became a master harpsichord maker in the guild of instrument makers and took over the Blanchet workshop, and by the end of that month, he had married Blanchet's widow. The continuity between the Blanchet and Taskin traditions is indicated by the note Taskin attached to his instruments until 1770: : Taskin inherited Blanchet's title of royal harpsichord maker (''facteur des clavessins du Roi'') and additionally became keeper of the King’s instruments alongside Christophe Chiquelier in 1770, though he only fully occupied that role when Chiquelier retired in 1774. In order t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Ramea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unmeasured Prelude
Unmeasured or non-measured prelude is a prelude in which the duration of each note is left to the performer. Typically the term is used for 17th century harpsichord compositions that are written without rhythm or metre indications, although various composers of the Classical music era were composing small preludes for woodwind instruments using non-measured notation well into the 19th century. The form resurfaced in the aleatory music of the 20th century, where various other aspects of performance are also left to free interpretation. Unmeasured preludes for lute The first unmeasured preludes appeared during the Renaissance era. They were short improvised compositions for lute, usually performed as an introduction to another piece of music or to test the instrument. Later unmeasured lute preludes retained the improvisatory character of the genre but became more complex and lengthy. Unmeasured preludes flourished into full-fledged compositions by the middle of the 17th century. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum (a combination of harpsichord and organ), clavichord, fortepiano and piano. He also conducted orchestras and choruses. Biography Gustav Leonhardt was born in 's-Graveland, near Hilversum, and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist. Career Leonhardt performed and conducted a variety of solo, chamber, orchestral, operatic, and choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no sound recordings exist of music before the late 19th century, historically informed performance is largely derived from musicological analysis of texts. Historical treatises, pedagogic tutor books, and concert critiques, as well as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wellesley, Massachusetts
Wellesley () is a town in Norfolk County, Massachusetts, United States. Wellesley is part of Greater Boston. The population was 29,550 at the time of the 2020 census. Wellesley College, Babson College, and a campus of Massachusetts Bay Community College are located in the town. History Wellesley was settled in the 1630s as part of Dedham, Massachusetts. It was subsequently a part of Needham, Massachusetts called West Needham, Massachusetts. On October 23, 1880, West Needham residents voted to secede from Needham, and the town of Wellesley was later christened by the Massachusetts legislature on April 6, 1881. The town was named after the estate of local benefactor Horatio Hollis Hunnewell. Wellesley's population grew by over 80 percent during the 1920s. Historic district The town designated Cottage Street and its nearby alleys as the historic district in its zoning plan. Most houses in this district were built around the 1860s and qualify as protected buildings certified by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francophile
A Francophile, also known as Gallophile, is a person who has a strong affinity towards any or all of the French language, French history, French culture and/or French people. That affinity may include France itself or its history, language, cuisine, literature, etc. The term "Francophile" can be contrasted with Francophobe (or Gallophobe), someone who shows hatred or other forms of negative feelings towards all that is French. Francophilia often arises in former French colonies, where the elite spoke French and adopted many French habits. In other European countries such as Romania and Russia, French culture has also long been popular among the upper class. Historically, Francophilia has been associated with supporters of the philosophy of Enlightenment during and after the French Revolution, where democratic uprisings challenged the autocratic regimes of Europe. Europe Armenia The Armenians of Cilicia welcomed the Frankish, or French, Crusaders of the Middle Ages as fellow C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglophile
An Anglophile is a person who admires or loves England, its people, its culture, its language, and/or its various accents. Etymology The word is derived from the Latin word ''Anglii'' and Ancient Greek word φίλος ''philos'', meaning "friend". Its antonym is Anglophobe. History Overview An early use of ''Anglophile'' was in 1864 by Charles Dickens in '' All the Year Round'', when he described the ''Revue des deux Mondes'' as "an advanced and somewhat 'Anglophile' publication." In some cases, the term ''Anglophilia'' represents an individual's appreciation of English history and traditional English culture (e.g. William Shakespeare, Jane Austen, Samuel Johnson, Gilbert and Sullivan). Anglophilia may also be characterized by fondness for the British monarchy and system of government (e.g. the Westminster system of parliament), and other institutions (e.g. Royal Mail), as well as nostalgia for the former British Empire and the English class system. Anglophiles may enjoy Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentleman
A gentleman (Old French: ''gentilz hom'', gentle + man) is any man of good and courteous conduct. Originally, ''gentleman'' was the lowest rank of the landed gentry of England, ranking below an esquire and above a yeoman; by definition, the rank of ''gentleman'' comprised the younger sons of the younger sons of peers, and the younger sons of a baronet, a knight, and an esquire, in perpetual succession. As such, the connotation of the term ''gentleman'' captures the common denominator of gentility (and often a coat of arms); a right shared by the peerage and the gentry, the constituent classes of the British nobility. Therefore, the English social category of ''gentleman'' corresponds to the French ''gentilhomme'' (nobleman), which in Great Britain meant a member of the peerage of England. In that context, the historian Maurice Keen said that the social category of gentleman is "the nearest, contemporary English equivalent of the ''noblesse'' of France." In the 14th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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