|
Ruckers
The Ruckers family (variants: Ruckaert, Ruckaerts, Rucqueer, Rueckers, Ruekaerts, Ruijkers, Rukkers, Rycardt) were harpsichord and virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influence stretched well into the 18th century, and to the harpsichord revival of the 20th. The Ruckers family contributed immeasurably to the harpsichord's technical development, pioneering the addition of a second manual; the quality of their instruments is such that the name of Ruckers is as important to early keyboard instruments as that of Stradivarius is to the violin family. In the 18th century, Ruckers instruments were often modified by French makers in a process known as ''ravalement'', to allow for an extended range and other additions. The Ruckers family The family probably originated in Germany. The earliest known member, Hans Ruckers, was from Weissenburg, according to documents from 1530 in the Antwerp city archives, and the similarly name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginals
The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands. Mechanism The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by plectra mounted in jacks. Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard. The strings are plucked either near one end, as with the harpsichord, or, in the case of the muselar, nearer the middle, producing a more flute-like tone reduced in upper harmonics. Etymolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginals
The virginals (or virginal) is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginal is a smaller and simpler rectangular or polygonal form of harpsichord with only one string per note running more or less parallel to the keyboard on the long side of the case. Many, if not most, of the instruments were constructed without legs, and would be placed on a table for playing. Later models were built with their own stands. Mechanism The mechanism of the virginals is identical to the harpsichord's, in that its wire strings are plucked by plectra mounted in jacks. Its case, however, is rectangular or polygonal, and the single choir of strings—one per note—runs roughly parallel to the keyboard. The strings are plucked either near one end, as with the harpsichord, or, in the case of the muselar, nearer the middle, producing a more flute-like tone reduced in upper harmonics. Etymolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couchet
The Couchet family were Flemish harpsichord and virginal makers in Antwerp, closely associated with, and descendants of, the Ruckers family. Joannes Couchet (or Jan Couchet) (2 February 1615 – 30 March 1655) was a grandson of Hans Ruckers. He became the apprentice of his uncle Joannes Ruckers in 1626 and became a master after the latter's death in 1642. There are five instruments known to be by Joannes Couchet still in existence, most of which have had ''ravalements'', all dating from around 1650. Three of his seven children became harpsichord makers: Petrus Joannes Couchet became a master harpsichord maker and member of the Guild of St Luke in 1655 or 1656; Joseph Joannes Couchet became a member in 1666 or 1667. His instruments in existence today are a single manual harpsichord dated 1671 (possibly by Petrus Joannes), given a ''ravalement'' and made into a double manual by Pascal Taskin in 1778; a single manual harpsichord dated 1679; and a double manual harpsichord dated 168 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechelen
Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical context. The city's French name ' had also been used in English in the past (in the 19th and 20th century) however this has largely been abandoned. Meanwhile, the Dutch derived ' began to be used in English increasingly from late 20th century onwards, even while ''Mechlin'' remained still in use (for example a ''Mechlinian'' is an inhabitant of this city or someone seen as born-and-raised there; the term is also the name of the city dialect; as an adjective ''Mechlinian'' may refer to the city or to its dialect.) is a city and municipality in the province of Antwerp in the Flemish Region of Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of (adjacent) and (a few kilometers away), as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (instrument)
A bass ( /beɪs/) musical instrument produces tones in the low-pitched range C4- C2. Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest instruments in their families or instrument classes. As seen in the musical instrument classification article, categorizing instruments can be difficult. For example, some instruments fall into more than one category. The cello is considered a tenor instrument in some orchestral settings, but in a string quartet it is the bass instrument. Examples grouped by general form and playing technique include: * Plucked string instruments, primary bass guitar and to a lesser extent acoustic bass guitar and even less often, folk instruments like contrabass guitar, guitarrón mexicano, tololoche, bass banjo or bass balalaika, instruments shaped, constructed and held (or worn) like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphonal
An antiphonary or antiphonal is one of the liturgical books intended for use (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites. Medieval antiphonaries varied with regional liturgical tradition. In 1570, following the Council of Trent, the Roman Rite antiphonary was declared universal. The Roman Antiphonary (''Antiphonale Romanum'') contains the chants for the canonical hours for the hours of Lauds, Prime, Terce, Sext, None, Vespers and Compline for every day of the year. The ''Vesperale Romanum'' is an excerpt of the Antiphonary containing the chants sung at Vespers. The music for use at the Mass is contained in the Roman Gradual (''Graduale Romanum''), the chants of the ordinary are also edited as an excerpt from the Gradual, the ''Kyriale Romanum''. The ''Antiphonale Romanum'' was substantially revised in 1910–11 in the course of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Virginals")
.jpg "Click for more on -> Timbre")
