Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German

composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...

and

pianist A pianist ( , ) is an individual musician who plays the piano. Since most forms of Western music can make use of the piano, pianists have a wide repertoire and a wide variety of styles to choose from, among them traditional classical music, ja ...

. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the

classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...

repertoire and span the transition from the Classical period to the

Romantic Romantic may refer to: Genres and eras * The Romantic era, an artistic, literary, musical and intellectual movement of the 18th and 19th centuries ** Romantic music, of that era ** Romantic poetry, of that era ** Romanticism in science, of that e ...

era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of

Joseph Haydn Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...

and

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...

, and is sometimes characterized as heroic. During this time, he began to grow increasingly

deaf Deafness has varying definitions in cultural and medical contexts. In medical contexts, the meaning of deafness is hearing loss that precludes a person from understanding spoken language, an Audiology, audiological condition. In this context it ...

. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in

Bonn The federal city of Bonn ( lat, Bonna) is a city on the banks of the Rhine in the German state of North Rhine-Westphalia, with a population of over 300,000. About south-southeast of Cologne, Bonn is in the southernmost part of the Rhine-Ruhr r ...

. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father

Johann van Beethoven Johann van Beethoven (14 November 1740 – 18 December 1792) was a Duchy of Brabant, Brabantine-Germans, German musician, teacher, and singer who sang in the chapel of the Archbishop of Cologne, whose court was at Bonn. He is best known as the fa ...

. Beethoven was later taught by the composer and conductor

Christian Gottlob Neefe Christian Gottlob Neefe (; 5 February 1748 – 28 January 1798) was a German opera composer and conductor. He was known as one of the first teachers of Ludwig van Beethoven. Life and career Neefe was born in Chemnitz, Saxony. He received a m ...

, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of

Helene von Breuning Helene von Breuning (née von Kerich; 3 January 1750, Cologne – 9 December 1838) was a member of the Bonn upper class, who engaged young Ludwig van Beethoven to teach music to her children, gave him education and introduced him into social circle ...

, whose children he loved, befriended, and taught piano. At age 21, he moved to

Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...

, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and he was soon patronized by

Karl Alois, Prince Lichnowsky Karl Alois, Prince Lichnowsky (german: Karl Alois Johann-Nepomuk Vinzenz Leonhard, Fürst Lichnowsky, also known as ''Carl Alois, Fürst von Lichnowsky-Woschütz''; 21 June 1761 – 15 April 1814) was the second Prince Lichnowsky and a chamberla ...

for compositions, which resulted in his three Opus 1

piano trio A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musi ...

s (the earliest works to which he accorded an

opus number In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositio ...

) in 1795. His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his

Third Third or 3rd may refer to: Numbers * 3rd, the ordinal form of the cardinal number 3 * , a fraction of one third * Second#Sexagesimal divisions of calendar time and day, 1⁄60 of a ''second'', or 1⁄3600 of a ''minute'' Places * 3rd Street (d ...

and Fifth Symphonies in 1804 and 1808, respectively. His

Violin Concerto A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up thro ...

appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the ''Emperor''), dedicated to his frequent patron

Archduke Rudolf of Austria Rudolph Johann Joseph Rainier, Archduke of Austria, Prince Royal of Hungary and Bohemia, Cardinal-Archbishop of Olomouc (8 January 1788 – 24 July 1831), was a member of the House of Habsburg-Lorraine, and an Austrian clergyman and noble. He was ...

, was premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his

Heiligenstadt Testament The Heiligenstadt Testament is a letter written by Ludwig van Beethoven to his brothers Carl and Johann at Heiligenstadt on 6 October 1802. It reflects his despair over his increasing deafness, even his contemplation of suicide, and his continue ...

(1802) to his brothers and his unsent love letter to an unknown " Immortal Beloved" (1812). After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature

chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb ...

and the late piano sonatas. His only opera, '' Fidelio'', first performed in 1805, was revised to its final version in 1814. He composed ''

Missa solemnis {{Audio, De-Missa solemnis.ogg, Missa solemnis is Latin for Solemn Mass, and is a genre of musical settings of the Mass Ordinary, which are festively scored and render the Latin text extensively, opposed to the more modest Missa brevis. In French ...

'' between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the '' Grosse Fuge'', of 1825–1826 are among his final achievements. After some months of bedridden illness, he died in 1827. Beethoven's works remain mainstays of the classical music repertoire.

Life and career

Family and early life

Beethoven was the grandson of Ludwig van Beethoven, a musician from the town of

Mechelen Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical contex ...

in the Austrian Duchy of Brabant (in what is now the Flemish region of Belgium) who had moved to

at the age of 21. Ludwig was employed as a

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

singer at the court of Clemens August, Archbishop-Elector of Cologne, eventually rising to become, in 1761,

Kapellmeister (, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...

(music director) and hence a pre-eminent musician in Bonn. The portrait he commissioned of himself towards the end of his life remained displayed in his grandson's rooms as a talisman of his musical heritage. Ludwig had two sons, the younger of which ( Johann) worked as a tenor in the same musical establishment and gave keyboard and violin lessons to supplement his income. Johann married

Maria Magdalena Keverich Maria Magdalena van Beethoven, née Keverich (19 December 1746 – 17 July 1787)Johann IX Philipp von Walderdorff, Archbishop of Trier. Beethoven was born of this marriage in Bonn, at what is now the

Beethoven House The Beethoven House (German: ''Beethoven-Haus'') in Bonn, Germany, is a memorial site, museum and cultural institution serving various purposes. Founded in 1889 by the Beethoven-Haus association, it studies the life and work of composer Ludwig van ...

Museum, Bonnstrasse 20. There is no authentic record of the date of his birth; but the registry of his baptism, in the Catholic Parish of St. Remigius on 17 December 1770, survives, and the custom in the region at the time was to carry out baptism within 24 hours of birth. There is a consensus (with which Beethoven himself agreed) that his birth date was 16 December, but no documentary proof of this. Of the seven children born to Johann van Beethoven, only Ludwig, the second-born, and two younger brothers survived infancy. Kaspar Anton Karl (generally known as Karl) was born on 8 April 1774, and Nikolaus Johann (generally known as Johann), the youngest, was born on 2 October 1776. Beethoven's first music teacher was his father. He later had other local teachers: the court organist Gilles van den Eeden (d. 1782), Tobias Friedrich Pfeiffer (a family friend, who provided keyboard tuition), Franz Rovantini (a relative, who instructed him in playing the violin and viola), and court concertmaster Franz Anton Ries for the violin. His tuition began in his fifth year. The regime was harsh and intensive, often reducing him to tears. With the involvement of the insomniac Pfeiffer, there were irregular late-night sessions, with the young Beethoven being dragged from his bed to the keyboard. His musical talent was obvious at a young age. Johann, aware of

Leopold Mozart Johann Georg Leopold Mozart (November 14, 1719 – May 28, 1787) was a German composer, violinist and theorist. He is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook ''Versuch einer gründlichen ...

's successes in this area (with his son

Wolfgang Wolfgang is a German male given name traditionally popular in Germany, Austria and Switzerland. The name is a combination of the Old High German words ''wolf'', meaning "wolf", and ''gang'', meaning "path", "journey", "travel". Besides the regula ...

and daughter Nannerl), attempted to promote his son as a

child prodigy A child prodigy is defined in psychology research literature as a person under the age of ten who produces meaningful output in some domain at the level of an adult expert. The term is also applied more broadly to young people who are extraor ...

, claiming that Beethoven was six (he was seven) on the posters for his first public performance in March 1778.

1780–1792: Bonn

In 1780 or 1781, Beethoven began his studies with his most important teacher in Bonn,

. Neefe taught him composition; in March 1783 Beethoven's first published work appeared, a set of keyboard variations ( WoO 63). Beethoven soon began working with Neefe as assistant organist, at first unpaid (1782), and then as a paid employee (1784) of the court chapel. His first three piano sonatas, WoO 47, sometimes known as (Elector) for their dedication to Elector Maximilian Friedrich, were published in 1783. In the same year, the first printed reference to Beethoven appeared in the ''Magazin der Musik'' – "Louis van Beethoven icnbsp;... a boy of 11 years and most promising talent. He plays the piano very skilfully and with power, reads at sight very well ... the chief piece he plays is '' Das wohltemperierte Klavier'' of Sebastian Bach, which Herr Neefe puts into his hands". Maximilian Friedrich's successor as Elector of Bonn was Maximilian Franz. He gave some support to Beethoven, appointing him Court Organist and paying towards his visit to Vienna of 1792. He was introduced in these years to several people who became important in his life. He often visited the cultivated von Breuning family, at whose home he taught piano to some of the children, and where the widowed Frau von Breuning offered him a motherly friendship. Here he also met Franz Wegeler, a young medical student, who became a lifelong friend (and was to marry one of the von Breuning daughters). The von Breuning family environment offered an alternative to his home life, which was increasingly dominated by his father's decline. Another frequenter of the von Breunings was Count Ferdinand von Waldstein, who became a friend and financial supporter during Beethoven's Bonn period. Waldstein was to commission in 1791 Beethoven's first work for the stage, the ballet ''Musik zu einem Ritterballett'' (WoO 1). Count von Waldstein

In the period 1785–90 there is virtually no record of Beethoven's activity as a composer. This may be attributed to the lukewarm response his initial publications had attracted, and also to ongoing problems in the Beethoven family. His mother died in 1787, shortly after Beethoven's first visit to Vienna, where he stayed for about two weeks and almost certainly met Mozart. In 1789 Beethoven's father was forcibly retired from the service of the Court (as a consequence of his alcoholism) and it was ordered that half of his father's pension be paid directly to Ludwig for support of the family. He contributed further to the family's income by teaching (to which Wegeler said he had "an extraordinary aversion") and by playing viola in the court orchestra. This familiarized him with a variety of operas, including works by Mozart, Gluck and Paisiello. Here he also befriended Anton Reicha, a composer, flautist and violinist of about his own age who was a nephew of the court orchestra's conductor, Josef Reicha. From 1790 to 1792, Beethoven composed several works (none were published at the time) showing a growing range and maturity. Musicologists have identified a theme similar to those of his Third Symphony in a set of variations written in 1791. It was perhaps on Neefe's recommendation that Beethoven received his first commissions; the Literary Society in Bonn commissioned a cantata to mark the occasion of the death in 1790 of Joseph II (WoO 87), and a further cantata, to celebrate the subsequent accession of Leopold II as

Holy Roman Emperor The Holy Roman Emperor, originally and officially the Emperor of the Romans ( la, Imperator Romanorum, german: Kaiser der Römer) during the Middle Ages, and also known as the Roman-German Emperor since the early modern period ( la, Imperat ...

(WoO 88), may have been commissioned by the Elector. These two ''Emperor Cantatas'' were never performed at the time and they remained lost until the 1880s when they were described by

Johannes Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...

as "Beethoven through and through" and as such prophetic of the style which would mark his music as distinct from the classical tradition. Beethoven was probably first introduced to

in late 1790 when the latter was travelling to London and stopped in Bonn around Christmas time. A year and a half later, they met in Bonn on Haydn's return trip from London to Vienna in July 1792, when Beethoven played in the orchestra at the Redoute in Godesberg. Arrangements were likely made at that time for Beethoven to study with the older master. Waldstein wrote to him before his departure: "You are going to Vienna in fulfilment of your long-frustrated wishes ... With the help of assiduous labour you shall receive Mozart's spirit from Haydn's hands."

1792–1802: Vienna – the early years

Beethoven left Bonn for Vienna in November 1792, amid rumours of war spilling out of France; he learned shortly after his arrival that his father had died. Over the next few years, Beethoven responded to the widespread feeling that he was a successor to the recently deceased Mozart by studying that master's work and writing works with a distinctly Mozartian flavour. He did not immediately set out to establish himself as a composer, but rather devoted himself to study and performance. Working under Haydn's direction, he sought to master

counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...

. He also studied violin under Ignaz Schuppanzigh. Early in this period, he also began receiving occasional instruction from Antonio Salieri, primarily in Italian vocal composition style; this relationship persisted until at least 1802, and possibly as late as 1809. With Haydn's departure for England in 1794, Beethoven was expected by the Elector to return home to Bonn. He chose instead to remain in Vienna, continuing his instruction in counterpoint with Johann Albrechtsberger and other teachers. In any case, by this time it must have seemed clear to his employer that Bonn would fall to the French, as it did in October 1794, effectively leaving Beethoven without a stipend or the necessity to return. However, several Viennese noblemen had already recognised his ability and offered him financial support, among them Prince Joseph Franz Lobkowitz, Prince Karl Lichnowsky, and Baron Gottfried van Swieten. Assisted by his connections with Haydn and Waldstein, Beethoven began to develop a reputation as a performer and improviser in the salons of the Viennese nobility. His friend Nikolaus Simrock began publishing his compositions, starting with a set of keyboard variations on a theme of Dittersdorf (WoO 66). By 1793, he had established a reputation in Vienna as a piano virtuoso, but he apparently withheld works from publication so that their eventual appearance would have greater impact. Ölenhainz - Franz Joseph Maximilian von Lobkowitz

Ölenhainz - Franz Joseph Maximilian von Lobkowitz

In 1795 Beethoven made his public debut in Vienna over three days, beginning with a performance of one of his own

piano concerto A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpiec ...

s on 29 March at the

Burgtheater The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vi ...

and ending with a Mozart concerto on 31 March, probably the D minor concerto for which he had written a

cadenza In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvisation, improvised or written-out ornament (music), ornamental passage (music), passage played or sung by a solo (music), sol ...

soon after his arrival in Vienna. By this year he had two piano concertos available for performance, one in B-flat major he had begun composing before moving to Vienna and had worked on for over a decade, and one in C major composed for the most part during 1795. Viewing the latter as the more substantive work, he chose to designate it as his first piano concerto, publishing it in March 1801 as Opus 15, before publishing the former as Opus 19 the following December. He wrote new cadenzas for both works in 1809. Shortly after his public debut he arranged for the publication of the first of his compositions to which he assigned an

, the three piano trios, Opus 1. These works were dedicated to his patron Prince Lichnowsky, and were a financial success; Beethoven's profits were nearly sufficient to cover his living expenses for a year. In 1799 Beethoven participated in (and won) a notorious piano 'duel' at the home of Baron Raimund Wetzlar (a former patron of Mozart) against the virtuoso Joseph Wölfl; and in the following year he similarly triumphed against

Daniel Steibelt Daniel Gottlieb Steibelt (October 22, 1765) was a German pianist and composer. His main works were composed in Paris and in London, and he died in Saint Petersburg, Russia. Biography Steibelt was born in Berlin, and studied music with Johann ...

at the salon of Count Moritz von Fries. Beethoven's eighth piano sonata the Pathétique (Op. 13), published in 1799 is described by the musicologist Barry Cooper as "surpass ngany of his previous compositions, in strength of character, depth of emotion, level of originality, and ingenuity of motivic and tonal manipulation". Beethoven composed his first six string quartets (Op. 18) between 1798 and 1800 (commissioned by, and dedicated to, Prince Lobkowitz). They were published in 1801. He also completed his Septet (Op. 20) in 1799, which was one of his most popular works during his lifetime. With premieres of his First and

Second The second (symbol: s) is the unit of time in the International System of Units (SI), historically defined as of a day – this factor derived from the division of the day first into 24 hours, then to 60 minutes and finally to 60 seconds ...

Symphonies in 1800 and 1803, he became regarded as one of the most important of a generation of young composers following Haydn and Mozart. But his melodies, musical development, use of modulation and texture, and characterisation of emotion all set him apart from his influences, and heightened the impact some of his early works made when they were first published. For the premiere of his First Symphony, he hired the

on 2 April 1800, and staged an extensive programme, including works by Haydn and Mozart, as well as his Septet, the Symphony, and one of his piano concertos (the latter three works all then unpublished). The concert, which the '' Allgemeine musikalische Zeitung'' described as "the most interesting concert in a long time", was not without difficulties; among the criticisms was that "the players did not bother to pay any attention to the soloist". By the end of 1800, Beethoven and his music were already much in demand from patrons and publishers. Josephine Brunsvik

In May 1799, he taught piano to the daughters of Hungarian Countess Anna Brunsvik. During this time, he fell in love with the younger daughter Josephine. Amongst his other students, from 1801 to 1805, he tutored Ferdinand Ries, who went on to become a composer and later wrote about their encounters. The young Carl Czerny, who later became a renowned music teacher himself, studied with Beethoven from 1801 to 1803. In late 1801, he met a young countess,

Julie Guicciardi Julie "Giulietta" Guicciardi (, ; 23 November 178422 March 1856) was an Austrian countess and briefly a piano student of Ludwig van Beethoven. He dedicated to her his Piano Sonata No. 14, later known as the ''Moonlight Sonata''. Life Julie Gui ...

, through the Brunsvik family; he mentions his love for Julie in a November 1801 letter to a friend, but class difference prevented any consideration of pursuing this. He dedicated his 1802 Sonata Op. 27 No. 2, now commonly known as the '' Moonlight Sonata'', to her. In the spring of 1801 he completed '' The Creatures of Prometheus'', a ballet. The work received numerous performances in 1801 and 1802, and he rushed to publish a piano arrangement to capitalise on its early popularity. In the spring of 1802 he completed the Second Symphony, intended for performance at a concert that was cancelled. The symphony received its premiere instead at a subscription concert in April 1803 at the Theater an der Wien, where he had been appointed composer in residence. In addition to the Second Symphony, the concert also featured the First Symphony, the Third Piano Concerto, and the oratorio '' Christ on the Mount of Olives''. Reviews were mixed, but the concert was a financial success; he was able to charge three times the cost of a typical concert ticket. His business dealings with publishers also began to improve in 1802 when his brother Kaspar, who had previously assisted him casually, began to assume a larger role in the management of his affairs. In addition to negotiating higher prices for recently composed works, Kaspar also began selling some of his earlier unpublished compositions and encouraged him (against Beethoven's preference) to also make arrangements and transcriptions of his more popular works for other instrument combinations. Beethoven acceded to these requests, as he could not prevent publishers from hiring others to do similar arrangements of his works.

1802–1812: The 'heroic' period

Deafness

Beethoven told the English pianist

Charles Neate Charles Neate (1806–1879) was an English politician and academic, economist and political writer. Life He was the fifth of the eleven children of Thomas Neate, rector and squire of Alvescot, Oxfordshire, and his wife Catherine, born at Adstock ...

(in 1815) that he dated his hearing loss from a fit in 1798 induced by a quarrel with a singer. During its gradual decline, his hearing was further impeded by a severe form of tinnitus. As early as 1801, he wrote to Wegeler and another friend Karl Amenda, describing his symptoms and the difficulties they caused in both professional and social settings (although it is likely some of his close friends were already aware of the problems). The cause was probably otosclerosis, perhaps accompanied by degeneration of the auditory nerve. On the advice of his doctor, Beethoven moved to the small Austrian town of Heiligenstadt, just outside Vienna, from April to October 1802 in an attempt to come to terms with his condition. There he wrote the document now known as the

, a letter to his brothers which records his thoughts of suicide due to his growing deafness and records his resolution to continue living for and through his art. The letter was never sent and was discovered in his papers after his death. The letters to Wegeler and Amenda were not so despairing; in them Beethoven commented also on his ongoing professional and financial success at this period, and his determination, as he expressed it to Wegeler, to "seize Fate by the throat; it shall certainly not crush me completely". In 1806, Beethoven noted on one of his musical sketches: "Let your deafness no longer be a secret – even in art." Beethoven's hearing loss did not prevent him from composing music, but it made playing at concerts—an important source of income at this phase of his life—increasingly difficult. (It also contributed substantially to his social withdrawal.) Czerny remarked however that Beethoven could still hear speech and music normally until 1812. Beethoven never became totally deaf; in his final years he was still able to distinguish low tones and sudden loud sounds.

The heroic style

Beethoven's return to Vienna from Heiligenstadt was marked by a change in musical style, and is now often designated as the start of his middle or "heroic" period, characterised by many original works composed on a grand scale. According to Carl Czerny, Beethoven said: "I am not satisfied with the work I have done so far. From now on I intend to take a new way." An early major work employing this new style was the Third Symphony in E-flat, Op. 55, known as the ''Eroica'', written in 1803–04. The idea of creating a symphony based on the career of

Napoleon Napoleon Bonaparte ; it, Napoleone Bonaparte, ; co, Napulione Buonaparte. (born Napoleone Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French military commander and political leader who ...

may have been suggested to Beethoven by General Bernadotte in 1798. Beethoven, sympathetic to the ideal of the heroic revolutionary leader, originally gave the symphony the title "Bonaparte", but disillusioned by Napoleon declaring himself Emperor in 1804, he scratched Napoleon's name from the manuscript's title page, and the symphony was published in 1806 with its present title and the subtitle "to celebrate the memory of a great man". The ''Eroica'' was longer and larger in scope than any previous symphony. When it premiered in early 1805 it received a mixed reception. Some listeners objected to its length or misunderstood its structure, while others viewed it as a masterpiece.

Other middle period works extend in the same dramatic manner the musical language Beethoven had inherited. The Rasumovsky string quartets, and the '' Waldstein'' and '' Appassionata'' piano sonatas share the heroic spirit of the Third Symphony. Other works of this period include the Fourth through Eighth Symphonies, the oratorio '' Christ on the Mount of Olives'', the opera '' Fidelio'', and the

. Beethoven was hailed in 1810 by the writer and composer

E. T. A. Hoffmann Ernst Theodor Amadeus Hoffmann (born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 – 25 June 1822) was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. Penrith Goff, "E.T.A. Hoffmann" in E ...

, in an influential review in the '' Allgemeine musikalische Zeitung'', as the greatest of (what he considered) the three

composers (that is, ahead of Haydn and Mozart); in Beethoven's Fifth Symphony his music, wrote Hoffmann, "sets in motion terror, fear, horror, pain, and awakens the infinite yearning that is the essence of romanticism". During this time Beethoven's income came from publishing his works, from performances of them, and from his patrons, for whom he gave private performances and copies of works they commissioned for an exclusive period before their publication. Some of his early patrons, including Prince Lobkowitz and Prince Lichnowsky, gave him annual stipends in addition to commissioning works and purchasing published works. Perhaps his most important aristocratic patron was

, the youngest son of Emperor Leopold II, who in 1803 or 1804 began to study piano and composition with him. They became friends, and their meetings continued until 1824. Beethoven dedicated 14 compositions to Rudolf, including some of his major works such as the ''Archduke'' Trio Op. 97 (1811) and ''

'' Op. 123 (1823). His position at the Theater an der Wien was terminated when the theatre changed management in early 1804, and he was forced to move temporarily to the suburbs of Vienna with his friend Stephan von Breuning. This slowed work on ''Leonore'' (his original title for his opera), his largest work to date, for a time. It was delayed again by the Austrian censor and finally premiered, under its present title of ''Fidelio'', in November 1805 to houses that were nearly empty because of the French occupation of the city. In addition to being a financial failure, this version of ''Fidelio'' was also a critical failure, and Beethoven began revising it. Despite this failure, Beethoven continued to attract recognition. In 1807 the musician and publisher Muzio Clementi secured the rights for publishing his works in England, and Haydn's former patron Prince Esterházy commissioned a mass (the Mass in C, Op. 86) for his wife's name-day. But he could not count on such recognition alone. A colossal benefit concert which he organized in December 1808, and was widely advertised, included the premieres of the Fifth and Sixth (''Pastoral'') symphonies, the Fourth Piano Concerto, extracts from the Mass in C, the scena and aria '' Ah! perfido'' Op. 65 and the Choral Fantasy op. 80. There was a large audience (including Czerny and the young Ignaz Moscheles), but it was under-rehearsed, involved many stops and starts, and during the Fantasia Beethoven was noted shouting at the musicians "badly played, wrong, again!" The financial outcome is unknown. Rudolf-habsburg-olmuetz

In the autumn of 1808, after having been rejected for a position at the Royal Theatre, Beethoven had received an offer from Napoleon's brother

Jérôme Bonaparte Jérôme-Napoléon Bonaparte (born Girolamo Buonaparte; 15 November 1784 – 24 June 1860) was the youngest brother of Napoleon I and reigned as Jerome Napoleon I (formally Hieronymus Napoleon in German), King of Westphalia, between 1807 and 1 ...

, then king of Westphalia, for a well-paid position as

at the court in Cassel. To persuade him to stay in Vienna, Archduke Rudolf, Prince Kinsky and Prince Lobkowitz, after receiving representations from Beethoven's friends, pledged to pay him a pension of 4000 florins a year. In the event, Archduke Rudolf paid his share of the pension on the agreed date. Kinsky, immediately called to military duty, did not contribute and died in November 1812 after falling from his horse. The Austrian currency destabilized and Lobkowitz went bankrupt in 1811 so that to benefit from the agreement Beethoven eventually had recourse to the law, which in 1815 brought him some recompense. The imminence of war reaching Vienna itself was felt in early 1809. In April, Beethoven completed writing his Piano Concerto No. 5 in E flat major, Op. 73, which the musicologist

Alfred Einstein Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor. He was born in Munich and fled Nazi Germany after Hitler's ''Machtergreifung'', arriving in the United States by 1939. He is best known for b ...

has described as "the apotheosis of the military concept" in Beethoven's music. Archduke Rudolf left the capital with the Imperial family in early May, prompting Beethoven's piano sonata ''

Les Adieux Ludwig van Beethoven's Piano Sonata No. 26 in E major, Op. 81a, known as ''Les Adieux'' ("The Farewell"), was written during the years 1809 and 1810. The title ' implies a programmatic nature. The French attack on Vienna, led by Napoléon Bonap ...

'' (Sonata No. 26, Op. 81a), actually entitled by Beethoven in German ''Das Lebewohl'' (The Farewell), of which the final movement, ''Das Wiedersehen'' (The Return), is dated in the manuscript with the date of Rudolf's homecoming of 30 January 1810. During the French bombardment of Vienna in May, Beethoven took refuge in the cellar of the house of his brother Kaspar. The subsequent occupation of Vienna and the disruptions to cultural life and to Beethoven's publishers, together with Beethoven's poor health at the end of 1809, explain his significantly reduced output during this period, although other notable works of the year include his String Quartet No. 10 in E flat major, Op. 74 (known as ''The Harp'') and the Piano Sonata No. 24 in F sharp major op. 78, dedicated to Josephine's sister Therese Brunsvik.

Goethe

At the end of 1809 Beethoven was commissioned to write incidental music for Goethe's play ''

Egmont Egmont may refer to: * Egmont Group, a media corporation founded and rooted in Copenhagen, Denmark * Egmond family (often spelled "Egmont"), an influential Dutch family, lords of the town of Egmond ** Lamoral, Count of Egmont (1522–1568), the bes ...

''. The result (an overture, and nine additional entractes and vocal pieces, Op. 84), which appeared in 1810, fitted well with Beethoven's heroic style and he became interested in Goethe, setting three of his poems as songs (Op. 83) and learning about the poet from a mutual acquaintance, Bettina Brentano (who also wrote to Goethe at this time about Beethoven). Other works of this period in a similar vein were the F minor String Quartet Op. 95, to which Beethoven gave the subtitle ''Quartetto serioso'', and the Op. 97 Piano Trio in B flat major known, from its dedication to his patron Rudolph as the ''Archduke Trio''. In the spring of 1811, Beethoven became seriously ill, having headaches and high fever. His doctor Johann Malfatti recommended him to take a cure at the

spa A spa is a location where mineral-rich spring water (and sometimes seawater) is used to give medicinal baths. Spa towns or spa resorts (including hot springs resorts) typically offer various health treatments, which are also known as balneothe ...

Teplitz Teplice () (until 1948 Teplice-Šanov; german: Teplitz-Schönau or ''Teplitz'') is a city in the Ústí nad Labem Region of the Czech Republic. It has about 49,000 inhabitants. It is the second largest Czech spa town, after Karlovy Vary. The hist ...

(now Teplice in the Czech Republic), where he wrote two more overtures and sets of incidental music for dramas, this time by August von Kotzebue – '' King Stephen'' Op. 117 and '' The Ruins of Athens'' Op. 113. Advised again to visit Teplitz in 1812 he met there with Goethe, who wrote: "His talent amazed me; unfortunately he is an utterly untamed personality, who is not altogether wrong in holding the world to be detestable, but surely does not make it any more enjoyable ... by his attitude." Beethoven wrote to his publishers Breitkopf and Härtel that "Goethe delights far too much in the court atmosphere, far more than is becoming in a poet." But following their meeting he began a setting for choir and orchestra of Goethe's ''Meeresstille und glückliche Fahrt'' ''(Calm Sea and Prosperous Voyage)'' (Op. 112), completed in 1815. After this was published in 1822 with a dedication to the poet, Beethoven wrote to him: "The admiration, the love and esteem which already in my youth I cherished for the one and only immortal Goethe have persisted."

The Immortal Beloved

While he was at Teplitz in 1812 he wrote a ten-page love letter to his " Immortal Beloved", which he never sent to its addressee. The identity of the intended recipient was long a subject of debate, although the musicologist

Maynard Solomon Maynard Elliott Solomon (January 5, 1930 – September 28, 2020) was an American music executive and musicologist, a co-founder of Vanguard Records as well as a music producer."Maynard Solomon" in ''Baker's Biographical Dictionary of Musicians'', v ...

has convincingly demonstrated that the intended recipient must have been

Antonie Brentano Antonie Brentano (28 May 1780 in Vienna – 12 May 1869 in Frankfurt), born Johanna Antonie Josefa Edle von Birkenstock, known as Toni, was a philanthropist, art collector, arts patron, and close friend of Beethoven, being the dedicatee of his " ...

; other candidates have included Julie Guicciardi, Therese Malfatti and Josephine Brunsvik. All of these had been regarded by Beethoven as possible soulmates during his first decade in Vienna. Guicciardi, although she flirted with Beethoven, never had any serious interest in him and married

Wenzel Robert von Gallenberg Wenzel Robert von Gallenberg (28 December 1783 – 13 March 1839) (full name Johann Wenzel Robert Maria Joseph Sigmund Seyfried, Count Gallenberg) was an Austrian composer, particularly of ballets, which were produced in Vienna and Italy. Life Ga ...

in November 1803. (Beethoven insisted to his later secretary and biographer, Anton Schindler, that Gucciardi had "sought me out, crying, but I scorned her".) Josephine had, since Beethoven's initial infatuation with her, married the elderly Count Joseph Deym, who died in 1804. Beethoven began to visit her and commenced a passionate correspondence. Initially, he accepted that Josephine could not love him, but he continued to address himself to her even after she had moved to Budapest, finally demonstrating that he had got the message in his last letter to her of 1807: "I thank you for wishing still to appear as if I were not altogether banished from your memory". Malfatti was the niece of Beethoven's doctor, and he had proposed to her in 1810. He was 40, she was 19 – the proposal was rejected. She is now remembered as the recipient of the piano bagatelle '' Für Elise''. Antonie (Toni) Brentano (née von Birkenstock), ten years younger than Beethoven, was the wife of Franz Brentano, the half-brother of Bettina Brentano, who provided Beethoven's introduction to the family. It would seem that Antonie and Beethoven had an affair during 1811–1812. Antonie left Vienna with her husband in late 1812 and never met with (or apparently corresponded with) Beethoven again, although in her later years she wrote and spoke fondly of him. Some speculate that Beethoven was the father of Antonie's son Karl Josef, though the two never met. After 1812 there are no reports of any romantic liaisons of Beethoven; it is, however, clear from his correspondence of the period and, later, from the conversation books, that he would occasionally meet with prostitutes.

1813–1822: Acclaim

Family problems

In early 1813 Beethoven apparently went through a difficult emotional period, and his compositional output dropped. His personal appearance degraded—it had generally been neat—as did his manners in public, notably when dining. Family issues may have played a part in this. Beethoven had visited his brother Johann at the end of October 1812. He wished to end Johann's cohabitation with Therese Obermayer, a woman who already had an illegitimate child. He was unable to convince Johann to end the relationship and appealed to the local civic and religious authorities, but Johann and Therese married on 8 November. The illness and eventual death of his brother Kaspar from tuberculosis became an increasing concern. Kaspar had been ill for some time; in 1813 Beethoven lent him 1500 florins, to procure the repayment of which he was ultimately led to complex legal measures. After Kaspar died on 15 November 1815, Beethoven immediately became embroiled in a protracted legal dispute with Kaspar's wife Johanna over custody of their son Karl, then nine years old. Beethoven had successfully applied to Kaspar to have himself named the sole guardian of the boy. A late codicil to Kaspar's will gave him and Johanna joint guardianship. While Beethoven was successful at having his nephew removed from her custody in January 1816, and had him removed to a private school in 1818 he was again preoccupied with the legal processes around Karl. While giving evidence to the court for the nobility, the Landrechte, Beethoven was unable to prove that he was of noble birth and as a consequence, on 18 December 1818 the case was transferred to the civil magistrate of Vienna, where he lost sole guardianship. He only regained custody after intensive legal struggles in 1820. During the years that followed, Beethoven frequently interfered in his nephew's life in what Karl perceived as an overbearing manner.

Post-war Vienna

Beethoven was finally motivated to begin significant composition again in June 1813, when news arrived of Napoleon's defeat at the Battle of Vitoria by a coalition led by the Duke of Wellington. The inventor Mälzel persuaded him to write a work commemorating the event for his mechanical instrument the Panharmonicon. This Beethoven also transcribed for orchestra as '' Wellington's Victory'' (Op. 91, also known as the ''Battle Symphony''). It was first performed on 8 December, along with his Seventh Symphony, Op. 92, at a charity concert for victims of the war, a concert whose success led to its repeat on 12 December. The orchestra included several leading and rising musicians who happened to be in Vienna at the time, including

Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le di ...

and Domenico Dragonetti. The work received repeat performances at concerts staged by Beethoven in January and February 1814. These concerts brought Beethoven more profit than any others in his career, and enabled him to buy the bank shares that were eventually to be the most valuable assets in his estate at his death. Beethoven's renewed popularity led to demands for a revival of ''Fidelio'', which, in its third revised version, was also well received at its July opening in Vienna, and was frequently staged there during the following years. Beethoven's publishers,

Artaria Artaria & Co. () was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era. History Artaria & Co. was foun ...

, commissioned the 20-year old Moscheles to prepare a piano score of the opera, which he inscribed "Finished, with God's help!" – to which Beethoven added "O Man, help thyself." That summer Beethoven composed a piano sonata for the first time in five years, his Sonata in E minor, Opus 90. He was also one of many composers who produced music in a patriotic vein to entertain the many heads of state and diplomats who came to the Congress of Vienna that began in November 1814, with the cantata ''

Der glorreiche Augenblick ''Der glorreiche Augenblick'', Op. 136 (The glorious moment) is a cantata by Ludwig van Beethoven. Composition ''Der glorreiche Augenblick'' was written for the opening of the Congress of Vienna after the end of the Napoleonic Wars. While Beetho ...

(The Glorious Moment)'' (Op. 136) and similar choral works which, in the words of Maynard Solomon "broadened Beethoven's popularity, utdid little to enhance his reputation as a serious composer". In April and May 1814, playing in his ''Archduke'' Trio, Beethoven made his last public appearances as a soloist. The composer Louis Spohr noted: "the piano was badly out of tune, which Beethoven minded little, since he did not hear it ... there was scarcely anything left of the virtuosity of the artist ... I was deeply saddened." From 1814 onwards Beethoven used for conversation

ear-trumpet An ear trumpet is a tubular or funnel-shaped device which collects sound waves and leads them into the ear. They were used as hearing aids, resulting in a strengthening of the sound energy impact to the eardrum and thus improved hearing for a dea ...

s designed by

Johann Nepomuk Maelzel A metronome by Maelzel, Paris, 1815. Johann Nepomuk Maelzel (or Mälzel; August 15, 1772 – July 21, 1838) was a German inventor, engineer, and showman, best known for manufacturing a metronome and several music-playing automatons, and displayin ...

(a number of these are on display at the Beethoven-Haus in Bonn). His 1815 compositions include an expressive second setting of the poem ''An die Hoffnung'' (Op. 94) in 1815. Compared to its first setting in 1805 (a gift for Josephine Brunsvik), it was "far more dramatic ... The entire spirit is that of an operatic scena." But his energy seemed to be dropping: apart from these works, he wrote the two cello sonatas Op. 102 nos. 1 and 2, and a few minor pieces, and began but abandoned a sixth piano concerto.

Pause

Between 1815 and 1819 Beethoven's output dropped again to a level unique in his mature life. He attributed part of this to a lengthy illness (he called it an inflammatory fever) that he had for more than a year, starting in October 1816. His biographer Maynard Solomon suggests it is also doubtless a consequence of the ongoing legal problems concerning his nephew Karl, and of Beethoven finding himself increasingly at odds with current musical trends. Unsympathetic to developments in German romanticism that featured the supernatural (as in operas by Spohr, Heinrich Marschner and Carl Maria von Weber), he also "resisted the impending Romantic fragmentation of the ... cyclic forms of the Classical era into small forms and lyric mood pieces" and turned towards study of Bach,

Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...

and Palestrina. An old connection was renewed in 1817 when Maelzel sought, and obtained, Beethoven's endorsement for his newly developed metronome. During these years the few major works he completed include the 1818 ''Hammerklavier'' Sonata (Sonata No. 29 in B flat major, Op. 106) and his settings of poems by

Alois Jeitteles Alois Isidor Jeitteles (20 June 1794 – 16 April 1858) was an Austrian doctor, journalist and writer, best known for Ludwig van Beethoven's setting of his poem sequence, ''An die ferne Geliebte''. Life Jeitteles was born in Brünn (now Brno) ...

, '' An die ferne Geliebte'' Op. 98 (1816), which introduced the song cycle into classical repertoire. In 1818 he began musical sketches that were eventually to form part of his final Ninth Symphony. By early 1818 Beethoven's health had improved, and his nephew Karl, now aged 11, moved in with him in January (although within a year Karl's mother had won him back in the courts). By now Beethoven's hearing had again seriously deteriorated, necessitating Beethoven and his interlocutors writing in notebooks to carry out conversations. These 'conversation books' are a rich written resource for his life from this period onwards. They contain discussions about music, business, and personal life; they are also a valuable source for his contacts and for investigations into how he intended his music should be performed, and of his opinions of the art of music. His household management had also improved somewhat with the help of Nannette Streicher. A proprietor of the Stein piano workshop and a personal friend, Streicher had assisted in Beethoven's care during his illness; she continued to provide some support, and in her he finally found a skilled cook. A testimonial to the esteem in which Beethoven was held in England was the presentation to him in this year by Thomas Broadwood, the proprietor of the company, of a Broadwood piano, for which Beethoven expressed thanks. He was not well enough, however, to carry out a visit to London that year which had been proposed by the Philharmonic Society.

Resurgence

Despite the time occupied by his ongoing legal struggles over Karl, which involved continuing extensive correspondence and lobbying, two events sparked off Beethoven's major composition projects in 1819. The first was the announcement of Archduke Rudolf's promotion to

Cardinal Cardinal or The Cardinal may refer to: Animals * Cardinal (bird) or Cardinalidae, a family of North and South American birds **''Cardinalis'', genus of cardinal in the family Cardinalidae **''Cardinalis cardinalis'', or northern cardinal, the ...

Archbishop In Christian denominations, an archbishop is a bishop of higher rank or office. In most cases, such as the Catholic Church, there are many archbishops who either have jurisdiction over an ecclesiastical province in addition to their own archdi ...

as Archbishop of Olomouc (now in the Czech Republic), which triggered the ''

'' Op. 123, intended to be ready for his installation in Olomouc in March 1820. The other was the invitation by the publisher

Antonio Diabelli Anton (or Antonio) Diabelli (5 September 17818 April 1858) was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote ...

to fifty Viennese composers, including Beethoven, Franz Schubert, Czerny and the 8-year old

Franz Liszt Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...

, to compose a variation each on a theme which he provided. Beethoven was spurred to outdo the competition and by mid-1819 had already completed 20 variations of what were to become the 33 '' Diabelli Variations'' op. 120. Neither of these works was to be completed for a few years. A significant tribute of 1819, however, was Archduke Rudolf's set of forty piano variations on a theme written for him by Beethoven (WoO 200) and dedicated to the master. Beethoven's portrait by of this year, which was one of the most familiar images of him for the next century, was described by Schindler as, despite its artistic weaknesses, "in the rendering of that particular look, the majestic forehead ... the firmly shut mouth and the chin shaped like a shell, ... truer to nature than any other picture". Beethoven's determination over the following years to write the ''Mass'' for Rudolf was not motivated by any devout Catholicism. Although he had been born a Catholic, the form of religion as practised at the court in Bonn where he grew up was, in the words of Maynard Solomon, "a compromise ideology that permitted a relatively peaceful coexistence between the Church and rationalism". Beethoven's ''Tagebuch'' (a diary he kept on an occasional basis between 1812 and 1818) shows his interest in a variety of religious philosophies, including those of India, Egypt and the Orient and the writings of the

Rig-Veda The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one S ...

. In a letter to Rudolf of July 1821, Beethoven shows his belief in a personal God: "God ... sees into my innermost heart and knows that as a man I perform most conscientiously and on all occasions the duties which Humanity, God, and Nature enjoin upon me." On one of the sketches for the ''Missa solemnis'' he wrote "Plea for inner and outer peace". Beethoven's status was confirmed by the series of ''Concerts sprituels'' given in Vienna by the choirmaster Franz Xaver Gebauer in the 1819/1820 and 1820/1821 seasons, during which all eight of his symphonies to date, plus the oratorio ''Christus'' and the Mass in C, were performed. Beethoven was typically underwhelmed: when in an April 1820 conversation book a friend mentioned Gebauer, Beethoven wrote in reply "Geh! Bauer" (Begone, peasant!) It was in 1819 that Beethoven was first approached by the publisher Moritz Schlesinger who won the suspicious composer round, whilst visiting him at Mödling, by procuring for him a plate of roast veal. One consequence of this was that Schlesinger was to secure Beethoven's three last piano sonatas and his final quartets; part of the attraction to Beethoven was that Schlesinger had publishing facilities in Germany and France, and connections in England, which could overcome problems of copyright piracy. The first of the three sonatas, for which Beethoven contracted with Schlesinger in 1820 at 30

ducat The ducat () coin was used as a trade coin in Europe from the later Middle Ages from the 13th to 19th centuries. Its most familiar version, the gold ducat or sequin containing around of 98.6% fine gold, originated in Venice in 1284 and gained wi ...

s per sonata (further delaying completion of the Mass), was sent to the publisher at the end of that year (the Sonata in E major, Op. 109, dedicated to Maximiliane, Antonie Brentano's daughter). The start of 1821 saw Beethoven once again in poor health, having

rheumatism Rheumatism or rheumatic disorders are conditions causing chronic, often intermittent pain affecting the joints or connective tissue. Rheumatism does not designate any specific disorder, but covers at least 200 different conditions, including art ...

and

jaundice Jaundice, also known as icterus, is a yellowish or greenish pigmentation of the skin and sclera due to high bilirubin levels. Jaundice in adults is typically a sign indicating the presence of underlying diseases involving abnormal heme meta ...

. Despite this he continued work on the remaining piano sonatas he had promised to Schlesinger (the Sonata in A flat major Op. 110 was published in December), and on the Mass. In early 1822 Beethoven sought a reconciliation with his brother Johann, whose marriage in 1812 had met with his disapproval, and Johann now became a regular visitor (as witnessed by the conversation books of the period) and began to assist him in his business affairs, including him lending him money against ownership of some of his compositions. He also sought some reconciliation with the mother of his nephew, including supporting her income, although this did not meet with the approval of the contrary Karl. Two commissions at the end of 1822 improved Beethoven's financial prospects. In November the Philharmonic Society of London offered a commission for a symphony, which he accepted with delight, as an appropriate home for the Ninth Symphony on which he was working. Also in November Prince Nikolai Galitzin of Saint Petersburg offered to pay Beethoven's asking price for three string quartets. Beethoven set the price at the high level of 50 ducats per quartet in a letter dictated to his nephew Karl, who was then living with him. During 1822, Anton Schindler, who in 1840 became one of Beethoven's earliest and most influential (but not always reliable) biographers, began to work as the composer's unpaid secretary. He was later to claim that he had been a member of Beethoven's circle since 1814, but there is no evidence for this. Cooper suggests that "Beethoven greatly appreciated his assistance, but did not think much of him as a man".

1823–1827: The final years

The year 1823 saw the completion of three notable works, all of which had occupied Beethoven for some years, namely the ''Missa solemnis'', the Ninth Symphony and the ''Diabelli Variations''. Beethoven at last presented the manuscript of the completed ''Missa'' to Rudolph on 19 March (more than a year after the archduke's enthronement as archbishop). He was not however in a hurry to get it published or performed as he had formed a notion that he could profitably sell manuscripts of the work to various courts in Germany and Europe at 50 ducats each. One of the few who took up this offer was Louis XVIII of France, who also sent Beethoven a heavy gold medallion. The Symphony and the variations took up most of the rest of Beethoven's working year. Diabelli hoped to publish both works, but the potential prize of the Mass excited many other publishers to lobby Beethoven for it, including Schlesinger and

Carl Friedrich Peters Edition Peters is a classical music publisher founded in Leipzig, Germany in 1800. History The company came into being on 1 December 1800 when the Viennese composer Franz Anton Hoffmeister (1754–1812) and the local organist Ambrosius Kühnel ( ...

. (In the end, it was obtained by Schotts). Beethoven had become critical of the Viennese reception of his works. He told the visiting Johann Friedrich Rochlitz in 1822:

You will hear nothing of me here ... ''Fidelio''? They cannot give it, nor do they want to listen to it. The symphonies? They have no time for them. My concertos? Everyone grinds out only the stuff he himself has made. The solo pieces? They went out of fashion long ago, and here fashion is everything. At the most,
Schuppanzigh Ignaz Schuppanzigh (20 July Michael Lorenz"Four more months for Ignaz Schuppanzigh" 13 August 2012] 1776 – 2 March 1830) was an Austrian violinist, friend and teacher of Ludwig van Beethoven, Beethoven, and leader of Count Razumovsky's private ...
occasionally digs up a quartet.

He, therefore, enquired about premiering the ''Missa'' and the Ninth Symphony in Berlin. When his Viennese admirers learnt of this, they pleaded with him to arrange local performances. Beethoven was won over, and the symphony was first performed, along with sections of the ''Missa solemnis'', on 7 May 1824, to great acclaim at the Kärntnertortheater. Beethoven stood by the conductor Michael Umlauf during the concert beating time (although Umlauf had warned the singers and orchestra to ignore him), and because of his deafness was not even aware of the applause which followed until he was turned to witness it. The '' Allgemeine musikalische Zeitung'' gushed, "inexhaustible genius had shown us a new world", and Carl Czerny wrote that the Symphony "breathes such a fresh, lively, indeed youthful spirit ... so much power, innovation, and beauty as ever amefrom the head of this original man, although he certainly sometimes led the old wigs to shake their heads". The concert did not net Beethoven much money, as the expenses of mounting it were very high. A second concert on 24 May, in which the producer guaranteed him a minimum fee, was poorly attended; nephew Karl noted that "many people adalready gone into the country". It was Beethoven's last public concert. Beethoven accused Schindler of either cheating him or mismanaging the ticket receipts; this led to the replacement of Schindler as Beethoven's secretary by Karl Holz, the second violinist in the Schuppanzigh Quartet, although by 1826 Beethoven and Schindler were reconciled. Beethoven then turned to writing the string quartets for Galitzin, despite failing health. The first of these, the quartet in E♭ major, Op. 127 was premiered by the Schuppanzigh Quartet in March 1825. While writing the next, the quartet in A minor, Op. 132, in April 1825, he was struck by a sudden illness. Recuperating in Baden, he included in the quartet its slow movement to which he gave the title "Holy song of thanks (Heiliger Dankgesang) to the Divinity, from a convalescent, in the

Lydian mode The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music ...

". The next quartet to be completed was the Thirteenth, op. 130, in B♭ major. In six movements, the last, contrapuntal movement proved to be very difficult for both the performers and the audience at its premiere in March 1826 (again by the Schuppanzigh Quartet). Beethoven was persuaded by the publisher

, for an additional fee, to write a new finale, and to issue the last movement as a separate work (the Grosse Fugue, Op. 133). Beethoven's favourite was the last of this series, the quartet in C minor Op. 131, which he rated as his most perfect single work. Beethoven's relations with his nephew Karl had continued to be stormy; Beethoven's letters to him were demanding and reproachful. In August, Karl, who had been seeing his mother again against Beethoven's wishes, attempted suicide by shooting himself in the head. He survived and after discharge from hospital went to recuperate in the village of

Gneixendorf Gneixendorf is a village near Krems in Lower Austria. It was the location of Stalag XVII-B, the setting of the Billy Wilder film ''Stalag 17''. The stone-age pre-history, the history of Christian orders settlement and rule and their stately rena ...

with Beethoven and his uncle Johann. Whilst in Gneixendorf, Beethoven completed a further quartet ( Op. 135 in F major) which he sent to Schlesinger. Under the introductory slow chords in the last movement, Beethoven wrote in the manuscript "Muss es sein?" (Must it be?); the response, over the faster main theme of the movement, is "Es muss sein!" (It must be!). The whole movement is headed ''Der schwer gefasste Entschluss'' (The difficult decision). Following this in November Beethoven completed his final composition, the replacement finale for the op. 130 quartet. Beethoven at this time was already ill and depressed; he began to quarrel with Johann, insisting that Johann made Karl his heir, in preference to Johann's wife.

Death

On his return journey to Vienna from Gneixendorf in December 1826, illness struck Beethoven again. He was attended until his death by Dr. Andreas Wawruch, who throughout December noticed symptoms including fever,

and dropsy, with swollen limbs, coughing and breathing difficulties. Several operations were carried out to tap off the excess fluid from Beethoven's abdomen. Karl stayed by Beethoven's bedside during December, but left after the beginning of January to join the army at Iglau and did not see his uncle again, although he wrote to him shortly afterwards: "My dear father ... I am living in contentment and regret only that I am separated from you." Immediately following Karl's departure, Beethoven wrote a will making his nephew his sole heir. Later in January, Beethoven was attended by Dr. Malfatti, whose treatment (recognizing the seriousness of his patient's condition) was largely centred on alcohol. As the news spread of the severity of Beethoven's condition, many old friends came to visit, including Diabelli, Schuppanzigh, Lichnowsky, Schindler, the composer

Johann Nepomuk Hummel Johann Nepomuk Hummel (14 November 177817 October 1837) was an Austrian composer and virtuoso pianist. His music reflects the Transition from Classical to Romantic music, transition from the Classical period (music), Classical to the Romantic ...

and his pupil Ferdinand Hiller. Many tributes and gifts were also sent, including £100 from the Philharmonic Society in London and a case of expensive wine from Schotts. During this period, Beethoven was almost completely bedridden despite occasional efforts to rouse himself. On 24 March, he said to Schindler and the others present "Plaudite, amici, comoedia finita est" ("Applaud, friends, the comedy is over"). Later that day, when the wine from Schott arrived, he whispered, "Pity – too late." Beethoven_Funerals

Beethoven died on 26 March 1827 at the age of 56; only his friend Anselm Hüttenbrenner and a "Frau van Beethoven" (possibly his old enemy Johanna van Beethoven) were present. According to Hüttenbrenner, at about 5 pm there was a flash of lightning and a clap of thunder: "Beethoven opened his eyes, lifted his right hand and looked up for several seconds with his fist clenched ... not another breath, not a heartbeat more." Many visitors came to the death-bed; some locks of the dead man's hair were retained by Hüttenbrenner and Hiller, amongst others. An

autopsy An autopsy (post-mortem examination, obduction, necropsy, or autopsia cadaverum) is a surgical procedure that consists of a thorough examination of a corpse by dissection to determine the cause, mode, and manner of death or to evaluate any di ...

revealed Beethoven had significant liver damage, which may have been due to his heavy alcohol consumption, and also considerable dilation of the auditory and other related nerves. Beethoven's funeral procession in Vienna on 29 March 1827 was attended by an estimated 10,000 people. Franz Schubert and the violinist Joseph Mayseder were among the torchbearers. A funeral oration by the poet Franz Grillparzer was read by the actor

Heinrich Anschütz Heinrich Anschütz (8 February 1785 in Luckau – 29 December 1865 in Vienna) was a German actor. Biography He studied at the University of Leipzig, in which city he saw the performances of August Wilhelm Iffland, Ferdinand Esslair, and othe ...

. Beethoven was buried in the Währing cemetery, north-west of Vienna, after a requiem mass at the church of the Holy Trinity (Dreifaltigkeitskirche) in Alserstrasse. Beethoven's remains were exhumed for study in 1863, and moved in 1888 to Vienna's Zentralfriedhof where they were reinterred in a grave adjacent to that of Schubert.

Music

The three periods

The historian William Drabkin notes that as early as 1818 a writer had proposed a three-period division of Beethoven's works and that such a division (albeit often adopting different dates or works to denote changes in period) eventually became a convention adopted by all of Beethoven's biographers, starting with Schindler, F.-J. Fétis and Wilhelm von Lenz. Later writers sought to identify sub-periods within this generally accepted structure. Its drawbacks include that it generally omits a fourth period, that is, the early years in Bonn, whose works are less often considered; and that it ignores the differential development of Beethoven's composing styles over the years for different categories of work. The piano sonatas, for example, were written throughout Beethoven's life in a progression that can be interpreted as continuous development; the symphonies do not all demonstrate linear progress; of all of the types of composition, perhaps the quartets, which seem to group themselves in three periods (Op. 18 in 1801–1802, Opp. 59, 74 and 95 in 1806–1814, and the quartets, today known as 'late', from 1824 onwards) fit this categorization most neatly. Drabkin concludes that "now that we have lived with them so long ... as long as there are programme notes, essays written to accompany recordings, and all-Beethoven recitals, it is hard to imagine us ever giving up the notion of discrete stylistic periods."

Bonn 1782–1792

Some forty compositions, including ten very early works written by Beethoven up to 1785, survive from the years that Beethoven lived in Bonn. It has been suggested that Beethoven largely abandoned composition between 1785 and 1790, possibly as a result of negative critical reaction to his first published works. A 1784 review in Johann Nikolaus Forkel's influential ''Musikalischer Almanack'' compared Beethoven's efforts to those of rank beginners. The three early piano quartets of 1785 (WoO 36), closely modelled on violin sonatas of Mozart, show his dependency on the music of the period. Beethoven himself was not to give any of the Bonn works an opus number, save for those which he reworked for use later in his career, for example, some of the songs in his Op. 52 collection (1805) and the

Wind Octet In music, an octet is a musical ensemble consisting of eight instruments or voices, or a musical composition written for such an ensemble. Octets in classical music Octets in classical music are one of the largest groupings of chamber music. Alth ...

reworked in Vienna in 1793 to become his String Quintet, Op. 4. Charles Rosen points out that Bonn was something of a backwater compared to Vienna; Beethoven was unlikely to be acquainted with the mature works of Haydn or Mozart, and Rosen opines that his early style was closer to that of Hummel or Muzio Clementi. Kernan suggests that at this stage Beethoven was not especially notable for his works in

sonata Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...

style, but more for his vocal music; his move to Vienna in 1792 set him on the path to develop the music in the genres he became known for.

The first period

The conventional first period begins after Beethoven's arrival in Vienna in 1792. In the first few years he seems to have composed less than he did at Bonn, and his Piano Trios, op.1 were not published until 1795. From this point onward, he had mastered the 'Viennese style' (best known today from Haydn and

Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...

) and was making the style his own. His works from 1795 to 1800 are larger in scale than was the norm (writing sonatas in four movements, not three, for instance); typically he uses a scherzo rather than a minuet and trio; and his music often includes dramatic, even sometimes over-the-top, uses of extreme dynamics and tempi and chromatic harmony. It was this that led Haydn to believe the third trio of Op.1 was too difficult for an audience to appreciate. He also explored new directions and gradually expanded the scope and ambition of his work. Some important pieces from the early period are the first and

second The second (symbol: s) is the unit of time in the International System of Units (SI), historically defined as of a day – this factor derived from the division of the day first into 24 hours, then to 60 minutes and finally to 60 seconds ...

symphonies, the set of six string quartets Opus 18, the first two piano concertos, and the first dozen or so piano sonatas, including the famous '' Pathétique'' sonata, Op. 13.

The middle period

His middle period began shortly after the personal crisis brought on by his recognition of encroaching deafness. It includes large-scale works that express heroism and struggle. Middle-period works include six symphonies (Nos. 3–8), the last two piano concertos, the

Triple Concerto A triple concerto (Italian: ''Concerto triplo'', German: ''Tripelkonzert'') is a concerto with three Solo (music), soloists. Such concertos have been composed from the Baroque music, Baroque period, including works by Arcangelo Corelli, Corelli, An ...

and violin concerto, five string quartets (Nos. 7–11), several piano sonatas (including the '' Waldstein'' and '' Appassionata'' sonatas), the '' Kreutzer'' violin sonata and his only opera, '' Fidelio''. This period is sometimes associated with a ''heroic'' manner of composing, but the use of the term "heroic" has become increasingly controversial in Beethoven scholarship. The term is more frequently used as an alternative name for the middle period. The appropriateness of the term heroic to describe the whole middle period has been questioned as well: while some works, like the Third and Fifth Symphonies, are easy to describe as heroic, many others, like his Symphony No. 6, ''Pastoral'' or his Piano Sonata No. 24, are not.

The late period

Beethoven's late period began in the decade 1810-1819. He began a renewed study of older music, including works by Palestrina, Johann Sebastian Bach, and

George Frideric Handel George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...

, whom Beethoven considered "the greatest composer who ever lived". Beethoven's late works incorporated polyphony and

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

-era devices. For example, the overture ''

The Consecration of the House ''The Consecration of the House'' (german: Die Weihe des Hauses), Op. 124, is a work by Ludwig van Beethoven composed in September 1822. It was commissioned by Carl Friedrich Hensler, the Director of Vienna's new Theater in der Josefstadt, a ...

'' (1822) included a fugue influenced by Handel's music. A new style emerged, as he returned to the keyboard to compose his first piano sonatas in almost a decade; the works of the late period include the last five piano sonatas and the '' Diabelli Variations'', the last two sonatas for cello and piano, the late string quartets (including the massive '' Große Fuge''), and two works for very large forces: the ''

'' and the Ninth Symphony. Works from this period are characterised by their intellectual depth, their formal innovations, and their intense, highly personal expression. The String Quartet, Op. 131 has seven linked movements, and the Ninth Symphony adds choral forces to the orchestra in the last movement.

Beethoven's pianos

Beethoven's earlier preferred pianos included those of Johann Andreas Stein; he may have been given a Stein piano by Count Waldstein. From 1786 onwards there is evidence of Beethoven's cooperation with

Johann Andreas Streicher Johann Andreas Streicher (13 December 1761 in Stuttgart – 25 May 1833 in Vienna) was a German pianist, composer and piano maker. In 1793 he married Nannette Streicher (1769–1833), another piano maker and the daughter of Augsburg piano maker Jo ...

, who had married Stein's daughter Nannette. Streicher left Stein's business to set up his own firm in 1803, and Beethoven continued to admire his products, writing to him in 1817 of his "special preference" for his pianos. Amongst the other pianos Beethoven possessed was an Érard piano given to him by the manufacturer in 1803. The Érard piano, with its exceptional resonance, may have influenced Beethoven's piano style – shortly after receiving it he began writing his Waldstein Sonata – but despite initial enthusiasm he seems to have abandoned it before 1810, when he wrote that it was "simply not of any use any more"; in 1824 he gave it to his brother Johann. In 1818 Beethoven received, also as gift, a grand piano by

John Broadwood & Sons John Broadwood & Sons is an English piano manufacturer, founded in 1728 by Burkat Shudi and continued after his death in 1773 by John Broadwood. Early history John Broadwood (1732–1812), a Scottish joiner and cabinetmaker, came to London ...

. Although Beethoven was proud to receive it, he seems to have been dissatisfied by its tone (a dissatisfaction which was perhaps also a consequence of his increasing deafness), and sought to get it remodelled to make it louder. In 1825 Beethoven commissioned a piano from Conrad Graf, which was equipped with quadruple strings and a special resonator to make it audible to him, but which failed in this task.

Legacy

Museums

There is a museum—the

, the place of his birth—in central Bonn. The same city has hosted a musical festival, the Beethovenfest, since 1845. The festival was initially irregular but has been organised annually since 2007. The

Ira F. Brilliant Center for Beethoven Studies The Ira F. Brilliant Center for Beethoven Studies serves as a museum, research center, and host of lectures and performances devoted solely to the life and works of Ludwig van Beethoven. It is the only institution of its kind in North America and ...

, in the

Dr. Martin Luther King Jr. Library The Dr. Martin Luther King Jr. Library (also known locally as the MLK Library or the King Library) is an 8-story public library and university library, located in downtown San Jose, California, which had its grand opening on August 16, 2003. , it ...

, in the campus of San Jose State University, California, serves as a museum, research center, and host of lectures and performances devoted solely to Beethoven's life and works.

Sculptures

The

Beethoven Monument The Beethoven Monument is a large bronze statue of Ludwig van Beethoven that stands on the Münsterplatz in Bonn, Beethoven's birthplace. It was unveiled on 12 August 1845, in honour of the 75th anniversary of the composer's birth. Backgr ...

in Bonn was unveiled in August 1845, in honour of the 75th anniversary of his birth. It was the first statue of a composer created in Germany, and the music festival that accompanied the unveiling was the impetus for the very hasty construction of the original Beethovenhalle in Bonn (it was designed and built within less than a month, on the urging of

). Vienna honoured Beethoven with a statue in 1880.

Space

The third-largest crater on Mercury is named in his honour, as is the main-belt asteroid

1815 Beethoven 1815 Beethoven, provisional designation , is a carbonaceous background asteroid from the outer regions of the asteroid belt, approximately in diameter. It was discovered on 27 January 1932, by German astronomer Karl Reinmuth at the Heidelberg Obs ...

. Beethoven's music features twice on the Voyager Golden Record, a phonograph record containing a broad sample of the images, common sounds, languages, and music of Earth, sent into outer space with the two

Voyager Voyager may refer to: Computing and communications * LG Voyager, a mobile phone model manufactured by LG Electronics * NCR Voyager, a computer platform produced by NCR Corporation * Voyager (computer worm), a computer worm affecting Oracle ...

probes.

References

Notes

Citations

Sources

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External links

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Beethoven-Haus Bonn
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The Ira F. Brilliant Center for ''Beethoven'' Studies
San José State University * * * * {{DEFAULTSORT:Beethoven, Ludwig Van 1770 births 1827 deaths 18th-century classical composers 18th-century classical pianists 18th-century German composers 18th-century keyboardists 18th-century German male musicians 19th-century classical composers 19th-century classical pianists 19th-century German composers 19th-century keyboardists 19th-century German male musicians Age of Enlightenment Ballet composers Beethoven family Burials at the Vienna Central Cemetery Catholic liturgical composers Child classical musicians Composers for piano Deaf classical musicians Deaf people from Germany German classical pianists German male classical composers German male classical pianists German opera composers German people of Flemish descent German Roman Catholics German Romantic composers Male opera composers Musicians from Bonn National anthem writers Oratorio composers People from the Electorate of Cologne Pupils of Johann Georg Albrechtsberger Pupils of Joseph Haydn String quartet composers German emigrants to Austria