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Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remainde ...
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Gottfried Christoph Härtel
Gottfried Christoph Härtel (January 27, 1763July 25, 1827) was a music publisher in Leipzig, companion to Bernhard Christoph Breitkopf. He took over their company, Breitkopf & Härtel, in 1796 from Breitkopf, who was having financial difficulties. Härtel was also one of the founders of the ''Allgemeine musikalische Zeitung'' (''General musical newspaper''), one of the most important musical journals of the 19th century, which he started in 1798, along with Friedrich Rochlitz Johann Friedrich Rochlitz (12 February 1769 – 16 December 1842) was a German playwright, musicologist and art and music critic. His most notable work is his autobiographical account ''Tage der Gefahr'' (''Days of Danger'') about the Battle of .... References * Oscar von Hase, Allgemeine Deutsche Biographie, Breitkopf and Hartel', Band 3, Duncker & Humblot, Leipzig 1876, page 300. * External links * 1763 births 1827 deaths German music publishers (people) {{publish-bio-stub ...
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Magazines Disestablished In 1882
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ...
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Magazines Established In 1798
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ...
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Music Criticism
''The Oxford Companion to Music'' defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. Nature of music criticism The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may, therefore, be directed both at the ...
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Music Magazines Published In Germany
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ...
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German-language Magazines
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italian province of South Tyrol. It is also a co-official language of Luxembourg and Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch, English, the Frisian languages, Low German, Luxembourgish, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic group, such as Danish, Norwegian, and Swedish. German is the second most widely spoken Germanic language after English, which is also a West Germanic language. German is one of the major ...
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Defunct Magazines Published In Germany
Defunct (no longer in use or active) may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the state of being which occurs when an object, service, or practice is no longer maintained or required even though it may still be in good working order. It usually happens when something that is more efficient or less risky r ...
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Classical Music Magazines
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose theo ...
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Répertoire International De La Presse Musicale
Répertoire international de la presse musicale (Retrospective Index to Music Periodicals, Internationales Repertorium der Musikzeitungen), commonly known as RIPM, provides access to music periodical literature published between 1750 and 1966 through an annotated index, RIPM Retrospective Index to Music Periodicals, and two full-text publication series, RIPM Retrospective Index to Music Periodicals with Full Text and RIPM Preservation Series. RIPM also provides access to full-text jazz publications from 1914 to the 2000s through RIPM Jazz Periodicals. Organization Founded in 1980 by H. Robert Cohen with the collaboration of Marcello Conati, Elvidio Surian, and Christoph-Helmut Mahling, RIPM is one of the four Répertoires (or "R" projects) established by the International Musicological Society ( IMS) and the International Association of Music Libraries, Archives, and Documentation Centres ( IAML); these include Le Répertoire international des sources musicales (RISM RISM may re ...
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Johann Christian Lobe
Johann Christian Lobe (May 30, 1797 – July 27, 1881) was a German composer and music theorist. Born in Weimar, Lobe was either self-taught as a musician (Anon. 1885–92) or had music lessons from the age of seven (Brandt 2001). In 1810, he became violinist in the Weimar Court Orchestra (Anon. 1885–92), or else was a flautist and joined the Weimar orchestra in 1811 (Brandt 2001). He composed many musical works before 1819 (Brandt 2001), and debuted as a composer in 1821, with the opera ''Wittekind'', which was followed by a number of others, including ''Die Flibustier'' (1830) and ''Die Fürstin von Granada'' (1833), as well as some orchestral works (Anon. 1885–92). ''Die Fürstin von Grenada'' was especially successful (Brandt 2001). Either in 1842 (Anon. 1885–92) or 1845 (Brandt 2001) he retired from his position in the Weimar orchestra, was appointed a professor and in 1846 moved to Leipzig, where he worked as a music-composition teacher and music critic (Anon. 1885†...
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