HOME

TheInfoList



OR:

The bassoon is a
woodwind instrument Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed ...
in the
double reed A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and c ...
family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor
clef A clef (from French: 'key') is a Musical notation, musical symbol used to indicate which Musical note, notes are represented by the lines and spaces on a musical staff (music), stave. Placing a clef on a stave assigns a particular pitch to ...
s, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in
orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...
l,
concert band A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion famil ...
, and
chamber music Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numb ...
literature, and is occasionally heard in pop, rock, and jazz settings as well. One who plays a bassoon is called a bassoonist.


Etymology

The word bassoon comes from French and from Italian ( with the augmentative suffix ). However, the Italian name for the same instrument is , in Spanish, Dutch and Romanian it is , and in German . Fagot is an Old French word meaning a bundle of sticks. The
dulcian The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore. Equivalent terms include en, curtal, german: Dulzian, french: douçaine, nl, dulciaan, it, dulciana, es, bajón, and pt, baixão. The predeces ...
came to be known as fagotto in Italy. However, the usual etymology that equates fagotto with "bundle of sticks" is somewhat misleading, as the latter term did not come into general use until later. However an early English variation, "faget", was used as early as 1450 to refer to firewood, which is 100 years before the earliest recorded use of the dulcian (1550). Further citation is needed to prove the lack of relation between the meaning "bundle of sticks" and "fagotto" (Italian) or variants. Some think that it may resemble the Roman
fasces Fasces ( ; ; a ''plurale tantum'', from the Latin word ''fascis'', meaning "bundle"; it, fascio littorio) is a bound bundle of wooden rods, sometimes including an axe (occasionally two axes) with its blade emerging. The fasces is an Italian symbo ...
, a standard of bound sticks with an axe. A further discrepancy lies in the fact that the dulcian was carved out of a single block of wood—in other words, a single "stick" and not a bundle.


Characteristics


Range

The range of the bassoon begins at B1 (the first one below the
bass staff A clef (from French: 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical stave. Placing a clef on a stave assigns a particular pitch to one of the five lines, which defines the pit ...
) and extends upward over three
octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...
s, roughly to the G above the treble staff (G5). However, most writing for bassoon rarely calls for notes above C5 or D5; even
Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
's opening solo in ''
The Rite of Spring ''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral ...
'' only ascends to D5. Notes higher than this are entirely possible, but seldom written, as they are difficult to produce (often requiring specific reed design features to ensure reliability), and at any rate are quite homogeneous in timbre to the same pitches on cor anglais, which can produce them with relative ease. French bassoon has greater facility in the extreme high register, and so repertoire written for it is somewhat likelier to include very high notes, although repertoire for French system can be executed on German system without alterations and vice versa. The extensive high register of the bassoon and its frequent role as a lyric tenor have meant that tenor clef is very commonly employed in its literature after the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
, partly to avoid excessive
ledger line A ledger line or leger line is used in Western musical notation to notate pitches above or below the lines and spaces of the regular musical staff. A line slightly longer than the note head is drawn parallel to the staff, above or below, spaced a ...
s, and, beginning in the 20th century, treble clef is also seen for similar reasons. Like the other woodwinds, the lowest note is fixed, but A1 is possible with a special extension to the instrument—see "
Extended techniques In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Expe ...
" below. Although the primary tone hole pitches are a pitched perfect 5th lower than other non-transposing Western woodwinds (effectively an octave beneath
English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...
) the bassoon is non- transposing, meaning that notes sounded match the written pitch.


Construction

The bassoon disassembles into six main pieces, including the
reed Reed or Reeds may refer to: Science, technology, biology, and medicine * Reed bird (disambiguation) * Reed pen, writing implement in use since ancient times * Reed (plant), one of several tall, grass-like wetland plants of the order Poales * ...
. The bell (6), extending upward; the bass joint (or long joint) (5), connecting the bell and the boot; the boot (or butt) (4), at the bottom of the instrument and folding over on itself; the wing joint (or tenor joint) (3), which extends from boot to bocal; and the bocal (or crook) (2), a crooked metal tube that attaches the wing joint to a reed (1) ().


Structure

The bore of the bassoon is conical, like that of the oboe and the
saxophone The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pr ...
, and the two adjoining bores of the boot joint are connected at the bottom of the instrument with a U-shaped metal connector. Both bore and
tone hole A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole. A tone hole is, "in w ...
s are precision-machined, and each instrument is finished by hand for proper tuning. The walls of the bassoon are thicker at various points along the bore; here, the tone holes are drilled at an angle to the axis of the bore, which reduces the distance between the holes on the exterior. This ensures coverage by the fingers of the average adult hand. Playing is facilitated by closing the distance between the widely spaced holes with a complex system of key work, which extends throughout nearly the entire length of the instrument. The overall height of the bassoon stretches to tall, but the total sounding length is considering that the tube is doubled back on itself. There are also short-reach bassoons made for the benefit of young or petite players.


Materials

A modern beginner's bassoon is generally made of
maple ''Acer'' () is a genus of trees and shrubs commonly known as maples. The genus is placed in the family Sapindaceae.Stevens, P. F. (2001 onwards). Angiosperm Phylogeny Website. Version 9, June 2008 nd more or less continuously updated since http ...
, with medium-hardness types such as
sycamore maple ''Acer pseudoplatanus'', known as the sycamore in the British Isles and as the sycamore maple in the United States, is a species of flowering plant in the soapberry and lychee family Sapindaceae. It is a large deciduous, broad-leaved tree, tol ...
and
sugar maple ''Acer saccharum'', the sugar maple, is a species of flowering plant in the soapberry and lychee family Sapindaceae. It is native to the hardwood forests of eastern Canada and eastern United States. Sugar maple is best known for being the prima ...
preferred. Less-expensive models are also made of materials such as
polypropylene Polypropylene (PP), also known as polypropene, is a thermoplastic polymer used in a wide variety of applications. It is produced via chain-growth polymerization from the monomer propylene. Polypropylene belongs to the group of polyolefins and ...
and
ebonite Ebonite is a brand name for a material generically known as hard rubber, and is obtained via vulcanizing natural rubber for prolonged periods. Ebonite may contain from 25% to 80% sulfur and linseed oil. Its name comes from its intended use as a ...
, primarily for student and outdoor use. Metal bassoons were made in the past but have not been produced by any major manufacturer since 1889.


Reeds

The art of reed-making has been practiced for several hundred years, some of the earliest known reeds having been made for the dulcian, a predecessor of the bassoon. Current methods of reed-making consist of a set of basic methods; however, individual bassoonists' playing styles vary greatly and thus require that reeds be customized to best suit their respective bassoonist. Advanced players usually make their own reeds to this end. With regards to commercially made reeds, many companies and individuals offer pre-made reeds for sale, but players often find that such reeds still require adjustments to suit their particular playing style. Modern bassoon reeds, made of ''
Arundo donax ''Arundo donax'' is a tall perennial cane. It is one of several so-called reed species. It has several common names including giant cane, elephant grass, carrizo, arundo, Spanish cane, Colorado river reed, wild cane, and giant reed. ''Arundo'' a ...
'' cane, are often made by the players themselves, although beginner bassoonists tend to buy their reeds from professional reed makers or use reeds made by their teachers. Reeds begin with a length of tube cane that is split into three or four pieces using a tool called a cane splitter. The cane is then trimmed and ''gouged'' to the desired thickness, leaving the bark attached. After soaking, the gouged cane is cut to the proper shape and milled to the desired thickness, or ''profiled'', by removing material from the bark side. This can be done by hand with a file; more frequently it is done with a machine or tool designed for the purpose. After the profiled cane has soaked once again it is folded over in the middle. Prior to soaking, the reed maker will have lightly scored the bark with parallel lines with a knife; this ensures that the cane will assume a cylindrical shape during the forming stage. On the bark portion, the reed maker binds on one, two, or three coils or loops of brass wire to aid in the final forming process. The exact placement of these loops can vary somewhat depending on the reed maker. The bound reed blank is then wrapped with thick cotton or linen thread to protect it, and a conical steel
mandrel A mandrel, mandril, or arbor is a gently tapered cylinder against which material can be forged or shaped (e.g., a ring mandrel - also called a triblet - used by jewelers to increase the diameter of a wedding ring), or a flanged or tapered or ...
(which sometimes has been heated in a flame) is quickly inserted in between the blades. Using a special pair of pliers, the reed maker presses down the cane, making it conform to the shape of the mandrel. (The steam generated by the heated mandrel causes the cane to permanently assume the shape of the mandrel.) The upper portion of the cavity thus created is called the "throat", and its shape has an influence on the final playing characteristics of the reed. The lower, mostly cylindrical portion will be reamed out with a special tool called a reamer, allowing the reed to fit on the bocal. After the reed has dried, the wires are tightened around the reed, which has shrunk after drying, or replaced completely. The lower part is sealed (a
nitrocellulose Nitrocellulose (also known as cellulose nitrate, flash paper, flash cotton, guncotton, pyroxylin and flash string, depending on form) is a highly flammable compound formed by nitrating cellulose through exposure to a mixture of nitric acid and ...
-based cement such as Duco may be used) and then wrapped with thread to ensure both that no air leaks out through the bottom of the reed and that the reed maintains its shape. The wrapping itself is often sealed with Duco or clear nail varnish (polish). Electrical tape can also be used as a wrapping for amateur reed makers. The bulge in the wrapping is sometimes referred to as the "Turk's head"—it serves as a convenient handle when inserting the reed on the bocal. Recently, more players are choosing the more modern heat-shrink tubing instead of the time-consuming and fiddly thread. The thread wrapping (commonly known as a "Turban" due to the criss-crossing fabric) is still more common in commercially sold reeds. To finish the reed, the end of the reed blank, originally at the center of the unfolded piece of cane, is cut off, creating an opening. The blades above the first wire are now roughly long. For the reed to play, a slight bevel must be created at the tip with a knife, although there is also a machine that can perform this function. Other adjustments with the reed knife may be necessary, depending on the hardness, the profile of the cane, and the requirements of the player. The reed opening may also need to be adjusted by squeezing either the first or second wire with the pliers. Additional material may be removed from the sides (the "channels") or tip to balance the reed. Additionally, if the "e" in the bass clef staff is sagging in pitch, it may be necessary to "clip" the reed by removing from its length using a pair of very sharp scissors or the equivalent.


History


Origin

Music historians generally consider the
dulcian The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore. Equivalent terms include en, curtal, german: Dulzian, french: douçaine, nl, dulciaan, it, dulciana, es, bajón, and pt, baixão. The predeces ...
to be the forerunner of the modern bassoon, as the two instruments share many characteristics: a double reed fitted to a metal crook, obliquely drilled tone holes and a conical bore that doubles back on itself. The origins of the dulcian are obscure, but by the mid-16th century it was available in as many as eight different sizes, from
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
to great bass. A full consort of dulcians was a rarity; its primary function seems to have been to provide the bass in the typical wind band of the time, either loud (
shawm The shawm () is a Bore_(wind_instruments)#Conical_bore, conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after ...
s) or soft (
recorder Recorder or The Recorder may refer to: Newspapers * ''Indianapolis Recorder'', a weekly newspaper * ''The Recorder'' (Massachusetts newspaper), a daily newspaper published in Greenfield, Massachusetts, US * ''The Recorder'' (Port Pirie), a news ...
s), indicating a remarkable ability to vary dynamics to suit the need. Otherwise, dulcian technique was rather primitive, with eight finger holes and two keys, indicating that it could play in only a limited number of key signatures. Circumstantial evidence indicates that the
baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
bassoon was a newly invented instrument, rather than a simple modification of the old dulcian. The dulcian was not immediately supplanted, but continued to be used well into the 18th century by
Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
and others; and, presumably for reasons of interchangeability, repertoire from this time is very unlikely to go beyond the smaller compass of the dulcian. The man most likely responsible for developing the true bassoon was Martin Hotteterre (d.1712), who may also have invented the three-piece ''flûte traversière'' (
transverse flute A transverse flute or side-blown flute is a flute which is held horizontally when played. The player blows across the embouchure hole, in a direction perpendicular to the flute's body length. Transverse flutes include the Western concert flut ...
) and the ''hautbois'' (
baroque oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...
). Some historians believe that sometime in the 1650s, Hotteterre conceived the bassoon in four sections (bell, bass joint, boot and wing joint), an arrangement that allowed greater accuracy in machining the bore compared to the one-piece dulcian. He also extended the compass down to B by adding two keys. An alternate view maintains Hotteterre was one of several craftsmen responsible for the development of the early bassoon. These may have included additional members of the Hotteterre family, as well as other French makers active around the same time. No original French bassoon from this period survives, but if it did, it would most likely resemble the earliest extant bassoons of
Johann Christoph Denner Johann Christoph Denner (13 August 1655 – 26 April 1707)Martin Kirnbauer. "Denner", ''Grove Music Online'', ed. L. Macy (accessed 13 October 2006)grovemusic.com(subscription access). was a German woodwind instrument maker of the Baroque era, to ...
and Richard Haka from the 1680s. Sometime around 1700, a fourth key ( G♯) was added, and it was for this type of instrument that composers such as
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, Bach, and
Georg Philipp Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesh ...
wrote their demanding music. A fifth key, for the low E, was added during the first half of the 18th century. Notable makers of the 4-key and 5-key baroque bassoon include J.H. Eichentopf (c. 1678–1769), J. Poerschmann (1680–1757), Thomas Stanesby, Jr. (1668–1734), G.H. Scherer (1703–1778), and Prudent Thieriot (1732–1786).


Modern configuration

Increasing demands on capabilities of instruments and players in the 19th century—particularly larger concert halls requiring greater volume and the rise of virtuoso composer-performers—spurred further refinement. Increased sophistication, both in manufacturing techniques and acoustical knowledge, made possible great improvements in the instrument's playability. The modern bassoon exists in two distinct primary forms, the Buffet (or "French") system and the Heckel ("German") system. Most of the world plays the Heckel system, while the Buffet system is primarily played in France, Belgium, and parts of
Latin America Latin America or * french: Amérique Latine, link=no * ht, Amerik Latin, link=no * pt, América Latina, link=no, name=a, sometimes referred to as LatAm is a large cultural region in the Americas where Romance languages — languages derived f ...
. A number of other types of bassoons have been constructed by various instrument makers, such as the rare
Galandronome The galandronome is an obscure military bassoon tuned in B♭. It was invented or improved by a Parisian instrument maker named Galander around 1853. History Very little is known about the galandronome and its inventor Galander, whose first na ...
. Owing to the ubiquity of the Heckel system in English-speaking countries, references in English to the contemporary bassoon always mean the Heckel system, with the Buffet system being explicitly qualified where it appears.


Heckel (German) system

The design of the modern bassoon owes a great deal to the performer, teacher, and composer
Carl Almenräder Carl Almenräder (3 October 1786 – 14 September 1843) was a German bassoonist, inventor and composer. The design of the modern bassoon owes a great deal to Almenräder, who, assisted by the German acoustics researcher Gottfried Weber developed ...
. Assisted by the German acoustic researcher
Gottfried Weber Jacob Gottfried Weber (March 1, 1779 – September 21, 1839) was a prominent German writer on music (especially on music theory), composer, and jurist. Biography Weber was born at Freinsheim. From 1824 to 1839, he was the editor of ''Cäcilia'', ...
, he developed the 17-key bassoon with a range spanning four octaves. Almenräder's improvements to the bassoon began with an 1823 treatise describing ways of improving intonation, response, and technical ease of playing by augmenting and rearranging the keywork. Subsequent articles further developed his ideas. His employment at Schott gave him the freedom to construct and test instruments according to these new designs, and he published the results in ''Caecilia'', Schott's house journal. Almenräder continued publishing and building instruments until his death in 1846, and
Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
himself requested one of the newly made instruments after hearing of the papers. In 1831, Almenräder left Schott to start his own factory with a partner,
Johann Adam Heckel Johann Adam Heckel (14 July 1812 in Adorf – 13 April 1877 in Biebrich) was a German instrument maker. He founded the family firm in Wiesbaden-Biebrich in 1831, and became the foremost German bassoon maker, making many improvements to the inst ...
. Heckel and two generations of descendants continued to refine the bassoon, and their instruments became the standard, with other makers following. Because of their superior singing tone quality (an improvement upon one of the main drawbacks of the Almenräder instruments), the Heckel instruments competed for prominence with the reformed Wiener system, a
Boehm Boehm () is a German surname, transliterated from Böhm (literally: Bohemian, from Bohemia) or reflective of a spelling adopted by a given family before the introduction of the umlaut diacritic. It may refer to: * Aleksandra Ziółkowska-Boehm (b ...
-style bassoon, and a completely keyed instrument devised by
Charles-Joseph Sax Charles-Joseph Sax (1 February 1790 – 26 April 1865) was a Belgian musical instrument maker. His son was Adolphe Sax, who invented the saxophone The saxophone (often referred to colloquially as the sax) is a type of Single-reed instrumen ...
, father of
Adolphe Sax Antoine-Joseph "Adolphe" Sax (; 6 November 1814 – 4 February 1894) was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the f ...
. F.W. Kruspe implemented a latecomer attempt in 1893 to reform the fingering system, but it failed to catch on. Other attempts to improve the instrument included a 24-keyed model and a single-reed mouthpiece, but both these had adverse effects on tone and were abandoned. Coming into the 20th century, the Heckel-style German model of bassoon dominated the field. Heckel himself had made over 1,100 instruments by the turn of the 20th century (serial numbers begin at 3,000), and the British makers' instruments were no longer desirable for the changing pitch requirements of the symphony orchestra, remaining primarily in
military band A military band is a group of personnel that performs musical duties for military functions, usually for the armed forces. A typical military band consists mostly of wind and percussion instruments. The conductor of a band commonly bears the tit ...
use. Except for a brief 1940s wartime conversion to
ball bearing A ball bearing is a type of rolling-element bearing that uses balls to maintain the separation between the bearing races. The purpose of a ball bearing is to reduce rotational friction and support radial and axial loads. It achieves this ...
manufacture, the Heckel concern has produced instruments continuously to the present day. Heckel bassoons are considered by many to be the best, although a range of Heckel-style instruments is available from several other manufacturers, all with slightly different playing characteristics. Because its mechanism is primitive compared to most modern woodwinds, makers have occasionally attempted to "reinvent" the bassoon. In the 1960s,
Giles Brindley Giles Skey Brindley FRS (born April 30, 1926), is a British physiologist, musicologist and composer, known for his contributions to the physiology of the retina and colour vision, and treatment of erectile dysfunction. Medical career Brindley is ...
began to develop what he called the "logical bassoon", which aimed to improve intonation and evenness of tone through use of an electrically activated mechanism, making possible key combinations too complex for the human hand to manage. Brindley's logical bassoon was never marketed.


Buffet (French) system

The Buffet system bassoon achieved its basic acoustical properties somewhat earlier than the Heckel. Thereafter, it continued to develop in a more conservative manner. While the early history of the Heckel bassoon included a complete overhaul of the instrument in both
acoustics Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician ...
and key work, the development of the Buffet system consisted primarily of incremental improvements to the key work. This minimalist approach of the Buffet deprived it of improved consistency of intonation, ease of operation, and increased power, which is found in Heckel bassoons, but the Buffet is considered by some to have a more vocal and expressive quality. The conductor
John Foulds John Herbert Foulds (; 2 November 188025 April 1939) was an English cellist and composer of classical music. He was largely self-taught as a composer, and belongs among the figures of the English Musical Renaissance. A successful composer of li ...
lamented in 1934 the dominance of the Heckel-style bassoon, considering them too homogeneous in sound with the
horn Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various ...
. The modern Buffet system has 22 keys with its range being the same as the Heckel; although Buffet instruments have greater facility in the upper registers, reaching E5 and F5 with far greater ease and less air resistance. Compared to the Heckel bassoon, Buffet system bassoons have a narrower bore and simpler mechanism, requiring different, and often more complex fingerings for many notes. Switching between Heckel and Buffet, or vice versa, requires extensive retraining. French woodwind instruments' tone in general exhibits a certain amount of "edge", with more of a vocal quality than is usual elsewhere, and the Buffet bassoon is no exception. This sound has been utilised effectively in writing for Buffet bassoon, but is less inclined to blend than the tone of the Heckel bassoon. As with all bassoons, the tone varies considerably, depending on individual instrument, reed, and performer. In the hands of a lesser player, the Heckel bassoon can sound flat and woody, but good players succeed in producing a vibrant, singing tone. Conversely, a poorly played Buffet can sound buzzy and nasal, but good players succeed in producing a warm, expressive sound. Though the United Kingdom once favored the French system, Buffet-system instruments are no longer made there and the last prominent British player of the French system retired in the 1980s. However, with continued use in some regions and its distinctive tone, the Buffet continues to have a place in modern bassoon playing, particularly in France, where it originated. Buffet-model bassoons are currently made in Paris by Buffet Crampon and the atelier Ducasse (Romainville, France). The Selmer Company stopped fabrication of French system bassoons around the year 2012. Some players, for example the late Gerald Corey in Canada, have learned to play both types and will alternate between them depending on the repertoire.


Use in ensembles


Ensembles prior to the 20th century


Pre-1760

Prior to 1760, the early ancestor of the bassoon was the
dulcian The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore. Equivalent terms include en, curtal, german: Dulzian, french: douçaine, nl, dulciaan, it, dulciana, es, bajón, and pt, baixão. The predeces ...
. It was used to reinforce the bass line in wind ensembles called
consorts __NOTOC__ Consort may refer to: Music * "The Consort" (Rufus Wainwright song), from the 2000 album ''Poses'' * Consort of instruments, term for instrumental ensembles * Consort song (musical), a characteristic English song form, late 16th–earl ...
. However, its use in concert orchestras was sporadic until the late 17th century when double reeds began to make their way into standard instrumentation. Increasing use of the dulcian as a ''
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
'' instrument meant that it began to be included in
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
orchestras, in works such as those by
Reinhard Keiser Reinhard Keiser (9 January 1674 – 12 September 1739) was a German opera composer based in Hamburg. He wrote over a hundred operas. Johann Adolf Scheibe (writing in 1745) considered him an equal to Johann Kuhnau, George Frideric Handel and Georg ...
and
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
. Meanwhile, as the dulcian advanced technologically and was able to achieve more virtuosity, composers such as
Joseph Bodin de Boismortier Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a ro ...
,
Johann Ernst Galliard Johann Ernst Galliard (?1666/?1687–1749 ) was a German composer. Galliard was born in Celle, Germany to a French wig-maker. His first composition instruction began at age 15. Galliard studied composition under Jean-Baptiste Farinel, the direc ...
,
Johann Friedrich Fasch Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer. Much of his music is in the Baroque-Classical transitional style known as galant. Life Fasch was born in the town of Buttelstedt, 11 km north o ...
and Georg Philipp Telemann wrote demanding solo and ensemble music for the instrument.
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
brought it to prominence by featuring it in thirty-nine
concerti A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typi ...
.


c. 1760-1830

While the bassoon was still often used to give clarity to the bassline due to its sonorous low register, the capabilities of wind instruments grew as technology advanced during the
Classical era Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ...
. This allowed the instrument to play in more keys than the dulcian.
Joseph Haydn Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...
took advantage of this in his Symphony No. 45 ( "Farewell Symphony"), in which the bassoon plays in F-sharp minor. Following with these advances, composers also began to exploit the bassoon for its unique color, flexibility, and virtuosic ability, rather than for its perfunctory ability to double the bass line. Those who did this include
Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
in his three Duos for Clarinet and Bassoon (WoO 27) for clarinet and bassoon and Niccolo Paganini in his duets for violin and bassoon. In his Bassoon Concerto in B-flat major, K. 191, W. A. Mozart utilized all aspects of the bassoon's expressiveness with its contrasts in register, staccato playing, and expressive sound, and was especially noted for its singing quality in the second movement. This concerto is often considered the one of the most important works in all of the bassoon's repertoire, even today. The bassoon's similarity to the human voice, in addition to its newfound virtuosic ability, was another quality many composers took advantage of during the classical era. After 1730, the German bassoon's range expended up to B♭4, and much higher with the French instrument. Technological advances also caused the bassoon's tenor register sound to become more resonant, and playing in this register grew in popularity, especially in the Austro-Germanic musical world. Pedagogues such as Josef Frohlich instructed students to practice scales, thirds, and fourths as vocal students would. In 1829, he wrote that the bassoon was capable of expressing "the worthy, the virile, the solemn, the great, the sublime, composure, mildness, intimacy, emotion, longing, heartfulness, reverence, and soulful ardour." In G.F. Brandt's performance of
Carl Maria von Weber Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his opera ...
's Concerto for Bassoon in F Major, Op. 75 (J. 127) it was also likened to the human voice. In France, Pierre Cugnier described the bassoon's role as encompassing not only the bass part, but also to accompany the voice and harp, play in pairs with clarinets and horns in
Harmonie is a German word that, in the context of the history of music, designates an ensemble of wind instruments (usually about five to eight players) employed by an aristocratic patron, particularly during the Classical era of the 18th century. The Harmo ...
, and to play in "nearly all types of music," including concerti, which were much more common than the sonatas of the previous era. Both Cugnier and
Étienne Ozi Étienne Ozi (9 December 1754 – 5 October 1813) was a French bassoonist and composer. He is known for his concertos, symphonies concertantes, and pedagogical pieces. His works were influential in the development of the bassoon and remain a stapl ...
emphasized the importance of the bassoon's similarity to the singing voice. The role of the bassoon in the orchestra varied depending on the country. In the Viennese orchestra the instrument offered a three-dimensional sound to the ensemble by doubling other instruments such as violins, as heard in Mozart's overture to ''
The Marriage of Figaro ''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
,'' K 492. where it plays a rather technical part alongside the strings. He also wrote for the bassoon to change its timbre depending on which instrument it was paired with; warmer with clarinets, hollow with flutes, and dark and dignified with violins. In Germany and Scandinavian countries, orchestras typically featured only two bassoons. But in France, orchestras increased the number to four in the latter half of the nineteenth century. In England, the bassoonist's role varied depending on the ensemble.
Johann Christian Bach Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for ...
wrote two concertos for solo bassoon, and it also appeared in more supportive roles such as accompanying church choirs after the Puritan revolution destroyed most church organs. In the American colonies, the bassoon was typically seen in a chamber setting. After the Revolutionary War, bassoonists were found in wind bands that gave public performances. By 1800, there was at least one bassoon in the United States Marine Band. In South America, the bassoon also appeared in small orchestras, bands, and military musique (similar to Harmonie ensembles).


c. 1830-1900

The role of the bassoon during the Romantic era varied between a role as a supportive bass instrument and a role as a virtuosic, expressive, solo instrument. In fact, it was very much considered an instrument that could be used in almost any circumstance. The comparison of the bassoon's sound to the human voice continued on during this time, as much of the pedagogy surrounded emulating this sound.
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
used the instrument's lyrical, singing voice to evoke emotion in pieces such as his ''
Messa da Requiem The ''Messa da Requiem'' is a musical setting of the Catholic funeral mass ( Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, whom Verdi admired. The first performance, at ...
''. Eugene Jancourt compared the use of vibrato on the bassoon to that of singers, and Luigi Orselli wrote that the bassoon blended well with human voice. He also noted the function of the bassoon in the French orchestra at the time, which served to support the sound of the viola, reinforce staccato sound, and double the bass, clarinet, flute, and oboe. Emphasis also began to be placed on the unique sound of the bassoon's staccato, which might be described as quite short and aggressive, such as in
Hector Berlioz In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense o ...
's '' Symphonie fantastique, Op. 14'' in the fifth movement.
Paul Dukas Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His b ...
utilized the staccato to depict the image of two brooms coming to life in ''
The Sorcerer's Apprentice "The Sorcerer's Apprentice" (german: "Der Zauberlehrling", link=no, italic=no) is a poem by Johann Wolfgang von Goethe written in 1797. The poem is a ballad in 14 stanzas. Story The poem begins as an old magician (fantasy), sorcerer departs his ...
.'' It was common for there to be only two bassoons in German orchestras. Austrian and British military bands also only carried two bassoons, and were mainly used for accompaniment and offbeat playing. In France, Hector Berlioz also made it fashionable to use more than two bassoons; he often scored for three or four, and at time wrote for up to eight such as in his ''l’Impériale''. At this point, composers expected bassoons to be as virtuosic as the other wind instruments, as they often wrote solos challenging the range and technique of the instrument. Examples of this include
Nikolai Rimsky-Korsakov Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsk ...
's bassoon solo and cadenza following the clarinet in ''
Sheherazade Scheherazade () is a major female character and the storyteller in the frame narrative of the Middle Eastern collection of tales known as the '' One Thousand and One Nights''. Name According to modern scholarship, the name ''Scheherazade'' de ...
,'' Op. 35 and in
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's ''
Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and ...
'', which required the bassoonist to triple tongue and also play up to the top of its range at an E5. Wagner also used the bassoon for its staccato ability in his work, and often wrote his three bassoon parts in thirds to evoke a darker sound with noticeable tone color. In Modest Mussorgsky's ''
Night on Bald Mountain ''Night on Bald Mountain'' (russian: Ночь на лысой горе, translit=Noch′ na lysoy gore, links=no), also known as ''Night on the Bare Mountain'', is a series of compositions by Modest Mussorgsky (1839–1881). Inspired by Russian ...
'', the bassoons play fortissimo alongside other bass instruments in order to evoke "the voice of the Devil."


20th and 21st century ensembles

At this point in time, the development of the bassoon slowed. Rather than making large leaps in technological improvements, tiny imperfections in the instrument's function were corrected. The instrument became quite versatile throughout the twentieth century; the instrument was at this point able to play three octaves, a variety of different trills, and maintained stable intonation across all registers and dynamic levels. The pedagogy among bassoonists varied among different countries, and so the overall instrument itself played a variety of roles. As was a common theme in previous eras, the bassoon was valued by composers for its unique voice, and its use rose higher in pitch. A famous example of this is in
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
's '' Rite of Spring'' in which the bassoon must play in its highest register in order to mimic the Russian dudka. Composers also wrote for the bassoon's middle register, such as in Stravinsky's "Berceuse" in The ''Firebird'' and Symphony No. 5 in E-flat major, op. 82 by
Jean Sibelius Jean Sibelius ( ; ; born Johan Julius Christian Sibelius; 8 December 186520 September 1957) was a Finnish composer of the late Romantic and 20th-century classical music, early-modern periods. He is widely regarded as his country's greatest com ...
's. They also continued to highlight the staccato sound of the bassoon, as heard in
Sergei Prokofiev Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, p ...
's ''Humorous Scherzo''. In
Sergei Prokofiev Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''., group=n (27 April .S. 15 April1891 – 5 March 1953) was a Russian composer, p ...
's
Peter and the Wolf ''Peter and the Wolf'' ( rus, Петя и Bолк, r="Pétya i volk", p=ˈpʲetʲə i volk, links=no) Op. 67, a "symphonic fairy tale for children", is a musical composition written by Sergei Prokofiev in 1936. The narrator tells a children's s ...
, the part of the grandfather is played by the bassoon. In orchestral settings, most orchestras from the beginning of the twentieth century to the present have three or four bassoonists, with the fourth typically covering
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...
as well. Greater emphasis on the use of timbre, vibrato, and phrasing began to appear in bassoon pedagogy, and many followed
Marcel Tabuteau Marcel Tabuteau (2 July 18874 January 1966) was a French-American oboist who is considered the founder of the American school of oboe playing. Life Tabuteau was born in Compiègne, Oise, France, and given a post in the city's municipal wind band ...
's philosophy on musical phrasing. Vibrato began to be used in ensemble playing, depending on the phrasing of the music. The bassoon was, and currently is, expected to be fluent with other woodwinds in terms of virtuosity and technique. Examples of this include the cadenza for bassoons in
Maurice Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In ...
's ''
Rapsodie espagnole ''Rapsodie espagnole'' is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the ''Rapsodie'' is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the intern ...
'' and the multi-finger trills used in Stravinsky's
Octet Octet may refer to: Music * Octet (music), ensemble consisting of eight instruments or voices, or composition written for such an ensemble ** String octet, a piece of music written for eight string instruments *** Octet (Mendelssohn), 1825 compos ...
. In the twentieth century, the bassoon was less of a concerto soloist, and when it was, the accompanying ensemble was made softer and quieter. In addition, it was no longer used in marching bands, though still existed in concert bands with one or two of them. Orchestral repertoire remained very much the same Austro-Germanic tradition throughout most Western countries. It mostly appeared in solo, chamber, and symphonic settings. By the mid-1900s, broadcasting and recording grew in popularity, allowing for new opportunities for bassoonists, and leading to a slow decline of live performances. Much of the new music for bassoon in the late twentieth and early twenty-first centuries, often included extended techniques and was written for solo or chamber settings. One piece that included extended techniques was
Luciano Berio Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition ''Sinfonia'' and his series of virtuosic solo pieces titled ''Sequenza''), and for his pioneering work ...
's ''
Sequenza XII ''Sequenza XII'' is a composition for solo bassoon, written by Luciano Berio in 1995 , and part of a series of fourteen '' Sequenze'' composed between 1958 and 2002. The work was written for, and dedicated to, the French bassoonist Pascal Gallois, ...
'', which called for microtonal fingerings, glissandos, and timbral trills. Double and triple tonguing, flutter tonguing, multiphonics, quarter-tones, and singing are all utilized in
Bruno Bartolozzi Bruno Bartolozzi (8 June 1911 – 12 December 1980) was an Italian composer and pioneer in the development of extended techniques for wind instruments. He was born in Florence Florence ( ; it, Firenze ) is a city in Central Italy and the ...
's ''Concertazioni.'' There were also a variety of concerti and bassoon and piano pieces written, such as
John Williams John Towner Williams (born February 8, 1932)Nylund, Rob (15 November 2022)Classic Connection review ''WBOI'' ("For the second time this year, the Fort Wayne Philharmonic honored American composer, conductor, and arranger John Williams, who wa ...
's '' Five Sacred Trees'' and
André Previn André George Previn (; born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved ...
's ''Sonata for bassoon and piano''. There were also "performance" pieces such as
Peter Schickele "Professor" Peter Schickele (; born July 17, 1935) is an American composer, musical educator, and parody, parodist, best known for comedy albums featuring his music, but which he presents as being composed by the fictional P. D. Q. Bach. He also ...
's ''Sonata Abassoonata'', which required the bassoonist to be both a musician and an actor. The bassoon quartet became prominent at this time, with pieces such as
Daniel Dorff Daniel Dorff (born March 7, 1956) is an American classical composer. Biography and career Dorff was born in New Rochelle, New York, and grew up in Roslyn, New York, graduating from Roslyn High School.A Compact Disc Recording of Three Works f ...
's ''It Takes Four to Tango''.


Jazz

The bassoon is infrequently used as a
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major ...
instrument and rarely seen in a
jazz ensemble A jazz band (jazz ensemble or jazz combo) is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it is common to find a jazz band made up of a rhythm section and a ho ...
. It first began appearing in the 1920s, when
Garvin Bushell Garvin Bushell ''(né'' Garvin Lamont Payne; September 25, 1902 – October 31, 1991) was an American woodwind multi-instrumentalist. Biography Bushell was born in Springfield, Ohio, to Alexander Payne, Jr. (1875–1908) and Effie Penn ''( ...
began incorporating the bassoon in his performances. Specific calls for its use occurred in
Paul Whiteman Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, ...
's group, the unusual octets of
Alec Wilder Alexander Lafayette Chew Wilder (February 16, 1907 – December 24, 1980) was an American composer. Biography Wilder was born in Rochester, New York, United States, to a prominent family; the Wilder Building downtown (at the "Four Corners") ...
, and a few other session appearances. The next few decades saw the instrument used only sporadically, as symphonic jazz fell out of favor, but the 1960s saw artists such as
Yusef Lateef Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in America. Although Lateef's main instruments ...
and
Chick Corea Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", " 500 Miles High", "La Fiesta", "Armando's Rhumba", and ...
incorporate bassoon into their recordings. Lateef's diverse and eclectic instrumentation saw the bassoon as a natural addition (see, e.g., ''
The Centaur and the Phoenix ''The Centaur and the Phoenix'' is an album by multi-instrumentalist Yusef Lateef recorded in 1960 and released on the Riverside label. Reception The Allmusic review by Stacia Proefrock stated the performance "takes the risks and the innovation ...
'' (1960) which features bassoon as part of a 6-man horn section, including a few solos) while Corea employed the bassoon in combination with
flautist The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...
Hubert Laws Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm- ...
. More recently,
Illinois Jacquet Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of t ...
,
Ray Pizzi Raymond Michael Pizzi (January 19, 1943 – September 2, 2021), nicknamed Pizza Man, was an American jazz saxophonist, bassoonist, and flautist. Early life Pizzi's first instrument was clarinet. He attended the Boston Conservatory and Berklee C ...
,
Frank Tiberi Frank Tiberi (born December 4, 1928) is an American saxophonist and the leader of the Woody Herman Orchestra. He was born in Camden, New Jersey, United States. He was picked by Woody Herman shortly before Herman's death and has led the band sinc ...
, and
Marshall Allen Marshall Belford Allen (born May 25, 1924) is an American free jazz and avant-garde jazz alto saxophone player. He also performs on flute, oboe, piccolo, and EWI (an electronic valve instrument made by Steiner, Crumar company). Allen is best ...
have both doubled on bassoon in addition to their saxophone performances. Bassoonist
Karen Borca Karen Borca (born September 5, 1948 in Green Bay, Wisconsin) is an American avant-garde jazz and free jazz bassoonist. Early life and education Borca studied music at the University of Wisconsin with John Barrows and Arthur Weisberg, gradua ...
, a performer of
free jazz Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during ...
, is one of the few jazz musicians to play only bassoon; Michael Rabinowitz, the Spanish bassoonist Javier Abad, and
James Lassen James is a common English language surname and given name: *James (name), the typically masculine first name James * James (surname), various people with the last name James James or James City may also refer to: People * King James (disambiguat ...
, an American resident in
Bergen Bergen (), historically Bjørgvin, is a city and municipality in Vestland county on the west coast of Norway. , its population is roughly 285,900. Bergen is the second-largest city in Norway. The municipality covers and is on the peninsula of ...
, Norway, are others.
Katherine Young Katherine Young (鄭珣; Pinyin: Zhèng Xún) (May 10, 1901 – October 24, 2005) was an American centenarian who, at the age of 102 in 2003, gained publicity when she was described as the oldest known living user of the Internet. Biography Bo ...
plays the bassoon in the ensembles of
Anthony Braxton Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chica ...
.
Lindsay Cooper Lindsay Cooper (3 March 1951 – 18 September 2013) was an English bassoon and oboe player and composer. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the ...
, Paul Hanson, the Brazilian bassoonist Alexandre Silvério,
Trent Jacobs Trent may refer to: Places Italy * Trento in northern Italy, site of the Council of Trent United Kingdom * Trent, Dorset, England, United Kingdom Germany * Trent, Germany, a municipality on the island of Rügen United States * Trent, California, ...
and Daniel Smith are also currently using the bassoon in jazz. French bassoonists
Jean-Jacques Decreux Jean-Jacques is a French name, equivalent to "John James" in English. Since the second half of 18th century, Jean Jacques Rousseau was widely known as Jean Jacques. Notable people bearing this name include: Given name * Jean-Jacques Annaud (born 19 ...
and Alexandre Ouzounoff have both recorded jazz, exploiting the flexibility of the Buffet system instrument to good effect.


Popular music

In conjunction with the use of electronic pickups and amplification, the instrument began to be used more somewhat in jazz and rock settings. However, the bassoon is still quite rare as a regular member of rock bands. Several 1960s pop music hits feature the bassoon, including "
The Tears of a Clown "The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album '' Make It H ...
" by
Smokey Robinson and the Miracles The Miracles (also known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups ...
(the bassoonist was Charles R. Sirard), "
Jennifer Juniper "Jennifer Juniper" is a song and single by the Scottish singer-songwriter Donovan, released in 1968. It peaked at number 5 in the UK Singles Chart, and at number 26 in the ''Billboard'' Hot 100. AllMusic journalist Matthew Greenwald noted that ...
" by
Donovan Donovan Phillips Leitch (born 10 May 1946), known mononymously as Donovan, is a Scottish musician, songwriter, and record producer. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock and world mus ...
, " 59th Street Bridge Song" by
Harpers Bizarre Harpers Bizarre was an American sunshine pop band of the 1960s, best known for their Broadway/sunshine pop sound and their cover of Simon & Garfunkel's "The 59th Street Bridge Song (Feelin' Groovy)." Career Harpers Bizarre was formed out of th ...
, and the oompah bassoon underlying
The New Vaudeville Band The New Vaudeville Band was a group created by songwriter Geoff Stephens in 1966 to record his novelty composition "Winchester Cathedral", a song inspired by the dance bands of the 1920s and a Rudy Vallee megaphone-style vocal. To his surprise, ...
's "
Winchester Cathedral The Cathedral Church of the Holy Trinity,Historic England. "Cathedral Church of the Holy Trinity (1095509)". ''National Heritage List for England''. Retrieved 8 September 2014. Saint Peter, Saint Paul and Saint Swithun, commonly known as Winches ...
". From 1974 to 1978, the bassoon was played by
Lindsay Cooper Lindsay Cooper (3 March 1951 – 18 September 2013) was an English bassoon and oboe player and composer. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the ...
in the British avant-garde band
Henry Cow Henry Cow were an English experimental rock group, founded at the University of Cambridge in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Henry Cow's personnel fluctuated over their decade together, but drummer Chris Cutler, b ...
. The
Leonard Nimoy Leonard Simon Nimoy (; March 26, 1931 – February 27, 2015) was an American actor, famed for playing Spock in the ''Star Trek'' franchise for almost 50 years. This includes originating Spock in the original ''Star Trek'' series in 1966, then ...
song "
The Ballad of Bilbo Baggins "The Ballad of Bilbo Baggins" is a song composed by Charles Randolph Grean and performed by Leonard Nimoy, telling the story of Bilbo Baggins and his adventures in J. R. R. Tolkien's 1937 novel ''The Hobbit''. The recording was featured on the 196 ...
" features the bassoon. In the 1970s it was played, in the British medieval/
progressive rock Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Init ...
band
Gryphon The griffin, griffon, or gryphon ( Ancient Greek: , ''gryps''; Classical Latin: ''grȳps'' or ''grȳpus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a legendary creature with the body, tail, and ...
, by Brian Gulland, as well as by the American band
Ambrosia In the ancient Greek myths, ''ambrosia'' (, grc, ἀμβροσία 'immortality'), the food or drink of the Greek gods, is often depicted as conferring longevity or immortality upon whoever consumed it. It was brought to the gods in Olympus ...
, where it was played by drummer Burleigh Drummond. The Belgian
Rock in Opposition Rock in Opposition or RIO was a movement representing a collective of progressive bands in the late 1970s united in their opposition to the music industry that refused to recognise their music. It was initiated by English avant-rock group Hen ...
-band
Univers Zero Univers Zero (also known as Univers Zéro and Univers-Zero) are an instrumental Belgium, Belgian band formed in 1974 by drummer Daniel Denis. The band is known for its dark style of progressive rock, heavily influenced by 20th-century chamber musi ...
is also known for its use of the bassoon. More recently,
These New Puritans These New Puritans are an English music group/band from Southend-on-Sea, England. It consists mainly of Jack Barnett (principal songwriter, vocalist, producer, multi-instrumentalist) and his twin brother George Barnett (drums, electronics, prod ...
's 2010 album '' Hidden'' makes heavy use of the instrument throughout; their principal songwriter, Jack Barnett, claimed repeatedly to be "writing a lot of music for bassoon" in the run-up to its recording. The rock band
Better Than Ezra Better Than Ezra is an American alternative rock band based in New Orleans, Louisiana, and signed with The End Records. The band formed in 1988 in Baton Rouge, Louisiana, and consists of Kevin Griffin (vocals and guitar), Tom Drummond (bass g ...
took their name from a passage in
Ernest Hemingway Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fic ...
's ''
A Moveable Feast ''A Moveable Feast'' is a 1964 memoir ''belles-lettres'' by American author Ernest Hemingway about his years as a struggling expat journalist and writer in Paris during the 1920s. It was published posthumously. The book details Hemingway's fir ...
'' in which the author comments that listening to an annoyingly talkative person is still "better than Ezra learning how to play the bassoon", referring to
Ezra Pound Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works ...
. British
psychedelic Psychedelics are a subclass of hallucinogenic drugs whose primary effect is to trigger non-ordinary states of consciousness (known as psychedelic experiences or "trips").Pollan, Michael (2018). ''How to Change Your Mind: What the New Science of ...
/
progressive rock Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Init ...
band
Knifeworld Knifeworld is a British-based psychedelic rock band led by Kavus Torabi. Originally a Torabi solo project, it became a full band in summer 2009. Knifeworld has connections with various English musical projects both inside and outside the ro ...
features the bassoon playing of Chloe Herrington, who also plays for
experimental An experiment is a procedure carried out to support or refute a hypothesis, or determine the efficacy or likelihood of something previously untried. Experiments provide insight into cause-and-effect by demonstrating what outcome occurs when ...
chamber rock Chamber pop (or Chamber rock; also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other com ...
orchestra
Chrome Hoof Chrome Hoof are an experimental chamber rock orchestra based in London, England. The group was formed in 2000 by Cathedral bassist Leo Smee and his brother Milo Smee. Initially performing as a duo, their music was mostly electronic. Sinc ...
.
Fiona Apple Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter. She has released five albums from 1996 to 2020, which have all reached the top 20 on the U.S. ''Billboard'' 200 chart. Apple has received numerous awards an ...
featured the bassoon in the opening track of her 2004 album ''
Extraordinary Machine ''Extraordinary Machine'' is the third studio album by American singer-songwriter Fiona Apple, released by Epic Records in the United States on October 4, 2005. Produced by Jon Brion, it was expected to be released in 2003 but was delayed several ...
''. In 2016, the bassoon was featured on the album ''Gang Signs and Prayers'' by UK ”grime" artist
Stormzy Michael Ebenezer Kwadjo Omari Owuo Jr. (born 26 July 1993), known professionally as Stormzy, is a British rapper, singer and songwriter. In 2014, he gained attention on the UK underground music scene through his ''Wicked Skengman'' series of f ...
. Played by UK bassoonist Louise Watson, the bassoon is heard in the tracks "Cold" and "Mr Skeng" as a complement to the electronic synthesizer bass lines typically found in this genre.


Technique

The bassoon is held diagonally in front of the player, but unlike the flute, oboe and clarinet, it cannot be easily supported by the player's hands alone. Some means of additional support is usually required; the most common ones are a seat strap attached to the base of the boot joint, which is laid across the chair seat prior to sitting down, or a neck strap or shoulder harness attached to the top of the boot joint. Occasionally a spike similar to those used for the cello or the bass clarinet is attached to the bottom of the boot joint and rests on the floor. It is possible to play while standing up if the player uses a neck strap or similar harness, or if the seat strap is tied to the belt. Sometimes a device called a ''balance hanger'' is used when playing in a standing position. This is installed between the instrument and the neck strap, and shifts the point of support closer to the center of gravity, adjusting the distribution of weight between the two hands. The bassoon is played with both hands in a stationary position, the left above the right, with five main finger holes on the front of the instrument (nearest the audience) plus a sixth that is activated by an open-standing key. Five additional keys on the front are controlled by the little fingers of each hand. The back of the instrument (nearest the player) has twelve or more keys to be controlled by the thumbs, the exact number varying depending on model. To stabilize the right hand, many bassoonists use an adjustable comma-shaped apparatus called a "crutch", or a hand rest, which mounts to the boot joint. The crutch is secured with a thumb screw, which also allows the distance that it protrudes from the bassoon to be adjusted. Players rest the curve of the right hand where the thumb joins the palm against the crutch. The crutch also keeps the right hand from tiring and enables the player to keep the finger pads flat on the finger holes and keys. An aspect of bassoon technique not found on any other woodwind is called ''flicking''. It involves the left hand thumb momentarily pressing, or "flicking" the high A, C and D keys at the beginning of certain notes in the middle octave to achieve a clean slur from a lower note. This eliminates cracking, or brief
multiphonics A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice ...
that happens without the use of this technique. The alternative method is "venting", which requires that the register key be used as part of the full fingering as opposed to being open momentarily at the start of the note. This is sometimes called the "European style"; venting raises the intonation of the notes slightly, and it can be advantageous when tuning to higher frequencies. Some bassoonists flick A and B when tongued, for clarity of articulation, but flicking (or venting) is practically ubiquitous for slurs. While flicking is used to slur up to higher notes, the whisper key is used for lower notes. From the A right below middle C and lower, the whisper key is pressed with the left thumb and held for the duration of the note. This prevents cracking, as low notes can sometimes crack into a higher octave. Both flicking and using the whisper key is especially important to ensure notes speak properly during slurring between high and low registers. While bassoons are usually critically tuned at the factory, the player nonetheless has a great degree of flexibility of pitch control through the use of breath support,
embouchure Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of ...
, and reed profile. Players can also use alternate fingerings to adjust the pitch of many notes. Similar to other woodwind instruments, the length of the bassoon can be increased to lower pitch or decreased to raise pitch. On the bassoon, this is done preferably by changing the bocal to one of a different length, (lengths are denoted by a number on the bocal, usually starting at 0 for the shortest length, and 3 for the longest, but there are some manufacturers who will use other numbers) but it is possible to push the bocal in or out slightly to grossly adjust the pitch.


Embouchure and sound production

The bassoon embouchure is a very important aspect of producing a full, round, and rich sound on the instrument. The lips are both rolled over the teeth, often with the upper lip further along in an "overbite". The lips provide micromuscular pressure on the entire circumference of the reed, which grossly controls intonation and harmonic excitement, and thus must be constantly modulated with every change of note. How far along the reed the lips are placed affects both tone (with less reed in the mouth making the sound more edged or "reedy", and more reed making it smooth and less projectile) and the way the reed will respond to pressure. The musculature employed in a bassoon embouchure is primarily around the lips, which pressure the reed into the shapes needed for the desired sound. The jaw is raised or lowered to adjust the oral cavity for better reed control, but the jaw muscles are used much less for upward vertical pressure than in single reeds, only being substantially employed in the very high register. However, double reed students often "bite" the reed with these muscles because the control and tone of the labial and other muscles is still developing, but this generally makes the sound sharp and "choked" as it contracts the aperture of the reed and stifles the vibration of its blades. Apart from the embouchure proper, students must also develop substantial muscle tone and control in the diaphragm, throat, neck and upper chest, which are all employed to increase and direct air pressure. Air pressure is a very important aspect of the tone, intonation and projection of double reed instruments, affecting these qualities as much, or more than the embouchure does. Attacking a note on the bassoon with imprecise amounts of muscle or air pressure for the desired pitch will result in poor intonation, cracking or multiphonics, accidentally producing the incorrect partial, or the reed not speaking at all. These problems are compounded by the individual qualities of reeds, which are categorically inconsistent in behaviour for inherent and exherent reasons. The muscle requirements and variability of reeds mean it takes some time for bassoonists (and oboists) to develop an embouchure that exhibits consistent control across all reeds, dynamics and playing environments.


Modern fingering

The fingering technique of the bassoon varies more between players, by a wide margin, than that of any other orchestral woodwind. The complex mechanism and acoustics mean the bassoon lacks simple fingerings of good sound quality or intonation for some notes (especially in the higher range), but, conversely, there is a great variety of superior, but generally more complicated, fingerings for them. Typically, the simpler fingerings for such notes are used as alternate or trill fingerings, and the bassoonist will use as "full fingering" one or several of the more complex executions possible, for optimal sound quality. The fingerings used are at the discretion of the bassoonist, and, for particular passages, he or she may experiment to find new alternate fingerings that are thus idiomatic to the player. These elements have resulted in both "full" and alternate fingerings differing extensively between bassoonists, and are further informed by factors such as cultural difference in what sound is sought, how reeds are made, and regional variation in tuning frequencies (necessitating sharper or flatter fingerings). Regional enclaves of bassoonists tend to have some uniformity in technique, but on a global scale, technique differs such that two given bassoonists may share no fingerings for certain notes. Owing to these factors, ubiquitous bassoon technique can only be partially notated. The left thumb operates nine keys: B1, B1, C2, D2, D5, C5 (also B4), two keys when combined create A4, and the whisper key. The whisper key should be held down for notes between and including F2 and G3 and certain other notes; it can be omitted, but the pitch will destabilise. Additional notes can be created with the left thumb keys; the D2 and bottom key above the whisper key on the tenor joint (C key) together create both C3 and C4. The same bottom tenor-joint key is also used, with additional fingering, to create E5 and F5. D5 and C5 together create C5. When the two keys on the tenor joint to create A4 are used with slightly altered fingering on the boot joint, B4 is created. The whisper key may also be used at certain points throughout the instrument's high register, along with other fingerings, to alter sound quality as desired. The right thumb operates four keys. The uppermost key is used to produce B2 and B3, and may be used in B4,F4, C5, D5, F5, and E5. The large circular key, otherwise known as the "pancake key", is held down for all the lowest notes from E2 down to B1. It is also used, like the whisper key, in additional fingerings for muting the sound. For example, in
Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...
's "
Boléro ''Boléro'' is a 1928 work for large orchestra by French composer Maurice Ravel. At least one observer has called it Ravel's most famous composition. It was also one of his last completed works before illness forced him into retirement. Co ...
", the bassoon is asked to play the ostinato on G4. This is easy to perform with the normal fingering for G4, but Ravel directs that the player should also depress the E2 key (pancake key) to mute the sound (this being written with Buffet system in mind; the G fingering on which involves the Bb key – sometimes called "French" G on Heckel). The next key operated by the right thumb is known as the "spatula key": its primary use is to produce F2 and F3. The lowermost key is used less often: it is used to produce A2 (G2) and A3 (G3), in a manner that avoids sliding the right fourth finger from another note. The four fingers of the left hand can each be used in two different positions. The key normally operated by the index finger is primarily used for E5, also serving for trills in the lower register. Its main assignment is the upper tone hole. This hole can be closed fully, or partially by rolling down the finger. This half-holing technique is used to overblow F3, G3 and G3. The middle finger typically stays on the centre hole on the tenor joint. It can also move to a lever used for E5, also a trill key. The ring finger operates, on most models, one key. Some bassoons have an alternate E key above the tone hole, predominantly for trills, but many do not. The smallest finger operates two side keys on the bass joint. The lower key is typically used for C2, but can be used for muting or flattening notes in the tenor register. The upper key is used for E2, E4, F4, F4, A4, B4, B4, C5, C5, and D5; it flattens G3 and is the standard fingering for it in many places that tune to lower Hertz levels such as A440. The four fingers of the right hand have at least one assignment each. The index finger stays over one hole, except that when E5 is played a side key at the top of the boot is used (this key also provides a C3 trill, albeit sharp on D). The middle finger remains stationary over the hole with a ring around it, and this ring and other pads are lifted when the smallest finger on the right hand pushes a lever. The ring finger typically remains stationary on the lower ring-finger key. However, the upper ring-finger key can be used, typically for B2 and B3, in place of the top thumb key on the front of the boot joint; this key comes from the oboe, and some bassoons do not have it because the thumb fingering is practically universal. The smallest finger operates three keys. The backmost one, closest to the bassoonist, is held down throughout most of the bass register. F4 may be created with this key, as well as G4, B4, B4, and C5 (the latter three employing solely it to flatten and stabilise the pitch). The lowest key for the smallest finger on the right hand is primarily used for A2 (G2) and A3 (G3) but can be used to improve D5, E5, and F5. The frontmost key is used, in addition to the thumb key, to create G2 and G3; on many bassoons this key operates a different tone hole to the thumb key and produces a slightly flatter F ("duplicated F"); some techniques use one as standard for both octaves and the other for utility, but others use the thumb key for the lower and the fourth finger for the higher.


Extended techniques

Many extended techniques can be performed on the bassoon, such as
multiphonic A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voic ...
s,
flutter-tonguing Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sou ...
,
circular breathing Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored ...
,
double tonguing Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air fl ...
, and harmonics. In the case of the bassoon, flutter-tonguing may be accomplished by "gargling" in the back of the throat as well as by the conventional method of rolling Rs. Multiphonics on the bassoon are plentiful, and can be achieved by using particular alternative fingerings, but are generally heavily influenced by embouchure position. Also, again using certain fingerings, notes may be produced on the instrument that sound lower pitches than the actual range of the instrument. These notes tend to sound very gravelly and out of tune, but technically sound below the low B. The bassoonist may also produce lower notes than the bottom B by extending the length of bell. This can be achieved by inserting a specially made "low A extension" into the bell, but may also be achieved with a small paper or rubber tube or a clarinet/cor anglais bell sitting inside the bassoon bell (although the note may tend sharp). The effect of this is to convert the lower B into a lower note, almost always A natural; this broadly lowers the pitch of the instrument (most noticeably in the lower register) and will often accordingly convert the lowest B to B (and render the neighbouring C very flat). The idea of using low A was begun by
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
, who wanted to extend the range of the bassoon. Many passages in his later operas require the low A as well as the B-flat immediately above it - this is possible on a normal bassoon using an extension which also flattens low B to B, but all extensions to the bell have significant effects on intonation and sound quality in the bottom register of the instrument, and passages such as this are more often realised with comparative ease by the contrabassoon. Some bassoons have been specially made to allow bassoonists to realize similar passages. These bassoons are made with a "Wagner bell" which is an extended bell with a key for both the low A and the low B-flat, but they are not widespread; bassoons with Wagner bells suffer similar intonational problems as a bassoon with an ordinary A extension, and a bassoon must be constructed specifically to accommodate one, making the extension option far less complicated. Extending the bassoon's range even lower than the A, though possible, would have even stronger effects on pitch and make the instrument effectively unusable. Despite the logistic difficulties of the note, Wagner was not the only composer to write the low A. Another composer who has required the bassoon to be
chromatic Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, ...
down to low A is
Gustav Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
.
Richard Strauss Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
also calls for the low A in his opera ''
Intermezzo In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term ha ...
''. Some works have optional low As, as in
Carl Nielsen Carl August Nielsen (; 9 June 1865 – 3 October 1931) was a Danish composer, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor yet musically talented parents on the island of Funen, he ...
's
Wind Quintet A wind quintet, also known as a woodwind quintet, is a group of five wind players (most commonly flute, oboe, clarinet, French horn and bassoon). Unlike the string quartet (of 4 string instruments) with its homogeneous blend of sound color, the in ...
, op. 43, which includes an optional low A for the final cadence of the work.


Learning the bassoon

The complicated fingering and the problem of reeds make the bassoon more of a challenge to learn than some of the other woodwind instruments. Cost is another big factor in a person's decision to pursue the bassoon. Prices range from US$7,000 to over $45,000 for a good-quality instrument. In North America, schoolchildren typically take up bassoon only after starting on another reed instrument, such as clarinet or saxophone.Elsa Z. Powell (1950) ''This Is an Orchestra'', Houghton Mifflin, p. 70 Students in America often begin to pursue the study of bassoon performance and technique in the middle years of their music education. Students are often provided with a school instrument and encouraged to pursue lessons with private instructors. Students typically receive instruction in proper posture, hand position, embouchure, and tone production.


See also

*
List of bassoonists A list of notable bassoonists. Australia *George Dreyfus * Lyndon Watts * Matthew Wilkie Austria *Milan Turković Belgium * Jean-Théodore Radoux (1835-1911) Bulgaria * Marin Valtchanov (1949-2017) Canada *Bill Douglas *Pierre Mercure (1 ...
* Bassoon makers * Bassoon repertoire *
International Double Reed Society The International Double Reed Society (IDRS), is an organization that promotes the interests of double reed players, instrument manufacturers and enthusiasts. Services provided by the IDRS include an international oboe and bassoon competition, ...
*
British Double Reed Society The British Double Reed Society (BDRS) is a society for players of double reed instruments in the United Kingdom and around the world. It was founded in 1988 to "promote and enhance the interests of all double reed players, whether students, ama ...


References


Citations


Sources

* * * * * *Waterhouse, William. "Bassoon." Grove Music Online. 2001. Oxford University Press. *Vonk, Maarten. A Bundle of Joy: A Practical Handbook for Bassoon. FagotAielier Maarten Vonk, 2007. *Hall, Ronn K. (2017). ''An Exploration into the Validity and Treatment of the Bassoon in Duet Repertoire from 1960 - 2016 (DMA)''. University of Maryland. *Mettler, Larry Charles. (1960). ''An Analysis of the Bassoon and Its Literature (MS).'' Eastern Illinois University.


Further reading

* ''The Double Reed'' (published quarterly), I.D.R.S. Publications * ''Journal of the
International Double Reed Society The International Double Reed Society (IDRS), is an organization that promotes the interests of double reed players, instrument manufacturers and enthusiasts. Services provided by the IDRS include an international oboe and bassoon competition, ...
'' (1972–1999, in 2000 merged with ''The Double Reed''), I.D.R.S. Publications * Baines, Anthony (ed.), ''Musical Instruments Through the Ages'', Penguin Books, 1961 * Jansen, Will, ''The Bassoon: Its History, Construction, Makers, Players, and Music'', Uitgeverij F. Knuf, 1978. 5 volumes * Domínguez Moreno, Áurea: ''Bassoon Playing in Perspective: Character and Performance Practice from 1800 to 1850.'' (Dissertation.) Studia musicologica Universitatis Helsingiensis, 26. University of Helsinki, 2013. . . * Kopp, James B., ''The Bassoon'' (Yale University Press; 2012) 297 pages; a scholarly history *
Sadie, Stanley Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
(ed.), ''The New Grove Dictionary of Musical Instruments'', s.v. "Bassoon", 2001 * Spencer, William (rev. Mueller, Frederick), ''The Art of Bassoon Playing'', Summy-Birchard, 1958 * Stauffer, George B. (1986). "The Modern Orchestra: A Creation of the Late Eighteenth Century." In
Joan Peyser Joan Peyser (June 12, 1930 – April 24, 2011) was an American musicologist and writer, particularly known for her writing on 20th-century music and for her biographies of George Gershwin, Pierre Boulez and Leonard Bernstein. Her biography of Be ...
(ed.) ''The Orchestra: Origins and Transformations'' pp. 41–72. Charles Scribner's Sons. * Weaver, Robert L. (1986). "The Consolidation of the Main Elements of the Orchestra: 1470–1768." In Joan Peyser (ed.) ''The Orchestra: Origins and Transformations'' pp. 7–40. Charles Scribner's Sons.


External links


Documentary: ''The Production of a Bassoon'' by Francois de Rudder

Bassoon Fingering Charts

A Guide to Bassoon Keywork
{{Authority control Bassoons Baroque instruments Orchestral instruments