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Flutter-tonguing
Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sounds on a recorder to an effect similar to the growls used by jazz musicians. Notation In sheet music, the technique is usually indicated with the standard tremolo markings on a note alongside a text instruction to flutter the note. The German marking "Flatterzunge" is often abbreviated to "Flz." or "Flt.". The Italian "frullato" is sometimes abbreviated to "frull". In English, the most common indication is "f.t." Other markings that composers have used to indicate flutter tonguing include: coupe de lange roulé, en roulant la langue, tremolo dental, tremolo avec la langue, tremolo roulé, vibrata linguale, vibrando, and colpo di lingua among others. However, simply writing (3-line) tremolo marks on all rhythmic values without other ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noye's Fludde
''Noye's Fludde'' is a one-act opera by the British composer Benjamin Britten, intended primarily for amateur performers, particularly children. First performed on 18 June 1958 at that year's Aldeburgh Festival, it is based on the 15th-century Chester "mystery" or "miracle" play which recounts the Old Testament story of Noah's Ark. Britten specified that the opera should be staged in churches or large halls, not in a theatre. By the mid-1950s Britten had established himself as a major composer, both of operas and of works for mixed professional and amateur forces – his mini-opera ''The Little Sweep'' (1949) was written for young audiences, and used child performers. He had previously adapted text from the Chester play cycle in his 1952 '' Canticle II'', which retells the story of Abraham and Isaac. ''Noye's Fludde'' was composed as a project for television; to the Chester text Britten added three congregational hymns, the Greek prayer ''Kyrie eleison'' as a children's chant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonguing
Tonguing is a technique used with wind instruments to enunciate notes using the tongue on the palate or the reed or mouthpiece. A silent "tee" is made when the tongue strikes the reed or roof of the mouth causing a slight breach in the air flow through the instrument. If a more soft tone is desired, the syllable "da" (as in ''dou''ble) is preferred. The technique also works for whistling. Tonguing also refers to articulation, which is how a musician begins the note (punchy, legato, or a breath attack) and how the note is released (air release, tongued release, etc.) For wind players, articulation is commonly spoken of in terms of tonguing because the tongue is used to stop and allow air to flow in the mouth. Tonguing does not apply to non wind instruments, but articulation does apply to all instruments. An alteration called "double-tonguing" or "double-articulation" is used when the music being performed has many rapid notes in succession too fast for regular articulation. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uvular Trill
The voiced uvular trill is a type of consonantal sound, used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , a small capital letter ''R''. This consonant is one of several collectively called guttural R. Features Features of the voiced uvular trill: Unlike in tongue-tip trills, it is the uvula, not the tongue, that vibrates. Occurrence There are two main theories regarding the origination of the uvular trill in European languages. According to one theory, the uvular trill originated in Standard French around the 17th century and spread to the standard varieties of German, Danish, Portuguese and some of those of Dutch, Norwegian and Swedish. It is also present in other areas of Europe, but it is not clear if such pronunciations are due to French influence., citing , , and In most cases, varieties have shifted the sound to a voiced uvular fricative or a voiced uvular approximant . The other main theory is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ankyloglossia
Ankyloglossia, also known as tongue-tie, is a congenital oral anomaly that may decrease the mobility of the tongue tip and is caused by an unusually short, thick lingual frenulum, a membrane connecting the underside of the tongue to the floor of the mouth. Ankyloglossia varies in degree of severity from mild cases characterized by mucous membrane bands to complete ankyloglossia whereby the tongue is tethered to the floor of the mouth. Presentation Ankyloglossia can affect eating, especially breastfeeding, speech and oral hygiene Travis, Lee Edward (1971). Handbook of speech language pathology and audiology. New York, New York: Appleton-Century-Crofts Education Division Meredith Corporation. as well as have mechanical/social effects. Ankyloglossia can also prevent the tongue from contacting the anterior palate. This can then promote an infantile swallow and hamper the progression to an adult-like swallow which can result in an open bite deformity. It can also result in mandibu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alveolar Trill
The voiced alveolar trill is a type of consonantal sound used in some spoken languages. The symbol in the International Phonetic Alphabet that represents dental, alveolar, and postalveolar trills is , and the equivalent X-SAMPA symbol is r. It is commonly called the rolled R, rolling R, or trilled R. Quite often, is used in phonemic transcriptions (especially those found in dictionaries) of languages like English and German that have rhotic consonants that are not an alveolar trill. That is partly for ease of typesetting and partly because is the letter used in the orthographies of such languages. In many Indo-European languages, a trill may often be reduced to a single vibration in unstressed positions. In Italian, a simple trill typically displays only one or two vibrations, while a geminate trill will have three or more. Languages where trills always have multiple vibrations include Albanian, Spanish, Cypriot Greek, and a number of Armenian and Portuguese dialects. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of California Press
The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty of the University of California, established 25 years earlier in 1868, and has been officially headquartered at the university's flagship campus in Berkeley, California, since its inception. As the non-profit publishing arm of the University of California system, the UC Press is fully subsidized by the university and the State of California. A third of its authors are faculty members of the university. The press publishes over 250 new books and almost four dozen multi-issue journals annually, in the humanities, social sciences, and natural sciences, and maintains approximately 4,000 book titles in print. It is also the digital publisher of Collabra and Luminos open access (OA) initiatives. The University of California Press publishes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (Strauss)
''Don Quixote'', Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled ''Phantastische Variationen über ein Thema ritterlichen Charakters'' (''Fantastic Variations on a Theme of Knightly Character''), the work is based on the novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. Strauss composed this work in Munich in 1897. The premiere took place in Cologne on 8 March 1898, with Friedrich Grützmacher as the cello soloist and Franz Wüllner as the conductor. The score is 45 minutes long and is written in theme and variations form, with the solo cello representing Don Quixote, and the solo viola, tenor tuba, and bass clarinet depicting his squire Sancho Panza. The second variation depicts an episode where Don Quixote encounters a herd of sheep and perceives them as an approaching army. Strauss uses dissonant flutter-tonguing in the brass to emulate the bleating of the sheep, an early instance of this extended technique. Strauss later quoted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
