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Sequenza XII
''Sequenza XII'' is a composition for solo bassoon, written by Luciano Berio in 1995 , and part of a series of fourteen '' Sequenze'' composed between 1958 and 2002. The work was written for, and dedicated to, the French bassoonist Pascal Gallois, who gave the world première on 15 June 1995. ''Sequenza XII'' is the longest of all the ''Sequenze'', at 19 minutes. As with the other works in the series, it reflects Berio’s fascination with virtuosity, "understood not merely as technical dexterity, but as a manifestation of an agile musical intelligence that relishes the challenge of complexity" . In ''Sequenza XII'', Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniques, for example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathing, the use of ''glissando In music, a glissando (; plural: ''glissandi' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luciano Berio
Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition ''Sinfonia'' and his series of virtuosic solo pieces titled '' Sequenza''), and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition. Biography Berio was born in Oneglia (now part of Imperia), on the Ligurian coast of Italy. He was taught piano by his father and grandfather, who were both organists. During World War II, he was conscripted into the army, but on his first day, he injured his hand while learning how a gun worked and spent time in a military hospital. Following the war, Berio studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federico Ghedini. He was unable to continue studying the piano because of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1995 In Music
This is a list of notable events in music that took place in the year 1995. Specific locations *1995 in British music * 1995 in Norwegian music Specific genres * 1995 in classical music *1995 in country music * 1995 in heavy metal music * 1995 in hip hop music * 1995 in Latin music * 1995 in jazz Events January–February * January 1 – Mo Ostin steps down as chairman and CEO of Warner Music Group. * January 8 – Pearl Jam frontman Eddie Vedder hosts "Self-Pollution Radio", a four-and-a-half hour radio broadcast with live performances by Pearl Jam, Soundgarden, Mudhoney, and others. Any station with a satellite receiver could pick up and carry the program. * January 10 – Michel Sardou begins a record-breaking run of 113 shows at the Paris Olympia. * January 14 – Perry Farrell is arrested for cocaine possession, being under the influence and possession of a syringe at a Los Angeles hotel. * January 18 – Jerry Garcia crashes his rented BMW into a guard rail ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequenza
''Sequenza'' (Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are: *'' Sequenza I'' (1958; rev. 1992) for flute *'' Sequenza II'' (1963) for harp *''Sequenza III'' (1965) for female voice *''Sequenza IV'' (1965) for piano *'' Sequenza V'' (1966) for trombone *'' Sequenza VI'' (1967) for viola *''Sequenza VII'' (1969/2000) for oboe (reworked as ''Sequenza VIIb'' for soprano saxophone in 2000) *''Sequenza VIII'' (1976) for violin *''Sequenza IX'' (1980) for clarinet (reworked 1981 as ''Sequenza IXb'' for alto saxophone, and 1980 as ''Sequenza IXc'' for bass clarinet) *'' Sequenza X'' (1984) for trumpet and piano resonance *'' Sequenza XI'' (1987) for guitar *''Sequenza XII'' (1995) for bassoon *''Sequenza XIII'' (1995) for accordion *''Sequenza XIV'' (2002) for cello (reworked in 2004 by Stefano Scodanibbio as ''Sequenza XIVb'' for double bass) Several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Gallois
Pascal Gallois (born 1959) is a French bassoonist, conductor and music teacher, specialising in contemporary classical music. Life Born in Linselles near Lille, Gallois studied with Maurice Allard at the École Normale de Musique de Paris. Since 1981, he has been a member of the ensemble intercontemporain, soloist, alongside Pierre Boulez. He brings to the ensemble contemporary works for bassoon, both original and French premieres, as ''In Freundschaft'' by Karlheinz Stockhausen (recorded in 1984), and ''Sequenza XII'' by Luciano Berio, in 1995. As a conductor, he was at the head, among other things, of the . The development of the contemporary bassoon repertoire is one of his concerns. Composers such as György Kurtag, Olga Neuwirth, Philippe Fénelon, Brice Pauset, Toshio Hosokawa and Mark Andre write pieces for him which he creates and records. From 1994 to 2000, he was professor at the Paris Conservatory and from 2001 to 2007 at the Zurich University of the Arts. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Technique
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of ''col legno'' in his ''Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circular Breathing
Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored in the cheeks. History The technique was developed independently by several cultures and is used for many traditional wind instruments. In the 13th century, Mongolian metalsmiths who specialized in gold and silver used circular breathing techniques for crafting various decorative and ornamental items. In crafting such items, craftsmen were required to blow continuously to the flame through a pipe with a needle-like hole to make the hard metal melt or soften. From that necessity, craftsmen mastered a circular cycle of breathing by simultaneously inhaling through their noses while they blew without any pauses. The introduction of the circular breathing technique in the art of ancient windplayers was a productive invention in its performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Luciano Berio
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungarian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
