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Multiphonics
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research. Multiphonics on wind instruments are primarily a 20th-century technique, though the brass technique of singing while playing has been known since the 18th century and used by composers such as Carl Maria von Weber. Commonly, no more than four notes will be produced at once, though for some chords on some instruments it is possible to get several more. Technique Woodwind instruments On woodwind instruments—e.g., saxophone, clarinet, oboe, bassoon, flute, and recorder—multiphonics can be produced either with new fingerings, by using different embouchures, or voicing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiphonic Marigaux F-a+gis
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research. Multiphonics on wind instruments are primarily a 20th-century technique, though the brass technique of singing while playing has been known since the 18th century and used by composers such as Carl Maria von Weber. Commonly, no more than four notes will be produced at once, though for some chords on some instruments it is possible to get several more. Technique Woodwind instruments On woodwind instruments—e.g., saxophone, clarinet, oboe, bassoon, flute, and recorder—multiphonics can be produced either with new fingerings, by using different embouchures, or voicin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Growl (wind Instruments)
Growling is a musical technique where the instrumentalist vocalizes into the instrument to alter quality of the sound. Growling is used primarily in rock and blues style playing, it is also frequently used in klezmer music; it is popular in the woodwind family of instruments, especially the saxophone, though it is also commonly used on brass instruments, as well. It is commonly used by mainstream artists such as Ben Webster, Illinois Jacquet and Earl Bostic. Outside of these styles and instruments, it is often considered a novelty effect. The growl gives the performer's sound a dark, guttural, gritty timbre resulting largely from the rustle noise and desirable consonance and Consonance and dissonance, dissonance effects produced. The technique of simultaneous playing a note and singing into an instrument is also known as horn chords or multiphonics. Method The most common and effective method of woodwind growling is to hum, sing, or even scream into the mouthpiece of the instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Technique
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of '' col legno'' in his ''Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertino For Horn (Weber)
The Concertino for Horn and Orchestra in E minor, J188 ( Op. 45), was composed in 1806 for the Karlsruhe player Dautrevaux, and revised for the Munich virtuoso Rauch in 1815 (completed on 31 August) by Carl Maria von Weber . It is an extremely taxing work, whether played on the natural horn for which it was written, or on the modern valve horn. The soloist is accompanied by a small orchestra. It requires, among other feats, that the player produce what is in effect a four-note chord using the interplay between humming and the sound from the instrument, a technique known as multiphonics. The work is widely recorded and performed, appearing in the repertoire of well-known horn players including Hermann Baumann, Barry Tuckwell and David Pyatt. It was originally written for the natural horn, and the authentic performance movement still sees it played on this instrument; for example, by Anthony Halstead with the Hanover Band. Instrumentation The Concertino is scored for a small ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic
A harmonic is a wave with a frequency that is a positive integer multiple of the '' fundamental frequency'', the frequency of the original periodic signal, such as a sinusoidal wave. The original signal is also called the ''1st harmonic'', the other harmonics are known as ''higher harmonics''. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency. The set of harmonics forms a '' harmonic series''. The term is employed in various disciplines, including music, physics, acoustics, electronic power transmission, radio technology, and other fields. For example, if the fundamental frequency is 50 Hz, a common AC power supply frequency, the frequencies of the first three higher harmonics are 100 Hz (2nd harmonic), 150 Hz (3rd harmonic), 200 Hz (4th harmonic) and any addition of waves with these frequencies is periodic at 50 Hz. In music, harmonics are used on string instruments and wind in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Techniques
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism, ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of ''col legno'' in his ''Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overtone Singing
Overtone singing – also known as overtone chanting, harmonic singing, polyphonic overtone singing, and diphonic singing – is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract, in order to arouse the perception of additional, separate notes beyond the fundamental frequency being produced. From a fundamental pitch, made by the human voice, the belonging harmonic overtones can be selectively amplified by changing the vocal tract, i.e. the dimensions and shape of the resonant cavities of the mouth and the pharynx. This resonant tuning allows singers to create more than one pitch at the same time (the fundamental and one or more selected overtones), while usually generating a single fundamental frequency with their vocal folds. Overtone singing should not be confused with throat singing, in spite of the fact that many throat singing techniques comprise overtone singing. As mentioned, overtone singing involves the careful mani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Evangelisti (composer)
Franco Evangelisti (January 21, 1926 – January 28, 1980) was an Italian composer specifically interested in the scientific theories behind sound. Biography Born in Rome, Evangelisti abandoned engineering studies in order to dedicate himself to musical composition. In 1948 he became a composition student of Daniele Paris in Rome, where he also studied piano with Erich Arndt. In 1952 he moved to Germany, where he pursued advanced composition studies with Harald Genzmer at the Hochschule für Musik Freiburg. Starting in 1952 he took part in the Darmstädter Ferienkurse, where he had the opportunity of meeting Werner Meyer-Eppler of the University of Bonn, thanks to which he began to be interested in electronic music. At the invitation of Herbert Eimert, in 1956–57 he worked in the electronic studio of the Westdeutscher Rundfunk in Cologne. In 1957, the orchestral conductor Hermann Scherchen invited him to work in the Studio of Experimental Electroacoustics of UNESCO in Gravesa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luciano Berio
Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition ''Sinfonia'' and his series of virtuosic solo pieces titled '' Sequenza''), and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition. Biography Berio was born in Oneglia (now part of Imperia), on the Ligurian coast of Italy. He was taught piano by his father and grandfather, who were both organists. During World War II, he was conscripted into the army, but on his first day, he injured his hand while learning how a gun worked and spent time in a military hospital. Following the war, Berio studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federico Ghedini. He was unable to continue studying the piano beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
