The (BWV; ; ) is a
catalogue of compositions by
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
. It was first published in 1950, edited by
Wolfgang Schmieder
Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist.
Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.o ...
. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV
2a, was published in 1998.
The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example,
BWV 992 was composed many years before
BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The
Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions.
History
![Loure bach](https://upload.wikimedia.org/wikipedia/commons/b/ba/Loure_bach.png)
The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach.
Wolfgang Schmieder
Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist.
Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.o ...
, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century
Bach Gesellschaft
The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausga ...
(BG) edition for the collation (e.g., BG cantata number = BWV number of the cantata):
#
Kantaten (Cantatas), BWV 1–224
#
Motetten (Motets), BWV 225–231
#
Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
#
Passionen, Oratorien (Passions, Oratorios), BWV 244–249
#
Vierstimmige Choräle (Four-part chorales), BWV 250–438
#
Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
#
Werke für Orgel (Works for organ), BWV 525–771
#
Werke für Klavier (Keyboard compositions), BWV 772–994
#
Werke für Laute (Lute compositions), BWV 995–1000
#
Kammermusik (Chamber music), BWV 1001–1040
#
Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
#
Kanons (Canons), BWV 1072–1078
#
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080
The of the BWV listed works that were not suitable for the main catalogue, in three sections:
*
I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
*
II – works of dubious authenticity (Anh. 24–155)
*
III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)
Within each section of the the works are sorted by genre, following the same sequence of genres as the main catalogue.
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the . Several compositions were repositioned in the over-all structure of chapters organised by genre and sections. In 1998
Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach.
Professional career
Dürr studied musicology and Clas ...
and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV
2a, contained a few further updates and collation rearrangements.
New additions () to BWV
2/BWV
2a included:
*
BWV 1081–1126
*
BWV Anh. 190–213
Numbers above BWV 1126 were added in the 21st century. A new revised version of the ''Bach-Werke-Verzeichnis'' has been announced by the
Bach Archive
The Bach-Archiv Leipzig or Bach-Archiv is an institution for the documentation and research of the life and work of Johann Sebastian Bach. The Bach-Archiv also researches the Bach family, especially their music.
Based in Leipzig, the city where ...
for publication in 2020.
List of compositions by BWV number
The numbers assigned to compositions by
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
and by others in the ''Bach-Werke-Verzeichnis'' are widely used for the unique identification of these compositions. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 =
BWV 225
''Singet dem Herrn ein neues Lied'' (''Sing unto the Lord a new song''), BWV 225, is a motet by Johann Sebastian Bach. It was first performed in Leipzig around (probably) 1727. The text of the three-movement motet is in German: after Psalm 149 for ...
).
BWV 1–1126
BWV numbers 1 to 1126 appear in the 1998 edition of the ''Bach-Werke-Verzeichnis''.
*
BWV 1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Wie schön leuchtet der Morgenstern'' (
cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
The meaning of ...
)
*
BWV 2
(Oh God, look down from heaven), 2 is a chorale cantata composed by Johann Sebastian Bach for the second Sunday after Trinity Sunday, Trinity in 1724. First performed on 18 June in Leipzig, it is the second cantata of chorale cantata cycle, his ...
– ''Ach Gott, vom Himmel sieh darein'' (cantata)
*
BWV 3
(Oh God, how much heartache), 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Mart ...
– ''Ach Gott, wie manches Herzeleid'' (cantata)
*
BWV 4
(also spelled ; "Christ lay in death's bonds" or "Christ lay in the snares of death"), 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylis ...
– ''Christ lag in Todes Banden'' (cantata):
**
BWV 4.1
(also spelled ; "Christ lay in death's bonds" or "Christ lay in the snares of death"), 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylis ...
[ BWV3 number according to ]Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are ...
website. – early version
**
BWV 4.2
(also spelled ; "Christ lay in death's bonds" or "Christ lay in the snares of death"), 4, is a Bach cantata, cantata for Easter by German composer Johann Sebastian Bach, one of his earliest Church cantata (Bach), church cantatas. It is agreed ...
–
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...
version
*
BWV 5
Johann Sebastian Bach composed the church cantata (Where shall I flee), 5, in Leipzig for the 19th Sunday after Trinity Sunday, Trinity and first performed it on 15 October 1724. The Chorale cantata (Bach), chorale cantata is based on the hymn "" ...
– ''Wo soll ich fliehen hin'' (cantata)
*
BWV 6
(Stay with us, for evening falls), 6, is a Bach cantata, cantata by Johann Sebastian Bach for use in a Lutheran service. He composed it in Leipzig in 1725 for Easter Monday and first performed it on 2 April 1725.
The prescribed readings for the ...
– ''Bleib bei uns, denn es will Abend werden'' (cantata)
*
BWV 7
Johann Sebastian Bach composed the church cantata (Christ our Lord came to the Jordan), 7, in Leipzig for the Feast of St. John the Baptist and led its first performance on 24 June 1724.
It is the third cantata Bach composed for his chorale c ...
– ''Christ unser Herr zum Jordan kam'' (cantata)
*
BWV 8 – ''Liebster Gott, wenn werd ich sterben?'' (cantata):
**
BWV 8.1
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– first version
**
BWV 8.2
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– second version
**
BWV 8/6
"Liebster Gott, wann werd ich sterben" ("Dearest God, when will I die") is a Lutheran hymn which Caspar Neumann, an evangelical theologian from Breslau, wrote around 1690. The topic of the hymn, which has five stanzas of eight lines, is a refle ...
– "Herrscher über Tod und Leben" (closing
chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale:
* Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the t ...
)
*
BWV 9
Johann Sebastian Bach composed the church cantata (It is our salvation come here to us), 9 in Leipzig for the sixth Sunday after Trinity between 1732 and 1735. It is a chorale cantata, based on the hymn "" by Paul Speratus. Bach composed the can ...
– ''Es ist das Heil uns kommen her'' (cantata)
*
BWV 10
In 1724 Johann Sebastian Bach composed the church cantata ''Meine Seel erhebt den Herren'', 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle (" Meine Seele erhebt den Herren"), th ...
– ''Meine Seel erhebt den Herren'' (cantata)
*
BWV 11 – ''Lobet Gott in seinen Reichen'' (
oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
)
*
BWV 12
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– ''Weinen, Klagen, Sorgen, Zagen'' (cantata)
*
BWV 13
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Meine Seufzer, meine Tränen'' (cantata)
*
BWV 14
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Wär Gott nicht mit uns diese Zeit'' (cantata)
*
BWV 15
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Denn du wirst meine Seele nicht in der Hölle lassen'' (cantata)
*
BWV 16 – ''Herr Gott, dich loben wir'' (cantata)
*
BWV 17 – ''Wer Dank opfert, der preiset mich'' (cantata)
*
BWV 18 – ''Gleichwie der Regen und Schnee vom Himmel fällt'' (cantata):
**
BWV 18.1 – early version
**
BWV 18.2 – Leipzig version
*
BWV 19
' (There arose a war), 19, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig in 1726 for the Feast of Saint Michael and first performed it on 29 September 1726. It is the second of his three extant cantatas for this feast.
...
– ''Es erhub sich ein Streit'' (cantata)
*
BWV 20
Johann Sebastian Bach composed the church cantata (O eternity, you word of thunder), 20, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724. Bach composed it when beginning his second year as Thomaskantor in Le ...
– ''O Ewigkeit, du Donnerwort'' (cantata)
*
BWV 21
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Ich hatte viel Bekümmernis'' (cantata):
**
BWV 21.1 – first version
**
BWV 21.2 – second version
**
BWV 21.3
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2 ...
– third version
*
BWV 22
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Jesus nahm zu sich die Zwölfe'' (cantata)
*
BWV 23
(You true God and Son of David), , is a church cantata by Johann Sebastian Bach. He composed it in Köthen between 1717 and 1723 for Sunday and performed it as an audition piece for the position of in Leipzig on 7 February 1723. The Sunday w ...
– ''Du wahrer Gott und Davids Sohn'' (cantata):
**
BWV 23.1 – first version
**
BWV 23.2 – second version
**
BWV 23.3
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– third version
*
BWV 24 – ''Ein ungefärbt Gemüte'' (cantata)
*
BWV 25
Johann Sebastian Bach composed the church cantata (There is nothing sound in my body), 25 in Leipzig for the 14th Sunday after Trinity Sunday, Trinity and first performed it on 29 August 1723.
History and words
Bach composed the cantata in 172 ...
– ''Es ist nichts Gesundes an meinem Leibe'' (cantata)
*
BWV 26 – ''Ach wie flüchtig, ach wie nichtig'' (cantata)
*
BWV 27 – ''Wer weiß, wie nahe mir mein Ende?'' (cantata)
*
BWV 28
(Praise God! Now the year comes to an end), BWV28, is a church cantata by Johann Sebastian Bach for the Sunday after Christmas. He first performed it on 30 December 1725.
History and text
Bach composed the cantata in his third year as in Lei ...
– ''Gottlob! nun geht das Jahr zu Ende, BWV 28'' (cantata)
**
BWV 28/2a (formerly
BWV 231
' (May there be praise and glory and honour), 28/2a and 231, identical to the second movement of BWV Anh. 160, is a motet composed by Johann Sebastian Bach.Bach Digital Works , and It was composed some time in 1725.
Text
BWV 28/2a i ...
) – (
motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
, variant of second movement of BWV 28 and of
BWV Anh.
BWV Anh., abbreviation of (German for Bach works catalogue annex), is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.
History
First edition of the ''Bach-Werke-Verzeichnis'' (1950)
In 1950 ...
160)
[Bach Digital Work at ]
*
BWV 29
(We thank you, God, we thank you), 29, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for , the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of ...
– ''Wir danken dir, Gott, wir danken dir'' (cantata)
*
BWV 30
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
:
**
BWV 30.1 (previously 30a) – ''Angenehmes Wiederau'' (
secular cantata)
[Bach's secular cantatas in BWV order, each followed by a link to the Bach Digital Work (BDW) page of the cantata at the ]Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are ...
website:
**
BWV 30.2
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
(previously 30) – ''Freue dich, erlöste Schar'' (cantata)
*
BWV 31 – ''Der Himmel lacht! Die Erde jubilieret'' (cantata):
**
BWV 31.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
–
Weimar
Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...
version
**
BWV 31.2 – Leipzig version
*
BWV 32 – ''Liebster Jesu, mein Verlangen'' (cantata)
*
BWV 33 – ''Allein zu dir, Herr Jesu Christ'' (cantata)
*
BWV 34
(O eternal fire, o source of love), 34 (BWV34.1), is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 34a, beginning with the same line. Bach led ...
– ''O ewiges Feuer, o Ursprung der Liebe'' (cantata):
**
BWV 34.1
(O eternal fire, o source of love), 34 (BWV34.1), is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 34a, beginning with the same line. Bach led the ...
(previously 34) – for Pentecost
**
BWV 34.2 (previously 34a) – for wedding
*
BWV 35
(Spirit and soul become confused), 35, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto voice in Leipzig for the twelfth Sunday after Trinity and first performed it on 8 September 1726.
Bach composed the can ...
– ''Geist und Seele wird verwirret'' (cantata)
*
BWV 36
Johann Sebastian Bach composed the church cantata (Soar joyfully upwards), 36, in Leipzig in 1731 for the first Sunday in Advent. He drew on material from previous congratulatory cantatas, beginning with Schwingt freudig euch empor, BWV 36c, ''S ...
:
**
BWV 36.1 (previously 36c) – ''Schwingt freudig euch empor'' (secular cantata)
**
BWV 36.2 (previously 36a) – ''Steigt freudig in die Luft'' (secular cantata)
**
BWV 36.3 (previously 36b) – ''Die Freude reget sich'' (secular cantata)
**
BWV 36.4 (previously 36 (1)) – ''Schwingt freudig euch empor'' (cantata), early version
**
BWV 36.5
Johann Sebastian Bach composed the church cantata (Soar joyfully upwards), 36, in Leipzig in 1731 for the first Sunday in Advent. He drew on material from previous congratulatory cantatas, beginning with ''Schwingt freudig euch empor'', BWV 36c ...
(previously 36 (2)) – ''Schwingt freudig euch empor'' (cantata)
*
BWV 37 – ''Wer da gläubet und getauft wird'' (cantata)
*
BWV 38
(Out of deep anguish I call to You), 38, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig in 1724 for the 21st Sunday after Trinity and first performed it on 29 October 1724.
The cantata is part of Bach's ...
– ''Aus tiefer Not schrei ich zu dir'' (cantata)
*
BWV 39
Johann Sebastian Bach composed the church cantata ("Break with hungry men thy bread" or "Give the hungry ones thy bread"), , in Leipzig and first performed on 23 June 1726, the first Sunday after Trinity Sunday, Trinity that year. Three years ...
– ''Brich dem Hungrigen dein Brot'' (cantata)
*
BWV 40 – ''Darzu ist erschienen der Sohn Gottes'' (cantata)
*
BWV 41 – ''Jesu, nun sei gepreiset'' (cantata)
*
BWV 42 – ''Am Abend aber desselbigen Sabbats'' (cantata)
*
BWV 43 – ''Gott fähret auf mit Jauchzen'' (cantata)
**
BWV 43/11 – "Du Lebensfürst, Herr Jesu Christ" (closing chorale)
*
BWV 44 – ''Sie werden euch in den Bann tun'' (cantata)
*
BWV 45 – ''Es ist dir gesagt, Mensch, was gut ist'' (cantata)
*
BWV 46
' (Behold and see, if there be any sorrow), 46 , is a church cantata by Johann Sebastian Bach. He composed it for the tenth Sunday after Trinity and it was first performed on 1 August 1723 in Leipzig.
The cantata is part of Bach's first cantata ...
– ''Schauet doch und sehet, ob irgend ein Schmerz sei'' (cantata)
*
BWV 47 – ''Wer sich selbst erhöhet, der soll erniedriget werden'' (cantata)
*
BWV 48 – ''Ich elender Mensch, wer wird mich erlösen'' (cantata)
*
BWV 49
Johann Sebastian Bach composed the church cantata (I go forth and seek with longing), 49, in Leipzig for the twentieth Sunday after Trinity Sunday and first performed it on 3 November 1726. It is a solo cantata, a dialogue of soprano and bass.
...
– ''Ich geh und suche mit Verlangen'' (cantata)
*
BWV 50 – ''Nun ist das Heil und die Kraft'' (cantata)
*
BWV 51
Johann Sebastian Bach composed the church cantata ("Exult in God in every land" or "Shout for joy to God in all lands") 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use ...
– ''Jauchzet Gott in allen Landen'' (cantata)
*
BWV 52 – ''Falsche Welt, dir trau ich nicht'' (cantata)
*
BWV 53
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Schlage doch, gewünschte Stunde'' (cantata)
*
BWV 54
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Widerstehe doch der Sünde'' (cantata)
*
BWV 55
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Ich armer Mensch, ich Sündenknecht'' (cantata)
*
BWV 56
(), 56, is a church cantata composed by Johann Sebastian Bach for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October, 1726. The composition is a solo cantata (german: Solokantate) because, apart from the ...
– ''Ich will den Kreuzstab gerne tragen'' (cantata)
*
BWV 57 – ''Selig ist der Mann'' (cantata)
*
BWV 58
(Ah God, how much heartbreak), 58, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day.
The text has been attributed to Christoph Birkmann by Christine Blanken of the ...
– ''Ach Gott, wie manches Herzeleid'' (cantata):
**
BWV 58.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– early version
**
BWV 58.2 – later version
*
BWV 59
(Whoever loves me will keep my word), 59, is a church cantata by Johann Sebastian Bach. He composed the cantata for Pentecost and probably first performed it in Leipzig on 28 May 1724, but an earlier performance on 16 May 1723 at the , the Univ ...
– ''Wer mich liebet, der wird mein Wort halten'' (cantata)
*
BWV 60 – ''O Ewigkeit, du Donnerwort'' (cantata)
*
BWV 61
Johann Sebastian Bach composed the church cantata (Now come, Savior of the heathens), 61, in Weimar for the first Sunday in Advent, the Sunday which begins the liturgical year, and first performed it on 1714.
The cantata text was provided by E ...
– ''Nun komm, der Heiden Heiland'' (cantata)
*
BWV 62 – ''Nun komm, der Heiden Heiland'' (cantata)
*
BWV 63 – ''Christen, ätzet diesen Tag'' (cantata)
*
BWV 64
(Behold, what a love has the Father shown to us), 64, is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata in Leipzig in 1723 for the third day of Christmas, which is also the Feast of John the Evangelist, and first perf ...
– ''Sehet, welch eine Liebe hat uns der Vater erzeiget'' (cantata)
*
BWV 65 – ''Sie werden aus Saba alle kommen'' (cantata)
*
BWV 66
(Rejoice, you hearts), BWV66.2, 66, is a church cantata for Easter by Johann Sebastian Bach. He composed it for the Second Day of Easter in Leipzig and first performed it on 10 April 1724. He based it on his congratulatory cantata , first perf ...
:
**
BWV 66.1 (previously 66a) – ''Der Himmel dacht auf Anhalts Ruhm und Glück'' (secular cantata)
**
BWV 66.2 (previously 66) – ''Erfreut euch, ihr Herzen'' (cantata)
*
BWV 67
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Halt im Gedächtnis Jesum Christ'' (cantata)
*
BWV 68
(God so loved the world), 68, is a cantata by Johann Sebastian Bach, a church cantata for the second day of Pentecost. Bach composed the cantata in Leipzig and first performed it on 21 May 1725. It is one of nine cantatas on texts by Christiana Ma ...
– ''Also hat Gott die Welt geliebt'' (cantata)
*
BWV 69
(Praise the Lord, my soul), 69, also BWV69.2,Work at Bach Digital website: Lobe den Herrn, meine Seele BWV 69.2; BWV 69; BC B 10 / Sacred cantata (Council election) is a cantata by Johann Sebastian Bach.
History and text
Bach composed a cant ...
– ''Lobe den Herrn, meine Seele'' (cantata):
**
BWV 69.1 (previously 69a) – for the 12th Sunday after Trinity
**
BWV 69.2 (previously 69) – for council election
*
BWV 70
(Watch! Pray! Pray! Watch!) is the title of two church cantatas by Johann Sebastian Bach. He composed a first version, 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to , a cantata in two parts for the ...
– ''Wachet! Betet! Betet! Wachet!'' (cantata):
**
BWV 70.1 (previously 70a) – for the 2nd Sunday of Advent
**
BWV 70.2 (previously 70) – for the 26th Sunday after Trinity
*
BWV 71
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Gott ist mein König'' (cantata)
*
BWV 72 – ''Alles nur nach Gottes Willen'' (cantata)
*
BWV 73
(Lord, as you will, so let it be done with me), 73, is a Bach cantata, church cantata by Johann Sebastian Bach. He composed it for the third Sunday after Epiphany (holiday), Epiphany and first performed it in Leipzig on 23 January 1724. It was pr ...
– ''Herr, wie du willt, so schicks mit mir'' (cantata)
*
BWV 74
("If a man love me, he will keep my words", more literally: "He who loves me will obey my commands"), BWV74, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Pentecost and first performed it on 20 May 1725.
History a ...
– ''Wer mich liebet, der wird mein Wort halten'' (cantata)
*
BWV 75
Johann Sebastian Bach composed the church cantata (The miserable shall eat), 75, in Leipzig for the first Sunday after Trinity and first performed it on 30 May 1723. The complex work in two parts of seven movements each marks the beginning of ...
– ''Die Elenden sollen essen'' (cantata)
*
BWV 76 – ''Die Himmel erzählen die Ehre Gottes'' (cantata)
*
BWV 77 – ''Du sollt Gott, deinen Herren, lieben'' (cantata)
*
BWV 78
(Jesus, who hast wrested my soul), 78 is a church cantata of Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the 14th Sunday after Trinity and first performed it on 10 September 1724. It is based on the hymn by Johann Rist.
...
– ''Jesu, der du meine Seele'' (cantata)
*
BWV 79 – ''Gott der Herr ist Sonn und Schild'' (cantata)
*
BWV 80
("A Mighty Fortress Is Our God"), BWV 80 (also: BWV 80.3), is a chorale cantata for Reformation Day by Johann Sebastian Bach. He reworked it from one of his Weimar cantatas, ''Alles, was von Gott geboren'', BWV 80a (also: BWV 80. ...
:
**
BWV 80.1 (previously 80a) – ''Alles, was von Gott geboren'' (cantata), Weimar version
**
BWV 80.2
("A Mighty Fortress Is Our God"), BWV 80 (also: BWV 80.3), is a chorale cantata for Reformation Day by Johann Sebastian Bach. He reworked it from one of Weimar cantata (Bach), his Weimar cantatas, Alles, was von Gott geboren, BWV 80a, '' ...
(previously 80b) – ''Ein feste Burg ist unser Gott'' (cantata), first Leipzig version
**
BWV 80.3
("A Mighty Fortress Is Our God"), BWV 80 (also: BWV 80.3), is a chorale cantata for Reformation Day by Johann Sebastian Bach. He reworked it from one of his Weimar cantatas, ''Alles, was von Gott geboren'', BWV 80a (also: BWV 80.1 ...
(previously 80) – ''Ein feste Burg ist unser Gott'' (cantata), second Leipzig version
*
BWV 81 – ''Jesus schläft, was soll ich hoffen?'' (cantata)
*
BWV 82
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– ''Ich habe genug'' (cantata):
**
BWV 82.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– first version
**
BWV 82.2 – second version
**
BWV 82.3 – third version
*
BWV 83 – ''Erfreute Zeit im neuen Bunde'' (cantata)
*
BWV 84
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Ich bin vergnügt mit meinem Glücke'' (cantata)
*
BWV 85 – ''Ich bin ein guter Hirt'' (cantata)
*
BWV 86 – ''Wahrlich, wahrlich, ich sage euch'' (cantata)
*
BWV 87 – ''Bisher habt ihr nichts gebeten in meinem Namen'' (cantata)
*
BWV 88
Johann Sebastian Bach composed the church cantata (Behold, I will send out many fishers), 88 in Leipzig for the fifth Sunday after Trinity within the liturgical year and first performed it on 21 July 1726.
Bach composed the cantata after seve ...
– ''Siehe, ich will viel Fischer aussenden'' (cantata)
*
BWV 89 – ''Was soll ich aus dir machen, Ephraim'' (cantata)
*
BWV 90 – ''Es reißet euch ein schrecklich Ende'' (cantata)
*
BWV 91
(Praise be to You, Jesus Christ), 91, is a church cantata by Johann Sebastian Bach. He wrote the Christmas cantata in Leipzig in 1724 for Christmas Day and first performed it on 25 December 1724. The chorale cantata is based on the hymn "" (1524) ...
– ''Gelobet seist du, Jesu Christ'' (cantata):
**
BWV 91.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– early version
**
BWV 91.2 – later version
*
BWV 92 – ''Ich hab in Gottes Herz und Sinn'' (cantata)
*
BWV 93
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– ''Wer nur den lieben Gott läßt walten'' (cantata)
*
BWV 94 – ''Was frag ich nach der Welt'' (cantata)
*
BWV 95 – ''Christus, der ist mein Leben'' (cantata)
*
BWV 96
Johann Sebastian Bach composed the church cantata (Lord Christ, the only Son of God), 96, in Leipzig for the 18th Sunday after Trinity and first performed it on 8 October 1724. The chorale cantata, part of Bach's second annual cycle, is based ...
– ''Herr Christ, der einge Gottessohn'' (cantata)
*
BWV 97 – ''In allen meinen Taten'' (cantata)
*
BWV 98 – ''Was Gott tut, das ist wohlgetan'' (cantata)
*
BWV 99 – ''Was Gott tut, das ist wohlgetan'' (cantata)
*
BWV 100 – ''Was Gott tut, das ist wohlgetan'' (cantata)
*
BWV 101
Johann Sebastian Bach composed the church cantata (Take away from us, Lord, faithful God), 101 in Leipzig for the tenth Sunday after Trinity and first performed it on 13 August 1724. The chorale cantata is based on the hymn by Martin Moller (158 ...
– ''Nimm von uns, Herr, du treuer Gott'' (cantata)
*
BWV 102
Johann Sebastian Bach composed the church cantata (Lord, Your eyes look for faith), 102 in Leipzig for the tenth Sunday after Trinity and it was first performed on 25 August 1726.
History and text
The cantata of Bach's third annual cycle in Le ...
– ''Herr, deine Augen sehen nach dem Glauben'' (cantata)
*
BWV 103 – ''Ihr werdet weinen und heulen'' (cantata)
*
BWV 104 – ''Du Hirte Israel, höre'' (cantata)
*
BWV 105
(Lord, do not pass judgment on Your servant), 105 is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the ninth Sunday after Trinity and first performed it on 25 July 1723. The musicologist Alfred Dürr has described the ...
– ''Herr, gehe nicht ins Gericht mit deinem Knecht'' (cantata)
*
BWV 106
(God's time is the very best time), , also known as ''Actus tragicus'', is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral.
The earliest source for the composition is a copied manuscript date ...
– ''Gottes Zeit ist die allerbeste Zeit'' (cantata)
*
BWV 107
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Was willst du dich betrüben'' (cantata)
*
BWV 108 – ''Es ist euch gut, daß ich hingehe'' (cantata)
*
BWV 109
Johann Sebastian Bach composed the church cantata (I believe, dear Lord, help my unbelief), 109, in Leipzig for the 21st Sunday after Trinity and first performed it on 17 October 1723.
History and words
Bach wrote the cantata in 1723 during hi ...
– ''Ich glaube, lieber Herr, hilf meinem Unglauben'' (cantata)
*
BWV 110 – ''Unser Mund sei voll Lachens'' (cantata)
*
BWV 111 – ''Was mein Gott will, das g'scheh allzeit'' (cantata)
*
BWV 112 – ''Der Herr ist mein getreuer Hirt'' (cantata)
*
BWV 113 – ''Herr Jesu Christ, du höchstes Gut'' (cantata)
*
BWV 114
Johann Sebastian Bach composed the church cantata (Ah, dear Christians, be comforted), 114, in Leipzig for the 17th Sunday after Trinity and first performed it on 1 October 1724.
Bach created the work as part of his second annual cantata cycl ...
– ''Ach, lieben Christen, seid getrost'' (cantata)
*
BWV 115 – ''Mache dich, mein Geist, bereit'' (cantata)
*
BWV 116 – ''Du Friedefürst, Herr Jesu Christ'' (cantata)
*
BWV 117
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Sei Lob und Ehr dem höchsten Gut'' (cantata)
*
BWV 118
''O Jesu Christ, meins Lebens Licht'' (O Jesus Christ, light of my life), BWV 118, is a sacred motet composed by Johann Sebastian Bach. It is known to have been performed at a funeral, and was possibly a generic work intended for funerals.(ac ...
– ''O Jesu Christ, meins Lebens Licht'' (motet):
**
BWV 118.1 – first version
**
BWV 118.2 – second version
*
BWV 119 – ''Preise, Jerusalem, den Herrn'' (cantata)
*
BWV 120
(God, You are praised in the stillness), BWV 120.1 (previously ),Work at Bach Digital website. is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for the occasion of , the inauguration of a new town council in a churc ...
:
**
BWV 120.1 (previously 120) – ''Gott, man lobet dich in der Stille'' (cantata)
**
BWV 120.2 (previously 120a) – ''Herr Gott, Beherrscher aller Dinge'' (cantata)
**
BWV 120.3 (God, you are praised in the stillness), BWV 120.3 (previously BWV 120b), is a cantata by Johann Sebastian Bach. He composed it in 1730 to commemorate the Augsburg Confession.
History and text
This cantata commemorates the 200th annive ...
(previously 120b) – ''Gott, man lobet dich in der Stille'' (cantata), for the 200th Anniversary of the Augsburg Confession
*
BWV 121
(We should praise Christ highly), 121, is a church cantata by Johann Sebastian Bach. He composed this Christmas cantata in Leipzig in 1724 for the second day of Christmas and first performed it on 26 December 1724. The chorale cantata is based o ...
– ''Christum wir sollen loben schon'' (cantata)
*
BWV 122 (The new-born infant child), BWV 122, is a church cantata by Johann Sebastian Bach. Bach composed the chorale cantata in six movements in Leipzig for the Sunday after Christmas and first performed it on 31 December 1724.
History and text
Bach comp ...
– ''Das neugeborne Kindelein'' (cantata)
*
BWV 123 – ''Liebster Immanuel, Herzog der Frommen'' (cantata)
*
BWV 124 – ''Meinen Jesum laß ich nicht'' (cantata)
*
BWV 125
Johann Sebastian Bach composed the cantata (; "With peace and joy I depart"), , for use in a Lutheran service. He composed this chorale cantata in Leipzig in 1725 for the feast for the Purification of Mary, which is celebrated on 2 February and ...
– ''Mit Fried und Freud ich fahr dahin'' (cantata)
*
BWV 126 – ''Erhalt uns, Herr, bei deinem Wort'' (cantata)
*
BWV 127
(Lord Jesus Christ, true Man and God), 127, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in 1725 in Leipzig for the Sunday , the Sunday before Lent. It is based on Paul Eber's 1582 hymn in e ...
– ''Herr Jesu Christ, wahr' Mensch und Gott'' (cantata)
*
BWV 128 – ''Auf Christi Himmelfahrt allein'' (cantata)
*
BWV 129 – ''Gelobet sei der Herr, mein Gott'' (cantata)
*
BWV 130 – ''Herr Gott, dich loben alle wir'' (cantata):
**
BWV 130.1 – first version
**
BWV 130.2 – second version
*
BWV 131
(Out of the depths I call, Lord, to You), , is a church cantata by the German composer Johann Sebastian Bach. It was composed in either 1707 or 1708, which makes it one of Bach's earliest cantatas. Some sources suggest that it could be his earl ...
– ''Aus der Tiefen rufe ich, Herr, zu dir'' (cantata)
**
BWV 131a
The Fugue in G minor, BWV 131a, is a piece of organ music attributed to Johann Sebastian Bach. It is a transcription of the last movement of his Bach cantata, cantata , BWV 131. The cantata is definitely by Bach, while the arrangement for organ is ...
– Fugue in G minor (after 5th movement of BWV 131)
*
BWV 132 – ''Bereitet die Wege, bereitet die Bahn'' (cantata)
*
BWV 133 – ''Ich freue mich in dir'' (cantata)
*
BWV 134
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
:
**
BWV 134.1
Johann Sebastian Bach composed the secular cantata (Time, which day and year doth make), BWV134.1, BWV134a, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen. Bach wrote the work as a ''serenata'' for the celebrati ...
(previously 134a) – ''Die Zeit, die Tag und Jahre macht'' (secular cantata)
**
BWV 134.2 (previously 134) – ''Ein Herz, das seinen Jesum lebend weiß'' (cantata), early version
**
BWV 134.3
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
(previously 134) – ''Ein Herz, das seinen Jesum lebend weiß'' (cantata), later version
*
BWV 135
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Ach Herr, mich armen Sünder'' (cantata)
*
BWV 136 – ''Erforsche mich, Gott, und erfahre mein Herz'' (cantata)
*
BWV 137
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– ''Lobe den Herren, den mächtigen König der Ehren'' (cantata)
*
BWV 138 – ''Warum betrübst du dich, mein Herz'' (cantata)
*
BWV 139 – ''Wohl dem, der sich auf seinen Gott'' (cantata)
*
BWV 140 – ''Wachet auf, ruft uns die Stimme'' (cantata)
*
BWV 141 – ''Das ist je gewißlich wahr'' (cantata)
*
BWV 142
(Unto us a child is born), , is a Christmas cantata by an unknown composer. In the ''Bach-Werke-Verzeichnis'' it is listed among the works with a doubtful attribution to Johann Sebastian Bach. The text is based on a libretto by Erdmann Neumeist ...
– ''Uns ist ein Kind geboren'' (cantata)
*
BWV 143 – ''Lobe den Herrn, meine Seele'' (cantata)
*
BWV 144
(Take what is yours and go away), 144, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Sunday Septuagesimae, the third Sunday before Lent, and first performed it on 6 February 1724.
History and words
Bach wrote ...
– ''Nimm, was dein ist, und gehe hin'' (cantata)
*
BWV 145 – ''Ich lebe, mein Herze, zu deinem Ergötzen'' (cantata)
**
BWV 145/b
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– "So du mit deinem Munde bekennest Jesum" (cantata movement, basis for BWV 145/2)
*
BWV 146 – ''Wir müssen durch viel Trübsal'' (cantata)
*
BWV 147
Johann Sebastian Bach composed the church cantata ' (Heart and mouth and deed and life), 147 in 1723 during his first year as ''Thomaskantor'', the director of church music in Leipzig. His cantata is part of his first cantata cycle there and w ...
– ''Herz und Mund und Tat und Leben'' (cantata):
**
BWV 147.1
' (Heart and mouth and deed and life), BWV 147.1, , is a cantata by Johann Sebastian Bach. He composed it in Weimar in 1716 for the fourth Sunday in Advent, 20 December. It is uncertain if the work was performed then. He later expanded the wor ...
(previously 147a) – for the 4th Sunday of Advent
**
BWV 147.2 (previously 147) – for the Visitation of Mary
*
BWV 148 – ''Bringet dem Herrn Ehre seines Namens'' (cantata)
*
BWV 149
(: One sings with joy about victory), 149, is a church cantata by Johann Sebastian Bach. He composed the work in Leipzig for Michaelmas and first performed it on 29 September 1729. It is the last of his three extant cantatas for the feast.
Pi ...
– ''Man singet mit Freuden vom Sieg'' (cantata)
**
BWV 149/1a (formerly
BWV Anh. 198
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
) – start (sinfonia) of an abandoned cantata, possibly a first attempt to set the libretto of BWV 149
*
BWV 150
' (For Thee, O Lord, I long), , is an early church cantata by Johann Sebastian Bach composed for an unknown occasion. It is unique among Bach's cantatas in its sparse orchestration and in the independence and prominence of the chorus, which is f ...
– ''Nach dir, Herr, verlanget mich'' (cantata)
*
BWV 151 – ''Süßer Trost, mein Jesus kömmt'' (cantata)
*
BWV 152
(Step upon the path of faith), 152, is a church cantata by Johann Sebastian Bach. He composed this Bach cantata, dialogue cantata in Weimar for the Sunday after Christmas and first performed it on 30 December 1714.
History and words
On 2 March ...
– ''Tritt auf die Glaubensbahn'' (cantata)
*
BWV 153 – ''Schau, lieber Gott, wie meine Feind'' (cantata)
*
BWV 154 – ''Mein liebster Jesus ist verloren'' (cantata)
*
BWV 155 – ''Mein Gott, wie lang, ach lange?'' (cantata)
*
BWV 156 – ''Ich steh mit einem Fuß im Grabe'' (cantata)
*
BWV 157
(I will not let you go, unless you bless me), BWV157, is a Bach cantata, church cantata by Johann Sebastian Bach. He composed it in Leipzig in 1726/27 to a libretto by Picander. The first known performance was on 6 February 1727 during a memori ...
– ''Ich lasse dich nicht, du segnest mich denn'' (cantata):
**
BWV 157.1
(I will not let you go, unless you bless me), BWV157, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig in 1726/27 to a libretto by Picander. The first known performance was on 6 February 1727 during a memorial service for ...
– libretto as published by
Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
**
BWV 157.2 – extant cantata: libretto as used at Ponickau's funeral service in Pomßen
*
BWV 158 (Peace be with you), 158, is the shortest of the Bach cantata, cantatas by Johann Sebastian Bach and features a bass (vocal range), bass soloist. It survives as a cantata for the Easter Week, third day of Easter but might be a fragment of a work or ...
– ''Der Friede sei mit dir'' (cantata)
*
BWV 159 – ''Sehet, wir gehn hinauf gen Jerusalem'' (cantata)
*
BWV 160
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Ich weiß, daß mein Erlöser lebt'' (cantata)
*
BWV 161 – ''Komm, du süße Todesstunde'' (cantata)
*
BWV 162
Johann Sebastian Bach composed the church cantata (Ah! I see, now, when I go to the wedding), 162, in Weimar for the 20th Sunday after Trinity and first performed it in 1715 or 1716.
History and words
On 2 March 1714 Bach was appointed concertm ...
– ''Ach! ich sehe, itzt, da ich zur Hochzeit gehe'' (cantata):
**
BWV 162.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– Weimar version
**
BWV 162.2 – Leipzig version
*
BWV 163 – ''Nur jedem das Seine'' (cantata)
*
BWV 164 – ''Ihr, die ihr euch von Christo nennet'' (cantata)
*
BWV 165 – ''O heilges Geist- und Wasserbad'' (cantata)
*
BWV 166
("Where are you heading?", literally: "Where do you go?"), 166, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Cantate, the fourth Sunday after Easter, and first performed it on 7 May 1724.
History and words
Bach ...
– ''Wo gehest du hin?'' (cantata)
*
BWV 167 – ''Ihr Menschen, rühmet Gottes Liebe'' (cantata)
*
BWV 168 – ''Tue Rechnung! Donnerwort'' (cantata)
*
BWV 169
Johann Sebastian Bach composed the church cantata (God alone shall have my heart), 169, a solo cantata for an alto soloist, in Leipzig for the 18th Sunday after Trinity, and first performed it on 20 October 1726.
History and words
Bach wrote ...
– ''Gott soll allein mein Herze haben'' (cantata)
*
BWV 170
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Vergnügte Ruh, beliebte Seelenlust'' (cantata)
*
BWV 171 – ''Gott, wie dein Name, so ist auch dein Ruhm'' (cantata)
*
BWV 172 – ''Erschallet, ihr Lieder, erklinget, ihr Saiten!'' (cantata):
**
BWV 172.1 – Weimar version
**
BWV 172.2
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– second version
**
BWV 172.3 – third version
*
BWV 173
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
:
**
BWV 173.1 (previously 173a) – ''Durchlauchtster Leopold'' (secular cantata)
**
BWV 173.2 (previously 173) – ''Erhöhtes Fleisch und Blut'' (cantata)
*
BWV 174 – ''Ich liebe den Höchsten von ganzem Gemüte'' (cantata)
*
BWV 175 – ''Er rufet seinen Schafen mit Namen'' (cantata)
*
BWV 176 – ''Es ist ein trotzig und verzagt Ding'' (cantata)
*
BWV 177 – ''Ich ruf zu dir, Herr Jesu Christ'' (cantata)
*
BWV 178
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Wo Gott der Herr nicht bei uns hält'' (cantata)
*
BWV 179
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei'' (cantata)
*
BWV 180 – ''Schmücke dich, o liebe Seele'' (cantata)
*
BWV 181 – ''Leichtgesinnte Flattergeister'' (cantata)
*
BWV 182 – ''Himmelskönig, sei willkommen'' (cantata)
*
BWV 183 – ''Sie werden euch in den Bann tun'' (cantata)
*
BWV 184:
**
BWV 184.1 (previously 184a) – secular cantata for New Year 1721 (model for some movements of BWV 184)
**
BWV 184.2 (previously 184) – ''Erwünschtes Freudenlicht'' (cantata)
*
BWV 185 – ''Barmherziges Herze der ewigen Liebe'' (cantata):
**
BWV 185.1 – Weimar version
**
BWV 185.2 – Leipzig version
*
BWV 186
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Ärgre dich, o Seele, nicht'' (cantata):
**
BWV 186.1 (previously 186a) – for the 3rd Sunday of Advent
**
BWV 186.2
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
(previously 186) – for the 7th Sunday after Trinity
*
BWV 187 – ''Es wartet alles auf dich'' (cantata)
*
BWV 188
' (I have lacedmy confidence), 188, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig for the 21st Sunday after Trinity and probably first performed it on 17 October 1728.
History and text
Bach composed this cant ...
– ''Ich habe meine Zuversicht'' (cantata)
*
BWV 189 – ''Meine Seele rühmt und preist'' (cantata)
*
BWV 190 – ''Singet dem Herrn ein neues Lied'' (cantata):
**
BWV 190.1
(Sing a new song to the Lord), , is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724 as part of his first cantata cycle. He adapted it in 1730 to , for the celebrati ...
(previously 190) – for New Year
**
BWV 190.2 (previously 190a) – for the 200th Anniversary of the Augsburg Confession
*
BWV 191
(Glory to God in the Highest), 191, is a church cantata written by the German Baroque composer Johann Sebastian Bach, and the only one of his church cantatas set to a Latin text. He composed the Christmas cantata in Leipzig probably in 1742, for ...
– ''Gloria in excelsis Deo'' (cantata;
church music in Latin)
*
BWV 192 – ''Nun danket alle Gott'' (cantata)
*
BWV 193
also called (You gates of Zion), BWV 193, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for , the inauguration of a new town council, in 1727 and first performed it on 25 August 1727. The music survives in an inco ...
:
**
BWV 193.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
(previously 193a) – ''Ihr Häuser des Himmels, ihr scheinenden Lichter'' (secular cantata)
**
BWV 193.2 (previously 193) – ''Ihr Tore zu Zion'' (cantata)
*
BWV 194:
**
BWV 194.1 (previously 194a) – model for BWV 194 (secular cantata)
**
BWV 194.2
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
(previously 194) – ''Höchsterwünschtes Freudenfest'' (cantata),
Störmthal
Störmthal is a village, part of Großpösna in the Leipzig (district), Leipzig district in Saxony, Germany. It is known for its church in Baroque architecture, Baroque style. The organ, an early work by Zacharias Hildebrandt, was played and inaugu ...
version
**
BWV 194.3
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
(previously 194) – ''Höchsterwünschtes Freudenfest'' (cantata), first Leipzig version
**
BWV 194.4 (previously 194) – second Leipzig version
*
BWV 195 – ''Dem Gerechten muß das Licht'' (cantata):
**
BWV 195.1
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2 ...
– first version
**
BWV 195.2 – second version
**
BWV 195.3 – latest version
*
BWV 196 – ''Der Herr denket an uns'' (cantata)
*
BWV 197:
**
BWV 197.1 (previously 197a) – ''Ehre sei Gott in der Höhe'' (cantata)
**
BWV 197.2 (God is our confidence), BWV 197.2 (formerly BWV 197), is a Bach cantata, church cantata by Johann Sebastian Bach.
History and text
In 1728 in Leipzig, Bach composed a Christmas cantata, (Glory be to God in the Highest), which he revi ...
(previously 197) – ''Gott ist unsre Zuversicht'' (cantata)
*
BWV 198
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Laß, Fürstin, laß noch einen Strahl'' a.k.a. ''Mourning Ode'' (secular cantata)
*
BWV 199 – ''Mein Herze schwimmt im Blut'' (cantata):
**
BWV 199.1 – Weimar version
**
BWV 199.2 –
Köthen version
**
BWV 199.3 – Leipzig version
*
BWV 200
''Bekennen will ich seinen Namen'' (I shall acknowledge His name), BWV 200, is an arrangement by Johann Sebastian Bach of an aria from Gottfried Heinrich Stölzel's passion-oratorio ''Die leidende und am Kreuz sterbende Liebe''. He scored it for al ...
– "Bekennen will ich seinen Namen", after "
Dein Kreuz, o Bräutgam meiner Seelen
Dein is a surname. Notable people with the surname include:
*Dick Dein (1889–1969), Australian politician
*David Dein (born 1943), former vice-chairman of Arsenal Football Club and the Football Association
*Gavin Dein, the founder and CEO of Rew ...
" by
Gottfried Heinrich Stölzel
Gottfried Heinrich Stölzel (13 January 1690 in – 27 November 1749 in Gotha) was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works.
Biogra ...
(
aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
)
*
BWV 201
(Swift, swift, you swirling winds), BWV 201, is a secular cantata by Johann Sebastian Bach, on a libretto by Picander (pen name of Christian Friedrich Henrici). It is a dramma per musica, likely composed for a public performance in 1729, a ...
– ''Geschwinde, ihr wirbelnden Winde'' a.k.a. ''The Dispute between Phoebus and Pan'' (secular cantata)
*
BWV 202
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Weichet nur, betrübte Schatten'' (secular cantata)
*
BWV 203
(Treacherous love), BWV203, is a secular cantata composed by Johann Sebastian Bach in Köthen between 1718 and 1719, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen. Bach wrote the unusual work on an Italian libre ...
– ''Amore traditore'' (secular cantata)
*
BWV 204 – ''Ich bin in mir vergnügt'' a.k.a. ''On Contentedness'' (secular cantata)
*
BWV 205
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
:
**
BWV 205.1
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
(previously 205) – ''Zerreißet, zersprenget, zertrümmert die Gruft'' a.k.a. ''Aeolus Placated'' (secular cantata)
**
BWV 205.2
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2 ...
(previously 205a) – ''Blast Lärmen, ihr Feinde'' (secular cantata)
*
BWV 206 – ''Schleicht, spielende Wellen'' (secular cantata):
**
BWV 206.1
' (Glide, O sparkling waves and murmur softly), BWV 206, is a secular cantata composed by Johann Sebastian Bach in Leipzig and first performed on 7 October 1736.
History and text
Bach composed this cantata for the birthday of Augustus III ...
– first version
**
BWV 206.2 – second version
*
BWV 207
(united discord of quivering strings), BWV 207.1 (formerly BWV 207), is a secular cantata composed by Johann Sebastian Bach and first performed on 11 December 1726 in Leipzig.
History and text
Bach wrote several works for celebr ...
:
**
BWV 207.1
(united discord of quivering strings), BWV 207.1 (formerly BWV 207), is a secular cantata composed by Johann Sebastian Bach and first performed on 11 December 1726 in Leipzig.
History and text
Bach wrote several works for celebr ...
(previously 207) – ''Vereinigte Zwietracht der wechselnden Saiten'' (secular cantata)
**
BWV 207.2 (previously 207a) – ''Auf, schmetternde Töne der muntern Trompeten'' (secular cantata)
*
BWV 208 – ''Was mir behagt, ist nur die muntre Jagd'' a.k.a. ''Hunting Cantata'' (secular cantata):
**
BWV 208.1 (previously 208) –
Weißenfels
Weißenfels (; often written in English as Weissenfels) is the largest town of the Burgenlandkreis district, in southern Saxony-Anhalt, central Germany. It is situated on the river Saale, approximately south of Halle, Saxony-Anhalt, Halle.
His ...
version
**
BWV 208.2 (previously 208a) – Weimar version
**
BWV 208.3 (previously 208a) – Leipzig version
*
BWV 209 (He knows not what sorrow is), BWV 209, is a secular cantata composed by Johann Sebastian Bach and first performed in Leipzig in 1747. With '' Amore Traditore'', it is one of the composer's only two settings of a text in Italian.
History an ...
– ''Non sa che sia dolore'' (secular cantata)
*
BWV 210
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
:
**
BWV 210.1 (previously 210a) – ''O angenehme Melodei'' (secular cantata)
**
BWV 210.2
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
(previously 210) – ''O holder Tag, erwünschte Zeit'' (secular cantata)
*
BWV 211
' (Be still, stop chattering), BWV 211, also known as the ''Coffee Cantata'', is a secular Bach cantata, cantata by Johann Sebastian Bach. He composed it probably between 1732 and 1735. Although classified as a cantata, it is essentially a mi ...
– ''Schweigt stille, plaudert nicht'' a.k.a. ''Coffee Cantata'' (secular cantata)
*
BWV 212 – ''Mer hahn en neue Oberkeet'' a.k.a. ''Peasant Cantata'' (secular cantata)
*
BWV 213 – ''Laßt uns sorgen, laßt uns wachen'' a.k.a. ''Hercules at the Crossroads'' (secular cantata)
*
BWV 214 – ''Tönet, ihr Pauken! Erschallet, Trompeten!'' (secular cantata)
*
BWV 215 – ''Preise dein Glücke, gesegnetes Sachsen'' (secular cantata)
*
BWV 216
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
:
**
BWV 216.1 (previously 216) – ''Vergnügte Pleißenstadt'' (secular cantata)
**
BWV 216.2 (previously 216a) – ''Erwählte Pleißenstadt'' a.k.a. ''Apollo and Mercurius'' (secular cantata)
*
BWV 217 – ''Gedenke, Herr, wie es uns gehet'' (cantata)
*
BWV 218
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– ''Gott der Hoffnung erfülle euch'' (cantata)
*
BWV 219
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– ''Siehe, es hat überwunden der Löwe'' (cantata)
*
BWV 220 ' (Praise him with heart and voice), BWV 220, is a church cantata by an unknown composer, formerly attributed to Johann Sebastian Bach.Work at Bach Digital website
History and text
The cantata was written for the Feast of the Nativity of St ...
– ''Lobt ihn mit Herz und Munde'' (cantata)
*
BWV 221 – ''Wer sucht die Pracht, wer wünscht den Glanz'' (cantata)
*
BWV 222
''Mein Odem ist schwach'' (My breath is weak), BWV 222, is a church cantata composed by Johann Ernst Bach II. It had been accredited to Johann Sebastian Bach. The intended occasion and the librettist are unknown.
Scoring and structure
The can ...
– ''Mein Odem ist schwach'' (cantata)
*
BWV 223
' (My soul will praise God), BWV 223, is a Bach cantata, church cantata probably composed by Johann Sebastian Bach in Mühlhausen around 1707. The music of the cantata is lost, except for four measures of the theme of the closing fugue, which ...
– ''Meine Seele soll Gott loben'' (cantata)
*
BWV 224 – ''Reißt euch los, bedrängte Sinnen'' (cantata)
*
BWV 225
''Singet dem Herrn ein neues Lied'' (''Sing unto the Lord a new song''), BWV 225, is a motet by Johann Sebastian Bach. It was first performed in Leipzig around (probably) 1727. The text of the three-movement motet is in German: after Psalm 149 f ...
– (motet)
*
BWV 226
' (The Spirit gives aid to our weakness), 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti.
History
For ' , the autograph score survives. Bach himself noted on its title: "." (' ...
– (motet)
*
BWV 227 – (motet)
*
BWV 228
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version o ...
– (motet)
*
BWV 229
(Come, Jesus, come), , is a List of motets by Johann Sebastian Bach, motet by Johann Sebastian Bach, with a text by Paul Thymich. It was composed in Leipzig, and received its first performance by 1731–1732.
Bach scored the motet for choir, dou ...
– (motet)
*
BWV 230
''Lobet den Herrn, alle Heiden'' (''Praise the Lord, all ye nations''), 230, is a motet by Johann Sebastian Bach.
Words
The motet draws its text from Psalm 117 Verses 1-2.
A couple of Bach's other motets are known to have been composed for fu ...
– (motet)
* BWV 231 (renumbered to BWV 28/2a, see above)
*
BWV 232
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctu ...
– Mass in B minor (church music in Latin)
*
BWV 233 – Kyrie–Gloria Mass in F major (church music in Latin)
**
BWV 233a
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– Kyrie "Christe, du Lamm Gottes" in F major (variants of Kyrie from BWV 233; church music in Latin)
*
BWV 234
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– Kyrie–Gloria Mass in A major (church music in Latin)
*
BWV 235 – Kyrie–Gloria Mass in G minor (church music in Latin)
*
BWV 236 – Kyrie–Gloria Mass in G major (church music in Latin)
*
BWV 237 – Sanctus in C major (church music in Latin)
*
BWV 238
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text ...
– Sanctus in D major (church music in Latin)
*
BWV 239 – Sanctus in D minor (church music in Latin, arrangement)
*
BWV 240
Most of Johann Sebastian Bach's extant church music in Latin language, Latin—Mass (music)#Ordinarium, settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate ...
– Sanctus in G major (church music in Latin)
*
BWV 241
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text ...
– Sanctus in D major (church music in Latin, arrangement)
*
BWV 242
Most of Johann Sebastian Bach's extant church music in Latin language, Latin—Mass (music)#Ordinarium, settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate ...
– Christe eleison in G minor (church music in Latin)
*
BWV 243
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the ...
– Magnificat (church music in Latin):
**
BWV 243.1
The in E-flat major, 243a, also BWV243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts ...
(previously 243a) – early version in E-flat major
**
BWV 243.2 (previously 243) – D major version
*
BWV 244
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It ...
– ''St Matthew Passion'' (
Passion setting
In Christian music, a Passion is a setting of the Passion of Christ. Liturgically, most Passions were intended to be performed as part of church services in the Holy Week.
Passion settings developed from Medieval intoned readings of the Gospe ...
):
**
BWV 244.1
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It se ...
(previously 244b) – early version
**
BWV 244.2 (previously 244) – later versions
** BWV 244a (renumbered to BWV 1143, see below)
*
BWV 245
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as direc ...
– ''St John Passion'' (Passion setting)
**
BWV 245.1
The structure of the ''St John Passion'' (german: Johannes-Passion, link=no), Bach-Werke-Verzeichnis, BWV 245, a sacred oratorio by Johann Sebastian Bach, is "carefully designed with a great deal of musico-theological intent". Some main aspects ...
– first version (1724)
**
BWV 245.2 – second version (1725), including:
***
BWV 245a – "Himmel reiße, Welt erbebe" (aria)
***
BWV 245b
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– "Zerschmettert mich, ihr Felsen und ihr Hügel" (aria)
***
BWV 245c – "Ach, windet euch nicht so, geplagte Seelen" (arioso)
**
BWV 245.3
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– third version (1732?)
**
BWV 245.4
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2 ...
– incomplete revision of 1739
**
BWV 245.5
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
– fourth version (1749)
*
BWV 246
The ''St Luke Passion'' (german: Lukas-Passion), BWV 246, is a Passion (music), Passion setting formerly attributed to Johann Sebastian Bach. It is included in the BWV catalog under the number 246. Now it appears in the catalogues under the headin ...
– ''St Luke Passion'' (Passion setting)
**
BWV 246/40a – "Aus der Tiefen rufe ich" (chorale)
*
BWV 247
The ''St Mark Passion'' (german: Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731 and again, in a revised version, in 1744. Though Bach's music is lost, the li ...
– ''St Mark Passion'' (music lost; Passion setting)
*
BWV 248 – ''Christmas Oratorio'' (consisting of six cantatas)
**
BWV 248VIa – (textless cantata, model for the sixth cantata of BWV 248)
*
BWV 249
The ''Easter Oratorio'' (), 249, is an oratorio by Johann Sebastian Bach, beginning with ("Come, hasten and run"). Bach composed it in Leipzig and first performed it on 1 April 1725.
History
The first version of the work was completed as a Ba ...
:
**
BWV 249.1 (previously 249a) – ''Entfliehet, verschwindet, entweichet, ihr Sorgen'' a.k.a. ''Shepherd Cantata'' (secular cantata)
**
BWV 249.2 (previously 249b) – ''Verjaget, zerstreuet, zerrüttet, ihr Sterne'' a.k.a. ''The Celebration of Genius'' (secular cantata)
**
BWV 249.3 (previously 249) – ''Easter Oratorio'', early version
**
BWV 249.4 (previously 249) – ''Easter Oratorio'', middle version
**
BWV 249.5 (previously 249) – ''Easter Oratorio'', later version
*
BWV 250
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1)
*
BWV 251 – "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2)
*
BWV 252
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Nun danket alle Gott" (Three wedding chorales No. 3)
*
BWV 253 – "Ach bleib bei uns, Herr Jesu Christ" (
four-part chorale)
*
BWV 254
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Ach Gott, erhör mein Seufzen" (four-part chorale)
*
BWV 255 – "Ach Gott und Herr" (four-part chorale)
*
BWV 256
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Ach lieben Christen seid getrost" (four-part chorale)
*
BWV 257 – "Wär Gott nicht mit uns diese Zeit" (four-part chorale)
*
BWV 258 – "Wo Gott der Herr nicht bei uns hält" (four-part chorale)
*
BWV 259
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Ach, was soll ich Sünder machen" (four-part chorale)
*
BWV 260
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Allein Gott in der Höh sei Ehr" (four-part chorale)
*
BWV 261 – "Allein zu dir, Herr Jesu Christ" (four-part chorale)
*
BWV 262
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Alle Menschen müssen sterben" (four-part chorale)
*
BWV 263 – "Alles ist an Gottes Segen" (four-part chorale)
*
BWV 264
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Als der gütige Gott" (four-part chorale)
*
BWV 265 – "Als Jesus Christus in der Nacht" (four-part chorale)
*
BWV 266
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Als vierzig Tag nach Ostern warn" (four-part chorale)
*
BWV 267 – "An Wasserflüssen Babylon" (or) "Ein Lämmlein geht und trägt die Schuld" (four-part chorale)
*
BWV 268 – "Auf, auf, mein Herz, und du mein ganzer Sinn" (four-part chorale)
*
BWV 269
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Aus meines Herzens Grunde" (four-part chorale)
*
BWV 270 – "Befiehl du deine Wege" (four-part chorale)
*
BWV 271 – "Befiehl du deine Wege" (four-part chorale)
*
BWV 272 – "Befiehl du deine Wege" (four-part chorale)
*
BWV 273
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Christ, der du bist der helle Tag" (four-part chorale)
*
BWV 274 – "Christe, der du bist Tag und Licht" (four-part chorale)
*
BWV 275
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Christ, du Beistand deiner Kreuzgemeine" (four-part chorale)
*
BWV 276
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Christ ist erstanden" (four-part chorale)
*
BWV 277 – "Christ lag in Todesbanden" (four-part chorale)
*
BWV 278
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Christ lag in Todesbanden" (four-part chorale)
*
BWV 279 – "Christ lag in Todesbanden" (four-part chorale)
*
BWV 280 – "Christ unser Herr zum Jordan kam" (four-part chorale)
*
BWV 281 – "Christus, der ist mein Leben" (four-part chorale)
*
BWV 282 – "Christus, der ist mein Leben" (four-part chorale)
*
BWV 283
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Christus, der uns selig macht" (four-part chorale)
*
BWV 284
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Christus ist erstanden, hat überwunden" (four-part chorale)
*
BWV 285
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Da der Herr Christ zu Tische saß" (four-part chorale)
*
BWV 286 – "Danket dem Herrn, denn er ist sehr freundlich" (four-part chorale)
*
BWV 287
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Dank sei Gott in der Höhe" (four-part chorale)
*
BWV 288 – "Das alte Jahr vergangen ist" (four-part chorale)
*
BWV 289 – "Das alte Jahr vergangen ist" (four-part chorale)
*
BWV 290
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Das walt Gott Vater und Gott Sohn" (four-part chorale)
*
BWV 291
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Das walt mein Gott" (four-part chorale)
*
BWV 292 – "Den Vater dort oben" (four-part chorale)
*
BWV 293
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Der du bist drei in Einigkeit" (four-part chorale)
*
BWV 294 – "Der Tag, der ist so freudenreich" (four-part chorale)
*
BWV 295 – "Des Heilgen Geistes reiche Gnad" (four-part chorale)
*
BWV 296
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Die Nacht ist kommen" (four-part chorale)
*
BWV 297
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Die Sonn hat sich mit ihrem Glanz gewendet" (four-part chorale)
*
BWV 298 – "Dies sind die heilgen zehn Gebot" (four-part chorale)
*
BWV 299
The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...
– "Dir, dir, Jehova, will ich singen" (four-part chorale)
*
BWV 300 – "Du großer Schmerzensmann" (four-part chorale)
*
BWV 301
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Du, o schönes Weltgebäude" (four-part chorale)
*
BWV 302
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Ein feste Burg ist unser Gott" (four-part chorale)
*
BWV 303 – "Ein feste Burg ist unser Gott" (four-part chorale)
*
BWV 304
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Eins ist not, ach Herr, dies Eine" (four-part chorale)
*
BWV 305
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Erbarm dich mein, o Herre Gott" (four-part chorale)
*
BWV 306 – "Erstanden ist der heilig Christ" (four-part chorale)
*
BWV 307
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Es ist gewisslich an der Zeit" (four-part chorale)
*
BWV 308
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Es spricht der Unweisen Mund wohl" (four-part chorale)
*
BWV 309 – "Es stehn vor Gottes Throne" (four-part chorale)
*
BWV 310 – "Es wird schier der letzte Tag herkommen" (four-part chorale)
*
BWV 311 – "Es woll uns Gott gnädig sein" (four-part chorale)
*
BWV 312
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Es woll uns Gott gnädig sein" (four-part chorale)
*
BWV 313
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Für Freuden lasst uns springen" (four-part chorale)
*
BWV 314 – "Gelobt seist du, Jesu Christ" (four-part chorale)
*
BWV 315
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Gib dich zufrieden und sei stille" (four-part chorale)
*
BWV 316
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Gott, der du selber bist das Licht" (four-part chorale)
*
BWV 317
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Gott der Vater wohn uns bei" (four-part chorale)
*
BWV 318
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Gottes Sohn ist kommen" (four-part chorale)
*
BWV 319
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Gott hat das Evangelium" (four-part chorale)
*
BWV 320
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Gott lebet noch" (four-part chorale)
*
BWV 321 – "Gottlob, es geht nunmehr zum Ende" (four-part chorale)
*
BWV 322
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Gott sei gelobet und gebenedeiet" (four-part chorale)
*
BWV 323
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Gott sei uns gnädig und barmherzig" (four-part chorale)
*
BWV 324
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Meine Seele erhebet den Herren" (four-part chorale)
*
BWV 325
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text ...
– "Heilig, heilig" (or) "Sanctus, Sanctus Dominus Deus Sabaoth" (four-part chorale)
*
BWV 326 – "Herr Gott, dich loben alle wir" (four-part chorale)
*
BWV 327
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Vor deinen Thron tret ich hiermit" (four-part chorale)
*
BWV 328
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr Gott, dich loben wir" (four-part chorale)
*
BWV 329
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr, ich denk an jene Zeit" (four-part chorale)
*
BWV 330
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr, ich habe missgehandelt" (four-part chorale)
*
BWV 331 – "Herr, ich habe missgehandelt" (four-part chorale)
*
BWV 332 – "Herr Jesu Christ, dich zu uns wend" (four-part chorale)
*
BWV 333 – "Herr Jesu Christ, du hast bereit'" (four-part chorale)
*
BWV 334
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr Jesu Christ, ich schrei zu dir" (or) "Herr Jesu Christ, du höchstes Gut" (four-part chorale)
*
BWV 335 – "Herr Jesu Christ, meins Lebens Licht" (or) "O Jesu, du mein Bräutigam" (four-part chorale)
*
BWV 336
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr Jesu Christ, wahr' Mensch und Gott" (four-part chorale)
*
BWV 337
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr, nun lass in Friede" (four-part chorale)
*
BWV 338
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herr, straf mich nicht in deinem Zorn" (four-part chorale)
*
BWV 339 – "Wer in dem Schutz des Höchsten ist" (or) "Herr, wie du willt, so schicks mit mir" (four-part chorale)
*
BWV 340
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Herzlich lieb hab ich dich, o Herr" (four-part chorale)
*
BWV 341
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Heut ist, o Mensch, ein großer Trauertag" (four-part chorale)
*
BWV 342
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Heut triumphieret Gottes Sohn" (four-part chorale)
*
BWV 343 – "Hilf, Gott, dass mirs gelinge" (four-part chorale)
*
BWV 344 – "Hilf, Herr Jesu, lass gelingen" (four-part chorale)
*
BWV 345
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Ich bin ja, Herr, in deiner Macht" (four-part chorale)
*
BWV 346 – "Ich dank dir, Gott, für deine Wohltat" (four-part chorale)
*
BWV 347 – "Ich dank dir, lieber Herre" (four-part chorale)
*
BWV 348 – "Ich dank dir, lieber Herre" (four-part chorale)
*
BWV 349
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Ich dank dir schon durch deinen Sohn" (four-part chorale)
*
BWV 350
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Ich danke dir, Herr Gott, in deinem Throne" (four-part chorale)
*
BWV 351
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Ich hab mein Sach Gott heimgestellt" (four-part chorale)
*
BWV 352 – "Jesu, der du meine Seele" (four-part chorale)
*
BWV 353
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesu, der du meine Seele" (four-part chorale)
*
BWV 354 – "Jesu, der du meine Seele" (four-part chorale)
*
BWV 355
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesu, der du selbsten wohl" (four-part chorale)
*
BWV 356
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesu, du mein liebstes Leben" (four-part chorale)
*
BWV 357
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Jesu, Jesu, du bist mein" (four-part chorale)
*
BWV 358 – "Jesu, meine Freude" (four-part chorale)
*
BWV 359
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Jesu, meiner Seelen Wonne" (four-part chorale)
*
BWV 360
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesu, meiner Seelen Wonne" (four-part chorale)
*
BWV 361 – "Jesu, meines Herzens Freud" (four-part chorale)
*
BWV 362
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesu, nun sei gepreiset" (four-part chorale)
*
BWV 363
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesus Christus, unser Heiland" (four-part chorale)
*
BWV 364
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Jesus Christus, unser Heiland, der den Tod überwand" (four-part chorale)
*
BWV 365 – "Jesus, meine Zuversicht" (four-part chorale)
*
BWV 366 – "Ihr Gestirn, ihr hohlen Lüfte" (four-part chorale)
*
BWV 367 – "In allen meinen Taten" (four-part chorale)
*
BWV 368
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "In dulci jubilo" (four-part chorale)
*
BWV 369 – "Keinen hat Gott verlassen" (four-part chorale)
*
BWV 370
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Komm, Gott Schöpfer, Heiliger Geist" (four-part chorale)
*
BWV 371 – "Kyrie, Gott Vater in Ewigkeit" (four-part chorale)
*
BWV 372
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Lass, o Herr, dein Ohr sich neigen" (four-part chorale)
*
BWV 373 – "Liebster Jesu, wir sind hier" (four-part chorale)
*
BWV 374
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Lobet den Herren, denn er ist sehr freundlich" (four-part chorale)
*
BWV 375 – "Lobt Gott, ihr Christen, allzugleich" (four-part chorale)
*
BWV 376
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Lobt Gott, ihr Christen allzugleich" (four-part chorale)
*
BWV 377
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Machs mit mir, Gott, nach deiner Güt" (four-part chorale)
*
BWV 378
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Mein Augen schließ ich jetzt in Gottes Namen zu" (four-part chorale)
*
BWV 379
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Meinen Jesum laß ich nicht" (four-part chorale)
*
BWV 380
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Meinen Jesum laß ich nicht" (four-part chorale)
*
BWV 381
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Meines Lebens letzte Zeit" (four-part chorale)
*
BWV 382
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Mit Fried und Freud ich fahr dahin" (four-part chorale)
*
BWV 383 – "Mitten wir im Leben sind" (four-part chorale)
*
BWV 384 – "Nicht so traurig, nicht so sehr" (four-part chorale)
*
BWV 385
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Nun bitten wir den Heiligen Geist" (four-part chorale)
*
BWV 386 – "Nun danket alle Gott" (four-part chorale)
*
BWV 387 – "Nun freut euch, Gottes Kinder all" (four-part chorale)
*
BWV 388
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Nun freut euch, lieben Christen gmein" (four-part chorale)
*
BWV 389 – "Nun lob, mein Seel, den Herren" (four-part chorale)
*
BWV 390 – "Nun lob, mein Seel, den Herren" (four-part chorale)
*
BWV 391 – "Nun preiset alle Gottes Barmherzigkeit" (four-part chorale)
*
BWV 392
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Nun ruhen alle Wälder" (four-part chorale)
*
BWV 393
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "O Welt, sieh hier dein Leben" (four-part chorale)
*
BWV 394 – "O Welt, sieh hier dein Leben" (four-part chorale)
*
BWV 395 – "O Welt, sieh hier dein Leben" (four-part chorale)
*
BWV 396 – "Nun sich der Tag geendet hat" (four-part chorale)
*
BWV 397
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "O Ewigkeit, du Donnerwort" (four-part chorale)
*
BWV 398 – "O Gott, du frommer Gott" (four-part chorale)
*
BWV 399
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "O Gott, du frommer Gott" (four-part chorale)
*
BWV 400 – "O Herzensangst" (four-part chorale)
*
BWV 401 – "O Lamm Gottes, unschuldig" (four-part chorale)
*
BWV 402
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "O Mensch, bewein dein Sünde groß" (four-part chorale)
*
BWV 403 – "O Mensch, schau Jesum Christum an" (four-part chorale)
*
BWV 404 – "O Traurigkeit, o Herzeleid" (four-part chorale)
*
BWV 405
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "O wie selig seid ihr doch, ihr Frommen" (four-part chorale)
*
BWV 406 – "O wie selig seid ihr doch, ihr Frommen" (four-part chorale)
*
BWV 407 – "O wir armen Sünder" (four-part chorale)
*
BWV 408
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Schaut, ihr Sünder" (four-part chorale)
*
BWV 409
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Seelenbräutigam" (four-part chorale)
*
BWV 410
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
– "Sei gegrüßet, Jesu gütig" (four-part chorale)
*
BWV 411 – "Singt dem Herrn ein neues Lied" (four-part chorale)
*
BWV 412
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "So gibst du nun, mein Jesu, gute Nacht" (four-part chorale)
*
BWV 413
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Sollt ich meinem Gott nicht singen" (four-part chorale)
*
BWV 414
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Uns ist ein Kindlein heut geborn" (four-part chorale)
*
BWV 415
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Valet will ich dir geben" (four-part chorale)
*
BWV 416
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Vater unser im Himmelreich" (four-part chorale)
*
BWV 417 – "Von Gott will ich nicht lassen" (four-part chorale)
*
BWV 418
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Von Gott will ich nicht lassen" (four-part chorale)
*
BWV 419 – "Helft mir Gotts Güte preisen" (or) "Von Gott will ich nicht lassen" (four-part chorale)
*
BWV 420 – "Warum betrübst du dich, mein Herz" (four-part chorale)
*
BWV 421 – "Warum betrübst du dich, mein Herz" (four-part chorale)
*
BWV 422
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Warum sollt ich mich denn grämen" (four-part chorale)
*
BWV 423
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Was betrübst du dich, mein Herze" (four-part chorale)
*
BWV 424
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Was bist du doch, o Seele, so betrübet" (four-part chorale)
*
BWV 425
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Was willst du dich, o meine Seele, kränken" (four-part chorale)
*
BWV 426 – "Weltlich Ehr und zeitlich Gut" (four-part chorale)
*
BWV 427
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Wenn ich in Angst und Not" (four-part chorale)
*
BWV 428
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Wenn mein Stündlein vorhanden ist" (four-part chorale)
*
BWV 429
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Wenn mein Stündlein vorhanden ist" (four-part chorale)
*
BWV 430
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Wenn mein Stündlein verhanden ist" (four-part chorale)
*
BWV 431 – "Wenn wir in höchsten Nöten sein" (four-part chorale)
*
BWV 432
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
– "Wenn wir in höchsten Nöten sein" (four-part chorale)
*
BWV 433 – "Wer Gott vertraut, hat wohl gebaut" (four-part chorale)
*
BWV 434 – "Wer weiß, wie nahe mir mein Ende" (or) "Wer nur den lieben Gott lässt walten" (four-part chorale)
* BWV 435 – "Wie bist du, Seele, in mir so gar betrübt" (four-part chorale)
* BWV 436 – "Wie schön leuchtet der Morgenstern" (four-part chorale)
* BWV 437 – "Wir glauben all an einen Gott" (four-part chorale)
* BWV 438 – "Wo Gott zum Haus nicht gibt sein Gunst" (four-part chorale)
* BWV 439 – "Ach, dass nicht die letzte Stunde" (List of songs and arias by Johann Sebastian Bach, song/aria)
* BWV 440 – "Auf, auf! die rechte Zeit ist hier" (song/aria)
* BWV 441 – "Auf! auf! mein Herz, mit Freuden" (song/aria)
* BWV 442 – "Beglückter Stand getreuer Seelen" (song/aria)
* BWV 443 – "Beschränkt, ihr Weisen dieser Welt" (song/aria)
* BWV 444 – "Brich entzwei, mein armes Herze" (song/aria)
* BWV 445 – "Brunnquell aller Güter" (song/aria)
* BWV 446 – "Der lieben Sonnen Licht und Pracht" (song/aria)
* BWV 447 – "Der Tag ist hin, die Sonne gehet nieder" (song/aria)
* BWV 448 – "Der Tag mit seinem Lichte" (song/aria)
* BWV 449 – "Dich bet' ich an, mein höchster Gott" (song/aria)
* BWV 450 – "Die bittre Leidenszeit beginnet abermal" (song/aria)
* BWV 451 – "Die goldne Sonne, voll Freud' und Wonne" (song/aria)
* BWV 452 – "Dir, dir Jehovah, will ich singen" (song/aria)
* BWV 453 – "Eins ist Not! ach Herr, dies Eine" (song/aria)
* BWV 454 – "Ermuntre dich, mein schwacher Geist" (song/aria)
* BWV 455 – "Erwürgtes Lamm, das die verwahrten Siegel" (song/aria)
* BWV 456 – "Es glänzet der Christen" (song/aria)
* BWV 457 – "Es ist nun aus mit meinem Leben" (song/aria)
* BWV 458 – "Es ist vollbracht! vergiss ja nicht" (song/aria)
* BWV 459 – "Es kostet viel, ein Christ zu sein" (song/aria)
* BWV 460 – "Gib dich zufrieden und sei stille" (song/aria)
* BWV 461 – "Gott lebet noch; Seele, was verzagst du doch?" (song/aria)
* BWV 462 – "Gott, wie groß ist deine Güte" (song/aria)
* BWV 463 – "Herr, nicht schicke deine Rache" (song/aria)
* BWV 464 – "Ich bin ja, Herr, in deiner Macht" (song/aria)
* BWV 465 – "Ich freue mich in dir" (song/aria)
* BWV 466 – "Ich halte treulich still und liebe" (song/aria)
* BWV 467 – "Ich lass' dich nicht" (song/aria)
* BWV 468 – "Ich liebe Jesum alle Stund'" (song/aria)
* BWV 469 – "Ich steh' an deiner Krippen hier" (song/aria)
* BWV 470 – "Jesu, Jesu, du bist mein" (song/aria)
* BWV 471 – "Jesu, deine Liebeswunden" (song/aria)
* BWV 472 – "Jesu, meines Glaubens Zier" (song/aria)
* BWV 473 – "Jesu, meines Herzens Freud" (song/aria)
* BWV 474 – "Jesus ist das schönste Licht" (song/aria)
* BWV 475 – "Jesus, unser Trost und Leben" (song/aria)
* BWV 476 – "Ihr Gestirn', ihr hohen Lufte" (song/aria)
* BWV 477 – "Kein Stündlein geht dahin" (song/aria)
* BWV 478 – "Komm, süßer Tod, komm, selge Ruh" (song/aria)
* BWV 479 – "Kommt, Seelen, dieser Tag" (song/aria)
* BWV 480 – "Kommt wieder aus der finstern Gruft" (song/aria)
* BWV 481 – "Lasset uns mit Jesu ziehen" (song/aria)
* BWV 482 – "Liebes Herz, bedenke doch" (song/aria)
* BWV 483 – "Liebster Gott, wann werd' ich sterben?" (song/aria)
* BWV 484 – "Liebster Herr Jesu! wo bleibest du so lange?" (song/aria)
* BWV 485 – "Liebster Immanuel, Herzog der Frommen" (song/aria)
* BWV 486 – "Mein Jesu, dem die Seraphinen" (song/aria)
* BWV 487 – "Mein Jesu! was für Seelenweh" (song/aria)
* BWV 488 – "Meines Lebens letzte Zeit" (song/aria)
* BWV 489 – "Nicht so traurig, nicht so sehr" (song/aria)
* BWV 490 – "Nur mein Jesus ist mein Leben" (song/aria)
* BWV 491 – "O du Liebe meiner Liebe" (song/aria)
* BWV 492 – "O finstre Nacht" (song/aria)
* BWV 493 – "O Jesulein süß, o Jesulein mild" (song/aria)
* BWV 494 – "O liebe Seele, zieh' die Sinnen" (song/aria)
* BWV 495 – "O wie selig seid ihr doch, ihr Frommen" (song/aria)
* BWV 496 – "Seelen-Bräutigam, Jesu, Gottes Lamm" (song/aria)
* BWV 497 – "Seelenweide, meine Freude" (song/aria)
* BWV 498 – "Selig, wer an Jesum denkt" (song/aria)
* BWV 499 – "Sei gegrüßet, Jesu gütig" (song/aria)
* BWV 500 – "So gehst du nun, mein Jesu, hin" (song/aria)
** BWV 500a – "So gehst du nun, mein Jesu, hin" (variant of BWV 500 as a four-part chorale)
* BWV 501 – "So giebst du nun, mein Jesu, gute Nacht" (song/aria)
* BWV 502 – "So wünsch' ich mir zu guter Letzt" (song/aria)
* BWV 503 – "Steh' ich bei meinem Gott" (song/aria)
* BWV 504 – "Vergiss mein nicht, dass ich dein nicht" (song/aria)
* BWV 505 – "Vergiss mein nicht, vergiss mein nicht" (song/aria)
* BWV 506 – "Was bist du doch, o Seele, so betrübet" (song/aria)
* BWV 507 – "Wo ist mein Schäflein, das ich liebe" (song/aria)
* BWV 508 – "Bist du bei mir", after Gottfried Heinrich Stölzel (aria)
* BWV 509 – "Gedenke doch, mein Geist" (aria)
* BWV 510 – "Gib dich zufrieden" (chorale)
* BWV 511 – "Gib dich zufrieden" (chorale)
* BWV 512 – "Gib dich zufrieden" (chorale)
* BWV 513 – "O Ewigkeit, du Donnerwort" (chorale)
* BWV 514 – "Schaffs mit mir, Gott" (chorale)
* BWV 515 – "So oft ich meine Tobackspfeife" (aria)
** BWV 515a – "So oft ich meine Tobackspfeife" (variant of BWV 515)
* BWV 516 – "Warum betrübst du dich" (aria)
* BWV 517 – "Wie wohl ist mir, o Freund der Seelen" (song/aria)
* BWV 518 – "Willst du dein Herz mir schenken" (song/aria)
* BWV 519 – "Hier lieg ich nun" (song/aria)
* BWV 520 – "Das walt' mein Gott" (song/aria)
* BWV 521 – "Gott mein Herz dir Dank" (song/aria)
* BWV 522 – "Meine Seele, lass es gehen" (song/aria)
* BWV 523 – "Ich gnüge mich an meinem Stande" (song/aria)
* BWV 524 – Wedding Quodlibet (fragment)
* BWV 525 – Organ Sonatas (Bach), Organ Sonata No. 1 in E-flat major
** BWV 525a (or: BWV deest (music), deest) – Concerto (or: Trio Sonata) in C major for violin, cello and continuo (variant of BWV 525/1, 1032/2 and 525/3)
* BWV 526 – Organ Sonata No. 2 in C minor
* BWV 527 – Organ Sonata No. 3 in D minor
* BWV 528 – Organ Sonata No. 4 in E minor
* BWV 529 – Organ Sonata No. 5 in C major
* BWV 530 – Organ Sonata No. 6 in G major
* BWV 531 – Prelude and Fugue in C major
* BWV 532:
** BWV 532.1
(previously 532/2a) – Fugue in D major (early version of the fugue of BWV 532)
** BWV 532.2
(previously 532) – Prelude and Fugue in D major
* BWV 533 – Prelude and Fugue in E minor ("Cathedral")
** BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals)
* BWV 534 – Prelude and Fugue in F minor
* BWV 535 – Prelude and Fugue in G minor
** BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535)
* BWV 536 – Prelude and Fugue in A major
** BWV 536a – Prelude and Fugue in A major (incomplete variant of BWV 536)
* BWV 537 – Fantasia and Fugue in C minor
* BWV 538 – Toccata and Fugue in D minor ("Dorian")
* BWV 539 – Prelude and Fugue in D minor ("Fiddle"; Fugue exists in a variants for violin and for lute, see BWV 1001/2 and 1000 respectively)
* BWV 540 – Toccata and Fugue in F major
* BWV 541 – Prelude and Fugue in G major
* BWV 542 – Fantasia and Fugue in G minor ("Great")
* BWV 543 – Prelude and Fugue in A minor
** BWV 543/1a – Prelude in A minor (early version of the prelude of BWV 543)
* BWV 544 – Prelude and Fugue in B minor
* BWV 545 – Prelude and Fugue in C major
** BWV 545a – Prelude and Fugue in C major (early version of BWV 545)
** BWV 545b – Prelude, Trio and Fugue in B-flat major (outer movements variant of BWV 545(a); middle movement variant of BWV 1029/3)
* BWV 546 – Prelude and Fugue in C minor
* BWV 547 – Prelude and Fugue in C major ("9/8")
* BWV 548 – Prelude and Fugue in E minor ("Wedge")
* BWV 549 – Prelude and Fugue in C minor
* BWV 550 – Prelude and Fugue in G major
* BWV 551 – Prelude and Fugue in A minor
* BWV 552 – Prelude and Fugue in E-flat major ("St. Anne")
* BWV 553 – ''Eight Short Preludes and Fugues'' No. 1: Prelude and Fugue in C major
* BWV 554 – ''Eight Short Preludes and Fugues'' No. 2: Prelude and Fugue in D minor
* BWV 555 – ''Eight Short Preludes and Fugues'' No. 3: Prelude and Fugue in E minor
* BWV 556 – ''Eight Short Preludes and Fugues'' No. 4: Prelude and Fugue in F major
* BWV 557 – ''Eight Short Preludes and Fugues'' No. 5: Prelude and Fugue in G major
* BWV 558 – ''Eight Short Preludes and Fugues'' No. 6: Prelude and Fugue in G minor
* BWV 559 – ''Eight Short Preludes and Fugues'' No. 7: Prelude and Fugue in A minor
* BWV 560 – ''Eight Short Preludes and Fugues'' No. 8: Prelude and Fugue in B-flat major
* BWV 561 – Fantasia and Fugue in A minor
* BWV 562 – Fantasia and Fugue in C minor (fugue unfinished)
* BWV 563 – Fantasia (and Imitatio) in B minor
* BWV 564 – Toccata, Adagio and Fugue in C major
* BWV 565 – Toccata and Fugue in D minor
* BWV 566 – Toccata and Fugue in E major (earliest extant manuscripts present this work in C major)
* BWV 567 – Prelude in C major
* BWV 568 – Prelude in G major
* BWV 569 – Prelude in A minor
* BWV 570 – Fantasia in C major
* BWV 571 – Fantasia (Concerto) in G major
* BWV 572 – Fantasia in G major (''Pièce d'Orgue'')
* BWV 573 – Fantasia in C major (incomplete)
* BWV 574 – Fugue in C minor (on a theme of Giovanni Legrenzi, Legrenzi)
** BWV 574a – Fugue in C minor (alternative version of BWV 574)
** BWV 574b – Fugue in C minor (alternative version of BWV 574)
* BWV 575 – Fugue in C minor
* BWV 576 – Fugue in G major
* BWV 577 – Fugue in G major ("à la Gigue")
* BWV 578 – Fugue in G minor ("Little")
* BWV 579 – Fugue in B minor (on a theme from Arcangelo Corelli's Op. 3, No. 4)
* BWV 580 – Fugue in D major
* BWV 581 – Fugue in G major
* BWV 582 – Passacaglia and Fugue in C minor
* BWV 583 – Trio in D minor
* BWV 584 – Trio in G minor (variant of BWV 166/2)
* BWV 585 – Trio in C minor (after Johann Friedrich Fasch)
* BWV 586 – Trio in G major
* BWV 587 – Aria in F major (after François Couperin)
* BWV 588 – Canzona in D minor
* BWV 589 – Alla breve in D major
* BWV 590 – Pastorella in F major
* BWV 591 – Little Harmonic Labyrinth
* BWV 592 – Concerto in G major, after Violin Concerto ''a 8'' in G major by Prince Johann Ernst of Saxe-Weimar
** BWV 592a – Concerto in G major (arrangement of BWV 592 for harpsichord)
* BWV 593 – Concerto in A minor, after Antonio Vivaldi's Concerto in A minor for two violins and strings, L'estro Armonico, Op. 3 No. 8 (Ryom-Verzeichnis, RV 522)
* BWV 594 – Concerto in C major, after Antonio Vivaldi's ''Grosso Mogul'' Violin Concerto in D major, RV 208
* BWV 595 – Concerto in C major (arrangement for organ of the first movement of BWV 984)
* BWV 596 – Concerto in D minor, after Antonio Vivaldi's Concerto in D minor for two violins, cello and strings, Op. 3 No. 11 (RV 565)
* BWV 597 – Concerto in E-flat major
* BWV 598 – Pedal Exercise in G minor
* BWV 599 – ''Nun komm, der Heiden Heiland'' (chorale prelude No. 1 from ''Orgelbüchlein'')
* BWV 600 – ''Gott, durch deine Güte'' (or) ''Gottes Sohn ist kommen'' (chorale prelude No. 2 from ''Orgelbüchlein'')
* BWV 601 – ''Herr Christ, der einge Gottessohn'' (or) ''Herr Gott, nun sei gepreiset'' (chorale prelude No. 3 from ''Orgelbüchlein''; also in the Neumeister Collection)
* BWV 602 – ''Lob sei dem allmächtigen Gott'' (chorale prelude No. 4 from ''Orgelbüchlein'')
* BWV 603 – ''Puer natus in Bethlehem'' (chorale prelude No. 5 from ''Orgelbüchlein'')
* BWV 604 – ''Gelobet seist du, Jesu Christ'' (chorale prelude No. 6 from ''Orgelbüchlein'')
* BWV 605 – ''Der Tag, der ist so freudenreich'' (chorale prelude No. 7 from ''Orgelbüchlein'')
* BWV 606 – ''Vom Himmel hoch, da komm ich her'' (chorale prelude No. 8 from ''Orgelbüchlein'')
* BWV 607 – ''Vom Himmel kam der Engel Schar'' (chorale prelude No. 9 from ''Orgelbüchlein'')
* BWV 608 – ''In dulci jubilo'' (chorale prelude No. 10 from ''Orgelbüchlein'')
* BWV 609 – ''Lobt Gott, ihr Christen, allzugleich'' (chorale prelude No. 11 from ''Orgelbüchlein'')
* BWV 610 – ''Jesu, meine Freude'' (chorale prelude No. 12 from ''Orgelbüchlein'')
* BWV 611 – ''Christum wir sollen loben schon'' (chorale prelude No. 13 from ''Orgelbüchlein'')
* BWV 612 – ''Wir Christenleut' ''(chorale prelude No. 14 from ''Orgelbüchlein'')
* BWV 613 – ''Helft mir Gottes Güte preisen'' (chorale prelude No. 15 from ''Orgelbüchlein'')
* BWV 614 – ''Das alte Jahr vergangen ist'' (chorale prelude No. 16 from ''Orgelbüchlein'')
* BWV 615 – ''In dir ist Freude'' (chorale prelude No. 17 from ''Orgelbüchlein'')
* BWV 616 – ''Mit Fried und Freud ich fahr dahin'' (chorale prelude No. 18 from ''Orgelbüchlein'')
* BWV 617 – ''Herr Gott, nun schleuß den Himmel auf'' (chorale prelude No. 19 from ''Orgelbüchlein'')
* BWV 618 – ''O Lamm Gottes, unschuldig'' (chorale prelude No. 20 from ''Orgelbüchlein'')
* BWV 619 – ''Christe, du Lamm Gottes'' (chorale prelude No. 21 from ''Orgelbüchlein'')
* BWV 620 – ''Christus, der uns selig macht'' (chorale prelude No. 22 from ''Orgelbüchlein'')
** BWV 620a – ''Christus, der uns selig macht'' (earlier version of BWV 620)
* BWV 621 – ''Da Jesus an dem Kreuze stund'' (chorale prelude No. 23 from ''Orgelbüchlein'')
* BWV 622 – ''O Mensch, bewein dein Sünde groß'' (chorale prelude No. 24 from ''Orgelbüchlein'')
* BWV 623 – ''Wir danken dir, Herr Jesu Christ'' (chorale prelude No. 25 from ''Orgelbüchlein'')
* BWV 624 – ''Hilf Gott, daß mir's gelinge'' (chorale prelude No. 26 from ''Orgelbüchlein'')
* BWV 625 – ''Christ lag in Todesbanden'' (chorale prelude No. 27 from ''Orgelbüchlein'')
* BWV 626 – ''Jesus Christus, unser Heiland'' (chorale prelude No. 28 from ''Orgelbüchlein'')
* BWV 627 – ''Christ ist erstanden'' (chorale prelude No. 29 from ''Orgelbüchlein'')
* BWV 628 – ''Erstanden ist der heil'ge Christ'' (chorale prelude No. 30 from ''Orgelbüchlein'')
* BWV 629 – ''Erschienen ist der herrliche Tag'' (chorale prelude No. 31 from ''Orgelbüchlein'')
* BWV 630 – ''Heut triumphieret Gottes Sohn'' (chorale prelude No. 32 from ''Orgelbüchlein'')
* BWV 631 – ''Komm, Gott Schöpfer, Heiliger Geist'' (chorale prelude No. 33 from ''Orgelbüchlein'')
** BWV 631a – ''Komm, Gott Schöpfer, Heiliger Geist'' (earlier version of BWV 631)
* BWV 632 – ''Herr Jesu Christ, dich zu uns wend' ''(chorale prelude No. 34 from ''Orgelbüchlein'')
* BWV 633 – ''Liebster Jesu, wir sind hier'' (chorale prelude No. 36 from ''Orgelbüchlein'')
* BWV 634 – ''Liebster Jesu, wir sind hier'' (chorale prelude No. 35 from ''Orgelbüchlein'', earlier version of BWV 633)
* BWV 635 – ''Dies sind die heil'gen zehn Gebot' ''(chorale prelude No. 37 from ''Orgelbüchlein'')
* BWV 636 – ''Vater unser im Himmelreich'' (chorale prelude No. 38 from ''Orgelbüchlein'')
* BWV 637 – ''Durch Adams Fall ist ganz verderbt'' (chorale prelude No. 39 from ''Orgelbüchlein'')
* BWV 638 – ''Es ist das Heil uns kommen her'' (chorale prelude No. 40 from ''Orgelbüchlein'')
** BWV 638a – ''Es ist das Heil uns kommen her'' (earlier version of BWV 638)
* BWV 639 – ''Ich ruf zu dir, Herr Jesu Christ'' (chorale prelude No. 41 from ''Orgelbüchlein''; also in the Neumeister Collection)
* BWV 640 – ''In dich hab ich gehoffet, Herr'' (chorale prelude No. 42 from ''Orgelbüchlein'')
* BWV 641 – ''Wenn wir in höchsten Nöten sein'' (chorale prelude No. 43 from ''Orgelbüchlein'')
* BWV 642 – ''Wer nur den lieben Gott läßt walten'' (chorale prelude No. 44 from ''Orgelbüchlein'')
* BWV 643 – ''Alle Menschen müssen sterben'' (chorale prelude No. 45 from ''Orgelbüchlein'')
* BWV 644 – ''Ach wie nichtig, ach wie flüchtig'' (chorale prelude No. 46 from ''Orgelbüchlein'')
* BWV 645 – ''Wachet auf, ruft uns die Stimme'' (''Schübler Chorales'' No. 1)
* BWV 646 – ''Wo soll ich fliehen hin'' (or) ''Auf meinen lieben Gott'' (''Schübler Chorales'' No. 2)
* BWV 647 – ''Wer nur den lieben Gott läßt walten'' (''Schübler Chorales'' No. 3)
* BWV 648 – ''Meine Seele erhebt den Herren'' (''Schübler Chorales'' No. 4)
* BWV 649 – ''Ach, bleib bei uns, Herr Jesu Christ'' (''Schübler Chorales'' No. 5)
* BWV 650 – ''Kommst du nun, Jesu, vom Himmel herunter'' (''Schübler Chorales'' No. 6)
* BWV 651 – Fantasia super "Komm, Heiliger Geist, Herre Gott" (''Great Eighteen Chorale Preludes'' No. 1)
** BWV 651a – Fantasia (Präludium) super "Komm, Heiliger Geist, Herre Gott" (earlier version of BWV 651)
* BWV 652 – ''Komm, Heiliger Geist, Herre Gott'' (''Great Eighteen Chorale Preludes'' No. 2)
** BWV 652a – ''Komm, Heiliger Geist, Herre Gott'' (earlier version of BWV 652)
* BWV 653 – ''An Wasserflüssen Babylon'' (''Great Eighteen Chorale Preludes'' No. 3)
** BWV 653a – ''An Wasserflüssen Babylon'', alio modo a 4 (earlier version of BWV 653)
** BWV 653b – ''An Wasserflüssen Babylon'' (earlier version of BWV 653a)
* BWV 654 – ''Schmücke dich, o liebe Seele'' (''Great Eighteen Chorale Preludes'' No. 4)
** BWV 654a – ''Schmücke dich, o liebe Seele'' (earlier version of BWV 654)
* BWV 655 – Trio super "Herr Jesu Christ, dich zu uns wend'" (''Great Eighteen Chorale Preludes'' No. 5)
** BWV 655a – Trio super "Herr Jesu Christ, dich zu uns wend'" (earlier version of BWV 655)
** BWV 655b (or: BWV deest) – Herr Jesu Christ, dich zu uns wend' (likely spurious variant of BWV 655)
** BWV 655c (or: BWV deest) – Herr Jesu Christ, dich zu uns wend' (likely spurious variant of BWV 655)
* BWV 656 – ''O Lamm Gottes, unschuldig'' (''Great Eighteen Chorale Preludes'' No. 6)
** BWV 656a – ''O Lamm Gottes, unschuldig'' (earlier version of BWV 656)
* BWV 657 – ''Nun danket alle Gott'' (''Great Eighteen Chorale Preludes'' No. 7)
* BWV 658 – ''Von Gott will ich nicht lassen'' (''Great Eighteen Chorale Preludes'' No. 8)
** BWV 658a – Fantasia super "Von Gott will ich nicht lassen3 (earlier version of BWV 658)
* BWV 659 – ''Nun komm, der Heiden Heiland'' (''Great Eighteen Chorale Preludes'' No. 9)
** BWV 659a – Fantasia super "Nun komm, der Heiden Heiland" (earlier version of BWV 659)
* BWV 660 – Trio super "Nun komm, der Heiden Heiland" (''Great Eighteen Chorale Preludes'' No. 10)
** BWV 660a – ''Nun komm, der Heiden Heiland'' (earlier version of BWV 660)
** BWV 660b – ''Nun komm, der Heiden Heiland'' (variant of BWV 660)
* BWV 661 – ''Nun komm, der Heiden Heiland'' (''Great Eighteen Chorale Preludes'' No. 11)
** BWV 661a – ''Nun komm, der Heiden Heiland'' (earlier version of BWV 661)
* BWV 662 – ''Allein Gott in der Höh' sei Ehr' ''(''Great Eighteen Chorale Preludes'' No. 12)
** BWV 662a – ''Allein Gott in der Höh' sei Ehr' ''(earlier version of BWV 662)
* BWV 663 – ''Allein Gott in der Höh' sei Ehr' ''(''Great Eighteen Chorale Preludes'' No. 13)
** BWV 663a – ''Allein Gott in der Höh' sei Ehr' ''(earlier version of BWV 663)
* BWV 664 – Trio super "Allein Gott in der Höh' sei Ehr'" (''Great Eighteen Chorale Preludes'' No. 14)
** BWV 664a – Trio super "Allein Gott in der Höh' sei Ehr'" (earlier version of BWV 664)
** BWV 664b – Trio super "Allein Gott in der Höh' sei Ehr'" (earlier sketch for BWV 664a)
* BWV 665 – ''Jesus Christus, unser Heiland'' (''Great Eighteen Chorale Preludes'' No. 15)
** BWV 665a – ''Jesus Christus, unser Heiland'', in organo pleno (earlier version of BWV 665)
* BWV 666 – ''Jesus Christus, unser Heiland'', alio modo (''Great Eighteen Chorale Preludes'' No. 16)
** BWV 666a – ''Jesus Christus, unser Heiland'' (earlier version of BWV 666)
* BWV 667 – ''Komm, Gott Schöpfer, heiliger Geist'' (''Great Eighteen Chorale Preludes'' No. 17)
** BWV 667a – ''Komm, Gott Schöpfer, heiliger Geist'' (earlier version of BWV 667)
** BWV 667b – ''Komm, Gott Schöpfer, heiliger Geist'' (earlier sketch for BWV 667a)
* BWV 668 – ''Vor deinen Thron tret' ich'' (fragment; ''Great Eighteen Chorale Preludes'' No. 18)
** BWV 668a – ''Wenn wir in höchsten Nöten sein'' (variant of BWV 668)
* BWV 669 – ''Kyrie, Gott Vater in Ewigkeit'' (chorale prelude: large version, i.e. with pedal)
* BWV 670 – ''Christe, aller Welt Trost'' (chorale prelude: large version)
* BWV 671 – ''Kyrie, Gott heiliger Geist'' (chorale prelude: large version)
* BWV 672 – ''Kyrie, Gott Vater in Ewigkeit'' (chorale prelude: small version, i.e. for single keyboard)
* BWV 673 – ''Christe, aller Welt Trost'' (chorale prelude: small version)
* BWV 674 – ''Kyrie, Gott heiliger Geist'' (chorale prelude: small version)
* BWV 675 – ''Allein Gott in der Höh' sei Ehr' ''(chorale prelude)
* BWV 676 – ''Allein Gott in der Höh' sei Ehr' ''(chorale prelude: large version)
** BWV 676a – ''Allein Gott in der Höh' sei Ehr' ''(later variant of BWV 676)
* BWV 677 – Fughetta super "Allein Gott in der Höh' sei Ehr'" (chorale prelude: small version)
* BWV 678 – ''Dies sind die heil'gen zehn Gebot' ''(chorale prelude: large version)
* BWV 679 – Fughetta super "Dies sind die heil'gen zehn Gebot'" (chorale prelude: small version)
* BWV 680 – ''Wir glauben all an einen Gott'' (chorale prelude: large version)
* BWV 681 – Fughetta super "Wir glauben all an einen Gott" (chorale prelude: small version)
* BWV 682 – ''Vater unser im Himmelreich'' (chorale prelude: large version)
* BWV 683 – ''Vater unser im Himmelreich'' (chorale prelude: small version)
** BWV 683a – ''Vater unser im Himmelreich'' (later variant of BWV 683)
* BWV 684 – ''Christ unser Herr zum Jordan kam'' (chorale prelude: large version)
* BWV 685 – ''Christ unser Herr zum Jordan kam'' alio modo (chorale prelude: small version)
* BWV 686 – ''Aus tiefer Not schrei ich zu dir'' (chorale prelude: large version)
* BWV 687 – ''Aus tiefer Not schrei ich zu dir'' (chorale prelude: small version)
* BWV 688 – ''Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt'' (chorale prelude: large version)
* BWV 689 – Fuga super "Jesus Christus, unser Heiland" (chorale prelude: small version)
* BWV 690 – ''Wer nur den lieben Gott läßt walten'' (chorale prelude from the Kirnberger collection)
* BWV 691 – ''Wer nur den lieben Gott läßt walten'' (chorale prelude from the Kirnberger collection)
** BWV 691a – ''Wer nur den lieben Gott läßt walten'' (variant of BWV 691)
* BWV 692 – ''Ach, Gott und Herr'' (chorale prelude from the Kirnberger collection)
[Christoph Wolff, "Bach, John Sebastian: Works", ''Grove Music Online'', Oxford Music Online, accessed 29 December 2011 (subscription required)]
** BWV 692a – ''Ach, Gott und Herr'' (variant of BWV 692)
* BWV 693 – ''Ach, Gott und Herr'' (chorale prelude from the Kirnberger collection)
* BWV 694 – ''Wo soll ich fliehen hin'' (chorale prelude from the Kirnberger collection)
* BWV 695 – Fantasia super "Christ lag in Todesbanden" (chorale prelude from the Kirnberger collection)
** BWV 695a – Fantasia super "Christ lag in Todesbanden" (variant of BWV 695)
* BWV 696 – Fughetta super "Christum wir sollen loben schon" (chorale prelude from the Kirnberger collection)
* BWV 697 – Fughetta super "Gelobet seist du, Jesu Christ" (chorale prelude from the Kirnberger collection)
* BWV 698 – Fughetta super "Herr Christ, der ein'ge Gottes-Sohn" (chorale prelude from the Kirnberger collection)
* BWV 699 – Fughetta super "Nun komm, der Heiden Heiland" (chorale prelude from the Kirnberger collection)
* BWV 700 – ''Vom Himmel hoch, da komm' ich her'' (chorale prelude from the Kirnberger collection)
* BWV 701 – Fughetta super "Vom Himmel hoch, da komm' ich her" (chorale prelude from the Kirnberger collection)
* BWV 702 – Fughetta super "Das Jesulein soll doch mein Trost" (chorale prelude from the Kirnberger collection)
* BWV 703 – Fughetta super "Gottes-Sohn ist kommen" (chorale prelude from the Kirnberger collection)
* BWV 704 – Fughetta super "Lob sei dem allmächtigen Gott" (chorale prelude from the Kirnberger collection)
* BWV 705 – ''Durch Adams Fall ist ganz verderbt'' (chorale prelude from the Kirnberger collection)
* BWV 706 – ''Liebster Jesu, wir sind hier'' (two versions; chorale prelude from the Kirnberger collection)
* BWV 707 – ''Ich hab' mein' Sach' Gott heimgestellt'' (chorale prelude from the Kirnberger collection)
* BWV 708 – ''Ich hab' mein' Sach' Gott heimgestellt'' alio modo (chorale prelude from the Kirnberger collection)
** BWV 708a – ''Ich hab' mein' Sach' Gott heimgestellt'' (variant of BWV 708)
* BWV 709 – ''Herr Jesu Christ, dich zu uns wend' ''(chorale prelude from the Kirnberger collection)
* BWV 710 – ''Wir Christenleut' ''(chorale prelude from the Kirnberger collection)
* BWV 711 – ''Allein Gott in der Höh' sei Ehr' ''(bicinium; chorale prelude from the Kirnberger collection)
* BWV 712 – ''In dich hab' ich gehoffet'' (chorale prelude from the Kirnberger collection)
* BWV 713 – Fantasia super "Jesu, meine Freude" (chorale prelude from the Kirnberger collection)
** BWV 713a – Fantasia super "Jesu, meine Freude" (variant of BWV 713)
* BWV 714 – ''Ach Gott und Herr'' (chorale prelude; also in the Neumeister Collection)
* BWV 715 – ''Allein Gott in der Höh sei Ehr'' (chorale prelude)
* BWV 716 – Fuga super "Allein Gott in der Höh sei Ehr" (chorale prelude)
* BWV 717 – ''Allein Gott in der Höh sei Ehr' ''(chorale prelude)
* BWV 718 – ''Christ lag in Todesbanden'' (chorale prelude)
* BWV 719 – ''Der Tag, der ist so freudenreich'' (chorale prelude; also in the Neumeister Collection)
* BWV 720 – ''Ein feste Burg ist unser Gott'' (chorale prelude)
* BWV 721 – ''Erbarm dich mein, o Herre Gott'' (chorale prelude)
* BWV 722 – ''Gelobet seist du, Jesu Christ'' (chorale prelude)
** BWV 722a – ''Gelobet seist du, Jesu Christ'' (sketch; variant of BWV 722)
* BWV 723 – ''Gelobet seist du, Jesu Christ'' (chorale prelude)
* BWV 724 – ''Gott, durch deine Güte'' (or) ''Gottes Sohn ist kommen'' (chorale prelude)
* BWV 725 – ''Herr Gott, dich loben wir'' (chorale prelude)
* BWV 726 – ''Herr Jesu Christ, dich zu uns wend'' (chorale prelude)
* BWV 727 – ''Herzlich tut mich verlangen'' (chorale prelude)
* BWV 728 – ''Jesus, meine Zuversicht'' (chorale prelude)
* BWV 729 – ''In dulci jubilo'' (chorale prelude)
** BWV 729a – ''In dulci jubilo'' (sketch; variant of BWV 729)
* BWV 730 – ''Liebster Jesu, wir sind hier'' (chorale prelude)
* BWV 731 – ''Liebster Jesu, wir sind hier'' (chorale prelude)
* BWV 732 – ''Lobt Gott, ihr Christen, allzugleich'' (chorale prelude)
** BWV 732a – ''Lobt Gott, ihr Christen, allzugleich'' (sketch; variant of BWV 732)
* BWV 733 – ''Fuga sopra il Magnificat'' (chorale prelude)
* BWV 734 – ''Nun freut euch, lieben Christen'' (or) ''Es ist gewisslich an der Zeit'' (chorale prelude)
* BWV 735 – ''Valet will ich dir geben'' (chorale prelude)
* BWV 736 – ''Valet will ich dir geben'' (chorale prelude)
* BWV 737 – ''Vater unser im Himmelreich'' (chorale prelude; also in the Neumeister Collection)
* BWV 738 – ''Von Himmel hoch, da komm' ich her'' (chorale prelude)
** BWV 738a – ''Von Himmel hoch, da komm' ich her'' (sketch; variant of BWV 738)
* BWV 739 – ''Wie schön leuchtet der Morgenstern'' (chorale prelude)
* BWV 740 – ''Wir glauben all' an einen Gott, Vater'' (chorale prelude)
* BWV 741 – ''Ach Gott, von Himmel sieh' darein'' (chorale prelude)
* BWV 742 – ''Ach Herr, mich armen Sünder'' (chorale prelude; also in the Neumeister Collection)
* BWV 743 – ''Ach, was ist doch unser Leben'' (chorale prelude)
* BWV 744 – ''Auf meinen lieben Gott'' (chorale prelude)
* BWV 745 – ''Aus der Tiefe rufe ich'' (chorale prelude)
* BWV 746 – ''Christ ist erstanden'' (chorale prelude)
* BWV 747 – ''Christus, der uns selig macht'' (chorale prelude)
* BWV 748 – ''Gott der Vater wohn' uns bei (chorale prelude)
** BWV 748a – ''Gott der Vater wohn' uns bei'' (variant of BWV 748)
* BWV 749 – ''Herr Jesu Christ, dich zu uns wend' ''(chorale prelude)
* BWV 750 – ''Herr Jesu Christ, mein's Lebens Licht'' (chorale prelude)
* BWV 751 – ''In dulci jubilo'' (chorale prelude)
* BWV 752 – ''Jesu, der du meine Seele'' (chorale prelude)
* BWV 753 – ''Jesu, meine Freude'' (chorale prelude; fragment)
* BWV 754 – ''Liebster Jesu, wir sind hier'' (chorale prelude)
* BWV 755 – ''Nun freut euch, lieben Christen'' (chorale prelude)
* BWV 756 – ''Nun ruhen alle Wälder'' (chorale prelude)
* BWV 757 – ''O Herre Gott, dein göttlich's Wort'' (chorale prelude)
* BWV 758 – ''O Vater, allmächtiger Gott'' (chorale prelude)
* BWV 759 – ''Schmücke dich, o liebe Seele'' (chorale prelude)
* BWV 760 – ''Vater unser im Himmelreich'' (chorale prelude)
* BWV 761 – ''Vater unser im Himmelreich'' (chorale prelude)
* BWV 762 – ''Vater unser im Himmelreich'' (chorale prelude)
* BWV 763 – ''Wie schön leuchtet der Morgenstern'' (chorale prelude)
* BWV 764 – ''Wie schön leuchtet der Morgenstern'' (chorale prelude; fragment)
* BWV 765 – ''Wir glauben all' an einen Gott'' (chorale prelude)
* BWV 766 – ''Christ, der du bist der helle Tag'' (chorale partita)
* BWV 767 – ''O Gott, du frommer Gott'' (chorale partita)
* BWV 768 – ''Sei gegrüsset, Jesu gütig'' (chorale partita)
* BWV 769 – Canonic Variations on "Vom Himmel hoch da komm' ich her" (as published by the composer)
** BWV 769a – Canonic Variations on "Vom Himmel hoch da komm' ich her" (manuscript variant of BWV 769)
* BWV 770 – ''Ach, was soll ich Sünder machen'' (chorale variations)
* BWV 771 – ''Allein Gott in der Höh' sei Ehr' ''(chorale variations)
* BWV 772 – Inventions and Sinfonias (Bach), Two-Part Invention No. 1 in C major
** BWV 772a – Two-Part Invention in C major (variant of BWV 772)
* BWV 773 – Two-Part Invention No. 2 in C minor
* BWV 774 – Two-Part Invention No. 3 in D major
* BWV 775 – Two-Part Invention No. 4 in D minor
* BWV 776 – Two-Part Invention No. 5 in E-flat major
* BWV 777 – Two-Part Invention No. 6 in E major
* BWV 778 – Two-Part Invention No. 7 in E minor
* BWV 779 – Two-Part Invention No. 8 in F major
* BWV 780 – Two-Part Invention No. 9 in F minor
* BWV 781 – Two-Part Invention No. 10 in G major
* BWV 782 – Two-Part Invention No. 11 in G minor
* BWV 783 – Two-Part Invention No. 12 in A major
* BWV 784 – Two-Part Invention No. 13 in A minor
* BWV 785 – Two-Part Invention No. 14 in B-flat major
* BWV 786 – Two-Part Invention No. 15 in B minor
* BWV 787 – Inventions and Sinfonias (Bach), Sinfonia No. 1 in C major
* BWV 788 – Sinfonia No. 2 in C minor
* BWV 789 – Sinfonia No. 3 in D major
* BWV 790 – Sinfonia No. 4 in D minor
* BWV 791 – Sinfonia No. 5 in E-flat major
* BWV 792 – Sinfonia No. 6 in E major
* BWV 793 – Sinfonia No. 7 in E minor
* BWV 794 – Sinfonia No. 8 in F major
* BWV 795 – Sinfonia No. 9 in F minor
* BWV 796 – Sinfonia No. 10 in G major
* BWV 797 – Sinfonia No. 11 in G minor
* BWV 798 – Sinfonia No. 12 in A major
* BWV 799 – Sinfonia No. 13 in A minor
* BWV 800 – Sinfonia No. 14 in B-flat major
* BWV 801 – Sinfonia No. 15 in B minor
* BWV 802 – Duet in E minor
* BWV 803 – Duet in F major
* BWV 804 – Duet in G major
* BWV 805 – Duet in A minor
* BWV 806 – ''English Suites (Bach), English Suite'' No. 1 in A major
** BWV 806a – Suite in A major (variant of BWV 806)
* BWV 807 – ''English Suite'' No. 2 in A minor
* BWV 808 – ''English Suite'' No. 3 in G minor
* BWV 809 – ''English Suite'' No. 4 in F major
* BWV 810 – ''English Suite'' No. 5 in E minor
* BWV 811 – ''English Suite'' No. 6 in D minor
* BWV 812 – ''French Suites (Bach), French Suite'' No. 1 in D minor
* BWV 813 – ''French Suite'' No. 2 in C minor
** BWV 813a – ''French Suite'' No. 2 in C minor (alternative version of movement 5: Menuet)
* BWV 814 – ''French Suite'' No. 3 in B minor
* BWV 815 – ''French Suite'' No. 4 in E-flat major
** BWV 815a – ''French Suite'' No. 4 in E-flat major (alternative versions of several movements)
* BWV 816 – ''French Suite'' No. 5 in G major
* BWV 817 – ''French Suite'' No. 6 in E major
* BWV 818 – Suite in A minor
** BWV 818a – Suite in A minor (alternative version of BWV 818)
* BWV 819 – Suite in E-flat major
** BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819)
* BWV 820 – Overture (Suite) in F major
* BWV 821 – Suite in B-flat major
* BWV 822 – Suite in G minor
* BWV 823 – Suite in F minor
* BWV 824 – Suite in A major
* BWV 825 – Partitas for keyboard (Bach), Partita No. 1 in B-flat major
* BWV 826 – Partita No. 2 in C minor
* BWV 827 – Partita No. 3 in A minor
* BWV 828 – Partita No. 4 in D major
* BWV 829 – Partita No. 5 in G major
* BWV 830 – Partita No. 6 in E minor
* BWV 831 – ''Overture in the French Style'', in B minor
** BWV 831a – Earlier version in C minor of BWV 831
* BWV 832 – Suite in A major
* BWV 833 – Prelude and Partita in F major
* BWV 834 – Allemande in C minor
* BWV 835 – Allemande in A minor
* BWV 836 – Allemande in G minor
* BWV 837 – Allemande in G minor (incomplete)
* BWV 838 – Allemande and Courante in A major
* BWV 839 – Sarabande in G minor
* BWV 840 – Courante in G major
* BWV 841 – Minuet in G major
* BWV 842 – Minuet in G minor
* BWV 843 – Minuet in G major
* BWV 844 – Scherzo in D minor
** BWV 844a – Scherzo in D minor (alternative version of BWV 844)
* BWV 845 – Gigue in F minor
* BWV 846 – ''The Well-Tempered Clavier, Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 1 in C major
** BWV 846a – Prelude in C major (alternative version of BWV 846, only Prelude)
* BWV 847 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 2 in C minor
** BWV 847a – Prelude in C minor (alternative version of BWV 847, only Prelude)
* BWV 848 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 3 in C-sharp major
* BWV 849 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 4 in C-sharp minor
* BWV 850 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 5 in D major
** BWV 850a – Prelude in D major (alternative version of BWV 850, only Prelude)
* BWV 851 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 6 in D minor
** BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude)
* BWV 852 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 7 in E-flat major
* BWV 853 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 8 in E-flat minor/D-sharp minor
* BWV 854 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 9 in E major
* BWV 855 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 10 in E minor
** BWV 855a – Prelude in E minor (early version of the prelude of BWV 855) + Fughetta
* BWV 856 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 11 in F major
* BWV 857 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 12 in F minor
* BWV 858 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 13 in F-sharp major
* BWV 859 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 14 in F-sharp minor
* BWV 860 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 15 in G major
* BWV 861 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 16 in G minor
* BWV 862 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 17 in A-flat major
* BWV 863 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 18 in G-sharp minor
* BWV 864 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 19 in A major
* BWV 865 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 20 in A minor
* BWV 866 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 21 in B-flat major
* BWV 867 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 22 in B-flat minor
* BWV 868 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 23 in B major
* BWV 869 – ''Well-Tempered Clavier'', Book 1: Prelude and Fugue No. 24 in B minor
* BWV 870 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 1 in C major
** BWV 870a – Prelude and Fugue in C major (alternative version of BWV 870)
** BWV 870b – Prelude in C major (alternative version of BWV 870)
* BWV 871 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 2 in C minor
* BWV 872 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 3 in C-sharp major
** BWV 872a – Prelude and Fugue in C-sharp major (alternative version of BWV 872)
* BWV 873 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 4 in C-sharp minor
* BWV 874 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 5 in D major
* BWV 875 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 6 in D minor
** BWV 875a – Prelude in D minor (alternative version of BWV 875)
* BWV 876 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 7 in E-flat major
* BWV 877 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 8 in D-sharp minor
* BWV 878 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 9 in E major
* BWV 879 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 10 in E minor
* BWV 880 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 11 in F major
* BWV 881 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 12 in F minor
* BWV 882 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 13 in F-sharp major
* BWV 883 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 14 in F-sharp minor
* BWV 884 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 15 in G major
* BWV 885 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 16 in G minor
* BWV 886 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 17 in A-flat major
* BWV 887 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 18 in G-sharp minor
* BWV 888 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 19 in A major
* BWV 889 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 20 in A minor
* BWV 890 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 21 in B-flat major
* BWV 891 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 22 in B-flat minor
* BWV 892 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 23 in B major
* BWV 893 – ''Well-Tempered Clavier'', Book 2: Prelude and Fugue No. 24 in B minor
* BWV 894 – Prelude and Fugue in A minor
* BWV 895 – Prelude and Fugue in A minor
* BWV 896 – Prelude and Fugue in A major
* BWV 897:
** BWV 897/1 – Prelude in A minor
** BWV 897/2 – Fugue in A minor
* BWV 898 – Prelude and Fugue in B-flat major on the name B-A-C-H
* BWV 899 – Prelude and Fughetta in D minor
* BWV 900 – Prelude and Fughetta in E minor
* BWV 901 – Prelude and Fughetta in F major
* BWV 902 – Prelude and Fughetta in G major
** BWV 902a – Prelude in G major (alternative version of BWV 902)
* BWV 903 – Chromatic Fantasia and Fugue in D minor
** BWV 903a – Chromatic Fantasia in D minor (alternative version of BWV 903)
* BWV 904 – Fantasia and Fugue in A minor
* BWV 905 – Fantasia and Fugue in D minor
* BWV 906 – Fantasia and Fugue in C minor (fugue unfinished)
* BWV 907 – Fantasia and Fughetta in B-flat major
* BWV 908 – Fantasia and Fughetta in D major
* BWV 909 – Concerto and Fugue in C minor
* BWV 910 – Toccata in F-sharp minor
* BWV 911 – Toccata in C minor
* BWV 912 – Toccata in D major
* BWV 913 – Toccata in D minor
* BWV 914 – Toccata in E minor
* BWV 915 – Toccata in G minor
* BWV 916 – Toccata in G major
* BWV 917 – Fantasia in G minor
* BWV 918 – Fantasia in C minor
* BWV 919 – Fantasia in C minor
* BWV 920 – Fantasia in G minor
* BWV 921 – Prelude in C minor
* BWV 922 – Prelude in A minor
* BWV 923 – Prelude in B minor
** BWV 923a – Prelude in A minor (variant of BWV 923)
* BWV 924 – Prelude in C major
** BWV 924a – Prelude in C major
* BWV 925 – Prelude in D major
* BWV 926 – Prelude in D minor
* BWV 927 – Prelude in F major
* BWV 928 – Prelude in F major
* BWV 929 – Trio (or) Prelude in G minor
* BWV 930 – Prelude in G minor
* BWV 931 – Prelude in A minor
* BWV 932 – Prelude in E minor (incomplete)
* BWV 933 – Six Little Preludes (Bach), Six Little Preludes No. 1 in C major
* BWV 934 – Six Little Preludes No. 2 in C minor
* BWV 935 – Six Little Preludes No. 3 in D minor
* BWV 936 – Six Little Preludes No. 4 in D major
* BWV 937 – Six Little Preludes No. 5 in E major
* BWV 938 – Six Little Preludes No. 6 in E minor
* BWV 939 – Prelude in C major
* BWV 940 – Prelude in D minor
* BWV 941 – Prelude in E minor
* BWV 942 – Prelude in A minor
* BWV 943 – Prelude in C major
* BWV 944 – Fantasia and Fugue in A minor
* BWV 945 – Fugue in E minor
* BWV 946 – Fugue in C major
* BWV 947 – Fugue in A minor
* BWV 948 – Fugue in D minor
* BWV 949 – Fugue in A major
* BWV 950 – Fugue in A major on a theme by Tomaso Albinoni
* BWV 951 – Fugue in B minor on a theme by Tomaso Albinoni
** BWV 951a – Fugue in B minor (alternative version of BWV 951)
* BWV 952 – Fugue in C major
* BWV 953 – Fugue in C major
* BWV 954 – Fugue in B-flat major on a theme by Johann Adam Reincken
* BWV 955 – Fugue in B-flat major
* BWV 956 – Fugue in E minor
* BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)
* BWV 958 – Fugue in A minor
* BWV 959 – Fugue in A minor
* BWV 960 – Fugue in E minor
* BWV 961 – Fughetta in C minor
* BWV 962 – Fughetta in E minor
* BWV 963 – Sonata in D major
* BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003)
* BWV 965 – Sonata in A minor (after Johann Adam Reincken's ''Hortus Musicus'', Nos. 1–5)
* BWV 966 – Sonata in C major (after Johann Adam Reincken's ''Hortus Musicus'', Nos. 11–15)
* BWV 967 – Sonata in A minor (one movement, arrangement)
* BWV 968 – Adagio in G major (after BWV 1005/1)
* BWV 969 – Andante in G minor
* BWV 970 – Presto in D minor
* BWV 971 – ''Italian Concerto'', in F major
* BWV 972 – Concerto in D major, after Antonio Vivaldi's Violin Concerto in D major, Op. 3 No. 9 (RV 230)
* BWV 973 – Concerto in G major, after Antonio Vivaldi's Violin Concerto in G major, Twelve Concertos, Op. 7 (Vivaldi), Op. 7 No. 8 (RV 299)
* BWV 974 – Concerto in D minor, after Alessandro Marcello's Oboe Concerto (Marcello), Oboe Concerto in D minor
* BWV 975 – Concerto in G minor, after Antonio Vivaldi's Violin Concerto in G minor, RV 316, a variant of which was published as his La stravaganza, Op. 4 No. 6 (RV 316a)
* BWV 976 – Concerto in C major, after Antonio Vivaldi's Violin Concerto in E major, Op. 3 No. 12 (RV 265)
* BWV 977 – Concerto in C major, after an unknown model
* BWV 978 – Concerto in F major, after Antonio Vivaldi's Violin Concerto in G major, Op. 3 No. 3 (RV 310)
* BWV 979 – Concerto in B minor, after Antonio Vivaldi's Violin Concerto in D minor, RV 813 (formerly RV Anh. 10)
* BWV 980 – Concerto in G major, after Antonio Vivaldi's Violin Concerto in B-flat major, Op. 4 No. 1 (RV 383a)
* BWV 981 – Concerto in C minor, after Benedetto Marcello's Concerto Op. 1 No. 2
* BWV 982 – Concerto in B-flat major, after Prince Johann Ernst of Saxe-Weimar's Concerto Op. 1 No. 1
* BWV 983 – Concerto in G minor, after an unknown model
* BWV 984 – Concerto in C major, after a lost Concerto by Prince Johann Ernst of Saxe–Weimar (see BWV 595 for organ version)
* BWV 985 – Concerto in G minor, after Georg Philipp Telemann's Violin Concerto TWV 51:g1
* BWV 986 – Concerto in G major, after an unknown model
* BWV 987 – Concerto in D minor, after Prince Johann Ernst of Saxe–Weimar's Concerto Op. 1 No. 4
* BWV 988 – ''Goldberg Variations'' (published as List of compositions by Johann Sebastian Bach printed during his lifetime#Fourth Clavier-Übung, Fourth Clavier-Übung)
* BWV 989 – ''Aria variata alla maniera italiana'', in A minor
* BWV 990 – Sarabande con Partite in C major
* BWV 991 – Air with variations in C minor (fragment)
* BWV 992 – ''Capriccio sopra la lontananza del suo fratello dilettissimo'', in B-flat major
* BWV 993 – ''Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis'', in E major
* BWV 994 – Applicatio in C major
* BWV 995 – Lute Suite in G minor (transcription of Cello Suite No. 5, BWV 1011)
* BWV 996 – Lute Suite in E minor
* BWV 997 – Suite in C minor:
** BWV 997.1
– 1st version, for Lautenwerk (lute-harpsichord)
** BWV 997.2
– 2nd version, for lute
* BWV 998 – Prelude, Fugue and Allegro in E-flat major
* BWV 999 – Prelude in C minor
* BWV 1000 – Fugue in G minor (after BWV 1001/1)
* BWV 1001 – Sonatas and Partitas for Solo Violin (Bach), Violin Sonata No. 1 in G minor
* BWV 1002 – Sonatas and Partitas for Solo Violin (Bach), Violin Partita No. 1 in B minor
* BWV 1003 – Violin Sonata No. 2 in A minor
* BWV 1004 – Violin Partita No. 2 in D minor
* BWV 1005 – Violin Sonata No. 3 in C major
* BWV 1006:
** BWV 1006.1
(previously 1006) – Violin Partita No. 3 in E major
** BWV 1006.2
(previously 1006a) – Suite in E major (for lute?) after BWV 1006
* BWV 1007 – Cello Suites (Bach), Cello Suite No. 1 in G major
* BWV 1008 – Cello Suite No. 2 in D minor
* BWV 1009 – Cello Suite No. 3 in C major
* BWV 1010 – Cello Suite No. 4 in E-flat major
* BWV 1011 – Cello Suite No. 5 in C minor
* BWV 1012 – Cello Suite No. 6 in D major
* BWV 1013 – Partita in A minor for solo flute
* BWV 1014 – Six Sonatas for Violin and Harpsichord, BWV 1014–1019, Sonata for violin and harpsichord in B minor
* BWV 1015 – Sonata for violin and harpsichord in A major
* BWV 1016 – Sonata for violin and harpsichord in E major
* BWV 1017 – Sonata for violin and harpsichord in C minor
* BWV 1018 – Sonata for violin and harpsichord in F minor:
** BWV 1018.1
(previously 1018a) – early version of 3rd movement
** BWV 1018.2
(previously 1018) – with revised version of 3rd movement
* BWV 1019 – Sonata for violin and harpsichord in G major:
** BWV 1019.1
(previously 1019a, 1st version) – version in 6 movements with early versions of movements 2–5.
** BWV 1019.2
(previously 1019a, 2nd version) – 5 movements with revised 2nd movement and new version of 3rd movement.
** BWV 1019.3
(previously 1019) – version in 5 movements with new versions of movements 3–5.
* BWV 1020 – Sonata in G minor for violin and harpsichord
[Alberto Basso, Basso, Alberto. 1979. ''Frau Musika: la vita e le opere di J.S. Bach'', EDT. , p. 702.]
* BWV 1021 – Sonata in G major for violin and basso continuo
* BWV 1022 – Sonata in F major for violin and harpsichord
* BWV 1023 – Sonata in E minor for violin and basso continuo
* BWV 1024 – Sonata in C minor for violin and basso continuo
* BWV 1025 – Suite in A major for violin and harpsichord (after Sylvius Leopold Weiss):
** BWV 1025.1
– complete version
** BWV 1025.2
– variant: incomplete autograph
* BWV 1026 – Fugue in G minor for violin and harpsichord
* BWV 1027 – Viola da Gamba Sonatas (Bach), Sonata for viola da gamba and harpsichord No. 1 in G major (arrangement of BWV 1039)
** BWV 1027a – Trio in G major for organ (arrangement of BWV 1027/4)
* BWV 1028 – Sonata for viola da gamba and harpsichord No. 2 in D major
* BWV 1029 – Sonata for viola da gamba and harpsichord No. 3 in G minor
* BWV 1030:
** BWV 1030.1
(previously 1030a) – Sonata in G minor for melody instrument and harpsichord (part for melody instrument lost)
** BWV 1030.2
(previously 1030) – Sonata in B minor for flute and harpsichord (after BWV 1030.1)
* BWV 1031 – Sonata in E-flat major for flute and harpsichord
* BWV 1032 – Sonata in A major for flute and harpsichord
* BWV 1033 – Sonata in C major for flute and basso continuo
* BWV 1034 – Sonata in E minor for flute and basso continuo
* BWV 1035 – Sonata in E major for flute and basso continuo
* BWV 1036 – Sonata in D minor for 2 violins and keyboard
* BWV 1037 – Sonata in C major for 2 violins and keyboard
* BWV 1038 – Sonata in G major for flute, violin and keyboard
* BWV 1039 – Sonata in G major for 2 flutes and basso continuo
* BWV 1040 – Canonic Trio Sonata in F major, based on material found in
BWV 208
* BWV 1041 – Violin Concerto in A minor
* BWV 1042 – Violin Concerto in E major
* BWV 1043 – Concerto for 2 violins in D minor
* BWV 1044 – Concerto for flute, violin and harpsichord in A minor
* BWV 1045 – Violin Concerto movement in D major, abandoned opening movement (sinfonia) to a lost cantata
* BWV 1046 – ''Brandenburg concertos, Brandenburg Concerto'' No. 1 in F major for violino piccolo, three oboes, bassoon, two corni da caccia, strings and continuo
** BWV 1046.1
(previously 1046a, and before that 1071) – Sinfonia in F major (early version of 1st ''Brandenburg Concerto'')
** BWV 1046.2
(previously 1046) – revised version
* BWV 1047 – ''Brandenburg Concerto'' No. 2 in F major for trumpet, oboe, recorder, violin, strings and continuo
* BWV 1048 – ''Brandenburg Concerto'' No. 3 in G major for three violins, three violas, three cellos and continuo
* BWV 1049 – ''Brandenburg Concerto'' No. 4 in G major for violin, two fiauti d'echo (recorders), strings and continuo
* BWV 1050 – ''Brandenburg Concerto'' No. 5 in D major for harpsichord, violin, flute and strings:
** BWV 1050.1
(previously 1050a) – early version
** BWV 1050.2
(previously 1050) – revised version
* BWV 1051 – ''Brandenburg Concerto'' No. 6 in B-flat major for two violas, two violas da gamba, cello and continuo
* BWV 1052 – Keyboard concertos by Johann Sebastian Bach, Concerto for harpsichord and strings in D minor:
** BWV 1052.1
(previously 1052a) – early version
** BWV 1052.2
(previously 1052) – revised version
* BWV 1053 – Concerto for harpsichord and strings in E major
* BWV 1054 – Concerto for harpsichord and strings in D major (after BWV 1042)
* BWV 1055 – Concerto for harpsichord and strings in A major
* BWV 1056 – Concerto for harpsichord and strings in F minor
* BWV 1057 – Concerto for harpsichord, 2 recorders and strings in F major (after BWV 1049)
* BWV 1058 – Concerto for harpsichord and strings in G minor (after BWV 1041)
* BWV 1059 – Concerto for harpsichord in D minor (incomplete, after BWV 35/1)
* BWV 1060 – Concerto for 2 harpsichords and strings in C minor
* BWV 1061 – Concerto for 2 harpsichords in C major:
** BWV 1061.1
(previously 1061a) – early version, without orchestral accompaniment
** BWV 1061.2
(previously 1061) – later version, with string orchestra accompaniment
* BWV 1062 – Concerto for 2 harpsichords and strings in C minor (after BWV 1043)
* BWV 1063 – Concerto for 3 harpsichords and strings in D minor
* BWV 1064 – Concerto for 3 harpsichords and strings in C major
* BWV 1065 – Concerto for 4 harpsichords and strings in A minor, after Antonio Vivaldi's Concerto for four violins in B minor, Op. 3 No. 10 (RV 580)
* BWV 1066 – Orchestral suites (Bach), Orchestral Suite No. 1 in C major (for woodwinds, strings and continuo)
* BWV 1067 – Orchestral Suite No. 2 in B minor (for flute, strings and continuo)
* BWV 1068 – Orchestral Suite No. 3 in D major (for oboes, trumpets, timpani, strings and continuo)
* BWV 1069 – Orchestral Suite No. 4 in D major (for oboes, bassoon, trumpets, timpani, strings and continuo)
* BWV 1070 – Orchestral Suite in G minor
* BWV 1071, renumbered as BWV 1046.1: early version of the first ''Brandenburg Concerto''
* BWV 1072 – Canon trias harmonica a 8
* BWV 1073 – Canon a 4 perpetuus
* BWV 1074 – Canon a 4
* BWV 1075 – Canon a 2 perpetuus
* BWV 1076 – Canon triplex a 6
* BWV 1077 – Canone doppio sopr'il soggetto
* BWV 1078 – Canon super fa mi a 7 post tempus musicum
* BWV 1079 – ''The Musical Offering'' ()
* BWV 1080 – ''The Art of Fugue'' ():
** BWV 1080.1
– autograph version
** BWV 1080.2
– print version (published posthumously)
* BWV 1081 – Credo intonation in F major for a Mass by Giovanni Battista Bassani (church music in Latin)
* BWV 1082 – Suscepit Israel for Antonio Caldara's Magnificat in C major (church music in Latin)
[Kirsten Beißwenger (ed.]
''Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen''
(Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.
* BWV 1083 – ''Tilge, Höchster, meine Sünden'', after Stabat Mater (Pergolesi), Pergolesi's Stabat Mater
* BWV 1084 – "O hilf Christe, Gottes Sohn" (four-part chorale)
* BWV 1085 – ''O Lamm Gottes, unschuldig'' (chorale prelude)
* BWV 1086 – Canon concordia discors
* BWV 1087 – 14 canons on the first eight notes of the ''Goldberg Variations'' ground (discovered 1974)
* BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso)
* BWV 1089 – "Da Jesus an dem Kreutze stund" (four-part chorale)
* BWV 1090 – ''Wir Christenleut'' (chorale prelude from Neumeister Collection)
* BWV 1091 – ''Das alte Jahr vergangen ist'' (chorale prelude from Neumeister Collection)
* BWV 1092 – ''Herr Gott, nun schleuß den Himmel auf'' (chorale prelude from Neumeister Collection)
* BWV 1093 – ''Herzliebster Jesu, was hast du verbrochen'' (chorale prelude from Neumeister Collection)
* BWV 1094 – ''O Jesu, wie ist dein Gestalt'' (chorale prelude from Neumeister Collection)
* BWV 1095 – ''O Lamm Gottes unschuldig'' (chorale prelude from Neumeister Collection)
* BWV 1096 – ''Christe, der du bist Tag und Licht'' (or) ''Wir danken dir, Herr Jesu Christ'' (chorale prelude from Neumeister Collection)
* BWV 1097 – ''Ehre sei dir, Christe, der du leidest Not'' (chorale prelude from Neumeister Collection)
* BWV 1098 – ''Erhalt uns, Herr, bei deinem Wort'' (chorale prelude from Neumeister Collection)
* BWV 1099 – ''Aus tiefer Not schrei ich zu dir'' (chorale prelude from Neumeister Collection)
* BWV 1100 – ''Allein zu dir, Herr Jesu Christ'' (chorale prelude from Neumeister Collection)
* BWV 1101 – ''Durch Adams Fall ist ganz verderbt'' (chorale prelude from Neumeister Collection)
* BWV 1102 – ''Du Friedefürst, Herr Jesu Christ'' (chorale prelude from Neumeister Collection)
* BWV 1103 – ''Erhalt uns, Herr, bei deinem Wort'' (chorale prelude from Neumeister Collection)
* BWV 1104 – ''Wenn dich Unglück tut greifen an'' (chorale prelude from Neumeister Collection)
* BWV 1105 – ''Jesu, meine Freude'' (chorale prelude from Neumeister Collection)
* BWV 1106 – ''Gott ist mein Heil, mein Hilf und Trost'' (chorale prelude from Neumeister Collection)
* BWV 1107 – ''Jesu, meines Lebens Leben'' (chorale prelude from Neumeister Collection)
* BWV 1108 – ''Als Jesus Christus in der Nacht'' (chorale prelude from Neumeister Collection)
* BWV 1109 – ''Ach Gott, tu dich erbarmen'' (chorale prelude from Neumeister Collection)
* BWV 1110 – ''O Herre Gott, dein göttlich Wort'' (chorale prelude from Neumeister Collection)
* BWV 1111 – ''Nun lasset uns den Leib begrab'n'' (chorale prelude from Neumeister Collection)
* BWV 1112 – ''Christus, der ist mein Leben'' (chorale prelude from Neumeister Collection)
* BWV 1113 – ''Ich hab mein Sach Gott heimgestellt'' (chorale prelude from Neumeister Collection)
* BWV 1114 – ''Herr Jesu Christ, du höchstes Gut'' (chorale prelude from Neumeister Collection)
* BWV 1115 – ''Herzlich lieb hab ich dich, o Herr'' (chorale prelude from Neumeister Collection)
* BWV 1116 – ''Was Gott tut, das ist wohlgetan'' (chorale prelude from Neumeister Collection)
* BWV 1117 – ''Alle Menschen müssen sterben'' (chorale prelude from Neumeister Collection)
* BWV 1118 – ''Werde munter, mein Gemüte'' (chorale prelude from Neumeister Collection)
* BWV 1119 – ''Wie nach einer Wasserquelle'' (chorale prelude from Neumeister Collection)
* BWV 1120 – ''Christ, der du bist der helle Tag'' (chorale prelude from Neumeister Collection)
* BWV 1121 (previously BWV Anh. 205) – Fantasia in C minor for organ
* BWV 1122 – "Denket doch, ihr Menschenkinder" (four-part chorale)
* BWV 1123 – "Wo Gott zum Haus gibt nicht sein Gunst" (four-part chorale)
* BWV 1124 – "Ich ruf zu dir, Herr Jesu Christ" (four-part chorale)
* BWV 1125 – "O Gott, du frommer Gott" (four-part chorale)
* BWV 1126 – "Lobet Gott, unsern Herren" (four-part chorale)
Numbers above BWV 1126
BWV numbers above 1126 were assigned from the first decade of the 21st century.
* Alles mit Gott und nichts ohn' ihn, BWV 1127, BWV 1127 – ''Alles mit Gott und nichts ohn' ihn'' (strophic aria composed in 1713, rediscovered in 2005)
* Wo Gott der Herr nicht bei uns hält, BWV 1128, BWV 1128 (Anh. 71) – ''Wo Gott der Herr nicht bei uns hält'' (chorale fantasia for organ authenticated in 2008)
* BWV 1129
– ()
* BWV 1130
– ()
* BWV 1131
–
* BWV 1132
– Counterpoint studies with Wilhelm Friedemann Bach
* BWV 1133
– (thorough-bass rules I)
* BWV 1134
– ''Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts'' (thorough-bass rules II)
* BWV 1135
(Anh. 199) – ''Siehe, eine Jungfrau ist schwanger'' (lost cantata)
* BWV 1136
(Anh. 209) – ''Liebster Gott, vergißt du mich'' (lost cantata)
* BWV 1137
(Anh. 2) – Cantata with an unknown title, possibly ''Gott, du Richter der Gedanken'', for the 19th Sunday after Trinity (lost, apart from a short musical sketch)
* BWV 1138 – lost cantatas for Mühlhausen:
** BWV 1138.1
(Anh. 192) – 1709
** BWV 1138.2
– 1710
* BWV 1139 – ''Wünschet Jerusalem Glück'' (two versions of a lost cantata):
** BWV 1139.1
(Anh. 4) – for in Leipzig
** BWV 1139.2
(Anh. 4a) – for the 200th Anniversary of the Augsburg Confession
* BWV 1140
(Anh. 3) – ''Gott, gib dein Gerichte dem Könige'' (lost cantata)
* BWV 1141
(Anh. 193) – ''Herrscher des Himmels, König der Ehren'' (lost cantata)
* BWV 1142
– ''Was ist, das wir Leben nennen'' (lost cantata)
* BWV 1143
(244a) – ''Klagt, Kinder, klagt es aller Welt'' (cantata, music based on BWV 198 and 244b)
* BWV 1144
(Anh. 14) – ''Sein Segen fließt daher wie ein Strom'' (lost cantata)
* BWV 1145
(Anh. 211) – ''Der Herr ist freundlich dem, der auf ihn harret'' (lost cantata)
* BWV 1146
(Anh. 212) – ''Vergnügende Flammen, verdoppelt die Macht'' (lost cantata)
* BWV 1147
(Anh. 5) – ''Lobet den Herrn, alle seine Heerscharen'' (lost cantata)
* BWV 1148
(Anh. 15) – ''Siehe, der Hüter Israel'' (lost cantata)
* BWV 1149 – ''Der Gerechte kömmt um'' after motet Tristis est anima mea (attributed to Kuhnau), ''Tristis est anima mea'' (attributed to Kuhnau)
[''Instrumental and Supplement''](_blank)
bach333.com
* BWV 1150
(Anh. 197) – ''Ihr wallenden Wolken'' (lost cantata)
* BWV 1151
(Anh. 6) – ''Dich loben die lieblichen Strahlen der Sonne'' (lost secular cantata)
* BWV 1152
(Anh. 8) – congratulation cantata for New Year (lost secular cantata)
* BWV 1153
(Anh. 7) – ''Heut ist gewiss ein guter Tag'' (lost secular cantata)
* BWV 1154
(Anh. 194) – ''O vergnügte Stunden'' (lost cantata)
* BWV 1155
(Anh. 20) – Latin ode (lost secular cantata)
* BWV 1156
(Anh. 9) – ''Entfernet euch, ihr heitern Sterne'' (lost secular cantata)
* BWV 1157
(Anh. 11) – ''Es lebe der König, der Vater im Lande'' (lost secular cantata)
* BWV 1158
(Anh. 12) – ''Frohes Volk, vergnügte Sachsen'' (lost secular cantata)
* BWV 1159
– Serenade (lost secular cantata)
* BWV 1160
(Anh. 10) – ''So kämpfet nur, ihr muntern Töne'' (lost secular cantata)
* BWV 1161
(Anh. 13) – ''Willkommen! Ihr herrschenden Götter der Erden'' (lost secular cantata)
* BWV 1162
(Anh. 18) – ''Froher Tag, verlangte Stunden'' (lost secular cantata)
* BWV 1163
(Anh. 196) – ''Auf, süß-entzückende Gewalt'' (lost secular cantata)
* BWV 1164
(Anh. 159) – (motet)
* BWV 1165 – Contributions to St Mark Passion (attributed to Keiser), Keiser's ''Markus-Passion''
* BWV 1166 – Single movements in the Passion-Pasticcio ''Wer ist der, so von Edom kömmt''
* BWV 1167 (Anh. 213) – Organ concerto in F major after a lost concerto by Georg Philipp Telemann (lost)
* BWV 1168 (Anh. 200) – ''O Traurigkeit, o Herzeleid'' (fragment)
[Organ and Keyboard](_blank)
Bach333.com
* BWV 1169 (Anh. 55) – ''Herr Christ, der einig Gotts Sohn''
* BWV 1170 (Anh. 77) – ''Herr Christ, der einig Gotts Sohn''
* BWV 1171 – ''Auf meinen lieben Gott'' (Emans 30)
* BWV 1172 – ''Herr Christ, der einig Gotts Sohn'' (Emans 85)
* BWV 1173 – ''Ich ruf zu dir, Herr Jesu Christ'' (Emans 111)
* BWV 1174 – ''Komm, heiliger Geist, erfüll die Herzen'' (Emans 122)
* BWV 1175 – ''Es ist das Heil uns kommen her'' (deest)
, - id="Strophic aria (BWV 1127)" style="background: #E3F6CE;"
, data-sort-value="1127.000" , 1127
, data-sort-value="448.051" ,
, 1713-10-30
, Alles mit Gott und nichts ohn' ihn, BWV 1127, aria "Alles mit Gott und nichts ohn' ihn"
, C maj.
, s Str Bc
,
, data-sort-value="X: 237" , Sppl: 237
, text by
,
, - id="BWV 1128"
, data-sort-value="1128.000" , 1128
, data-sort-value="462.033" , II
, data-sort-value="1707-12-31" ,
, BWV 1128, chorale setting "Wo Gott der Herr nicht bei uns hält"
, G min.
, Organ
,
, data-sort-value="IV/10" , IV/10
, after Zahn 4441a, Z 4441a; was BWV Anh. 71
,
, - id="BWV 1129"
, data-sort-value="1129.000" , 1129
, data-sort-value="448.0524" ,
, data-sort-value="1743-12-31" ,
, music theory
,
,
,
, data-sort-value="X: 063" , Sppl: 63
,
,
, - id="BWV 1130" style="background: #E3F6CE;"
, data-sort-value="1130.000" , 1130
, data-sort-value="448.0525" ,
, data-sort-value="1742-12-31" ,
, music theory
,
,
,
, data-sort-value="X: 045" , Sppl: 45
,
,
, - id="BWV 1131" style="background: #E3F6CE;"
, data-sort-value="1131.000" , 1131
, data-sort-value="448.0526" ,
, data-sort-value="1744-12-31" ,
, music theory
,
,
,
, data-sort-value="X: 041" , Sppl: 41
,
,
, - id="BWV 1132" style="background: #E3F6CE;"
, data-sort-value="1132.000" , 1132
, data-sort-value="448.0527" ,
, data-sort-value="1737-12-31" ,
, Counterpoint studies with W. F. Bach
,
,
,
, data-sort-value="X: 067" , Sppl: 67
,
,
, - id="BWV 1133" style="background: #F5F6CE;"
, data-sort-value="1133.000" , 1133
, data-sort-value="448.0528" ,
, data-sort-value="1742-12-31" ,
, BWV 1133, thorough-bass rules I ''Einige höchst nöthige Regeln vom General Basse''
,
,
,
, data-sort-value="V/04: 131" , V/4: 131
Sppl: 37
,
,
, - id="BWV 1134" style="background: #F6E3CE;"
, data-sort-value="1134.000" , 1134
, data-sort-value="448.0529" ,
, data-sort-value="1738-07-01" , 1738?
, thorough-bass rules II ''Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts''
,
,
,
, data-sort-value="X: 003" , Sppl: 3
,
,
, - id="BWV 1135"
, data-sort-value="1135.000" , 1135
, data-sort-value="455.006" , I
, 1724-03-25
, Cantata ''Siehe, eine Jungfrau ist schwanger'' (25 March: Annunciation)
,
,
,
,
, was BWV Anh. 199; text extant
,
, - id="BWV 1136"
, data-sort-value="1136.000" , 1136
, data-sort-value="456.003" , I
, data-sort-value="1712-12-31" , 1708–1717?
1725-09-09?
1727-02-06
, Cantata ''Liebster Gott, vergißt du mich'' (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1: funeral in Pomßen)
,
,
,
,
, was BWV Anh. 209; text by Georg Christian Lehms, Lehms
,
, - id="BWV 1137" style="background: #E3F6CE;"
, data-sort-value="1137.000" , 1137
, data-sort-value="449.052" , I
, data-sort-value="1729-10-23" , 1729-10-23?
, Cantata (sketch: ''Gott, du Richter der Gedanken'' for Trinity XIX by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
?)
,
, SATB Vl Str Bc
,
, data-sort-value="III/01" , III/1
, data-sort-value="was BWV Anh. 002" , was BWV Anh. 2; in SBB ''P 36'': 18
,
, -
, data-sort-value="1138.100" , 1138.1
, data-sort-value="454.005" , I
, 1709-02-04
, BWV 1138.1, Cantata for Ratswahl in Mühlhausen No. 2
,
,
,
,
, was BWV Anh. 192
,
, -
, data-sort-value="1138.200" , 1138.2
, data-sort-value="448.053" ,
, 1710-02-04
, BWV 1138.2, Cantata for Ratswahl in Mühlhausen No. 3
,
,
,
,
, lost
,
, - id="BWV 1139.1"
, data-sort-value="1139.100" , 1139.1
, data-sort-value="450.001" , I
, 1725-08-27
, BWV 1139.1, Cantata ''Wünschet Jerusalem Glück'' (council election)
,
,
,
,
, data-sort-value="was BWV Anh. 004" , was BWV Anh. 4; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
; → #BWV 1139.2, BWV 1139.2[Schulze St]
,
, - id="BWV 1139.2"
, data-sort-value="1139.200" , 1139.2
, data-sort-value="450.002" , I
, 1730-06-27
, Cantata ''Wünschet Jerusalem Glück'' (200th anniversary of the Augsburg Confession)
,
,
,
,
, data-sort-value="was BWV Anh. 004a" , was BWV Anh. 4a; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
; after #BWV 1139.1, BWV 1139.1Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
(=Christian Friedrich Henrici)
''Ernst-Schertzhaffte und Satyrische Gedichte'', Volume III.
Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737
,
, -
, data-sort-value="1140.000" , 1140
, data-sort-value="449.053" , I
, 1730-08-25
, BWV 1140, Cantata ''Gott, gib dein Gerichte dem Könige'' (council election)
,
,
,
, I/32.2
, data-sort-value="was BWV Anh. 003" , was BWV Anh. 3; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
,
, - id="BWV 1141"
, data-sort-value="1141.000" , 1141
, data-sort-value="454.004" , I
, 1740-08-29
, BWV 1141, Cantata ''Herrscher des Himmels, König der Ehren'' (council election)
,
,
,
, I/32.2
, was BWV Anh. 193; text extant; /7 after BWV 208/15?
,
, - id="BWV 1142"
, data-sort-value="1142.000" , 1142
, data-sort-value="448.054" ,
, 1716-04-02
, Cantata ''Was ist, das wir Leben nennen'' (funeral service for Prince Johann Ernst of Saxe-Weimar, Johann Ernst of S.-W.)
,
,
,
,
, text extant
,
, -
, data-sort-value="1143.000" , 1143
, data-sort-value="261.001" , 4.
, 1729-03-24
, BWV 244a, Cantata ''Klagt, Kinder, klagt es aller Welt'' (funeral of Leopold, Prince of Anhalt-Köthen, Leopold of Anhalt-Köthen; music lost but partially reconstructible)
,
,
,
, I/34
, was BWV 244a; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
; ↔ BWV 198/1, /10, BWV 244b, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68
,
, - id="BWV 1144"
, data-sort-value="1144.000" , 1144
, data-sort-value="452.002" , I
, 1725-02-12
, Cantata ''Sein Segen fließt daher wie ein Strom'' (wedding)
,
,
,
,
, data-sort-value="was BWV Anh. 014" , was BWV Anh. 14; text extant
,
, - id="BWV 1145"
, data-sort-value="1145.000" , 1145
, data-sort-value="456.005" , I
, 1729-01-18
, Cantata ''Der Herr ist freundlich dem, der auf ihn harret'' (wedding)
,
,
,
,
, was BWV Anh. 211; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
[Tiggemann, BJ 1994: 7–22]
,
, - id="BWV 1146"
, data-sort-value="1146.000" , 1146
, data-sort-value="457.001" , I
, 1729-07-26
, Cantata ''Vergnügende Flammen, verdoppelt die Macht'' (wedding)
,
,
,
,
, was BWV Anh. 212; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
,
, -
, data-sort-value="1147.000" , 1147
, data-sort-value="450.003" , I
, 1718-12-10
, BWV 1147, Cantata ''Lobet den Herrn, alle seine Heerscharen'' (birthday of Leopold, Prince of Anhalt-Köthen, Leopold of A.-K.)
,
,
,
, I/34
, data-sort-value="was BWV Anh. 005" , was BWV Anh. 5; text by Christian Friedrich Hunold, Hunold
,
, - id="BWV 1148"
, data-sort-value="1148.000" , 1148
, data-sort-value="452.003" , I
, 1724-04-27
, Cantata ''Siehe, der Hüter Israel'' (doctorate)
,
, SATB 3Tr Tmp 2Ob 3Vl Va Bc
,
, I/34
, data-sort-value="was BWV Anh. 015" , was BWV Anh. 15; lost
,
, - id="BWV 1150"
, data-sort-value="1150.000" , 1150
, data-sort-value="455.004" , I
, data-sort-value="1721-07-01" , 1721-01-01?
1722-01-01?
, Cantata ''Ihr wallenden Wolken'' (New Year)
,
, data-sort-value="b Flx2 Str Vc Hc Bc" , b 2Fl Str Vc Hc Bc
,
, data-sort-value="I/04" , I/4
, was BWV Anh. 197; lost
,
, - id="BWV 1151"
, data-sort-value="1151.000" , 1151
, data-sort-value="450.004" , I
, 1720-01-01
, Secular cantata ''Dich loben die lieblichen Strahlen der Sonne'' (New Year)
,
,
,
, I/35
, data-sort-value="was BWV Anh. 006" , was BWV Anh. 6; text by Christian Friedrich Hunold, Hunold
,
, - id="BWV 1152"
, data-sort-value="1152.000" , 1152
, data-sort-value="451.001" , I
, 1723-01-01
, Secular cantata for New Year (congratulation of Leopold, Prince of Anhalt-Köthen, Leopold of Anhalt-Köthen and his wife Frederica Henriette of Anhalt-Bernburg, Frederica Henriette)
,
,
,
, I/35
, data-sort-value="was BWV Anh. 008" , was BWV Anh. 8; lost
,
, - id="BWV 1153"
, data-sort-value="1153.000" , 1153
, data-sort-value="450.005" , I
, 1720-12-10
, Secular cantata ''Heut ist gewiß ein guter Tag'' (birthday of Leopold, Prince of Anhalt-Köthen, Leopold of Anhalt-Köthen)
,
,
,
, I/35
, data-sort-value="was BWV Anh. 007" , was BWV Anh. 7; text by Christian Friedrich Hunold, Hunold
,
, - id="BWV 1154"
, data-sort-value="1154.000" , 1154
, data-sort-value="455.001" , I
, 1722-07-29
, Cantata ''O vergnügte Stunden'' (birthday of John Augustus, Prince of Anhalt-Zerbst, John Augustus of Anhalt-Zerbst)
,
,
,
,
, was BWV Anh. 194; text extant
,
, - id="BWV 1155"
, data-sort-value="1155.000" , 1155
, data-sort-value="453.004" , I
, 1723-08-09
, Ode in Latin (birthday of Frederick II, Duke of Saxe-Gotha-Altenburg, Frederick II of Saxe-Gotha)
,
,
,
, I/38
, data-sort-value="was BWV Anh. 020" , was BWV Anh. 20; lost
,
, -
, data-sort-value="1156.000" , 1156
, data-sort-value="451.002" , I
, 1727-05-12
, BWV 1156, Secular cantata ''Entfernet euch, ihr heitern Sterne'' (57th birthday of Augustus II the Strong, Augustus II)
,
,
,
, I/36
, data-sort-value="was BWV Anh. 009" , was BWV Anh. 9; text by Christian Friedrich Haupt, Haupt, C. F.; /1 → BWV 232II/6?
,
, -
, data-sort-value="1157.000" , 1157
, data-sort-value="451.004" , I
, 1732-08-03
, BWV 1157, Secular cantata ''Es lebe der König, der Vater im Lande'' (name day of Augustus II the Strong, Augustus II)
,
,
,
, I/36
, data-sort-value="was BWV Anh. 011" , was BWV Anh. 11; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
; /1 & /11 → BWV 215/1 → 232IV/1=/3; /7 → BWV 248, 248/39?; /9 → BWV 212, 212/14[Geiringer JSB 1971]
,
, - id="BWV 1158"
, data-sort-value="1158.000" , 1158
, data-sort-value="451.005" , I
, 1733-08-03
, Secular cantata ''Frohes Volk, vergnügte Sachsen'' (name day of Augustus III of Poland, Augustus III)
,
,
,
, I/36
, data-sort-value="was BWV Anh. 012" , was BWV Anh. 12; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
; after BWV Anh. 18; /1 → BWV 11/1
,
, - id="BWV 1159"
, data-sort-value="1159.000" , 1159
, data-sort-value="448.055" ,
, 1739-10-07
, Secular cantata "Serenade" (birthday of Augustus III of Poland, Augustus III)
,
,
,
,
, lost
,
, - id="BWV 1160"
, data-sort-value="1160.000" , 1160
, data-sort-value="451.003" , I
, 1731-08-25
, Secular cantata ''So kämpfet nur, ihr muntern Töne'' (birthday of )
,
,
,
, I/39
, data-sort-value="was BWV Anh. 010" , was BWV Anh. 10; text by Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
; /1 → BWV 248VIa/1?Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
(=Christian Friedrich Henrici)
''Ernst-Schertzhaffte und Satyrische Gedichte'', Volume IV.
Leipzig: Friedrich Matthias Friesen (1737).
,
, - id="BWV 1161"
, data-sort-value="1161.000" , 1161
, data-sort-value="452.001" , I
, 1738-04-28
, Secular cantata ''Willkommen! Ihr herrschenden Götter der Erden'' in honour of the royal couple (Augustus III of Poland, Augustus III and Maria Josepha of Austria, Maria Josepha), and for the forthcoming marriage of princess Maria Amalia of Saxony, Maria Amalia with Charles III of Spain, Charles of Sicily
,
,
,
, I/37
, data-sort-value="was BWV Anh. 013" , was BWV Anh. 13; text by Johann Christoph Gottsched, Gottsched, J. C. in ''Riemersche Chronik''
,
, -
, data-sort-value="1162.000" , 1162
, data-sort-value="453.002" , I
, 1732-06-05
, BWV 1162, Secular cantata ''Froher Tag, verlangte Stunden'' (inauguration of Thomasschule, St. Thomas school after renovation)
,
,
,
, I/39
, data-sort-value="was BWV Anh. 018" , was BWV Anh. 18; text by Johann Heinrich Winckler, Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12
,
, - id="BWV 1163"
, data-sort-value="1163.000" , 1163
, data-sort-value="455.003" , I
, 1725-11-27
, Secular cantata ''Auf, süß entzückende Gewalt'' (wedding of Peter von Hohenthal (geheimer Kriegsrat), Peter, eldest son of Peter Hohmann, Edler of Hohenthal, Peter Hohmann, and Christiana Sibylla Mencke)
,
,
,
, I/40
, was BWV Anh. 196; text by Christoph Gottsched, Gottsched, C.; /3 → BWV 11/4 → Mass in B minor structure#Agnus Dei, 232IV/4; /5 → BWV 11/8
,
, - style="background: #E3F6CE;"
, data-sort-value="1164.000" , 1164
, data-sort-value="459.007" , II
, data-sort-value="1712-07-01" , 1712–1713
or earlier
, BWV 1164, Motet ''Ich lasse dich nicht, du segnest mich denn''
, F min.
, data-sort-value="SATBx2" , 2SATB
, data-sort-value="000.39: 157" , scores:Ich lasse dich nicht, BWV Anh.159 (Bach, Johann Sebastian), 39: 157
, data-sort-value="III/03: 003" , III/3: 3
, by Johann Christoph Bach, Bach, J. Christoph?; was BWV Anh. 159; ↔ BWV 421 (/2)
,
BWV Anh. 1–213
Appearing in the
BWV Anh.
BWV Anh., abbreviation of (German for Bach works catalogue annex), is a list of lost, doubtful, and spurious compositions by, or once attributed to, Johann Sebastian Bach.
History
First edition of the ''Bach-Werke-Verzeichnis'' (1950)
In 1950 ...
:
* BWV Anh. 1 – ''Gesegnet ist die Zuversicht'' (lost cantata)
* BWV Anh. 2 → BWV 1137
* BWV Anh. 3 → BWV 1140
* BWV Anh. 4 → BWV 1139.1
* BWV Anh. 4a → BWV 1139.2
* BWV Anh. 5 → BWV 1147
* BWV Anh. 6 → BWV 1151
* BWV Anh. 7 → BWV 1153
* BWV Anh. 8 → BWV 1152
* BWV Anh. 9 → BWV 1156
* BWV Anh. 10 → BWV 1160
* BWV Anh. 11 → BWV 1157
* BWV Anh. 12 → BWV 1158
* BWV Anh. 13 → BWV 1161
* BWV Anh. 14 → BWV 1144
* BWV Anh. 15 → BWV 1148
* BWV Anh. 16 – ''Schließt die Gruft, ihr Trauerglocken'' (lost cantata)
* BWV Anh. 17 – ''Mein Gott, nimm die gerechte Seele'' (lost cantata)
* BWV Anh. 18 → BWV 1162
* BWV Anh. 19 – ''Thomana saß annoch betrübt'' (lost secular cantata)
* BWV Anh. 20 → BWV 1155
* BWV Anh. 21 – ''Meine Seel erhebt den Herren'' a.k.a. Kleine Magnificat
[Spitta 1884, pp. 374 ff.]
* BWV Anh. 22 – Concerto for Oboe and Violin in B-flat major
* BWV Anh. 23 – Concerto
* BWV Anh. 24 – Kyrie and Gloria in A minor (church music in Latin)
* BWV Anh. 25 – Kyrie–Gloria Mass in C major (church music in Latin)
* BWV Anh. 26 – Mass in C minor (church music in Latin)
* BWV Anh. 27 – Sanctus in F major (church music in Latin)
* BWV Anh. 28 – Sanctus in B-flat major (composer unknown; church music in Latin)
* BWV Anh. 29 – Mass in C minor (only continuo part extant; church music in Latin)
* BWV Anh. 30 – Magnificat in C major after Pietro Torri (church music in Latin)
* BWV Anh. 31 – "Herr Gott, dich loben alle wir" (four-part chorale)
* BWV Anh. 32 – "Getrost mein Geist, wenn Wind und Wetter krachen" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 33 – "Mein Jesus, spare nicht" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 34 – "Kann ich mit einem Tone" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 35 – "Meine Seele lass die Flügel" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 36 – "Ich stimm' itzund ein Straff-Lied an" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 37 – "Der schwarze Flügel trüber Nacht" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 38 – "Das Finsterniß tritt ein" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 39 – "Ach was wollt ihr trüben Sinnen" (song from ''Sammlung Deutsche Übersetzungen und Gedichte'')
* BWV Anh. 40 – "Ich bin nun wie ich bin" (song; text lost)
* BWV Anh. 41 – "Dir zu Liebe, wertes Herze" (song)
* BWV Anh. 42 – Fugue in F major
* BWV Anh. 43 – Fugue in B minor
* BWV Anh. 44 – Fugue in G Major
* BWV Anh. 45 – Fugue on B-A-C-H in B-flat major
* BWV Anh. 46 – Trio in C minor
* BWV Anh. 47 – ''Ach Herr, mich armen Sünder'' (chorale prelude)
* BWV Anh. 48 – ''Allein Gott in der Höh sei Ehr'' (chorale prelude)
* BWV Anh. 49 – ''Ein feste Burg'' (chorale prelude)
* BWV Anh. 50 – ''Erhalt uns, Herr, hei deinem Wort'' (chorale prelude)
* BWV Anh. 51 – ''Erstanden ist der heilge Christ'' (chorale prelude)
* BWV Anh. 52 – ''Freu dich sehr, o meine Seele'' (chorale prelude)
* BWV Anh. 53 – ''Freu dich sehr, o meine Seele'' (chorale prelude)
* BWV Anh. 54 – ''Helft mir Gotts Güte preisen'' (chorale prelude)
* BWV Anh. 55 – ''Herr Christ, der einig Gottes Sohn'' (chorale prelude)
* BWV Anh. 56 – ''Herr Jesu Christ, dich zu uns wend'' (chorale prelude)
* BWV Anh. 57 – ''Jesu, Leiden, Pein und Tod'' (chorale prelude)
* BWV Anh. 58 – ''Jesu, meine Freude'' (chorale prelude)
* BWV Anh. 59 – ''Jesu, meine Freude'' (chorale prelude)
* BWV Anh. 60 – ''Nun lob, mein Seel, den Herren'' (chorale prelude)
* BWV Anh. 61 – ''O Mensch, bewein dein Sünde groß'' (chorale prelude)
* BWV Anh. 62:
** BWV Anh. 62a – ''Sei Lob und Ehr mit hohem Preis'' (chorale prelude)
** BWV Anh. 62b – ''Sei Lob und Ehr mit hohem Preis'' (chorale prelude)
* BWV Anh. 63 – ''Vom Himmel hoch'' (chorale prelude)
* BWV Anh. 64 – ''Vom Himmel hoch'' (chorale prelude)
* BWV Anh. 65 – ''Vom Himmel hoch'' (chorale prelude)
* BWV Anh. 66 – ''Wachet auf, ruft uns'' (chorale prelude)
* BWV Anh. 67 – ''Was Gott tut, das ist wohlgetan'' (chorale prelude)
* BWV Anh. 68 – ''Wer nur den lieben Gott läßt walten'' (chorale prelude)
* BWV Anh. 69 – ''Wir glauben all an einen Gott'' (chorale prelude)
* BWV Anh. 70 – ''Wir glauben all an einen Gott'' (chorale prelude)
* BWV Anh. 71 (authenticated and renumbered to BWV 1128)
* BWV Anh. 72 – ''Christus der uns selig macht'' (chorale setting; canon for organ)
* BWV Anh. 73 – ''Ich ruf zu dir, Herr Jesu Christ'' (chorale prelude; arrangement of BWV 639 by Carl Philipp Emanuel Bach)
* BWV Anh. 74 – ''Schmücke dich, o liebe Seele'' (chorale prelude)
* BWV Anh. 75 – ''Herr Christ, der einig Gottes Sohn'' (chorale setting)
* BWV Anh. 76 – ''Jesu, meine Freude'' (chorale setting)
* BWV Anh. 77 – ''Herr Christ, der einig Gottes Sohn'' (chorale variations)
* BWV Anh. 78 – ''Wenn wir in höchsten Nöten sein'' (chorale variations)
* BWV Anh. 79 – ''Befiehl du deine Wege'' (chorale variations)
* BWV Anh. 80 – Suite in F major
* BWV Anh. 81 – Gigue in D minor (incomplete)
* BWV Anh. 82 – Ciacona in B-flat major
* BWV Anh. 83 – Ciacona in A major
* BWV Anh. 84 – Ciacona in G major
* BWV Anh. 85 – Toccata and Fugue in F minor
* BWV Anh. 86 – Fantasia in C minor
* BWV Anh. 87 – Fantasia in C major
* BWV Anh. 88 – Fugue in C Major
* BWV Anh. 89 – Fugue in C major
* BWV Anh. 90 – Fugue in C major
* BWV Anh. 91 – Fugue in G major
* BWV Anh. 92 – Fugue in G major
* BWV Anh. 93 – Fugue in E minor
* BWV Anh. 94 – Fugue in E minor
* BWV Anh. 95 – Fugue in E minor
* BWV Anh. 96 – Fugue in D major
* BWV Anh. 97 – Fugue in F-sharp major
* BWV Anh. 98 – Fugue in D minor
* BWV Anh. 99 – Fugue in D minor
* BWV Anh. 100 – Fugue in D minor
* BWV Anh. 101 – Fugue in G minor
* BWV Anh. 102 – Fugue in E-flat minor
* BWV Anh. 103 – Fugue
* BWV Anh. 104 – Fugue
* BWV Anh. 105 – Fugue
* BWV Anh. 106 – Fugue
* BWV Anh. 107 – Fugue on B-A-C-H
* BWV Anh. 108 – Fugue on B-A-C-H
* BWV Anh. 109 – Fugue on B-A-C-H
* BWV Anh. 110 – Fugue on B-A-C-H
* BWV Anh. 111 – Largo and Allegro in G major
* BWV Anh. 112 – Grave in E minor
* BWV Anh. 113 – Minuet in F major
* BWV Anh. 114 – Minuet in G major
* BWV Anh. 115 – Minuet in G minor
* BWV Anh. 116 – Minuet in G major
* BWV Anh. 117a and 117b – two Polonaises in F major
* BWV Anh. 118 – Minuet in B-flat major
* BWV Anh. 119 – Polonaise in G minor
* BWV Anh. 120 – Minuet in A minor
* BWV Anh. 121 – Minuet in C minor
* BWV Anh. 122 – March in D major
* BWV Anh. 123 – Polonaise in G minor
* BWV Anh. 124 – March in G major
* BWV Anh. 125 – Polonaise in G minor
* BWV Anh. 126 – Musette in D major
* BWV Anh. 127 – March in E-flat major
* BWV Anh. 128 – [Polonaise] in D minor
* BWV Anh. 129 – ''Solo per il cembalo'' in E-flat major
* BWV Anh. 130 – Polonaise in G major
* BWV Anh. 131 – [March] in F major
* BWV Anh. 132 – Minuet in D minor
* BWV Anh. 133 – Fantasia (piece for a musical clock)
* BWV Anh. 134 – Scherzo (piece for a musical clock)
* BWV Anh. 135 – Burlesca (piece for a musical clock)
* BWV Anh. 136 – Trio (piece for a musical clock)
* BWV Anh. 137 – L'Intrada della Caccia (piece for a musical clock)
* BWV Anh. 138 – Continuazione della Caccia (piece for a musical clock)
* BWV Anh. 139 – Il Fine delle Caccia I (piece for a musical clock)
* BWV Anh. 140 – Il Fine delle Caccia II (piece for a musical clock)
* BWV Anh. 141 – Song of Psalm "O Gott die Christenhalt" (piece for a musical clock)
* BWV Anh. 142 – Psalm 110 (piece for a musical clock)
* BWV Anh. 143 – Polonaise (piece for a musical clock)
* BWV Anh. 144 – Polonaise Trio (piece for a musical clock)
* BWV Anh. 145 – March (piece for a musical clock)
* BWV Anh. 146 – March (piece for a musical clock)
* BWV Anh. 147 – La Combattuta (piece for a musical clock)
* BWV Anh. 148 – Scherzo (piece for a musical clock)
* BWV Anh. 149 – Minuet (piece for a musical clock)
* BWV Anh. 150 – Trio (piece for a musical clock)
* BWV Anh. 151 – Concerto in C major for keyboard
* BWV Anh. 152 – Concerto in G major for keyboard
* BWV Anh. 153 – Sonata in A major for violin and keyboard
* BWV Anh. 154 – Sonata in E-flat major for violin and keyboard
* BWV Anh. 155 – Concerto in A major for keyboard, strings and continuo
* BWV Anh. 156 – ''Herr Christ, der einge Gottes Sohn'' (cantata)
* BWV Anh. 157 – ''Ich habe Lust zu scheiden'' (cantata)
* BWV Anh. 158 – "Andro dall' colle al prato" (aria)
* BWV Anh. 159 → BWV 1164
* BWV Anh. 160 → BWV App. A 4
* BWV Anh. 161 – ''Kündlich groß ist das gottselige Geheimnis'' (motet movement)
* BWV Anh. 162 – ''Lob und Ehre und Weisheit und Dank'' (motet)
* BWV Anh. 163 – ''Merk auf, mein Herz, und sieh dorthin'' (motet)
* BWV Anh. 164 – ''Nun danket alle Gott'' (motet)
* BWV Anh. 165 – ''Unser Wandel ist im Himmel'' (motet)
* BWV Anh. 166 – Kyrie–Gloria Mass in E minor known as Missa super cantilena "Allein Gott in der Höh' sei Ehr"
* BWV Anh. 167 – Kyrie–Gloria Mass in G major for double SATB choir and orchestra
* BWV Anh. 168 – Kyrie and German Gloria
* BWV Anh. 169 – ''Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum'' (libretto by
Picander
Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.
Henrici was born in Stolpen. He studi ...
)
* BWV Anh. 170 – "Welt, ade, ich bin dein müde" (SATB, SSATB chorale)
* BWV Anh. 171 – ''Christ lag in Todesbanden'' (chorale prelude)
* BWV Anh. 172 – ''Herr Jesu Christ, dich zu uns wend'' (chorale prelude)
* BWV Anh. 173 – Invention for violin and keyboard
* BWV Anh. 174 – Invention for violin and keyboard
* BWV Anh. 175 – Invention for violin and keyboard
* BWV Anh. 176 – Invention for violin and keyboard
* BWV Anh. 177 – Prelude and Fugue in E-flat major
* BWV Anh. 178 – Toccata quasi Fantasia con Fuga in A major
* BWV Anh. 179 – Fantasia durch alle Tonarten gehend
* BWV Anh. 180 – Fugue in D minor
* BWV Anh. 181 – Fugue in A minor
* BWV Anh. 182 – Passacaglia in D minor
* BWV Anh. 183 – Rondeau in B-flat major a.k.a. "Les Bergeries"
[François Couperin. ''scores:Second livre de pièces de clavecin (Couperin, François), Second Livre de pièces de Clavecin''. Paris: Foucault (1717), pp. 8–9]
* BWV Anh. 184 – Sonata A minor for violin and continuo
* BWV Anh. 185 – Sonata in D major for two violins and continuo
* BWV Anh. 186 – Trio Sonata in F major for two violins and continuo
* BWV Anh. 187 – Trio in F major
* BWV Anh. 188 – Sonata (Concerto) in F major for two harpsichords
* BWV Anh. 189 – Concerto in A minor for keyboard, strings and continuo
* BWV Anh. 190 – ''Ich bin ein Pilgrim auf der Welt'' (lost cantata)
* BWV Anh. 191 – ''Leb ich oder leb ich nicht'' (lost cantata)
* BWV Anh. 192 → BWV 1138.1
* BWV Anh. 193 → BWV 1141
* BWV Anh. 194 → BWV 1154
* BWV Anh. 195 – ''Murmelt nur, ihr heitern Bäche'' (lost secular cantata)
* BWV Anh. 196 → BWV 1163
* BWV Anh. 197 → BWV 1150
*
BWV Anh. 198
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...
→
BWV 149/1a
* BWV Anh. 199 → BWV 1135
* BWV Anh. 200 – ''O Traurigkeit, o herzeleid'' (chorale prelude; unused sketch for the ''Orgelbüchlein'')
* BWV Anh. 201 – ''Du Friedefürst, Herr Jesu Christ'' (four-part chorale)
* BWV Anh. 202 – ''Gott hat das Evangelium'' (four-part chorale)
* BWV Anh. 203 – ''Ich hebe meine Augen auf'' (four-part chorale)
* BWV Anh. 204 – ''O Traurigkeit, o Herzeleid'' (four-part chorale)
* BWV Anh. 205 → BWV 1121
* BWV Anh. 206 – ''Ach bleib mit deiner Gnade'' (or) ''Christus, der ist mein Leben'' (chorale prelude)
* BWV Anh. 207 – Fugue in E minor
* BWV Anh. 208 – Fugue in E-flat minor
* BWV Anh. 209 → BWV 1136
* BWV Anh. 210 – ''Wo sind meine Wunderwerke'' (lost cantata)
* BWV Anh. 211 → BWV 1145
* BWV Anh. 212 → BWV 1146
* BWV Anh. 213 – Concerto in F major for solo organ, after an unidentified concerto by Georg Philipp Telemann
BWV App. A–D
BWV App. A
* BWV App. A 4 (previously Anh. 160) – ''Jauchzet dem Herrn alle Welt'' (pasticcio motet)
BWV App. B
* BWV 1022
* BWV 1024
* BWV 1070
BWV App. C
* BWV Anh. 25
* BWV Anh. 113
* BWV Anh. 116
* BWV Anh. 117a
* BWV Anh. 117b
* BWV Anh. 118
* BWV Anh. 119
* BWV Anh. 120
* BWV Anh. 121
* BWV Anh. 122
* BWV Anh. 123
* BWV Anh. 124
* BWV Anh. 125
* BWV Anh. 126
* BWV Anh. 127
* BWV Anh. 128
* BWV Anh. 132
* BWV Anh. 167
*
*
BWV App. D
* BWV 1020
* BWV 1036
* BWV 1037
* BWV Anh. 24
* BWV Anh. 26
* BWV Anh. 30
* BWV Anh. 114
* BWV Anh. 115
* BWV Anh. 129
* BWV Anh. 130
* BWV Anh. 131
* BWV Anh. 183
Notes
References
Sources
External links
*
J.S. Bach Works Catalogby David J. Grossman
at
{{Johann Sebastian Bach
Lists of compositions by Johann Sebastian Bach,
Classical music catalogues