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Der Geist Hilft Unser Schwachheit Auf, BWV 226
' (The Spirit gives aid to our weakness), 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti. History For ' , the autograph score survives. Bach himself noted on its title: "." (' – Motet for two choirs for the funeral for the blessed Rector, Professor Ernesti, by J. S. Bach). Ernesti was professor of poetry at Leipzig University and director of the Thomasschule. The first performance took place in the Paulinerkirche, the university church). Scholars debate if the performance was 24 October, or rather 21 October, as indicated by the title page of the sermon. Bach wrote a number of works for occasions of Leipzig University. Twelve such works survive: they are mainly festive in character (in German they have been categorised as ''Festmusiken zu Leipziger Universitätsfeiern''). As well as being part of a series of works connected with the university, ''Der Geist hilft unser Schwachheit auf'' as a funeral motet is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet (Bach)
It is uncertain how many motets Johann Sebastian Bach composed, because some have been lost, and there are some doubtful attributions among the surviving ones associated with him. There is a case for regarding the six motets catalogued BWV 225–230 as being authenticated, although there is some doubt about one of them, ''Lobet den Herrn, alle Heiden''. A seventh motet, ''Ich lasse dich nicht'', BWV Anh. 159, which was formerly attributed to Bach's older cousin Johann Christoph Bach, appears to be at least partly by J.S. Bach, and if so was probably composed during his Weimar period. BWV 228 is another motet which appears to have been written at Weimar, between 1708 and 1717, the others having been composed in Leipzig. Several of the motets were written for funerals. There is some uncertainty as to the extent that motets would have been called for in normal church services—there is evidence that the form was considered archaic. The text of ''Jauchzet dem Herrn, alle Welt'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taille (instrument)
The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in ''Alcidiane'' by Jean-Baptiste Lully in 1658 and in French ensembles known as the ''bandes de hautbois'', in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais. Today, the instrument is rare outside period ensembles, and a cor anglais is commonly substituted. However, the period-instrument movement has seen a revival of the taille, with a number of makers now producing reproductions of classic examples. The term was also later applied to any instrument that played the tenor part in an orchestra, e.g. the tenor viol The vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets By Johann Sebastian Bach
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands Bach Society
The Netherlands Bach Society ( nl, Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Bach's ''St Matthew Passion'' on Good Friday and has performed the work annually since then in the Grote of Sint-Vituskerk (Great Church or St Vitus Church). From 1983 until 2018, Jos van Veldhoven was artistic director and conductor. Shunsuke Sato became artistic director on 1 June 2018. The ensemble is now 100 years old. Due to the 100 year landmark, the Society is publishing a new and freely accessible recording every two weeks, including HD video of all 1080 works of Johann Sebastian Bach, performed by members of the ensemble and guest musicians under the title ''All of Bach''. History Early years ''De Nederlandse Bachvereniging'' was officially founded on 13 September 1921. Johan Schoonderbeek was one of the founding members and the first conductor. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Hofmann
Klaus Hofmann (born 20 March 1939) is a German musicologist who is an expert on the music of Johann Sebastian Bach. Born in Würzburg, Hofmann studied after graduation (1958) from 1958 to 1959 at the University of Erlangen. He then continued his studies at the Albert-Ludwigs-University Freiburg. In 1968 he received his doctorate with a dissertation " " (Studies on the composition technique of the motet in the 13th century, performed on the motets with tenor ). From 1968 to 1978 he worked as an employee of the Hänssler Verlag. From 1978 he was a research assistant of the Johann Sebastian Bach Institute in Göttingen, one of the two institutions which prepared the Neue Bach-Ausgabe, the second complete edition of Bach's work. In 2004 he was appointed to the position of Executive Director, a position which he held until the Institute closed in 2006. He is a board member of the copyright collective . In 1994 he was appointed honorary professor at the Georg-August-Universitä ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Vermont
The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a public land-grant research university in Burlington, Vermont. It was founded in 1791 and is among the oldest universities in the United States as it was the fifth institution of higher education established in the New England region of the U.S. northeast. It is listed as one of the original eight " Public Ivy" institutions in the United States and is classified among "R2: Doctoral Universities – High research activity". The largest hospital complex in Vermont, the University of Vermont Medical Center, has its primary facility on the UVM campus and is affiliated with the Robert Larner College of Medicine. History The University of Vermont was founded as a private university in 1791, the same year Vermont became the 14th U.S. state. The university enrolled its first students 10 years later. Its first president, The Rev. Daniel C. Sanders, was hired in 1800, and served ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Music
Emmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J. S. Bach in the liturgical setting for which they were intended, an endeavor twice completed and a tradition which continues today. Over the years, Emmanuel Music has garnered critical and popular acclaim through its presentations of large-scale and operatic works by Bach, Handel, Schubert, and Mozart as well as its in-depth exploration of the complete vocal, piano, and chamber works of Debussy, Brahms, Schubert, Schumann, and currently, Beethoven. A unique aspect of Emmanuel performances is its selection of vocal and instrumental soloists from a corps of musicians who have long been associated with the group. Emmanuel Music has given rise to renowned musicians at the local, national, and international level; its long-standing association with Pulitzer Prize-winning composer John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leipziger Universitätsmusik
Leipziger Universitätsmusik refers to music education and performance at the University of Leipzig. Music at the university dates back to its founding of the university in the 15th century. At present, Leipziger Universitätsmusik is the name of several musical ensembles formed by students and professors, and supported by professional musicians, the choir Leipziger Universitätschor, an orchestra, two smaller instrumental ensembles, and a big band. History In 1410, the artistic faculty offered lectures on the ''Musica speculativa secundum Boethium'' written by Johannes de Muris in 1323, which were required for academic degrees baccalauréat and magister, alongside arithmetic, geometry, and astronomy, in the medieval Quadrivium. In 1558, music education was discontinued in favour of physics, but new courses were offered for the training of musicians by the cantors of the Thomaskirche and Nikolaikirche. University music was then mostly church music. Its first director at the uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Pratica
''Stile antico'' (literally "ancient style", ), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to ''stile moderno'', which adhered to more modern trends. ''Prima pratica'' (Italian, 'first practice') refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more "modern" styles. It is contrasted with '' seconda pratica'' music. These terms are synonymous to ''stile antico'' and ''stile moderno'', respectively. History ''Stile antico'' has been associated with composers of the high Baroque and early Classical periods of music, in which composers used controlled dissonance and modal effects and avoided overtly instrumental textures and lavish ornamentation, to imitate the compositional style of the late Renaissance. ''Stile antico'' was deemed appropriate in the conservative confines of church music, or as a compositional exerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a '' fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or " Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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