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Leipziger Universitätsmusik
Leipziger Universitätsmusik refers to music education and performance at the University of Leipzig. Music at the university dates back to its founding of the university in the 15th century. At present, Leipziger Universitätsmusik is the name of several musical ensembles formed by students and professors, and supported by professional musicians, the choir Leipziger Universitätschor, an orchestra, two smaller instrumental ensembles, and a big band. History In 1410, the artistic faculty offered lectures on the ''Musica speculativa secundum Boethium'' written by Johannes de Muris in 1323, which were required for academic degrees baccalauréat and magister, alongside arithmetic, geometry, and astronomy, in the medieval Quadrivium. In 1558, music education was discontinued in favour of physics, but new courses were offered for the training of musicians by the cantors of the Thomaskirche and Nikolaikirche. University music was then mostly church music. Its first director at the uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leipziger Universitätsmusik
Leipziger Universitätsmusik refers to music education and performance at the University of Leipzig. Music at the university dates back to its founding of the university in the 15th century. At present, Leipziger Universitätsmusik is the name of several musical ensembles formed by students and professors, and supported by professional musicians, the choir Leipziger Universitätschor, an orchestra, two smaller instrumental ensembles, and a big band. History In 1410, the artistic faculty offered lectures on the ''Musica speculativa secundum Boethium'' written by Johannes de Muris in 1323, which were required for academic degrees baccalauréat and magister, alongside arithmetic, geometry, and astronomy, in the medieval Quadrivium. In 1558, music education was discontinued in favour of physics, but new courses were offered for the training of musicians by the cantors of the Thomaskirche and Nikolaikirche. University music was then mostly church music. Its first director at the uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottfried Schicht
Johann Gottfried Schicht (29 September 1753 – 16 February 1823) was a German composer and conductor. Schicht was born in Reichenau, in the Electorate of Saxony. He trained as a lawyer, studying from 1776 at Leipzig. He was the conductor of the Leipzig Gewandhaus Orchestra from 1785 to 1810, when he was succeeded by Johann Philipp Christian Schulz. Schicht continued to work in Leipzig, serving as Thomaskantor, director of the Thomanerchor with responsibility for music in the city's churches. He was in post from 1810 until 1823, when he died, aged 69, in Leipzig. His most important work is a great choirbook from 1819. Besides that, he wrote masses, motets, cantatas, a setting of the 100th Psalm, four Te deums, one piano concerto, sonatas and capriccio. He is believed to have been the editor of the first edition of Bach's motets. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adam Hiller
Johann Adam Hiller (25 December 1728, in Wendisch-Ossig, Saxony – 16 June 1804, in Leipzig) was a German composer, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas he collaborated with the poet Christian Felix Weiße. Furthermore, Hiller was a teacher who encouraged musical education for women, his pupils including Elisabeth Mara and Corona Schröter. He was Kapellmeister of Abel Seyler's theatrical company, and became the first Kapellmeister of Leipzig Gewandhaus. Biography By the death of his father in 1734, Hiller was left dependent to a large extent on the charity of friends. He came from a musical family, and also learned the basics of music from a school master in his home town, Wendisch-Ossig. From 1740 to 1745, he was a student at the Gymnasium in Görlitz, where his fine soprano voice earned him free tuition. In 1746 he went to study at the famous Kreuzschule in Dresden. There he took key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Kuhnau
Johann Kuhnau (; 6 April 16605 June 1722) was a German polymath, known primarily as a composer today. He was also active as a novelist, translator, lawyer, and music theorist, and was able to combine these activities with his duties in his official post as Thomaskantor in Leipzig, which he occupied for 21 years. Much of his music, including operas, masses, and other large-scale vocal works, is lost. His reputation today rests on his ''Biblical Sonatas'', a set of programmatic keyboard sonatas published in 1700, in which each sonata depicted in detail a particular story from the Bible. After his death, Kuhnau was succeeded as Thomaskantor by Johann Sebastian Bach. Biography Much of the biographical information on Kuhnau is known from an autobiography published by Johann Mattheson in 1740 in his ''Grundlage einer Ehrenpforte''. Kuhnau's Protestant family was originally from Bohemia, and their name was Kuhn. Kuhnau was born in Geising, present-day Saxony. His musical talents we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Schelle
Johann Schelle (Geising, Erzgebirge, 6 September 1648 – Leipzig 10 March 1701) was a German Baroque composer. From 1655 to 1657 he was a choirboy in Dresden and pupil of Heinrich Schütz. From 1657 to 1664 on Schütz's recommendation he was a singer in Wolfenbüttel. He was the cantor of the Thomanerchor, Leipzig, from 1677 to 1701. In 1689/90 he collaborated on a cycle of chorale cantatas with Leipzig theologian Benedict Carpzov. Leipzig When his former teacher Sebastian Knüpfer died, Schelle succeeded him as Kantor of the Thomaskirche in Leipzig, a post later held by J.S. Bach. He obtained the post on January 31, 1677, and held it until his death. His appointment was made against the wishes of the city mayor, who remained antagonistic to him and the changes he introduced in the musical content of services. The matter came to a head when Schelle replaced the Latin compositions written by Italian masters with music to German texts, especially cantatas. When the city council ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Timm
David Timm (born 24 April 1969) is a German pianist, organist, choral conductor and jazz musician. Since February 2005 he has been (University Music Director) of the Leipzig University, and thus also director of the Leipziger Universitätschor, succeeding Wolfgang Unger. Biography Born in Waren, Timm was educated at the St. Thomas School, Leipzig. He was a member and later first prefect of the Thomanerchor. He studied church music at the University of Music and Theatre Leipzig from 1989 to 1995 with Hannes Kästner, organ with Arvid Gast, improvisation with Volker Bräutigam, and completed his studies with the Church music in Germany A-Exam. He continued studies of piano with Markus Tomas and graduated with distinction in 1999. In 1996/97 he studied with Karl-Heinz Kämmerling at the Salzburg Mozarteum. From 1998 to 2002, he taught choral conducting at the Evangelische Hochschule für Kirchenmusik Halle, and from 1998 liturgical organ playing at the Leipzig Musikhochschul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Unger
Wolfgang Unger (31 December 1948 – 19 April 2004) was a German conductor, especially a choral conductor, and an academic in Halle and Leipzig. He founded several choirs and focused on the music of Johann Sebastian Bach and his contemporaries. Like Bach, he directed the music at the University of Leipzig, called Leipziger Universitätsmusik. Career Born in Eibenstock, Unger was educated at the Kreuzschule in Dresden. He was a member of the Kreuzchor under Rudolf Mauersberger, serving as ''Erster Chorpräfekt'' from 1965 to 1967. He studied conducting, including choral conducting, at the Musikhochschule Weimar. In 1969, he founded the choir , which he conducted until 1996. He was appointed Kapellmeister and choral conductor at the Philharmonisches Staatsorchester Halle. He was also director of the . He was awarded the town's Handel Prize in 1985. In 1987, Unger became artistic director of the Leipziger Universitätschor, and in 1991, of the University of Leipzig, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Reunification
German reunification (german: link=no, Deutsche Wiedervereinigung) was the process of re-establishing Germany as a united and fully sovereign state, which took place between 2 May 1989 and 15 March 1991. The day of 3 October 1990 when the German Reunification Treaty entered into force dissolving the German Democratic Republic (GDR; german: link=no, Deutsche Demokratische Republik, DDR, or East Germany) and integrating its recently re-established constituent federated states into the Federal Republic of Germany (FRG; german: link=no, Bundesrepublik Deutschland, BRD, or West Germany) to form present-day Germany, has been chosen as the customary ''German Unity Day'' () and has thereafter been celebrated each year from 1991 as a national holiday. East and West Berlin were united into a single city and eventually became the capital of reunited Germany. The East Germany's government led by the Socialist Unity Party of Germany (SED) (a communist party) started to falter on 2 May 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Grüß
Hans Ludwig Kurt Reinhold Grüß (4 March 1929 – 24 November 2001) was a German musicologist and ensemble leader. Life Childhood and studies He spent his childhood and adolescence in Freiberg since his father taught as professor of mathematics and technical mechanics at the Freiberg University of Mining and Technology, Bergakademie Freiberg from 1936. As a grammar school student he was drafted to the Volkssturm and was only able to take his Abitur after he had been a prisoner of war. First he studied German language and literature, musicology and pedagogy at the Humboldt University of Berlin from 1947, and from 1949 at the Leipzig University and the University of Music and Theatre Leipzig, Musikhochschule. Early on, he became interested in performance practice of early music and received his doctorate in 1956 with a work on Josquin des Prez. Professional activity In 1957 Grüß was given a lectureship at the University of Leipzig. Because of political disagreements he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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