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List Of Masses, Mass Movements And Magnificats By Johann Sebastian Bach
Masses, Passions, Oratorios is the subject of the second series of the Neue Bach-Ausgabe (NBA, New Bach Edition), a publication of Johann Sebastian Bach's music from 1954 to 2007. In the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions) masses, passions and oratorios refers to two chapters: * Chapter 3: Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), original range: BWV 232–243 * Chapter 4: Passionen, Oratorien (Passions, Oratorios), original range: BWV 244–249 In the BWV, as in Series II of the NBA, the group thus also includes Bach's Magnificat and separate mass movements. Further the second series of the NBA and/or the 1998 updated edition of the BWV (BWV2a) group some new additions to the BWV catalogue with the masses, passions and oratorios (e.g. ''Tilge, Höchster, meine Sünden'', BWV 1083, Bach's adaptation of Pergolesi's Stabat Mater), and regroup some compositions that were formerly associated with other genres in the masses, pas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Bach-Ausgabe
The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete Works (''Johann Sebastian Bach (1685–1750): Neue Ausgabe sämtlicher Werke''). It is a historical-critical edition (German: ''historisch-kritische Ausgabe'') of Bach's complete works by the Johann Sebastian Bach Institute (Johann-Sebastian-Bach-Institut) in Göttingen and the Bach Archive (Bach-Archiv) in Leipzig, When Bach died most of his work was unpublished. The first complete edition of Bach's music was published in the second half of the nineteenth century by the Bach Gesellschaft (Bach-Gesellschaft Ausgabe, BGA). The second complete edition includes some discoveries made since 1900, but there are relatively few such scores. The significance of the NBE lies more in its incorporation of the latest scholarship. Although the NBE is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 241
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early .Bach Digital Work The bulk of Bach's sacred music, many hundreds of compositions such as his church cantatas, motets, Passions, oratorios, four-part chorales and sacred songs, was set to a German text, or incorporated one or more melodies associated with the German words of a Lutheran hymn. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in Luthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 240
Most of Johann Sebastian Bach's extant church music in Latin language, Latin—Mass (music)#Ordinarium, settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German language, German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early .Bach Digital Work The bulk of Bach's sacred music, many hundreds of compositions such as church cantata (Bach), his church cantatas, motet (Bach), motets, Passions (Bach), Passions, List of oratorios by Johann Sebastian Bach, oratorios, List of chorale harmonisations by Johann Sebastian Bach, four-part chorales and List of songs and arias by Johann Sebastian Bach, sacr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Providentiae
''Missa Providentiae'' is a Kyrie–Gloria Mass in D minor composed by Antonio Caldara, which around 1728 was expanded into a by Jan Dismas Zelenka: this composer derived a Sanctus and Agnus Dei from Caldara's Kyrie and Gloria, and added a Credo, ZWV 31, of his own hand. Around 1738–1741, Johann Sebastian Bach made a copy of a Sanctus, BWV 239, which was based on the first section of the Gloria of Caldara's Kyrie–Gloria Mass.Bach Digital Work The Mass is composed for soprano, alto, tenor and bass soloist singers, and a choir consisting of the four same voice types (SATB). The orchestra consists of strings (two violin parts and one viola part) and basso continuo, to which in some movements two oboes are added. The oboes are silent throughout Zelenka's Credo, and the BWV 239 Sanctus only requires a four-part choir, strings and continuo. Caldara's Kyrie and Gloria The Kyrie of Caldara's ''Missa Providentiae'', in D minor, consists of the usual three movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Caldara
Antonio Caldara (ca 1670 – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became ''maestro di cappella'' to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession. Caldara removed from Mantua in 1707, after the French were expelled from Italy, then moved on to Barcelona as chamber composer to Charles III, the pretender to the Spanish throne (following the death of Charles II of Spain in 1700 without any direct heir) and who kept a royal court at Barcelona. There, he wrote some operas that are the first Italian operas performed in Spain. He moved on to Rome, becoming ''maestro di cappella'' to Francesco Maria Marescotti Ruspoli, 1st P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus In D Minor, BWV 239
''Missa Providentiae'' is a Kyrie–Gloria Mass in D minor composed by Antonio Caldara, which around 1728 was expanded into a by Jan Dismas Zelenka: this composer derived a Sanctus and Agnus Dei from Caldara's Kyrie and Gloria, and added a Credo, ZWV 31, of his own hand. Around 1738–1741, Johann Sebastian Bach made a copy of a Sanctus, BWV 239, which was based on the first section of the Gloria of Caldara's Kyrie–Gloria Mass.Bach Digital Work The Mass is composed for soprano, alto, tenor and bass soloist singers, and a choir consisting of the four same voice types (SATB). The orchestra consists of strings (two violin parts and one viola part) and basso continuo, to which in some movements two oboes are added. The oboes are silent throughout Zelenka's Credo, and the BWV 239 Sanctus only requires a four-part choir, strings and continuo. Caldara's Kyrie and Gloria The Kyrie of Caldara's ''Missa Providentiae'', in D minor, consists of the usual three movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus, BWV 238
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early .Bach Digital Work The bulk of Bach's sacred music, many hundreds of compositions such as his church cantatas, motets, Passions, oratorios, four-part chorales and sacred songs, was set to a German text, or incorporated one or more melodies associated with the German words of a Lutheran hymn. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in Luthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus, BWV 237
Most of Johann Sebastian Bach's extant church music in Latin— settings of (parts of) the Mass ordinary and of the Magnificat canticle—dates from his Leipzig period (1723–50). Bach started to assimilate and expand compositions on a Latin text by other composers before his tenure as Thomaskantor in Leipzig, and he continued to do so after he had taken up that post. The text of some of these examples by other composers was a mixture of German and Latin: also Bach contributed a few works employing both languages in the same composition, for example his early .Bach Digital Work The bulk of Bach's sacred music, many hundreds of compositions such as his church cantatas, motets, Passions, oratorios, four-part chorales and sacred songs, was set to a German text, or incorporated one or more melodies associated with the German words of a Lutheran hymn. His output of music on a Latin text, comprising less than a dozen of known independent compositions, was comparatively small: in Luthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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