(Praised be the Lord, my God), is a

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

. It is a

chorale cantata A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chora ...

performed on Trinity Sunday 8 June 1727 in

Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...

.''Texte zur Leipziger Kirchen-Music auf die Heiligen Pfingst-Feyertage und das Fest der H. Dreyfaltigkeit 1727''. Leipzig: Immanuel Tietzen, 1727. Quoted i
"Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas"
by Tatiana Shabalina, pp. 77-99 i
''Understanding Bach'' 4
2009 Rediscovery of the printed libretto of the cantata in the first decade of the 21st century led to a re-appraisal of prior assumptions regarding the early performance chronology of a few cantatas, including this one.Bach Digital Work at The text of the cantata is a general praise of the

Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...

, without a reference to a specific gospel reading. Addressing God the Creator, the Saviour and the Comforter, it could be used for other occasions such as

Reformation Day Reformation Day is a Protestant Christian religious holiday celebrated on 31 October, alongside All Hallows' Eve (Halloween) during the triduum of Allhallowtide, in remembrance of the onset of the Reformation. According to Philip Melanchtho ...

. The cantata is festively scored and ends in a

chorale fantasia Chorale fantasia is a type of large composition based on a chorale melody, both works for organ, and vocal settings, for example the opening movements of Bach's chorale cantatas, with the chorale melody as a cantus firmus. History Chorale fantas ...

, like the ''

Christmas Oratorio The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of t ...

''.

History and words

The cantata was apparently composed for Trinity Sunday. Originally it was thought the cantata may have been performed as early as 16 June 1726. In his second year Bach had composed

s between the first Sunday after

of 1724 and Palm Sunday 1725, but for

Easter Easter,Traditional names for the feast in English are "Easter Day", as in the '' Book of Common Prayer''; "Easter Sunday", used by James Ussher''The Whole Works of the Most Rev. James Ussher, Volume 4'') and Samuel Pepys''The Diary of Samuel ...

that year he had returned to cantatas on more varied texts, possibly because he lost his librettist. Later Bach composed again chorale cantatas which may have been intended to complete his second annual cycle. This cantata was possibly one of such completing works. Rediscovery of the printed libretto of the cantata in the first decade of the 21st century led to a re-appraisal of prior assumptions regarding the first performance of this cantata: it was performed on Trinity Sunday 8 June 1727. The cantata may also have been performed on Reformation Day. The cantata is based entirely on the unchanged words on the

hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' ...

(1665) by Johann Olearius and celebrates the Trinity in five stanzas. The prescribed readings for Trinity Sunday were from the

Epistle to the Romans The Epistle to the Romans is the sixth book in the New Testament, and the longest of the thirteen Pauline epistles. Biblical scholars agree that it was composed by Paul the Apostle to explain that salvation is offered through the gospel of J ...

, reflecting "depth of wisdom" (), and from the

Gospel of John The Gospel of John ( grc, Εὐαγγέλιον κατὰ Ἰωάννην, translit=Euangélion katà Iōánnēn) is the fourth of the four canonical gospels. It contains a highly schematic account of the ministry of Jesus, with seven "sig ...

, the meeting of Jesus and Nicodemus (). Unlike most chorale cantatas of 1724/25, but similar to the early , and , also composed after the second cantata cycle, Bach left the chorale text unchanged, thus without a reference to the readings.

Scoring and structure

The cantata in five movements is festively scored for three soloists,

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

, a four-part choir, three

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

, flauto traverso, two

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

oboe d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the me ...

, two

violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

, and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

. # Coro: # Aria (bass): # Aria (soprano): # Aria (alto): # Chorale:

Music

The opening chorus on the first stanza of the chorale begins with a concerto of all the instruments as a

ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...

. The trumpets highlight occasionally the interplay of strings and woodwinds. The cantus firmus, a melody of by

Ahasverus Fritsch Ahasverus Fritsch (16 December 1629 – 24 August 1701) was a German jurist, poet and hymn writer of the Baroque era. Fritsch was born in Mücheln as a son of the mayor. In 1631, the family was forced to flee when the city was burned down. Later ...

(1679), is sung by the soprano, while the other voices sing sometimes in imitation, sometimes in homophony. The text is a praise of the God the Creator. The following three movements are all

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

s. In the first aria the bass praises God the Saviour, accompanied only by the continuo. Bach may have thought of the (voice of Christ), and of his humility. The word "" (praised) is set as an expressive melisma. In the second aria the soprano, accompanied by flute and violin, praises God the Comforter. In the third aria the alto is accompanied by an oboe d'amore in song-like general praise. John Eliot Gardiner suggests that the "pastoral dance" was "inspired, perhaps in its imagery, by the concept of "" (praised by all things that move in the air). The final chorale is set in a joyful concerto of the instruments, similar to the conclusions of Bach's ''

'' and ''

Ascension Oratorio Ascension or ascending may refer to: Religion * "Ascension", "Assumption", or "Translation", the belief in some religions that some individuals have ascended into Heaven without dying first * Ascension of Jesus * Feast of the Ascension (Ascen ...

''. Gardiner calls it "punctuated by brass and orchestral fanfares." By this festive ending Bach marked Trinity Sunday as the conclusion of the first part of the

liturgical year The liturgical year, also called the church year, Christian year or kalendar, consists of the cycle of liturgical seasons in Christian churches that determines when feast days, including celebrations of saints, are to be observed, and whi ...

Recordings

* ''J. S. Bach: Cantatas BWV 119 & BWV 129'',

Diethard Hellmann Diethard Hellmann (28 December 1928 – 14 October 1999) was a German Kantor and an academic in Leipzig, Mainz and Munich. Professional career Born in Grimma, Dietmann Hellmann was a member of the Thomanerchor. He studied church music in Leipzig ...

, Bach-Chor Mainz, Bach-Orchester Mainz,

Lotte Wolf-Matthäus Lotte Wolf-Matthäus (8 April 1908 – 12 November 1979) was a German contralto singer, who focused on the works by Johann Sebastian Bach. Born in Brünlos (now part of Zwönitz), she studied voice at the Landeskonservatorium Leipzig with Ils ...

Ursula Buckel Ursula Buckel (11 February 1926 – 5 December 2005) was a German soprano singer, known for singing works of Johann Sebastian Bach. Career Born in the Thuringian town of Lauscha, Ursula Buckel studied singing in the School of Church Music in Br ...

, Margrit Conrad, Carl-Heinz Müller, Cantate 1968 * ''Bach Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity'', Karl Richter, Münchener Bach-Chor,

Münchener Bach-Orchester The (Munich Bach Orchestra) is a classical music ensemble based in Munich, Germany, which specialises in the performance of works by Johann Sebastian Bach. It was founded in 1954 by the conductor Karl Richter (conductor), Karl Richter. It works ...

Edith Mathis Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's ''Der junge Lord' ...

, Anna Reynolds,

Peter Schreier Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conduct ...

, Dietrich Fischer-Dieskau, Archiv Produktion 1975 * ''Die Bach Kantate Vol. 10'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart,

Arleen Augér Joyce Arleen Auger (sometimes spelled Augér ; September 13, 1939 – June 10, 1993) was an American soprano, known for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Mozart, and Schubert. She won a posthum ...

Gabriele Schreckenbach Gabriele Schreckenbach (born in Berlin) is a German contralto singer in opera and concert and an academic voice teacher. She recorded Bach cantatas with the Gächinger Kantorei and Helmuth Rilling. She recorded choral works of Mozart, his ''Wais ...

Philippe Huttenlocher Philippe Huttenlocher (born 29 November 1942) is a Swiss baritone. Life and career He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg. In 1972, he won the international ...

, Hänssler 1982 * ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 7'',

Gustav Leonhardt Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leo ...

Knabenchor Hannover The Knabenchor Hannover (Hannover Boys' Choir) is a boys choir founded in 1950 by Heinz Hennig, who served as conductor until the end of 2001. Since 2002, the conductor has been Jörg Breiding. History and music The Knabenchor Hannover has tr ...

, Collegium Vocale Gent,

Leonhardt-Consort Leonhardt-Consort, also known as the Leonhardt Baroque Ensemble, was a group of instrumentalists which its director, the keyboard player Gustav Leonhardt founded in 1955 to play baroque music. The Consort was active until around 1990, although some ...

, Sebastian Hennig (soloist of the Knabenchor Hannover), René Jacobs,

Max van Egmond Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of B ...

, Teldec 1983 * ''Bach Cantatas Vol. 27: Blythburgh/Kirkwell'', John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists,

Ruth Holton Ruth Holton (born 1961)"Holton, Ruth" in David M. Cummings (ed.) ''International Who's Who in Classical Music, 2003", London, Europa Publications p.353. is an English soprano singer. Training Holton won a choral exhibition at Clare College, Camb ...

Daniel Taylor Daniel, Dan, or Danny Taylor may refer to: Sportspeople * Dan Taylor (shot putter) (born 1982), American shot putter * Dan Taylor (cricketer) (1887–1957), South African cricketer * Dan Taylor (footballer, born 1993), English footballer * Dan Tayl ...

Peter Harvey Peter Michael St Clair Harvey (16 September 19442 March 2013) was an Australian journalist and broadcaster. Harvey was a long-serving correspondent and contributor with the Nine Network from 1975 to 2013. Career Harvey studied his journalism ...

, Soli Deo Gloria 2000 * ''J. S. Bach: Complete Cantatas Vol. 19'',

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

, Amsterdam Baroque Orchestra & Choir, Johannette Zomer, Bogna Bartosz,

Christoph Prégardien Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances an ...

Klaus Mertens Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons ...

, Antoine Marchand 2002 * ''J. S. Bach: Cantatas Vol. 45 (Cantatas from Leipzig 1725)'', Masaaki Suzuki, Bach Collegium Japan,

Yukari Nonoshita Yukari Nonoshita ( jp:野々下由香里, Nonoshita Yukari) is a japanese soprano. She studied at the Tokyo National University of Fine Arts and Music. She continued her studies in France at the and the École Normale de Musique de Paris, with ...

Robin Blaze Robin Blaze (born 1971 in Manchester) is an English countertenor. Early life The son of Peter Blaze, a professional golfer, and Christine, Blaze and his brother Mark grew up in Shadwell, near Leeds, and was educated at Leeds Grammar School, ...

Peter Kooy Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin stud ...

, BIS 2009

References

Sources

* *
Gelobet sei der Herr, mein Gott BWV 129; BC A 93 / Chorale cantata (Trinity Sunday)
Bach Digital
Cantata BWV 129 Gelobet sei der Herr, mein Gott
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website

English translation,

University of Vermont The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont. It was founded in 1791 and is amon ...

BWV 129 Gelobet sei der Herr, mein Gott
text, scoring,

University of Alberta The University of Alberta, also known as U of A or UAlberta, is a public research university located in Edmonton, Alberta, Canada. It was founded in 1908 by Alexander Cameron Rutherford,"A Gentleman of Strathcona – Alexander Cameron Rutherfor ...

* Luke Dahn
BWV 129.5
bach-chorales.com {{DISPLAYTITLE:''Gelobet sei der Herr, mein Gott'', BWV 129 Church cantatas by Johann Sebastian Bach 1726 compositions Chorale cantatas