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Ursula Buckel
Ursula Buckel (11 February 1926 – 5 December 2005) was a German soprano singer, known for singing works of Johann Sebastian Bach. Career Born in the Thuringian town of Lauscha, Ursula Buckel studied singing in the School of Church Music in Braunschweig in 1947; later she undertook further study with Hans Höfflin in Freiburg and with Ria Ginster in Zürich and in Hilversum. She collaborated regularly with the Zurich Bach Choir, Karl Richter and his Münchener Bach-Chor, Diethard Hellmann and his Mainzer Bach-Chor, and Karl Ristenpart. With Richter she was a frequent soloist for recordings of Bach cantatas, including in 1961 ''Herz und Mund und Tat und Leben'', BWV 147, a cantata that Bach had written in 1723 for the feast of the Visitation always celebrated on 2 July. Performances of Bach's Mass in B minor and ''St John Passion'' with Richter and soloists Hertha Töpper, Ernst Haefliger and Peter van der Bilt in the Grand Hall of the Moscow Conservatory in 1968 were recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lauscha
Lauscha is a town in the district of Sonneberg, in Thuringia, Germany. It is situated 13 km north of Sonneberg, and 24 km southwest of Saalfeld. Lauscha is known for its glassblowing, especially for Christmas tree decorations like baubles. Geography Lauscha is located in the mountain range of the Thüringer Schiefergebirge. The town is nestled into the steep valley of a tributary of the river Steinach just below the ridge of the mountain chain, the well-known Rennsteig. The main train station in Lauscha is 611 m above sealevel, the Pappenheimer Berg, the highest mountain within the town limits rises up to 834,5 m above sea level. Neighbouring towns Immediate neighbours are the following towns and villages: *Neuhaus am Rennweg *Lichte *Piesau *Oberland am Rennsteig * Steinach * Steinheid *Ernstthal am Rennsteig in the north east is part of Lauscha since 1994. Topography The town and valley of Lauscha get their name from the stream, which was first mentioned as 'l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Haefliger
Ernst Haefliger (6 July 191917 March 2007) was a Swiss tenor. Biography Haefliger was born in Davos, Switzerland, on 6 July 1919 and studied at the Wettinger Seminary and the Zürich Conservatory. Later he became a pupil of Fernando Carpi in Geneva and the noted tenor Julius Patzak in Vienna. He devoted himself to lieder and choral works, and soon established a reputation for impeccable style and musicianship. Haefliger sang the Evangelist in Bach's ''St John Passion'' for the first time in Zurich, in 1943. After this debut he was engaged for several concerts in Switzerland and – after World War II – abroad. He soon won the attention of Ferenc Fricsay, who engaged him for the Salzburg Festival where Haefliger's world career started in 1949 with the role of Tiresias in Carl Orff's opera ''Antigonae''. He also sang the role of First Armed Man in ''Die Zauberflöte'' conducted by Wilhelm Furtwängler the same year at the Salzburg Festival. In 1952, he responded to the call o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre De La Suisse Romande
The Orchestre de la Suisse Romande (OSR) is a Swiss symphony orchestra, based in Geneva at the Victoria Hall. In addition to symphony concerts, the OSR performs as the opera orchestra in productions at the Grand Théâtre de Genève. History Ernest Ansermet founded the OSR in 1918, together with Paul Lachenal, with a contingent of 48 players and a season of six months' duration. Besides Swiss musicians, the OSR players initially came from other countries, including Austria, France, Germany and Italy. Ansermet gradually increased the percentage of Swiss musicians in the orchestra, attaining 80% Swiss personnel by 1946. He remained the music director of the OSR for 49 years, from 1918 to 1967. A Swiss radio orchestra based in Lausanne was merged into the OSR in 1938. Subsequently, the OSR began to broadcast radio concerts regularly on Swiss radio. The orchestra had a long-standing contract for recordings with Decca Records, dating from the tenure of Ansermet, and made over 300 rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Ansermet
Ernest Alexandre Ansermet (; 11 November 1883 – 20 February 1969)"Ansermet, Ernest" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 435. was a Swiss conductor. Biography Ansermet was born in Vevey, Switzerland. Originally he was a mathematics professor, teaching at the University of Lausanne. He began conducting at the Casino in Montreux in 1912, and from 1915 to 1923 was the conductor for Diaghilev's Ballets Russes. Travelling in France for this, he met both Claude Debussy and Maurice Ravel, and consulted them on the performance of their works. During World War I, he met Igor Stravinsky, who was exiled in Switzerland, and from this meeting began the conductor's lifelong association with Russian music. In 1918 Ansermet founded his own orchestra, the Orchestre de la Suisse Romande (OSR). He toured widely in Europe and America and became famous for accurate performances of difficult modern music, making first reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Martin (composer)
Frank Martin (15 September 1890 – 21 November 1974) was a Swiss composer, who spent much of his life in the Netherlands. Childhood and youth Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin started to improvise on the piano prior to his formal schooling. At the age of nine he had already written a few songs without external musical instruction. At 12, he attended a performance of Johann Sebastian Bach's '' St. Matthew Passion'' and was deeply affected by it. Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but at the same time was also studying piano, composition and harmony with his first music teacher Joseph Lauber (1864–1953), a Geneva composer and by that time a leading figure of the city's musical scene. In the 1920s, Martin worked closely with Émile Jaques-Dalcroze from whom he learned much about rhythm a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his '' Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a model. He was prolific, quickly composing chamber, orchestral, choral and instrumental w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelist (Bach)
The Evangelist in the music of Johann Sebastian Bach is the tenor part in his oratorios and Passions who narrates the exact words of the Bible, translated by Martin Luther, in recitative secco. The part appears in the works ''St John Passion'', ''St Matthew Passion'', and the ''Christmas Oratorio'', as well as the '' St Mark Passion'' and the ''Ascension Oratorio Lobet Gott in seinen Reichen, BWV 11''. Some cantatas also contain recitatives of Bible quotations, assigned to the tenor voice. Bach followed a tradition using the tenor for the narrator of a gospel. It exists (and is also often called ''the Evangelist'') in earlier works setting biblical narration, for example by Heinrich Schütz ('' Weinachtshistorie'', ''Matthäuspassion'', ''Lukaspassion'', ''Johannespassion''). In contrast, the vox Christi, voice of Christ, is always the bass in Bach's works, including several cantatas. Music and sources The Evangelist reports in secco recitatives accompanied by basso continuo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Van Kesteren
John van Kesteren (4 May 1921 in The Hague – 11 July 2008 in Jupiter, Florida) was a Dutch operatic tenor. De Pers July 13, 2008 Career Van Kesteren first worked as an electronic specialist for the Dutch Telegraph Company PTT. His very first appearance as a non-professional singer was in 1942 with an operetta company in Apeldoorn in the French operetta ''The Bells of Corneville''. During World War II he appeared in five French and German operettas. From 1946 on he studied at the Royal Conservatory of The Hague with the Bass (vocal range), bass Willem Ravelli. He went on to study with Prof. Dr. Lothar Wallerstein of the Vie ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Ericson
Eric Gustaf Ericson (26 October 1918 – 16 February 2013) was a Swedish choral conductor and influential choral teacher. Life and career He graduated from the Royal College of Music (''Kungl. Musikhögskolan'') in Stockholm in 1943 and went on to complete his studies abroad, at the Schola Cantorum Basiliensis, Switzerland, and in Germany, Great Britain, and the United States. Renowned for his innovative teaching methods and the wide-ranging nature of his repertoire, Ericson was the principal conductor of the Orphei Drängar choir at Uppsala University from 1951 until 1991, and choirmaster until 1982 of the Swedish Radio Choir which was established on his initiative in 1951. Also in 1951, he began his teaching career at the Royal College of Music in Stockholm, where he became a legendary and inspirational figure, and he was appointed to the chair of choral conducting there in 1968. In 1983 Ericson received an honorary doctorate from the Faculty of Humanities at Uppsala Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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