![Genien, Nimrud 870 v](https://upload.wikimedia.org/wikipedia/commons/1/1c/Genien%2C_Nimrud_870_v._Chr._Aegyptisches_Museum%2C_Muenchen-4.jpg)
Assyrian sculpture is the sculpture of the ancient
Assyria
Assyria (Neo-Assyrian cuneiform: , romanized: ''māt Aššur''; syc, ܐܬܘܪ, ʾāthor) was a major ancient Mesopotamian civilization which existed as a city-state at times controlling regional territories in the indigenous lands of the A ...
n states, especially the
Neo-Assyrian Empire
The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history and the final and greatest phase of Assyria as an independent state. Beginning with the accession of Adad-nirari II in 911 BC, the Neo-Assyrian Empire grew t ...
of 911 to 612 BC, which was centered around the city of
Assur
Aššur (; Sumerian: AN.ŠAR2KI, Assyrian cuneiform: ''Aš-šurKI'', "City of God Aššur"; syr, ܐܫܘܪ ''Āšūr''; Old Persian ''Aθur'', fa, آشور: ''Āšūr''; he, אַשּׁוּר, ', ar, اشور), also known as Ashur and Qal'a ...
in
Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the F ...
(modern-day
Iraq
Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq ...
) which at its height, ruled over all of
Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the F ...
, the
Levant
The Levant () is an approximate historical geographical term referring to a large area in the Eastern Mediterranean region of Western Asia. In its narrowest sense, which is in use today in archaeology and other cultural contexts, it is eq ...
and Egypt, as well as portions of
Anatolia
Anatolia, tr, Anadolu Yarımadası), and the Anatolian plateau, also known as Asia Minor, is a large peninsula in Western Asia and the westernmost protrusion of the Asian continent. It constitutes the major part of modern-day Turkey. The re ...
,
Arabia
The Arabian Peninsula, (; ar, شِبْهُ الْجَزِيرَةِ الْعَرَبِيَّة, , "Arabian Peninsula" or , , "Island of the Arabs") or Arabia, is a peninsula of Western Asia, situated northeast of Africa on the Arabian Plate. ...
and modern-day Iran and Armenia. It forms a phase of the
art of Mesopotamia
The art of Mesopotamia has survived in the record from early hunter-gatherer societies (8th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Ag ...
, differing in particular because of its much greater use of stone and
gypsum
Gypsum is a soft sulfate mineral composed of calcium sulfate dihydrate, with the chemical formula . It is widely mined and is used as a fertilizer and as the main constituent in many forms of plaster, blackboard or sidewalk chalk, and drywall. ...
alabaster
Alabaster is a mineral or rock that is soft, often used for carving, and is processed for plaster powder. Archaeologists and the stone processing industry use the word differently from geologists. The former use it in a wider sense that includes ...
for large sculpture.
Much the best-known works are the huge ''
lamassu
''Lama'', ''Lamma'', or ''Lamassu'' (Cuneiform: , ; Sumerian: lammař; later in Akkadian: ''lamassu''; sometimes called a ''lamassus'') is an Assyrian protective deity.
Initially depicted as a goddess in Sumerian times, when it was called ''La ...
'' guarding entrance ways, and Assyrian palace reliefs on thin slabs of alabaster, which were originally painted, at least in part, and fixed on the wall all round the main rooms of palaces. Most of these are in museums in Europe or America, following a hectic period of excavations from 1842 to 1855, which took Assyrian art from being almost completely unknown to being the subject of several best-selling books, and imitated in political cartoons.
The palace reliefs contain scenes in low
relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the ...
which glorify the king, showing him at war, hunting, and fulfilling other kingly roles. Many works left ''in situ'', or in museums local to their findspots, have been
deliberately destroyed in the recent occupation of the area by
ISIS
Isis (; ''Ēse''; ; Meroitic: ''Wos'' 'a''or ''Wusa''; Phoenician: 𐤀𐤎, romanized: ʾs) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingd ...
, the pace of destruction reportedly increasing in late 2016, with the
Mosul offensive.
Other surviving types of art include many
cylinder seal
A cylinder seal is a small round cylinder, typically about one inch (2 to 3 cm) in length, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally ...
s, a few
rock relief
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, ro ...
s, reliefs and statues from temples, bronze relief strips used on large doors, and small quantities of metalwork. A group of sixteen bronze
weights shaped as lions with
bilingual inscription
In epigraphy, a multilingual inscription is an inscription that includes the same text in two or more languages. A bilingual is an inscription that includes the same text in two languages (or trilingual in the case of three languages, etc.). Mul ...
s in both
cuneiform
Cuneiform is a logo-syllabic script that was used to write several languages of the Ancient Middle East. The script was in active use from the early Bronze Age until the beginning of the Common Era. It is named for the characteristic wedge-sha ...
and
Phoenician characters, were discovered at Nimrud.
The
Nimrud ivories
The Nimrud ivories are a large group of small carved ivory plaques and figures dating from the 9th to the 7th centuries BC that were excavated from the Assyrian city of Nimrud (in modern Ninawa in Iraq) during the 19th and 20th centuries. The ivo ...
, an important group of small plaques which decorated furniture, were found in a palace storeroom near reliefs, but they came from around the Mediterranean, with relatively few made locally in an Assyrian style.
Palace reliefs
![VAM - Assurnasirpal II Relief 3](https://upload.wikimedia.org/wikipedia/commons/7/77/VAM_-_Assurnasirpal_II_Relief_3.jpg)
The palace reliefs were fixed to the walls of royal palaces forming continuous strips along the walls of large halls. The style apparently began after about 879 BC, when
Ashurnasirpal II
Ashur-nasir-pal II (transliteration: ''Aššur-nāṣir-apli'', meaning " Ashur is guardian of the heir") was king of Assyria from 883 to 859 BC.
Ashurnasirpal II succeeded his father, Tukulti-Ninurta II, in 883 BC. During his reign he embarked ...
moved the capital to
Nimrud
Nimrud (; syr, ܢܢܡܪܕ ar, النمرود) is an ancient Assyrian city located in Iraq, south of the city of Mosul, and south of the village of Selamiyah ( ar, السلامية), in the Nineveh Plains in Upper Mesopotamia. It was a majo ...
, near modern
Mosul
Mosul ( ar, الموصل, al-Mawṣil, ku, مووسڵ, translit=Mûsil, Turkish: ''Musul'', syr, ܡܘܨܠ, Māwṣil) is a major city in northern Iraq, serving as the capital of Nineveh Governorate. The city is considered the second large ...
in northern
Iraq
Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq ...
. Thereafter, new royal palaces, of which there was typically one per reign, were extensively decorated in this way for the roughly 250 years until the end of the Assyrian Empire. There was subtle stylistic development, but a very large degree of continuity in subjects and treatment.
Compositions are arranged on slabs, or
orthostat
This article describes several characteristic architectural elements typical of European megalithic (Stone Age) structures.
Forecourt
In archaeology, a forecourt is the name given to the area in front of certain types of chamber tomb. Forecourts ...
s, typically about 7 feet high, using between one and three horizontal registers of images, with scenes generally reading from left to right. The sculptures are often accompanied with inscriptions in
cuneiform
Cuneiform is a logo-syllabic script that was used to write several languages of the Ancient Middle East. The script was in active use from the early Bronze Age until the beginning of the Common Era. It is named for the characteristic wedge-sha ...
script, explaining the action or giving the name and extravagant titles of the king. Heads and legs are shown in profile, but torsos in a front or three-quarters view, as in earlier Mesopotamian art. Eyes are also largely shown frontally. Some panels show only a few figures at close to life-size, such scenes usually including the king and other courtiers, but depictions of military campaigns include dozens of small figures, as well as many animals and attempts at showing landscape settings.
Campaigns focus on the progress of the army, including the fording of rivers, and usually culminates in the siege of a city, followed by the surrender and paying of tribute, and the return of the army home. A full and characteristic
set shows the campaign leading up to the siege of Lachish in 701; it is the "finest" from the reign of
Sennacherib
Sennacherib (Neo-Assyrian cuneiform: or , meaning " Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705BC to his own death in 681BC. The second king of the Sargonid dynast ...
, from his palace at
Nineveh
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern ban ...
and now in the British Museum.
Ernst Gombrich
Sir Ernst Hans Josef Gombrich (; ; 30 March 1909 – 3 November 2001) was an Austrian-born art historian who, after settling in England in 1936, became a naturalised British citizen in 1947 and spent most of his working life in the United Kin ...
observed that none of the many casualties ever come from the Assyrian side. Another famous sequence there shows the ''
Lion Hunt of Ashurbanipal
The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum. They are widely regarded as "the supreme masterpieces of Assyria ...
'', in fact the staged and ritualized killing by King
Ashurbanipal
Ashurbanipal (Neo-Assyrian language, Neo-Assyrian cuneiform: , meaning "Ashur (god), Ashur is the creator of the heir") was the king of the Neo-Assyrian Empire from 669 BCE to his death in 631. He is generally remembered as the last great king o ...
of lions already captured and released into an arena, from the North Palace at Nineveh. The realism of the lions has always been praised, and the scenes are often regarded as "the supreme masterpieces of Assyrian art", although the pathos modern viewers tend to feel was perhaps not part of the Assyrian response.
There are many reliefs of minor supernatural beings, called by such terms as "
winged genie
Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture.
Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displa ...
", but the major Assyrian deities are only represented by symbols. The "genies" often perform a gesture of purification, fertilization or blessing with a
bucket and cone
''Bucket and Cone'' refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia and within the context of Ancient Mesopotamian religion , particularly in art from the Neo-Assyrian Empire (911 ...
; the meaning of this remains unclear., Especially on larger figures, details and patterns on areas such as costumes, hair and beards, tree trunks and leaves, and the like, are very meticulously carved. More important figures are often shown larger than others, and in landscapes more distant elements are shown higher up, but not smaller than, those in the foreground, though some scenes have been interpreted as using scale to indicate distance. Other scenes seem to repeat a figure in a succession of different moments, performing the same action, most famously a charging lion. But these were apparently experiments that remain unusual.
![The Assyrian gallery at the Iraq Museum](https://upload.wikimedia.org/wikipedia/commons/6/6b/The_Assyrian_gallery_at_the_Iraq_Museum.jpg)
The king is often shown in narrative scenes, and also as a large standing figure in a few prominent places, generally attended by winged genies. A composition repeated twice in what is traditionally called the "throne-room" (though perhaps it was not) of Ashurbanipal's palace at Nimrud shows a "Sacred Tree" or "
Tree of Life
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree.Giovino, Mariana (2007). ''The Assyrian Sacred Tree: A History ...
" flanked by two figures of the king, with winged genies using the bucket and cone behind him. Above the tree one of the major gods, perhaps
Ashur the chief god, leans out of a winged disc, relatively small in scale. Such scenes are shown elsewhere on the robe of the king, no doubt reflecting
embroidery
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on c ...
on the real costumes, and the major gods are normally shown in discs or purely as symbols hovering in the air. Elsewhere the tree is often attended to by genies.
Women are relatively rarely shown, and then usually as prisoners or refugees; an exception is a "picnic" scene showing Ashurbanipal with his queen. The many beardless royal attendants can probably be assumed to be
eunuch
A eunuch ( ) is a male who has been castrated. Throughout history, castration often served a specific social function.
The earliest records for intentional castration to produce eunuchs are from the Sumerian city of Lagash in the 2nd millennium ...
s, who ran much of the administration of the empire, unless they also have the shaved heads and very tall hats of priests. Kings are often accompanied by several courtiers, the closest to the king probably often being the appointed heir, who was not necessarily the oldest son.
The enormous scales of the palace schemes allowed narratives to be shown at an unprecedentedly expansive pace, making the sequence of events clear and allowing richly detailed depictions of the activities of large numbers of figures, not to be paralleled until the Roman narrative column reliefs of the
Column of Trajan
Trajan's Column ( it, Colonna Traiana, la, Columna Traiani) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars. It was probably constructed under the supervision of the architect Apo ...
and
Column of Marcus Aurelius
The Column of Marcus Aurelius ( la, Columna Centenaria Divorum Marci et Faustinae, it, Colonna di Marco Aurelio) is a Roman victory column in Piazza Colonna, Rome, Italy. It is a Doric column featuring a spiral relief: it was built in honour of ...
.
File:Sculpted reliefs depicting Ashurbanipal, the last great Assyrian king, hunting lions, gypsum hall relief from the North Palace of Nineveh (Irak), c. 645-635 BC, British Museum (16722131531).jpg, Dying lion, ''Lion Hunt of Ashurbanipal
The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum. They are widely regarded as "the supreme masterpieces of Assyria ...
'', North Palace, Nineveh
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern ban ...
File:Lachish Relief, British Museum.jpg, Prisoners and cavalry, Lachish relief
The Lachish reliefs are a set of Assyrian palace reliefs narrating the story of the Assyrian victory over the kingdom of Judah during the siege of Lachish in 701 BCE. Carved between 700 and 681 BCE, as a decoration of the South-West Palace of Senn ...
File:Sargon II and dignitary.jpg, Sargon II
Sargon II (Neo-Assyrian cuneiform: , meaning "the faithful king" or "the legitimate king") was the king of the Neo-Assyrian Empire from 722 BC to his death in battle in 705. Probably the son of Tiglath-Pileser III (745–727), Sargon is general ...
(right), probably facing his heir Sennacherib
Sennacherib (Neo-Assyrian cuneiform: or , meaning " Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705BC to his own death in 681BC. The second king of the Sargonid dynast ...
, Khorsabad
Dur-Sharrukin ("Fortress of Sargon"; ar, دور شروكين, Syriac: ܕܘܪ ܫܪܘ ܘܟܢ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria. Khorsabad is a village in northern Iraq, 15 km northeast of Mo ...
File:2015-12 Deux serviteurs portant un siège et un vase AO 19879.jpg, Eunuch attendants carry furniture and a bowl
Lamassu
![Human-headed Winged Bulls Gate Khorsabad - Louvre 02a](https://upload.wikimedia.org/wikipedia/commons/1/12/Human-headed_Winged_Bulls_Gate_Khorsabad_-_Louvre_02a.jpg)
Lamassu were protective minor deities or spirits, the Assyrian version of the "human-headed bull" figure that had long figured in Mesopotamian mythology and art. Lamassu have wings, a male human head with the elaborate headgear of a divinity, and the elaborately-braided hair and beards shared with royalty. The body is that of either a bull or a lion, the form of the feet being the main difference. Prominent pairs of ''lamassu'' were typically placed at entrances in palaces, facing the street and also internal courtyards. They were "double-aspect" figures on corners, in high relief, a type earlier found in
Hittite art
Hittite art was produced by the Hittite civilization in ancient Anatolia, in modern-day Turkey, and also stretching into Syria during the second millennium BCE from the nineteenth century up until the twelfth century BCE. This period falls under ...
. From the front they appear to stand, and from the side, walk, and in earlier versions have five legs, as is apparent when viewed obliquely. ''Lamassu'' do not generally appear as large figures in the low-relief schemes running round palace rooms, where
winged genie
Winged genie is the conventional term for a recurring motif in the iconography of Assyrian sculpture.
Winged genies are usually bearded male figures sporting birds' wings. The Genii are a reappearing trait in ancient Assyrian art, and are displa ...
figures are common, but they sometimes appear within narrative reliefs, apparently protecting the Assyrians.
The colossal entrance way figures were often followed by a hero grasping a wriggling lion, also colossal and in high relief; these and some genies beside ''lamassu'' are generally the only other types of high relief in Assyrian sculpture. The heroes continue the
Master of Animals tradition in Mesopotamian art, and may represent
Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', writte ...
, a central figure in the
ancient Mesopotamia
The history of Mesopotamia ranges from the earliest human occupation in the Paleolithic period up to Late antiquity. This history is pieced together from evidence retrieved from archaeological excavations and, after the introduction of writing i ...
n ''
Epic of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh ...
''. In the palace of
Sargon II
Sargon II (Neo-Assyrian cuneiform: , meaning "the faithful king" or "the legitimate king") was the king of the Neo-Assyrian Empire from 722 BC to his death in battle in 705. Probably the son of Tiglath-Pileser III (745–727), Sargon is general ...
at
Khorsabad
Dur-Sharrukin ("Fortress of Sargon"; ar, دور شروكين, Syriac: ܕܘܪ ܫܪܘ ܘܟܢ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria. Khorsabad is a village in northern Iraq, 15 km northeast of Mo ...
, a group of at least seven ''lamassu'' and two such heroes with lions surrounded the entrance to the "throne room", "a concentration of figures which produced an overwhelming impression of power". The arrangement was repeated in Sennacherib's palace at Nineveh, with a total of ten lamassu. Other accompanying figures for colossal ''lamassu'' are winged genies with the
bucket and cone
''Bucket and Cone'' refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia and within the context of Ancient Mesopotamian religion , particularly in art from the Neo-Assyrian Empire (911 ...
, thought to be the equipment for a protective or purifying ritual.
''Lamassu'' also appear on
cylinder seal
A cylinder seal is a small round cylinder, typically about one inch (2 to 3 cm) in length, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally ...
s. Several examples left ''in situ'' in northern
Iraq
Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq ...
have been destroyed in the 2010s by ISIL when they occupied the area. Colossal ''lamassu'' also guarded the start of the large
canal
Canals or artificial waterways are waterways or engineered channels built for drainage management (e.g. flood control and irrigation) or for conveyancing water transport vehicles (e.g. water taxi). They carry free, calm surface flow un ...
s built by the Assyrian kings. In the case of temples, pairs of colossal lions guarding the entrances have been found.
Construction
![Assyrian Royal Attendant from Nimrud, Mesopotamia](https://upload.wikimedia.org/wikipedia/commons/5/5f/Assyrian_Royal_Attendant_from_Nimrud%2C_Mesopotamia..JPG)
There are outcrops of the "Mosul marble" gypsum rock normally used at several places in the Assyrian realm, though not especially close to the capitals. The rock is very soft and slightly soluble in water, and exposed faces degraded, and needed to be cut into before usable stone was reached. There are reliefs showing quarrying for
Sennacherib
Sennacherib (Neo-Assyrian cuneiform: or , meaning " Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705BC to his own death in 681BC. The second king of the Sargonid dynast ...
's new palace at
Nineveh
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern ban ...
, though concentrating on the production of large
lamassu
''Lama'', ''Lamma'', or ''Lamassu'' (Cuneiform: , ; Sumerian: lammař; later in Akkadian: ''lamassu''; sometimes called a ''lamassus'') is an Assyrian protective deity.
Initially depicted as a goddess in Sumerian times, when it was called ''La ...
. Blocks were extracted, using prisoners of war, and sawed into slabs with long iron saws. This may have happened at the palace site, which is certainly where the carving of orthostats was done, after the slabs had been fixed into place as a facing to a
mud-brick
A mudbrick or mud-brick is an air-dried brick, made of a mixture of loam, mud, sand and water mixed with a binding material such as rice husks or straw. Mudbricks are known from 9000 BCE, though since 4000 BCE, bricks have also been fi ...
wall, using lead dowels and clamps, with the bottoms resting on a bed of
bitumen
Asphalt, also known as bitumen (, ), is a sticky, black, highly viscous liquid or semi-solid form of petroleum. It may be found in natural deposits or may be a refined product, and is classed as a pitch. Before the 20th century, the term a ...
. For some reliefs an "attractive fossiliferous
limestone
Limestone ( calcium carbonate ) is a type of carbonate sedimentary rock which is the main source of the material lime. It is composed mostly of the minerals calcite and aragonite, which are different crystal forms of . Limestone forms whe ...
" is used, as in several rooms in the South-West Palace at Nineveh. In contrast to the orthostats, the ''lamassu'' were carved, or at least partly so, at the quarry, no doubt to reduce their enormous weight.
The alabaster stone is soft but not brittle, and very suitable for detailed carving with early
Iron Age
The Iron Age is the final epoch of the three-age division of the prehistory and protohistory of humanity. It was preceded by the Stone Age (Paleolithic, Mesolithic, Neolithic) and the Bronze Age (Chalcolithic). The concept has been mostly appl ...
tools. There can be considerable differences in style, and quality, between adjacent panels, suggesting that different master carvers were allocated these. Probably the master drew or incised the design on the slab before a team of carvers laboriously cut away the background areas and finished carving the figures. Scribes then set out any inscriptions for cutters to follow, after which the slab was polished smooth, and any paint added. Scribes are shown directing carvers in another relief (on the
Balawat Gates
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat (ancient Imgur-Enlil), dating to the reigns of Ashurnasirpal II (r. 883–859 BC) and Shalmaneser III (r. 859–824 BC). Th ...
) showing the creation of a rock relief; presumably they ensured that the depiction of royal and religious aspects of the subjects was as it should be.
The reliefs only covered the lower parts of the walls of rooms in the palaces, and higher areas were often painted, at least in patterns, and at least sometimes with other figures. Brightly coloured carpets on the floor completed what was probably a striking decor, largely in
primary colour
A set of primary colors or primary colours (see spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a bro ...
s. None of these have survived, but we have some door-sills carved with repeated geometric motifs, presumed to imitate the carpets.
After the palaces were abandoned and lost their wooden roofs, the unbaked mud-brick walls gradually collapsed, covering the space in front of the reliefs, and largely protecting them from further damage from the weather. Relatively few traces of paint remain, and these are often on heads and faces – hair and beards were black, and at least the whites of eyes white. Possibly metal leaf was used on some elements, such as small scenes shown decorating textiles. Julian Reade concludes that "It is nonetheless puzzling that more traces of painting
n sculpturehave not been recorded".
Other narrative reliefs
![Assyrian - Fragments of Bands from a Gate - Walters 542335 - View A](https://upload.wikimedia.org/wikipedia/commons/8/88/Assyrian_-_Fragments_of_Bands_from_a_Gate_-_Walters_542335_-_View_A.jpg)
Apart from the alabaster wall reliefs, all found in palaces, other objects carrying relatively large reliefs are bronze strips used to reinforce and decorate large gates. Parts of three sets have survived, all from the 9th century BC and the relatively minor city of Imgur-Enlil, modern
Balawat. The
Balawat Gates
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat (ancient Imgur-Enlil), dating to the reigns of Ashurnasirpal II (r. 883–859 BC) and Shalmaneser III (r. 859–824 BC). Th ...
were all double gates about 20 foot high, with both the front and back sides decorated with eight bronze
repoussé strips, each carrying two registers of narrative reliefs some five inches high. There were presumably equivalents at other Assyrian sites, but at the collapse of the empire the buildings at Balawat caught fire "before they had been efficiently looted" by the enemy, and remained hidden in the ashes and rubble; gypsum slabs were not worth the trouble of looting, unlike bronze. The subjects were similar to the wall reliefs, but on a smaller scale; a typical band is 27 centimetres high, 1.8 metres wide, and only a millimetre thick.
In stone there are reliefs of a similar size on some
stela
A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), whe ...
e, most notably two in rectangular
obelisk
An obelisk (; from grc, ὀβελίσκος ; diminutive of ''obelos'', " spit, nail, pointed pillar") is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. Originally constructed by Anc ...
form, both with stepped tops like
ziggurat
A ziggurat (; Cuneiform: 𒅆𒂍𒉪, Akkadian: ', D-stem of ' 'to protrude, to build high', cognate with other Semitic languages like Hebrew ''zaqar'' (זָקַר) 'protrude') is a type of massive structure built in ancient Mesopotamia. It has ...
s. These are the early 11th-century
White Obelisk of Ashurnasirpal I
The White Obelisk is a large stone monolith found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853, it is one of only two intact obelisks to survive from the Assyrian empire ...
and the 9th century
Black Obelisk of Shalmaneser III
The Black Obelisk of Shalmaneser III is a black limestone Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq, and commemorates the deeds of King Shalmaneser III (reigned 858 ...
, both in the British Museum, which also has the fragmentary "Broken Obelisk" and "
Rassam Obelisk". Both have reliefs on all four sides in eight and five registers respectively, and long inscriptions describing the events. The Black and Rassam Obelisks were both set up in what seems to have been the central square in the citadel of Nimrud, presumably a very public space, and the White in Nineveh. All record much the same types of scenes as the narrative sections of wall-relief, and the gates. The Black Obelisk concentrates on scenes of the bringing of tribute from conquered kingdoms, including Israel, while the White also has scenes of war, hunting, and religious figures. The White Obelisk, from 1049–1031, and the "Broken Obelisk" from 1074–1056, predate the earliest known wall-reliefs by 160 years or more, but are respectively in worn and fragmentary condition.
The Black Obelisk is of special interest as the lengthy inscriptions, with names of places and rulers that could be related to other sources, were of importance in the decipherment of
cuneiform
Cuneiform is a logo-syllabic script that was used to write several languages of the Ancient Middle East. The script was in active use from the early Bronze Age until the beginning of the Common Era. It is named for the characteristic wedge-sha ...
script. The Obelisk contains the earliest writing mentioning both the Persian and Jewish peoples, and confirmed some of the events described in the
Bible
The Bible (from Koine Greek , , 'the books') is a collection of religious texts or scriptures that are held to be sacred in Christianity, Judaism, Samaritanism, and many other religions. The Bible is an anthologya compilation of texts of a ...
, which in the 19th century was regarded as timely support for texts whose historical accuracy was under increasing attack. Other, much smaller pieces with helpful inscriptions were a set of sixteen
weight measures in the form of lions.
Statues and portrait stelae
![20131205 Istanbul 049](https://upload.wikimedia.org/wikipedia/commons/d/dd/20131205_Istanbul_049.jpg)
There are very few large free-standing Assyrian statues and, with one possible exception (below), none have been found of the major divinities in their temples. Possibly others existed; any in precious metals would have been looted as the empire fell. Two statues of kings are similar to the portraits in palace reliefs, though seen frontally. They came from temples, where they showed the king's devotion to the deity. The
Statue of Ashurnasirpal II
The Statue of Ashurnasirpal II is a rare example of Assyrian sculpture in the round that was found in the mid nineteenth century at the ancient site of Kalhu (now known as Nimrud) by the famous archaeologist Austen Henry Layard. Dating from 883–8 ...
is in the British Museum, and that of
Shalmaneser III
Shalmaneser III (''Šulmānu-ašarēdu'', "the god Shulmanu is pre-eminent") was king of the Neo-Assyrian Empire from the death of his father Ashurnasirpal II in 859 BC to his own death in 824 BC.
His long reign was a constant series of campai ...
in
Istanbul
Istanbul ( , ; tr, İstanbul ), formerly known as Constantinople ( grc-gre, Κωνσταντινούπολις; la, Constantinopolis), is the List of largest cities and towns in Turkey, largest city in Turkey, serving as the country's economic, ...
.
There is a
unique female nude statue in the British Museum, missing its extremities, which was found in the temple of
Ishtar
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in S ...
at Nineveh. The pubic hair is carefully represented. It carries an inscription on the back that King
Ashur-bel-kala
Aššūr-bēl-kala, inscribed m''aš-šur-''EN''-ka-la'' and meaning “Aššur is lord of all,” was the king of Assyria 1074/3–1056 BC, the 89th to appear on the ''Assyrian Kinglist''. He was the son of Tukultī-apil-Ešarra I, succeeded his ...
erected it for the "titilation" or enjoyment of the people. It might represent Ishtar, goddess of love among other things, in which case it would be the only known Assyrian statue of a major divinity. All these have standing poses, though seated statues were already known in Mesopotamian art, for example about a dozen
statues of Gudea
Approximately twenty-seven statues of Gudea, a ruler ( ensi) of the state of Lagash have been found in southern Mesopotamia. Gudea ruled between c. 2144–2124 BC and the statues demonstrate a very sophisticated level of craftsmanship for the ...
, who ruled
Lagash
Lagash (cuneiform: LAGAŠKI; Sumerian: ''Lagaš''), was an ancient city state located northwest of the junction of the Euphrates and Tigris rivers and east of Uruk, about east of the modern town of Ash Shatrah, Iraq. Lagash (modern Al-Hiba) w ...
c. 2144 – 2124 BC.
Like other Near-Eastern cultures, the Assyrians erected
stela
A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), whe ...
e for various purposes, including marking boundaries. Many just carry inscriptions, but there are some with significant relief sculpture, mostly a large standing portrait of the king of the day, pointing at symbols of the gods, similar in pose to those in palace reliefs, surrounded by a round-topped frame.
Similar figures of kings are shown in
rock relief
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, ro ...
s, mostly around the edges of the empire. Those shown being made on the
Balawat Gates
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat (ancient Imgur-Enlil), dating to the reigns of Ashurnasirpal II (r. 883–859 BC) and Shalmaneser III (r. 859–824 BC). Th ...
are presumably the ones surviving in poor condition near the
Tigris Tunnel
The so-called Tigris tunnel is a cave approximately 50 miles north of Diyarbakır in Turkey. It has a length of about . The Berkilin Cay flows through this cave. It forms a source of the Tigris, but not the main one, although the exit was long bel ...
. The Assyrians probably took the form from the Hittites; the sites chosen for their 49 recorded reliefs often also make little sense if "signalling" to the general population was the intent, being high and remote, but often near water. The Neo-Assyrians recorded in other places, including metal reliefs on the
Balawat Gates
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat (ancient Imgur-Enlil), dating to the reigns of Ashurnasirpal II (r. 883–859 BC) and Shalmaneser III (r. 859–824 BC). Th ...
showing them being made, the carving of rock reliefs, and it has been suggested that the main intended audience was the gods, the reliefs and the inscriptions that often accompany them being almost of the nature of a "business report" submitted by the ruler. A canal system built by the
Neo-Assyrian
The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history and the final and greatest phase of Assyria as an independent state. Beginning with the accession of Adad-nirari II in 911 BC, the Neo-Assyrian Empire grew t ...
king
Sennacherib
Sennacherib (Neo-Assyrian cuneiform: or , meaning " Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705BC to his own death in 681BC. The second king of the Sargonid dynast ...
(reigned 704–681 BC) to supply water to
Nineveh
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern ban ...
was marked by a number of reliefs showing the king with gods.
Other reliefs at the
Tigris tunnel
The so-called Tigris tunnel is a cave approximately 50 miles north of Diyarbakır in Turkey. It has a length of about . The Berkilin Cay flows through this cave. It forms a source of the Tigris, but not the main one, although the exit was long bel ...
, a cave in modern Turkey believed to be the source of the river
Tigris
The Tigris () is the easternmost of the two great rivers that define Mesopotamia, the other being the Euphrates. The river flows south from the mountains of the Armenian Highlands through the Syrian and Arabian Deserts, and empties into the ...
, are "almost inaccessible and invisible for humans". Probably built by Sennacherib's son
Esarhaddon
Esarhaddon, also spelled Essarhaddon, Assarhaddon and Ashurhaddon ( Neo-Assyrian cuneiform: , also , meaning " Ashur has given me a brother"; Biblical Hebrew: ''ʾĒsar-Ḥaddōn'') was the king of the Neo-Assyrian Empire from the death of hi ...
,
Shikaft-e Gulgul is a late example in modern Iran, apparently related to a military campaign. The Assyrians added to the
Commemorative stelae of Nahr el-Kalb
The commemorative stelae of Nahr el-Kalb are a group of over 20 inscriptions and rock reliefs carved into the limestone rocks around the estuary of the Nahr al-Kalb (Dog River) in Lebanon, just north of Beirut.
The inscriptions include three Egyp ...
in modern
Lebanon
Lebanon ( , ar, لُبْنَان, translit=lubnān, ), officially the Republic of Lebanon () or the Lebanese Republic, is a country in Western Asia. It is located between Syria to the north and east and Israel to the south, while Cyprus li ...
, where
Ramses II
Ramesses II ( egy, rꜥ-ms-sw ''Rīʿa-məsī-sū'', , meaning "Ra is the one who bore him"; ), commonly known as Ramesses the Great, was the third pharaoh of the Nineteenth Dynasty of Egypt. Along with Thutmose III he is often regarded as t ...
,
Pharaoh
Pharaoh (, ; Egyptian: ''pr ꜥꜣ''; cop, , Pǝrro; Biblical Hebrew: ''Parʿō'') is the vernacular term often used by modern authors for the kings of ancient Egypt who ruled as monarchs from the First Dynasty (c. 3150 BC) until the an ...
of Egypt, had rather optimistically commemorated the boundary of his empire many centuries earlier; many later rulers added to the collection. The Assyrian examples were perhaps significant in suggesting the style of the much more ambitious
Persian tradition, beginning with the
Behistun relief and inscription, made around 500 BC for
Darius the Great
Darius I ( peo, 𐎭𐎠𐎼𐎹𐎺𐎢𐏁 ; grc-gre, Δαρεῖος ; – 486 BCE), commonly known as Darius the Great, was a Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his d ...
, on a far grander scale, reflecting and proclaiming the power of the
Achaemenid empire
The Achaemenid Empire or Achaemenian Empire (; peo, 𐎧𐏁𐏂, , ), also called the First Persian Empire, was an ancient Iranian empire founded by Cyrus the Great in 550 BC. Based in Western Asia, it was contemporarily the largest em ...
.
File:Hérosmaîtrisantunlion.jpg, High relief hero clutching lion, from the entrance to the throne room at Khorsabad
Dur-Sharrukin ("Fortress of Sargon"; ar, دور شروكين, Syriac: ܕܘܪ ܫܪܘ ܘܟܢ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria. Khorsabad is a village in northern Iraq, 15 km northeast of Mo ...
File:BM; RM6 - ANE, Assyrian Sculpture 32 -East (N), Centre Island + North Wall- ~ Assyrian Empire + -Lamassu, Stela's, Statue's, Obelisk's, Relief Panel's & Full Projection.1.jpg, Group displayed in the British Museum, including a lion from a temple entrance, and the Black and White Obelisks
File:black-obelisk.jpg, The Black Obelisk of Shalmaneser III
The Black Obelisk of Shalmaneser III is a black limestone Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq, and commemorates the deeds of King Shalmaneser III (reigned 858 ...
in the British Museum, the White Obelisk of Ashurnasirpal I
The White Obelisk is a large stone monolith found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853, it is one of only two intact obelisks to survive from the Assyrian empire ...
just behind
File:The Assyrian king Shalmaneser III receives tribute from Sua, king of Gilzanu, The Black Obelisk..JPG, Shalmaneser III receives tribute from Sua, king of Gilzanu, on the Black Obelisk
File:Assyrian statue ME124963 (1).jpg, Unique Assyrian female nude statue from the temple of Ishtar
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in S ...
at Nineveh
File:Shamshi-Adad V-2.jpg, Stela of Shamshi-Adad V
File:Assyrian Stele - British Museum.jpg, Three royal stelae at the British Museum
Lion-shaped weight-Sb 2718-P5280901-gradient (cropped).jpg, Lion weight; 6th-4th century BC; bronze; height: 29.5 cm, width: 24.8 cm; Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
Excavations
![Salle II](https://upload.wikimedia.org/wikipedia/commons/e/e3/Salle_II._Bas-relief_10_%28NYPL_b14308483-1534751%29_%28cropped%29.jpg)
Iraq was part of the
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ...
throughout the 19th century, and the government was content to allow foreign excavations and the removal of finds with little hindrance. Even in the 1870s excavators were often only regulated by a regime intended for mining operations, and had to pay a tax based on a proportion of the value of material removed.
The character of the palace reliefs made excavation relatively straightforward, if the right site was chosen. Assyrian palaces were built on high mud-brick platforms. Test trenches were started in various directions, and once one of them had hit sculpture, the trenches had only to follow the lines of the wall, often through a whole suite of rooms. Most trenches could be open to the sky, but at Nimrud, where one palace overlay another, tunnels were necessary in places. Layard estimated "that he had exposed nearly two miles of sculptured walls in Sennacherib's palace alone", not to mention the
Library of Ashurbanipal
The Royal Library of Ashurbanipal, named after Ashurbanipal, the last great king of the Assyrian Empire, is a collection of more than 30,000 clay tablets and fragments containing texts of all kinds from the 7th century BC, including texts in vari ...
he found there. His excavation practices left a lot to be desired by modern standards; the centres of rooms were not only not excavated, but the material removed from the trench in one room might be deposited in another, compromising later excavations. Typically the slabs were sawn to roughly a third of their original depth, to save weight in carrying them back to Europe, which was typically more complicated and difficult than digging them up.
Botta
![Der Stier auf dem Floß](https://upload.wikimedia.org/wikipedia/commons/5/53/Der_Stier_auf_dem_Flo%C3%9F.jpg)
The first hint of future discoveries came in 1820 when
Claudius Rich
Claudius James Rich (28 March 1787 – 5 October 1821) was a British Assyriologist, business agent, traveller and antiquarian scholar.
Biography
Rich was born near Dijon "of a good family", but passed his childhood at Bristol. Early on, he deve ...
,
British Resident
A resident minister, or resident for short, is a government official required to take up permanent residence in another country. A representative of his government, he officially has diplomatic functions which are often seen as a form of indi ...
(a sort of local ambassador or
consul
Consul (abbrev. ''cos.''; Latin plural ''consules'') was the title of one of the two chief magistrates of the Roman Republic, and subsequently also an important title under the Roman Empire. The title was used in other European city-states throug ...
) in
Bagdhad
Baghdad (; ar, بَغْدَاد , ) is the capital of Iraq and the second-largest city in the Arab world after Cairo. It is located on the Tigris near the ruins of the ancient city of Babylon and the Sassanid Persian capital of Ctesiphon. I ...
, and an early scholar of the
ancient Near East
The ancient Near East was the home of early civilizations within a region roughly corresponding to the modern Middle East: Mesopotamia (modern Iraq, southeast Turkey, southwest Iran and northeastern Syria), ancient Egypt, ancient Iran ( Elam, ...
, went to Mosul and the site of ancient Nineveh, where he was told of a large relief panel that had been found and soon broken up. His account was published in 1836; he also brought back two small fragments. In 1842 the French consul in Mosul,
Paul-Émile Botta, hired men to dig at
Kuyunjik
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern ba ...
, the largest mound at Nineveh. Little was found until a local farmer suggested they try
Khorsabad
Dur-Sharrukin ("Fortress of Sargon"; ar, دور شروكين, Syriac: ܕܘܪ ܫܪܘ ܘܟܢ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria. Khorsabad is a village in northern Iraq, 15 km northeast of Mo ...
(ancient Dur-Sharrukin) nearby, where "a short trial was dramatically successful", as a palace of
Sargon II
Sargon II (Neo-Assyrian cuneiform: , meaning "the faithful king" or "the legitimate king") was the king of the Neo-Assyrian Empire from 722 BC to his death in battle in 705. Probably the son of Tiglath-Pileser III (745–727), Sargon is general ...
was found a few feet below the surface, with plentiful reliefs, although they had been burned and disintegrated easily.
Press reports of Botta's finds, from May 1843, interested the French government, who sent him funds and the
Académie des Inscriptions et Belles-Lettres
The Académie des Inscriptions et Belles-Lettres () is a French learned society devoted to history, founded in February 1663 as one of the five academies of the Institut de France. The academy's scope was the study of ancient inscriptions ( epig ...
sent him
Eugène Flandin
Jean-Baptiste Eugène Napoléon Flandin (15 August 1809 in Naples – 29 September 1889 in Tours),
French orientalist, painter, archaeologist, and politician. Flandin's archeological drawings and some of his military paintings are valued m ...
(1809–1889), an artist who had already made careful archaeological drawings of Persian antiquities in a long trip beginning in 1839. Botta decided there was no more to find at the site in October 1844, and concentrated on the difficult task of getting his finds back to Paris, where the first large consignments did not arrive until December 1846. Botta left the two huge ''lamassu'' now in the British Museum as too large to transport;
Henry Rawlinson, by now British Resident in Bagdhad, sawed them into several pieces for transport in 1849. In 1849
Monument de Ninive' was published, a sumptuously illustrated and exemplary
monograph
A monograph is a specialist work of writing (in contrast to reference works) or exhibition on a single subject or an aspect of a subject, often by a single author or artist, and usually on a scholarly subject.
In library cataloging, ''monograph ...
in 4 volumes by Botta and Flandin.
Layard and Rassam
Austen Henry Layard (1817–1894) was in the early 1840s "a roving agent attached to the embassy at
Constantinople
la, Constantinopolis ota, قسطنطينيه
, alternate_name = Byzantion (earlier Greek name), Nova Roma ("New Rome"), Miklagard/Miklagarth (Old Norse), Tsargrad ( Slavic), Qustantiniya (Arabic), Basileuousa ("Queen of Cities"), Megalopolis (" ...
", who had already visited Nimrud in 1840. In 1845 he persuaded
Sir Stratford Canning, the ambassador in Constantinople, to personally fund an expedition to excavate there. On his first day digging at Nimrud, with only six workers in November 1845, slabs were found, initially only with inscriptions, but soon with reliefs. He continued to dig until June 1847, with the British government, through the British Museum, taking over the funding from Canning in late 1846, repaying his expenditure. The volume of finds was such that getting them back to Britain was a major task, and many pieces either were reburied, or reached other countries. Layard had recruited the 20-year old
Hormuzd Rassam
Hormuzd Rassam ( ar, هرمز رسام; syr, ܗܪܡܙܕ ܪܣܐܡ; 182616 September 1910), was an Assyriologist and author.
He is known for making a number of important archaeological discoveries from 1877 to 1882, including the clay tablets tha ...
in Mosul, where his brother was British Vice-consul, to handle the pay and supervision of the diggers, and encouraged the development of his career as a diplomat and archaeologist.
Layard returned to England in June 1847, also taking Rassam, who he had arranged to study at Cambridge. He left a few workers, mainly to keep other diggers off the sites, as the French were digging again. His finds were arriving in London, to great public interest, which he greatly increased by publishing a string of books, especially ''Nineveh and its Remains'' in 1849. The mistaken title arose because
Henry Rawlinson had at that point become convinced that the Nimrud site was actually the ancient Nineveh, though he changed his mind soon after. By October 1849 Layard was back in Mosul, accompanied by the artist Frederick Cooper, and continued to dig until April 1851, after which Rassam took charge of the excavations. By this stage, thanks to Rawlinson and other linguists working on the tablets and inscriptions brought back and other material, the Assyrian cuneiform was at the least becoming partly understood, a task that progressed well over the next decade.
Initially Rassam's finds dwindled, in terms of large objects, and the British even agreed to cede the rights to half the
Kuyunjik
Nineveh (; akk, ; Biblical Hebrew: '; ar, نَيْنَوَىٰ '; syr, ܢܝܼܢܘܹܐ, Nīnwē) was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern ba ...
mound to the French, whose new consul, Victor Place, had resumed digging at Khorsabad. The British funds were running out by December 1853, when Rassam hit upon the palace of
Ashurbanipal
Ashurbanipal (Neo-Assyrian language, Neo-Assyrian cuneiform: , meaning "Ashur (god), Ashur is the creator of the heir") was the king of the Neo-Assyrian Empire from 669 BCE to his death in 631. He is generally remembered as the last great king o ...
, which was "in some respects the finest sculptured palace of all", in the new French area of Kuyunjik. Fortunately, Place had not started digging there, and according to Rassam "it was an established rule that whenever one discovered a new palace, no one else could meddle with it, and thus,... I had secured it for England". The new palace took until 1855 to clear, being finished by the
Assyrian Exploration Fund, established in 1853 to dig for the benefit of British collections.
Although it was not yet realized, by "the close of excavations in 1855, the hectic Heroic Age of Assyrian archaeology ended", with the great majority of surviving Assyrian sculpture found. Work has continued up to the present day, but no new palaces have been found at the capitals, and finds have mostly been isolated pieces, such as Rassam's discovery in 1878 of two of the
Balawat Gates
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat (ancient Imgur-Enlil), dating to the reigns of Ashurnasirpal II (r. 883–859 BC) and Shalmaneser III (r. 859–824 BC). Th ...
. Many of the pieces reburied have been re-excavated, some very quickly by art dealers, and others by the Iraqi government in the 1960s, leaving them on display ''in situ'' for visitors, after the sites were configured as museums. These were already damaged in wars in the 1990s, and have probably been
systematically destroyed by Daesh in the 2010s.
Collections
As a result of the history of excavations, much the best single collection is in the
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum ...
, followed by the site museums and other collections in Iraq, which in the 20th century were the largest holdings when taken together, though after the wars of the 21st century their current holdings are uncertain. The fate of the considerable number of pieces that have been found and then reburied is also uncertain. At the peak of excavations, the volume found was too large for the British and French to manage, and many pieces either were diverted at some point on their journey to Europe, or were given away by the museums. Other pieces were excavated by diggers working for dealers. As a result, there are significant groups of large ''lamassu'' corner figures and palace relief panels in Paris, Berlin, New York, and Chicago. Many other museums have panels, especially a group of college museums in
New England
New England is a region comprising six states in the Northeastern United States: Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont. It is bordered by the state of New York to the west and by the Canadian provinces ...
, with
the museum at Dartmouth College having seven panels. Altogether there are some 75 pieces in the United States.
Apart from the British Museum, in the
United Kingdom
The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the continental mainland. It comprises England, Scotland, Wales and North ...
, the
Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of ...
has 10 reliefs (2 large, 8 small)
Bristol City Museum and Art Gallery
Bristol Museum & Art Gallery is a large museum and art gallery in Bristol, England. The museum is situated in Clifton, about from the city centre. As part of Bristol Culture it is run by the Bristol City Council with no entrance fee. It holds ...
has 3 large reliefs, and the
National Museum of Scotland
The National Museum of Scotland in Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Scottish Museum (opened in ...
(2.4 x 2.2 m), and
Victoria and Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...
one relief each.
Assyrian Relief at V&A
/ref>
Notes
References
*Cohen, Ada, Kangas, Stephen E., ''Assyrian Reliefs from the Palace of Ashurnasirpal II'', 2010, University Press of New England,
* Frankfort, Henri, ''The Art and Architecture of the Ancient Orient'', Pelican History of Art, 4th ed 1970, Penguin (now Yale History of Art),
*"Grove": Russell, John M., Section 6. "c 1000–539 BC., (i) Neo-Assyrian." in Dominique Collon, et al. "Mesopotamia, §III: Sculpture." Grove Art Online, Oxford Art Online
Oxford Art Online is an Oxford University Press online gateway into art research, which was launched in 2008. It provides access to several online art reference works, including Grove Art Online (originally published in 1996 in a print version, ''T ...
, Oxford University Press, accessed 19 November 2016
subscription required
*Hugh Honour
Hugh Honour FRSL (26 September 1927 – 19 May 2016) was a British art historian, known for his writing partnership with John Fleming (art historian), John Fleming. Their ''A World History of Art'' (a.k.a. ''The Visual Arts: A History''), is now ...
and John Fleming, ''A World History of Art'', 1st edn. 1982 (many later editions), Macmillan, London, page refs to 1984 Macmillan 1st edn. paperback.
* Hoving, Thomas. ''Greatest Works of Western Civilization'', 1997, Artisan, New York,
*Kreppner, Florian Janoscha, "Public Space in Nature: The Case of Neo-Assyrian Rock-Reliefs", ''Altorientalische Forschungen'', 29/2 (2002): 367–383
online at Academia.edu
*Oates, D. and J. Oates, ''Nimrud, An Assyrian Imperial City Revealed'', 2001, London: British School of Archaeology in Iraq
full PDF (332 pages)
*Reade, Julian, ''Assyrian Sculpture'', 1998 (2nd edn.), The British Museum Press,
Further reading
*Collins, Paul, ''Assyrian Palace Sculptures'', 2008, British Museum, , 9780714111674
*Crawford, Vaughn Emerson, Harper, Prudence Oliver, Pittman, Holly, ''Assyrian Reliefs and Ivories in the Metropolitan Museum of Art: Palace Reliefs of Assurnasirpal II and Ivory Carvings from Nimrud'', 1980, Metropolitan Museum of Art, , 9780870992605
*Kertai, David, ''The Architecture of Late Assyrian Royal Palaces'', 2015, Oxford University Press, , 9780198723189
*Larsen, Mogens Trolle, ''The Conquest of Assyria: Excavations in an Antique Land, 1840–1860'', 1996, Psychology Press, , 9780415143561
*Ornan, Tallay, ''The Triumph of the Symbol: Pictorial Representation of Deities in Mesopotamia and the Biblical Image Ban'', 2005, Saint-Paul, {{ISBN, 3525530072, 9783525530078
google books
*Russell, John M., ''Sennacherib's ‘Palace without Rival’ at Nineveh'', 1991, Chicago
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