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Hittite Art
Hittite art was produced by the Hittite civilization in ancient Anatolia, in modern-day Turkey, and also stretching into Syria during the second millennium BCE from the nineteenth century up until the twelfth century BCE. This period falls under the Anatolian Bronze Age. It is characterized by a long tradition of canonized images and motifs rearranged, while still being recognizable, by artists to convey meaning to a largely illiterate population. “Owing to the limited vocabulary of figural types nd motifs invention for the Hittite artist usually was a matter of combining and manipulating the units to form more complex compositions"Many of these recurring images revolve around the depiction of Hittite deities and ritual practices. There is also a prevalence of hunting scenes in Hittite relief and representational animal forms. Much of the art comes from settlements like Alaca Höyük, or the Hittite capital of Hattusa near modern-day Boğazkale. Scholars have difficulty dating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alaca Höyük
Alacahöyük or Alaca Höyük (sometimes also spelled as ''Alacahüyük'', ''Euyuk'', or ''Evuk'') is the site of a Neolithic and Hittite settlement and is an important archaeological site. It is situated in Alaca, Çorum Province, Turkey, northeast of Boğazkale (formerly and more familiarly Boğazköy), where the ancient capital city Hattusa of the Hittite Empire was situated. Its Hittite name is unknown: connections with Arinna, Tawiniya, and Zippalanda have all been suggested. History The mound ( Turkish '' höyük'') at Alacahöyük was a scene of settlement in a continuous sequence of development from the Chalcolithic Age, when earliest copper tools appeared alongside the use of stone tools. Bronze Age During the Early Bronze Age, the mound was the center of a flourishing culture. It has been continuously occupied ever since, until today's modern settlement in the form of a small village. The standing and distinguishing remains at Alacahöyük, however, such as the "S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muwatalli II
:''See also Muwatalli I'' Muwatalli II (also Muwatallis, or Muwatallish) was a king of the New Kingdom of the Hittite empire c. 1295–1282 (middle chronology) and 1295–1272 BC in the short chronology. Biography He was the eldest son of Mursili II and Queen Gassulawiya, and he had several siblings. He is best known for relocating the Hittite capital to Tarhuntassa, appointing his brother Hattusili as governor in Hattusa, and fighting Ramesses II in the Battle of Kadesh. A copy of a treaty has been recovered between him and Alaksandu, ruler of Wilusa (Troy), one of the Arzawa lands. Egyptologists suspect that some time prior to Ramesses II's accession to the Egyptian throne, Muwattalli had reached an informal peace treaty or understanding with Seti I over Kadesh to avoid a clash between the two powers over control of Syria. In it, Seti effectively ceded Kadesh to the Hittite king in order to focus on domestic issues in Egypt. Muwatalli had a wife named Tanu-Ḫepa and at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ḫattušili III
Hattusili III ( Hittite: "from Hattusa") was king of the Hittite empire (New Kingdom) c. 1267–1237 BC (short chronology timeline)., pp.xiii-xiv Early life and family Much of what is known about the childhood of Hattusili III is gathered from a biographical account, written on a stone tablet during his reign, referred to as the ''Apology''. Hattusili III was born the youngest of four children to the Hittite king Mursili II and queen Gassulawiya. According to Hattusili III himself, he was an ill and sickly child who was initially expected not to survive to adulthood. Hattusili III credited the goddess Ishtar with saving his life during this period, and would remain an ardent patron of Ishtar indefinitely. Due to his place as the youngest son, Hattusili III did not become king after the death of his father. Instead his older brother Muwattalli II ascended the throne. Before becoming king, Hattusili III married Puduhepa, a priestess of Ishtar, who later became an importan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zippalanda
Zippalanda was a Hattic administrative and religious center of the Hittite Old Kingdom. Although its name was known from inscriptions, it was not until the latter 20th century that scholars placed it in Sorgun District of Yozgat Province, Turkey, near Kerkenes Dağ (Kerkenes Mountain often identified with Mount Daha (Mount Taha)), about one day's journey north of Ankuwa (present-day Alışar Höyük). History Zippalanda was one of the ancient Hattic religious centers (''šiunan'' URU "city of the gods") that retained privileges in the Old Kingdom. These also included Arinna and Nerik; early on, Hattusa was added to these as well. Also toward the end of the Hittite Empire, after Muwatalli II moved the Hittite capital from Hattusa to Tarhuntassa, this also became a sacred city. The Hittite king participated in official religious ceremonies such as the '' purulli''-festival, spring and autumn Imperial festivals, the festival of the month, and possibly the hunting festival (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arinna
Arinna was the major cult center of the Hittite sun-goddess known as dUTU URU''Arinna'' or " Sun-Goddess of Arinna", who is also sometimes identified as ''Arinniti'' or as ''Wuru(n)šemu''. Arinna was located near Hattusa, the Hittite capital. The Sun-Goddess of Arinna is the most important one of three important solar deities of the Hittite pantheon, besides dUTU ''nepisas'' 'the sun of the sky' and dUTU ''taknas'' 'the sun of the earth'. She was considered to be the chief deity in some sources, in place of her husband. Her consort was the Storm-God; they and their children were all derived from the former Hattic pantheon. The goddess was also perceived to be a paramount chthonic or earth goddess. She becomes largely syncretised with the Hurrian goddess Hebat, as the Hittite Storm-God was with Teshub. In the late 14th century BC, King Mursili II was particularly devoted to the Sun-Goddess of Arinna. See also * Hittite mythology * Alaca Höyük Alacahöyük or Alaca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Anatolian Civilizations 1320163 Nevit
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furniture Support- Female Sphinx With Hathor-style Curls MET DP110464
Furniture refers to movable objects intended to support various human activities such as seating (e.g., stools, chairs, and sofas), eating (tables), storing items, eating and/or working with an item, and sleeping (e.g., beds and hammocks). Furniture is also used to hold objects at a convenient height for work (as horizontal surfaces above the ground, such as tables and desks), or to store things (e.g., cupboards, shelves, and drawers). Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture. People have been using natural objects, such as tree stumps, rocks and moss, as furniture since the beginning of human civilization and continues today in some households/campsites. Archa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hüseyindede Vases
The Hüseyindede vases are Early Hittite vases decorated with reliefs, which were found in excavations at Hüseyindede Tepe near Yörüklü in the Turkish province of Çorum. There are fragments of four vases in total. Two of them were nearly complete and were able to be restored. The vases, dated to approximately 1650 BCE, are on display in the Çorum Archaeological Museum. Discovery During site inspections by the Turkish archaeologists Tunç Sipahi und Tayfun Yıldırım in 1996, sherds of Early Hittite pottery were found on the surface on the south side of Hüseyindede Tepe among other things. During an emergency excavation in 1997 and further regular excavations from 1998 in collaboration with the Çorum Archaeological Museum, fragments of earthenware pottery and parts of four distinct Hittite relief vases were brought to light. Two of them were found in an ancient storeroom; the other two amongst the surrounding debris.Yıldırım, 2001, pp. 43–62. They were resto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyton
A rhyton (plural rhytons or, following the Greek plural, rhyta) is a roughly conical container from which fluids were intended to be drunk or to be poured in some ceremony such as libation, or merely at table. A rhyton is typically formed in the shape of an animal's head. Items were produced over large areas of ancient Eurasia, especially from Persia to the Balkans. Many have an opening at the bottom through which the liquid fell; others did not, and were merely used as drinking cups, with the characteristic that they could not usually be set down on a surface without spilling their contents. The English word ''rhyton'' originates in the ancient Greek word ' (''rhy̆tón ''or'' rhŭtón''). The conical rhyton form has been known in the Aegean region since the Bronze Age, or the 2nd millennium BC. However, it was by no means confined to that region. Similar in form to, and perhaps originating from, the drinking horn, it has been widespread over Eurasia since prehistoric tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Relief
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, rock-cut architecture. However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs. Rock reliefs have been made in many cultures throughout human history, and were especially important in the art of the ancient Near East. Rock reliefs are generally fairly large, as they need to be in order to have an impact in the open air. Most of those discussed here have figures that are over life-size, and in many the figures are multiples of life-size. Stylistically they normally relate to other types of sculpture from the culture and period concerne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Relief")
