Ashtoreth

Astarte (; , ) is the Hellenized form of the Ancient Near Eastern goddess Ashtart or Athtart (Northwest Semitic), a deity closely related to Ishtar (East Semitic), who was worshipped from the Bronze Age through classical antiquity. The name is particularly associated with her worship in the ancient Levant among the Canaanites and Phoenicians, though she was originally associated with Amorite cities like Ugarit and Emar, as well as Mari and Ebla. She was also celebrated in Egypt, especially during the reign of the Ramessides, following the importation of foreign cults there. Phoenicians introduced her cult in their colonies on the Iberian Peninsula.

Name

Astarte was a goddess of both the Canaanite and the Phoenician pantheon, derived from an earlier Syrian deity. She is recorded in Akkadian as (), the feminine form of Ishtar.K. van der Toorn, Bob Becking, Pieter Willem van der Horst,
Dictionary of Deities and Demons in the Bible
', p. 109-10. The name appears in Ugaritic as (), in Phoenician as (), in Hebrew as ().

Overview

In various cultures Astarte was connected with some combination of the following spheres: war, sexuality, royal power, healing and - especially in Ugarit and Emar - hunting; however, known sources do not indicate she was a fertility goddess, contrary to opinions in early scholarship. Her symbol was the lion and she was also often associated with the horse and by extension chariots. The dove might be a symbol of her as well, as evidenced by some Bronze Age cylinder seals. The only images identified with absolute certainty as Astarte as these depicting her as a combatant on horseback or in a chariot. While many authors in the past asserted that she has been known as the deified morning and/or evening star, it has been called into question if she had an astral character at all, at least in Ugarit and Emar. God lists known from Ugarit and other prominent Bronze Age Syrian cities regarded her as the counterpart of Assyro-Babylonian goddess Ištar, and of the Hurrian Ishtar-like goddesses Ishara (presumably in her aspect of "lady of love") and Shaushka; in some cities, the western forms of the name and the eastern form "Ishtar" were fully interchangeable.

In later times Astarte was worshipped in Syria and Canaan. Her worship spread to Cyprus, where she may have been merged with an ancient Cypriot goddess. This merged Cypriot goddess may have been adopted into the Greek pantheon in Mycenaean and Dark Age times to form Aphrodite. It has been argued, however, that Astarte's character was less erotic and more warlike than Ishtar originally was, perhaps because she was influenced by the Canaanite goddess Anat, and that therefore Ishtar, not Astarte, was the direct forerunner of the Cypriot goddess. Greeks in classical, Hellenistic, and Roman times occasionally equated Aphrodite with Astarte and many other Near Eastern goddesses, in keeping with their frequent practice of syncretizing other deities with their own.

Major centers of Astarte's worship in the Iron Age were the Phoenician city-states of Sidon, Tyre, and Byblos. Coins from Sidon portray a chariot in which a globe appears, presumably a stone representing Astarte. "She was often depicted on Sidonian coins as standing on the prow of a galley, leaning forward with right hand outstretched, being thus the original of all figureheads for sailing ships." In Sidon, she shared a temple with Eshmun. Coins from Beirut show Poseidon, Astarte, and Eshmun worshipped together.

Other significant locations where she was introduced by Phoenician sailors and colonists were Cythera, Malta, and Eryx in Sicily from which she became known to the Romans as Venus Erycina. Three inscriptions from the Pyrgi Tablets dating to about 500 BC found near Caere in Etruria mentions the construction of a shrine to Astarte in the temple of the local goddess Uni-Astre (). At Carthage Astarte was worshipped alongside the goddess Tanit, and frequently appeared as a theophoric element in personal names.

The Aramean goddess Atargatis (Semitic form ) may originally have been equated with Astarte, but developed its own distinct cult.

Iconography

Iconographic portrayal of Astarte, very similar to that of Tanit, often depicts her naked and in presence of lions, identified respectively with symbols of sexuality and war. She is also depicted as winged, carrying the solar disk and the crescent moon as a headdress, and with her lions either lying prostrate to her feet or directly under those.María Cruz Martín Ceballos, ''Diosas y leones en el período orientalizante de la Península Ibérica'', SPAL 11 (2002): 169-195 Aside from the lion, she's associated to the dove and the bee. She has also been associated with botanic wildlife like the palm tree and the lotus flower.

A particular artistic motif assimilates Astarte to Europa, portraying her as riding a bull that would represent a partner deity. Similarly, after the popularization of her worship in Egypt, it was frequent to associate her with the war chariot of Ra or Horus, as well as a kind of weapon, the crescent axe. Within Iberian culture, it has been proposed that native sculptures like those of Baza, Elche

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