Alabama Song (Bowie)

The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play '' Little Mahagonny''. It was reused for the 1930 opera ''Rise and Fall of the City of Mahagonny'' and has been recorded by the Doors and David Bowie.

Original version

The "Alabama Song" was written as a German poem and translated into idiosyncratic English for the author Bertolt Brecht by his close collaborator Elisabeth Hauptmann in 1925 and published in Brecht's 1927 '' Home Devotions'' (german: Hauspostille), a parody of Martin Luther's collection of sermons. It was set to music by Kurt Weill for the 1927 play '' Little Mahagonny'' (') and reused for Brecht and Weill's 1930 opera ''Rise and Fall of the City of Mahagonny'' ('), where it is sung by Jenny and her fellow prostitutes in Act I. Although the majority of all three works is in German, the "Alabama Song" retained Hauptmann's broken English lyrics throughout.

Brecht and Weill's version of the song was first performed by the Viennese actress and dancer Lotte Lenya, Weill's wife, in the role of Jessie at the 1927 Baden-Baden Festival's performance of ''Little Mahagonny''. The first recording of the song—by Lenya for the Homocord record label—came out in early 1930 under the title "Alabama-Song"; it was rerecorded the same year for the Ultraphon record label for release with the 1930 Leipzig premiere of ''The Rise and Fall of the City of Mahagonny'', despite Lenya not being a member of that cast. She continued to perform and record the song throughout her life, including for her 1955 album ''Lotte Lenya Sings Kurt Weill'' ('), released in the United States under the title ''Berlin Theater Songs''..

The Doors version

The song was recorded in 1966 by the rock group the Doors, listed as "Alabama Song (Whisky Bar)". According to drummer John Densmore and guitarist Robby Krieger, the song was presented by keyboardist Ray Manzarek to the group while recording their debut album, and after the other members were dissatisfied with the melody, they changed it. Doors' cover version combine avant-garde, carnival music influences, with psychedelic and ska stylistics.

Lead singer Jim Morrison reportedly altered the second verse from "Show us the way to the next pretty boy" to "Show me the way to the next little girl", but, on the 1967 ''Live at the Matrix'' recording, he sang the original unaltered "next pretty boy". For the Doors' recording, Ray Manzarek also contributed Marxophone along with organ and keyboard bass.

Personnel

Per sources:

* Jim Morrison – lead vocals
* Robby Krieger – guitar, backing vocals
* Ray Manzarek – organ, keyboard bass, marxophone, backing vocals
* John Densmore – drums, backing vocals
* Paul A. Rothchild – backing vocals

David Bowie version

Bowie, a Brecht fan, incorporated the song into Isolar II, his 1978 World Tour. He cut a version at Tony Visconti’s studio after the European leg of the tour, and in 1980 it was issued as a single to hasten the end of Bowie’s contract with RCA.

With unconventional key changes, the track "seemed calculated to disrupt any radio programme on which it was lucky enough to get played". Nevertheless, backed with a stripped-down acoustic version of "Space Oddity" recorded in December 1979, the single reached No. 23 in the UK. Although Bowie also changed the "pretty boy" line like Morrison, he sang Weill's original melody.

Bowie would appear in a BBC
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