''Aida'' (or ''Aïda'', ) is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

in four acts by

Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...

to an Italian

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

Antonio Ghislanzoni Antonio Ghislanzoni (; 25 November 1824 – 16 July 1893) was an Italian journalist, poet, and novelist who wrote librettos for Verdi, among other composers, of which the best known are ''Aida'' and the revised version of ''La forza del des ...

. Set in the

Old Kingdom of Egypt In ancient Egyptian history, the Old Kingdom is the period spanning c. 2700–2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth ...

, it was commissioned by

Cairo Cairo ( ; ar, القاهرة, al-Qāhirah, ) is the capital of Egypt and its largest city, home to 10 million people. It is also part of the largest urban agglomeration in Africa, the Arab world and the Middle East: The Greater Cairo metro ...

's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by

Giovanni Bottesini Giovanni Bottesini (22 December 1821 – 7 July 1889) was an Italian Romantic composer, conductor, and a double bass virtuoso. Biography Born in Crema, Lombardy, he was taught the rudiments of music by his father, an accomplished clarinetist ...

. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist

Auguste Mariette François Auguste Ferdinand Mariette (11 February 182118 January 1881) was a French scholar, archaeologist and Egyptologist, and the founder of the Egyptian Department of Antiquities, the forerunner of the Supreme Council of Antiquities. Early ...

, but Verdi biographer

Mary Jane Phillips-Matz Mary Jane Phillips-Matz (January 30, 1926 – January 19, 2013) was an American biographer and writer on opera. She is mainly known for her biography of Giuseppe Verdi, a result of 30 years' research and published in 1992 by Oxford University Press ...

argues that the source is actually Temistocle Solera.

Elements of the opera's genesis and sources

Isma'il Pasha Isma'il Pasha ( ar, إسماعيل باشا ; 12 January 1830 – 2 March 1895), was the Khedive of Egypt and conqueror of Sudan from 1863 to 1879, when he was removed at the behest of Great Britain. Sharing the ambitious outlook of his gran ...

Khedive Khedive (, ota, خدیو, hıdiv; ar, خديوي, khudaywī) was an honorific title of Persian origin used for the sultans and grand viziers of the Ottoman Empire, but most famously for the viceroy of Egypt from 1805 to 1914.Adam Mestyan"Kh ...

of Egypt, commissioned Verdi to write an opera to celebrate the opening of the

Suez Canal The Suez Canal ( arz, قَنَاةُ ٱلسُّوَيْسِ, ') is an artificial sea-level waterway in Egypt, connecting the Mediterranean Sea to the Red Sea through the Isthmus of Suez and dividing Africa and Asia. The long canal is a popular ...

, but Verdi declined. However,

, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory opera set in ancient Egypt. Khedive Pasha referred Mariette to theatre manager

Camille du Locle Camille du Locle (16 July 18329 October 1903) was a French theatre manager and a librettist. He was born in Orange, France. From 1862 he served as assistant to his father-in-law, Émile Perrin, at the Paris Opéra. From 1870, he was co-director a ...

, who sent Mariette's story idea to Verdi. Eventually, Verdi agreed to compose an opera based on that story, for 150,000 francs. Because the scenery and costumes were stuck in the French capital during the Siege of Paris (1870–71) of the ongoing Franco-Prussian War, the premiere was delayed and Verdi's '' Rigoletto'' was performed instead. The first opera performed at the Khedivial Opera House, ''Aida'' eventually premiered in Cairo on Christmas Eve of 1871.

Performance history

Cairo premiere and initial success in Italy

Leopoldo Metlicovitz - Aida- Act IV Scene 2

Verdi originally chose to write a brief orchestral prelude instead of a full overture for the opera. He then composed an overture of the " potpourri" variety to replace the original prelude. However, in the end he decided not to have the overture performed because of its—his own words—"pretentious silliness". This overture, never used today, was given a rare broadcast performance by

Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orch ...

and the

NBC Symphony Orchestra The NBC Symphony Orchestra was a radio orchestra conceived by David Sarnoff, the president of the Radio Corporation of America, especially for the conductor Arturo Toscanini. The NBC Symphony performed weekly radio concert broadcasts with Tosca ...

on 30 March 1940, but was never commercially issued. ''Aida'' met with great acclaim when it finally opened in Cairo on 24 December 1871. The costumes and accessories for the première were designed by

, who also oversaw the design and construction of the sets, which were made in Paris by the

Opéra This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most c ...

's scene painters Auguste-Alfred Rubé and

Philippe Chaperon Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's ...

(acts 1 and 4) and

Édouard Desplechin Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for ...

and

Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), Jea ...

(acts 2 and 3), and shipped to Cairo. Although Verdi did not attend the premiere in Cairo, he was most dissatisfied with the fact that the audience consisted of invited dignitaries, politicians and critics, but no members of the general public. He therefore considered the Italian (and European) première, held at

La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...

Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...

on 8 February 1872, and a performance in which he was heavily involved at every stage, to be its ''real'' première. Verdi had also written the role of Aida for the voice of

Teresa Stolz Teresa Stolz (born 2 June 1834, Elbekosteletz (Czech: Kostelec nad Labem), Bohemia – died 23 August 1902, Milan) was a Bohemian soprano, long resident in Italy, who was associated with significant premieres of the works of Giuseppe Verdi, an ...

, who sang it for the first time at the Milan première. Verdi had asked her fiancé, Angelo Mariani, to conduct the Cairo première, but he declined, so

filled the gap. The Milan

Amneris ''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1 ...

Maria Waldmann Maria Waldmann (19 November 1845 – 6 November 1920) was an Austrian mezzo-soprano who had a noted association with Giuseppe Verdi. She was born in Vienna in 1845 and studied with Francesco Lamperti. She dedicated herself to the Italian mez ...

, was his favourite in the role and she repeated it a number of times at his request. ''Aida'' was received with great enthusiasm at its Milan première. The opera was soon mounted at major opera houses throughout Italy, including the

Teatro Regio di Parma Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre),Martini, "Before the Teatro Regio", pp. 56 is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved pro ...

(20 April 1872), the Teatro di San Carlo (30 March 1873),

La Fenice Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice beca ...

(11 June 1873), the Teatro Regio di Torino (26 December 1874), the

Teatro Comunale di Bologna The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 1 ...

(30 September 1877, with Giuseppina Pasqua as Amneris and Franco Novara as the King), and the

Teatro Costanzi The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The pre ...

(8 October 1881, with

Theresia Singer Theresia Singer (also known as Teresa Singer) was an operatic soprano. Singer trained in Vienna and in Italy. During the 1870–1871 season, she sang in the Court Opera of Vienna, before travelling to Italy. In 1873 she debuted at Milan's La S ...

as Aida and

Giulia Novelli Giulia Novelli (1859 – 21 June 1932) was an Italian operatic mezzo-soprano. Early life Giulia Novelli was born in Rome in 1859. Career Giulia Novelli studied singing in Rome before making her professional opera debut in that city in 1875, ...

as Amneris) among others.

Other 19th-century performances

Verdi conducting Aida in Paris 1880 - Gallica - Restoration

Details of important national and other premières of ''Aida'' follow: * Argentina: 4 October 1873, at the original

Teatro Colón The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acousti ...

, Buenos Aires, located at Rivadavia and Reconquista, then replaced by the

headquarters of the Bank of the Argentine Nation The Headquarters of the Bank of the Argentine Nation ( es, Casa Central del Banco de la Nación Argentina), more often referred locally as ''Banco Nación Casa Central'', is a monumental bank building next to the Plaza de Mayo, founding site of Bu ...

. * United States: 26 November 1873, Academy of Music in New York City, with Ostava Torriani in the title role,

Annie Louise Cary Annie Louise Cary (October 22, 1842April 3, 1921) was an American opera singer whose rich dramatic voice, three-octave range, and command of the grand style made her the foremost American contralto for a decade in the late 19th century. Biograp ...

as Amneris,

Italo Campanini Italo Campanini (June 30, 1845 – November 14, 1896) was a leading Italian operatic tenor, whose career reached its height in London in the 1870s and in New York City in the 1880s and 1890s. He had a repertoire of 80 operas and was the brother o ...

as Radamès,

Victor Maurel Victor Maurel (17 June 184822 October 1923) was a French operatic baritone who enjoyed an international reputation as a great singing actor. Biography Maurel was born in Marseille. Educated in music and stagecraft at the Paris Conservatory, ...

as Amonasro, and Evasio Scolara as the King * Germany: 20 April 1874,

Berlin State Opera The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from ...

, with

Mathilde Mallinger Mathilde Mallinger (; 17 February 1847 – 19 April 1920) was a famous Croatian lyric soprano opera singer. Life and career Born as Mathilde Lichtenegger in Zagreb, the daughter of composer and teacher Vatroslav Lichtenegger, she studied singing ...

as Aida, Albert Niemann as Radamès, and

Franz Betz Franz Betz (19 March 1835 – 11 August 1900) was a German bass-baritone opera singer who sang at the Berlin State Opera from 1859 to 1897. He was particularly known for his performances in operas by Richard Wagner and created the role of Hans S ...

as Amonasro * Austria: 29 April 1874, Vienna State Opera, with

Amalie Materna Amalie Materna (born Amalia, later Amalie Friedrich-Materna) (10 July 1844 St. Georgen in der Steiermark – 18 January 1918 Vienna) was an Austrian operatic soprano. While possessing a famously powerful voice, Materna also maintained a youthful ...

as Amneris * Hungary: 10 April 1875,

Hungarian State Opera House The Hungarian State Opera House ( hu, Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. Originally known as the Hungarian Royal Opera House, it was designed by Miklós Ybl, a major figure of ...

, Budapest * France: 22 April 1876, Théâtre-Lyrique Italien,

Salle Ventadour The Salle Ventadour, a former Parisian theatre in the rue Neuve-Ventadour, now the rue Méhul (2nd arrondissement of Paris), was built between 1826 and 1829 for the Opéra-Comique, to designs by Jacques-Marie Huvé, a prominent architect. The ori ...

, Paris, with almost the same cast as the Milan premiere, but with

Édouard de Reszke Édouard de Reszke (22 December 185325 May 1917) was a Polish bass from Warsaw. A member of the musical Reszke family, he was a successful opera singer, as were his brother Jean and his sister Josephine. He made his debut in ''Aida'' in Paris on ...

making his debut as the King. This performance was conducted by Verdi. * United Kingdom: 22 June 1876,

Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Op ...

, Covent Garden, with

Adelina Patti Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her la ...

as Aida,

Ernesto Nicolini Ernesto Nicolini (23 February 1834 – 19 January 1898) was a French operatic tenor, particularly associated with the French and Italian repertories. Born Ernest Nicolas in Saint Malo, France, he studied at the Paris Conservatory and made his deb ...

as Radamès, and

Francesco Graziani Francesco "Ciccio" Graziani (; born 16 December 1952) is an Italian football manager and former football player who played as a forward. He began his career with Arezzo in 1970, and later joined Torino in 1973, where he remained until 1981, win ...

as Amonasro * Australia: 6 September 1877, Royal Theatre, Melbourne * Munich: 1877, Bavarian State Opera, with

Josephine Schefsky Josephine Schefsky (sometimes spelled Schefzky) (1843 – 11 November 1912) was a German opera singer who had an active career during the latter half of the 19th century. Possessing a powerful voice with a wide vocal range, she tackled roles from ...

as Amneris * Stockholm: 16 February 1880,

Royal Swedish Opera Royal Swedish Opera ( sv, Kungliga Operan) is an opera and ballet company based in Stockholm, Sweden. Location and environment The building is located in the center of Sweden's capital Stockholm in the borough of Norrmalm, on the eastern side ...

in Swedish, with

Selma Ek Selma Ek (3 September 1856 – 3 May 1941) was a Swedish operatic soprano who had an active international career from the 1870s through the 1890s. Like Lilli Lehmann and Lillian Nordica, she was one of those universally talented singers of the lat ...

in the title roleEk Biography at operissimo.com (in German)
*

Palais Garnier The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from ...

, Paris: 22 March 1880, sung in French, with Gabrielle Krauss as Aida,

Rosine Bloch Rosine Bloch (7 November 1844 – 1 February 1891)Pierre 1900p. 701 "née à Paris, 7 nov. 1844", "† Monte Carlo (Nice?), 1 fév. 1891". Other sources differ with regard to her dates and places of birth and death. Walsh 1981, p. 374: "(1832? 1 ...

as Amnéris, Henri Sellier as Radamès,

as Amonasro, Georges-François Menu as the King, and Auguste Boudouresque as Ramphis. *

Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...

, New York: 12 November 1886, conducted by Anton Seidl, with Therese Herbert-Förster (the wife of Victor Herbert) in the title role, Carl Zobel as Radamès,

Marianne Brandt Marianne Brandt (1 October 1893 – 18 June 1983) was a German painter, sculptor, photographer, metalsmith, and designer who studied at the Bauhaus art school in Weimar and later became head of the Bauhaus ''Metall-Werkstatt'' (Metal Workshop ...

as Amneris,

Adolf Robinson Adolf Robinson (1838–1920) was an Austrian baritone who had a major opera career during the second half of the 19th century. His extensive stage repertoire contained numerous Richard Wagner, Wagnerian roles such as Wotan in ''Der Ring des Nib ...

as Amonasro, Emil Fischer as Ramfis, and as the King. * Rio de Janeiro: 30 June 1886,

Theatro Lyrico Fluminense The Theatro Lyrico Fluminense (also spelled as Teatro Lírico Fluminense) was one of the main theatres in Rio de Janeiro, Brazil, during the mid-19th century and was for many years the primary theatre for opera performances in that city. It was dem ...

. During rehearsals, the performers of the Italian touring opera company had disagreements with the local conductor Leopoldo Miguez, described as "inept". After the failure of two replacement conductors,

, at the time a 19-year-old cellist who was assistant chorus master, was persuaded conduct the performance. He conducted the entire opera from memory with great success—the start of a great career.

20th century and beyond

PikiWiki Israel 13773 AIDA AT MASADA 2011

A complete concert version of the opera was given in New York City in 1949. Conducted by Toscanini with

Herva Nelli Herva Nelli (January 9, 1909May 31, 1994) was an Italian-American operatic soprano. Biography Named after the French socialist Gustave Hervé, she was born in Florence, where she attended a convent school. At the age of ten, however, she and her ...

as Aida and Richard Tucker as Radamès, it was televised on the NBC television network. Due to the length of the opera, it was divided into two telecasts, preserved on

kinescope Kinescope , shortened to kine , also known as telerecording in Britain, is a recording of a television program on motion picture film, directly through a lens focused on the screen of a video monitor. The process was pioneered during the 1940 ...

s, and later released on video by RCA and Testament. The audio portion of the broadcast, including some remakes in June 1954, was released on LP and CD by RCA Victor. Other notable performances from this period include a 1955 performance conducted by Tullio Serafin with

Maria Callas Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel cant ...

as Aida and Richard Tucker as Radamès and a 1959 performance conducted by Herbert von Karajan with

Renata Tebaldi Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. O ...

as Aida and

Carlo Bergonzi Carlo Bergonzi may refer to: * Carlo Bergonzi (luthier) (1683–1747), Italian luthier * Carlo Bergonzi (tenor) Carlo Bergonzi (13 July 1924 – 25 July 2014) was an Italian operatic tenor. Although he performed and recorded some bel canto and ...

as Radamès.

mounted a lavish new production of ''Aida'' designed by

Franco Zeffirelli Gian Franco Corsi Zeffirelli (12 February 1923 – 15 June 2019), was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post-World War II era, ...

for the opening night of its 2006/2007 season. The production starred Violeta Urmana in the title role and Roberto Alagna as Radamès. Alagna subsequently made the headlines when he was booed for his rendition of "Celeste Aida" during the second performance, walked off the stage, and was dismissed from the remainder of the run. The production continued to cause controversy in 2014 when Zeffirelli protested La Scala's rental of the production to the Astana Opera House in Kazakhstan without his permission. According to Zeffirelli, the move had doomed his production to an "infamous and brutal" fate. Aida Verona Arena

''Aida'' continues to be a staple of the standard operatic repertoire. It is frequently performed in the Verona Arena, and is a staple of its renowned

opera festival This is an inclusive list of opera festivals and summer opera seasons, and music festivals which have opera productions. This list may have some overlap with list of early music festivals. Opera is part of the Western classical music tradition, ...

Roles

Instrumentation

3 flutes (3rd also

piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...

), 2

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...

, 2

clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches ...

bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave bel ...

, 2

bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...

s, 4

horns Horns or The Horns may refer to: * Plural of Horn (instrument), a group of musical instruments all with a horn-shaped bells * The Horns (Colorado), a summit on Cheyenne Mountain * ''Horns'' (novel), a dark fantasy novel written in 2010 by Joe Hill ...

, 2

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

s, 3

trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column ...

cimbasso The cimbasso is a low brass instrument that developed from the upright serpent over the course of the 19th century in Italian opera orchestras, to cover the same range as a tuba or contrabass trombone. The modern instrument has four to six rotary ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

triangle A triangle is a polygon with three Edge (geometry), edges and three Vertex (geometry), vertices. It is one of the basic shapes in geometry. A triangle with vertices ''A'', ''B'', and ''C'' is denoted \triangle ABC. In Euclidean geometry, an ...

bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. Th ...

cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs soun ...

s, tam-tam,

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...

strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...

; on-stage

banda Banda may refer to: People *Banda (surname) *Banda Prakash (born 1954), Indian politician *Banda Kanakalingeshwara Rao (1907–1968), Indian actor *Banda Karthika Reddy (born 1977), Indian politician *Banda Singh Bahadur (1670–1716), Sikh warr ...

: 6 Egyptian trumpets ("Aida trumpets"), military band,

Setting

The libretto does not specify a precise time period, so it is difficult to place the opera more specifically than the

Old Kingdom In ancient Egyptian history, the Old Kingdom is the period spanning c. 2700–2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth ...

. For the first production, Mariette went to great efforts to make the sets and costumes authentic. Considering the consistent artistic styles throughout the 3000-year history of ancient Egypt, a given production does not particularly need to choose a specific time period within the larger frame of ancient Egyptian history.

Synopsis

Backstory: The Egyptians have captured and enslaved Aida, an

Ethiopia Ethiopia, , om, Itiyoophiyaa, so, Itoobiya, ti, ኢትዮጵያ, Ítiyop'iya, aa, Itiyoppiya officially the Federal Democratic Republic of Ethiopia, is a landlocked country in the Horn of Africa. It shares borders with Eritrea to the ...

n princess. An Egyptian military commander, Radamès, struggles to choose between his love for her and his loyalty to the

King of Egypt King of Egypt () was the title used by the ruler of Egypt between 1922 and 1951. When the United Kingdom issued the Unilateral Declaration of Egyptian Independence on 28 February 1922, thereby ending its protectorate over Egypt, Egypt's Sultan ...

. To complicate the story further, the King's daughter Amneris is in love with Radamès, although he does not return her feelings.

Act 1

''Scene 1: A hall in the King's palace; through the rear gate the pyramids and temples of Memphis are visible'' Ramfis, the high priest of Egypt, tells Radamès, the young warrior, that war with the Ethiopians seems inevitable, and Radamès hopes that he will be chosen as the Egyptian commander (Ramfis, Radamès: "Sì, corre voce l'Etiope ardisca" / Yes, it is rumored that Ethiopia dares once again to threaten our power). Radamès dreams both of gaining victory on the battlefield and of Aida, an Ethiopian slave, with whom he is secretly in love (Radamès: " Se quel guerrier io fossi! ... Celeste Aida" / Heavenly Aida). Aida, who is also secretly in love with Radamès, is the captured daughter of the Ethiopian King Amonasro, but her Egyptian captors are unaware of her true identity. Her father has invaded Egypt to deliver her from servitude. Amneris, the daughter of the Egyptian King, enters the hall. She too loves Radamès, but fears that his heart belongs to someone else (Radamès, Amneris: "Quale insolita gioia nel tuo sguardo" / In your looks I trace an unwonted joy). Aida appears and, when Radamès sees her, Amneris notices that he looks disturbed. She suspects that Aida could be her rival, but is able to hide her jealousy and approach Aida (Amneris, Aida, Radamès: "Vieni, o diletta, appressati" / Come, O delight, come closer). Set design by Philippe Chaperon for Act1 sc2 of Aida by Verdi 1871 Cairo - Gallica - Restored

The King enters, along with the High Priest, Ramfis, and the whole palace court. A messenger announces that the Ethiopians, led by King Amonasro, are marching towards Thebes. The King declares war and proclaims that Radamès is the man chosen by the goddess

Isis Isis (; ''Ēse''; ; Meroitic: ''Wos'' 'a''or ''Wusa''; Phoenician: 𐤀𐤎, romanized: ʾs) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingd ...

to be the leader of the army (The King, Messenger, Radamès, Aida, Amneris, Ramfis, chorus: "Alta cagion v'aduna .. Guerra, guerra, guerra!" / Oh fate o'er Egypt looming .. War, war, war!). Upon receiving this mandate from the King, Radamès proceeds to the temple of Vulcan to take up the sacred arms (The King, Radamès, Aida, Amneris, chorus: "Su! del Nilo al sacro lido" .. (reprise) "Guerra, guerra guerra!" / On! Of Nilus' sacred river, guard the shores .. (reprise) War, war, war!). Alone in the hall, Aida feels torn between her love for her father, her country, and Radamès (Aida: "Ritorna vincitor!" / Return a conqueror!). ''Scene 2: Inside the Temple of Ptah'' Solemn ceremonies and dances by the priestesses take place (High Priestess, chorus, Radamès: "Possente Ftha ... Tu che dal nulla" / O mighty Ptah). This is followed by the installation of Radamès to the office of commander-in-chief (High Priestess, chorus, Ramfis, Radamès: "Immenso Ftha .. Mortal, diletto ai Numi" / O mighty one, guard and protect!). All present in the temple pray fervently for the victory of Egypt and protection for their warriors ("Nume, custode e vindice"/ Hear us, O guardian deity).

Act 2

''Scene 1: The chamber of Amneris'' Dances and music to celebrate Radamès' victory take place (Chorus, Amneris: "Chi mai fra gli inni e i plausi" / Our songs his glory praising). However, Amneris is still in doubt about Radamès' love and wonders whether Aida is in love with him. She tries to forget her doubt, entertaining her worried heart with the dance of

Moorish The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or se ...

slaves (Chorus, Amneris: "Vieni: sul crin ti piovano" / Come bind your flowing tresses). When Aida enters the chamber, Amneris asks everyone to leave. By falsely telling Aida that Radamès has died in the battle, she tricks her into professing her love for him. In grief, and shocked by the news, Aida confesses that her heart belongs to Radamès eternally (Amneris, Aida: "Fu la sorte dell'armi a' tuoi funesta" / The battle's outcome was cruel for your people). This confession fires Amneris with rage, and she plans on taking revenge on Aida. Ignoring Aida's pleadings (Amneris, Aida, chorus: "Su! del Nilo al sacro lido" / Up! at the sacred shores of the Nile), Amneris leaves her alone in the chamber. ''Scene 2: The grand gate of the city of Thebes'' Radamès returns victorious and the troops march into the city (Chorus, Ramfis: "Gloria all'Egitto, ad Iside" / Glory to Egypt, ndto Isis!). The Egyptian king decrees that on this day the triumphant Radamès may have anything he wishes. The Ethiopian captives are led onstage in chains, Amonasro among them. Aida immediately rushes to her father, who whispers to her to conceal his true identity as King of Ethiopia from the Egyptians. Amonasro deceptively proclaims to the Egyptians that the Ethiopian king (referring to himself) has been slain in battle. Aida, Amonasro, and the captured Ethiopians plead with the Egyptian King for mercy, but Ramfis and the Egyptian priests call for their death (Aida, Amneris, Radamès, The King, Amonasro, chorus: "Che veggo! .. Egli? .. Mio padre! .. Anch'io pugnai .. Struggi, o Re, queste ciurme feroci" / What do I see?.. Is it he? My father? .. Destroy, O King, these ferocious creatures). Claiming the reward promised by the King of Egypt, Radamès pleads with him to spare the lives of the prisoners and to set them free. The King grants Radamès' wish, and declares that he (Radamès) will be his (the King's) successor and will marry the King's daughter (Amneris). (Aida, Amneris, Radamès, Ramfis, The King, Amonasro, chorus: "O Re: pei sacri Numi! .. Gloria all'Egitto" / O King, by the sacred gods ... Glory to Egypt!). At Ramfis' suggestion to the King, Aida and Amonasro remain as hostages to ensure that the Ethiopians do not avenge their defeat.

Act 3

''On the banks of the Nile, near the Temple of Isis'' Prayers are said (Chorus, High Priestess, Ramfis, Amneris: "O tu che sei d'Osiride" / O thou who to Osiris art) on the eve of Amneris and Radamès' wedding in the Temple of Isis. Outside, Aida waits to meet with Radamès as they had planned (Aida: "Qui Radamès verra .. O patria mia" / Oh, my dear country!). Amonasro appears and orders Aida to find out the location of the Egyptian army from Radamès. Aida, torn between her love for Radamès and her loyalty to her native land and to her father, reluctantly agrees. (Aida, Amonasro: "Ciel, mio padre! .. Rivedrai le foreste imbalsamate" / Once again shalt thou gaze). When Radamès arrives, Amonasro hides behind a rock and listens to their conversation. Radamès affirms that he will marry Aida ("Pur ti riveggo, mia dolce Aida .. Nel fiero anelito"; "Fuggiam gli ardori inospiti .. Là, tra foreste vergini" / I see you again, my sweet Aida!), and Aida convinces him to flee to the desert with her. In order to make their escape easier, Radamès proposes that they use a safe route without any fear of discovery and reveals the location where his army has chosen to attack. Upon hearing this, Amonasro comes out of hiding and reveals his identity. Radamès realizes, to his extreme dismay, that he has unwittingly revealed a crucial military secret to the enemy. At the same time, Amneris and Ramfis leave the temple and, seeing Radamès in conference with the enemy, call for the imperial guards. Amonasro draws a dagger, intending to kill Amneris and Ramfis before the guards can hear them, but Radamès disarms him, quickly orders him to flee with Aida, and surrenders himself to the imperial guards as Aida and Amonasro run off. The guards arrest him as a traitor.

Act 4

''Scene 1: A hall in the Temple of Justice. To one side is the door leading to Radamès' prison cell'' Amneris desires to save Radamès ("L'aborrita rivale a me sfuggia" / My hated rival has escaped me). She calls for the guard to bring him to her. She asks Radamès to deny the accusations, but Radamès, who does not wish to live without Aida, refuses. He is relieved to know Aida is still alive and hopes she has reached her own country (Amneris, Radamès: "Già i Sacerdoti adunansi" / Already the priests are assembling). Offstage, Ramfis recites the charges against Radamès and calls on him to defend himself, but he stands mute, and is condemned to death as a traitor. Amneris, who remains onstage, protests that Radamès is innocent, and pleads with the priests to show mercy. The priests sentence him to be buried alive; Amneris weeps and curses the priests as he is taken away (Judgment scene, Amneris, Ramfis, and chorus: "Ahimè! .. morir mi sento .. Radamès, è deciso il tuo fato" / Alas .. I feel death .. Radamès, your fate is decided). ''Scene 2: The lower portion of the stage shows the vault in the Temple of Ptah; the upper portion represents the temple itself'' Radamès has been taken into the lower floor of the temple and sealed up in a dark vault, where he thinks that he is alone. As he hopes that Aida is in a safer place, he hears a sigh and then sees Aida. She has hidden herself in the vault in order to die with Radamès (Radamès: "La fatal pietra sovra me si chiuse" / The fatal stone now closes over me). They accept their terrible fate (Radamès: "Morir! Sì pura e bella" / To die! So pure and lovely!) and bid farewell to Earth and its sorrows (duet "Invan! Tutto e finito ... O terra addio").The original draft included a speech by Aida (excised from the final version) that explained her presence beneath the Temple: "My heart knew your sentence. For three days I have waited here." The line most familiar to audiences translates as: "My heart forewarned me of your condemnation. In this tomb that was opened for you I entered secretly. Here, away from human sight, in your arms I wish to die." Above the vault in the temple of Ptah, Amneris weeps and prays to the goddess Isis. In the vault below, Aida dies in Radamès' arms as the priests, offstage, pray to the god Ptah. (Chorus, Aida, Radamès, Amneris: "Immenso Ftha" / Almighty Ptah).

Adaptations

The opera has been adapted for motion pictures on several occasions, most notably in a 1953 production which starred Lois Maxwell as Amneris and

Sophia Loren Sofia Costanza Brigida Villani Scicolone (; born 20 September 1934), known professionally as Sophia Loren ( , ), is an Italian actress. She was named by the American Film Institute as one of the greatest female stars of Classical Hollywood ci ...

as Aida, and a 1987 Swedish production. In both cases, the lead actors

lip-synched Lip sync or lip synch (pronounced , the same as the word ''sink'', short for lip synchronization) is a technical term for matching a speaking or singing person's lip movements with sung or spoken vocals. Audio for lip syncing is generated thr ...

to recordings by actual opera singers. In the case of the 1953 film,

Ebe Stignani Ebe Stignani (10 July 1903 – 5 October 1974) was an Italian opera singer, who was pre-eminent in the dramatic mezzo-soprano roles of the Italian repertoire during a stage career of more than thirty years. Career Born in Naples in 1903 (some so ...

sang as Amneris, while

sang as Aida. The opera's story, but not its music, was used as the basis for a 1998 musical of the same name written by

Elton John Sir Elton Hercules John (born Reginald Kenneth Dwight; 25 March 1947) is a British singer, pianist and composer. Commonly nicknamed the "Rocket Man" after his 1972 hit single of the same name, John has led a commercially successful career a ...

and

Tim Rice Sir Timothy Miles Bindon Rice (born 10 November 1944) is an English lyricist and author. He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, ''Joseph and the Amazing Technicolor Dreamcoat'', ' ...

. The opera has been portrayed in the 2001 Italian animated film '' Aida of the Trees'' (''Aida degli alberi''). The characters are seen as anthropomorphic creatures between the fictional kingdoms of Alborea and Petra as the star-crossed lovers must find a way to unify their worlds together while facing off against the evil high priest Ramfis.

Recordings

References

Sources

* * (hardcover); (paperback). * * * * * * * * * * * * Paris: Slatkine (1983 reprint) .

External links

*
Aïda : an opera in four acts
1900 publication, English, digitized by

BYU Brigham Young University (BYU, sometimes referred to colloquially as The Y) is a private research university in Provo, Utah. It was founded in 1875 by religious leader Brigham Young and is sponsored by the Church of Jesus Christ of Latter-day S ...

on archive.org
Opera Guide
Synopsis – libretto – highlights

Naxos Records Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 1 ...

Complete libretto of the opera

Piano reduction

William and Gayle Cook Music Library The William and Gayle Cook Music Library, recognized as one of the largest academic music libraries in the world, serves the Jacobs School of Music and the Bloomington Campus of Indiana University. It occupies a four-floor, 55,000 square-foot facili ...

, Indiana University School of Music
Aria Database list of arias

Further ''Aida'' discography

Libretto in Italian and English
Online Library of Liberty
Synopsis, commentary, music analysis, anecdotes
opera-inside.com {{Authority control Operas by Giuseppe Verdi Italian-language operas Grand operas 1871 operas Operas Operas set in ancient Egypt Operas adapted into films