Albert Niemann (tenor)
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Albert Niemann (tenor)
Albert Wilhelm Karl Niemann (15 January 1831 – 13 January 1917) was a leading German tenor opera singer especially associated with the operas of Richard Wagner. He gave important premieres in France, Germany, England and the United States, and played Siegmund in the first complete production of ''Der Ring des Nibelungen'' (Bayreuth Festspielhaus 1876). Early career Born in Erxleben, in the Prussian Province of Saxony (now Saxony-Anhalt), Niemann lost his father (an innkeeper) at an early age and was brought up by his mother, a woman 'of almost unwomanly hardness' who lived to be ninety. He was apprenticed to an engine-maker, but ran away to Dresden to make his own life. He grew up with a Germanic dedication to hunting but also student-like, reading extensively in science, history and philosophy. He was not particularly sociable or tactful, was blunt in speech and often boorish in behaviour. Niemann made a debut in Dessau in 1849, singing in minor roles and in chorus. He re ...
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Albert Wilhelm Karl Niemann Portrait
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Frau Bürde-Ney
''Honorifics'' are words that connote esteem or respect when used in addressing or referring to a person. In the German language, honorifics distinguish people by age, sex, profession, academic achievement, and rank. In the past, a distinction was also made between married and unmarried women. Honorific pronouns Like many languages, German has pronouns for both familiar (used with family members, intimate friends, and children) and polite forms of address. The polite equivalent of "you" is "''Sie''." Grammatically speaking, this is the 3rd-person-plural form, and, as a subject of a sentence, it always takes the 3rd-person-plural forms of verbs and possessive adjective/ pronouns, even when talking to only one person. (Familiar pronouns have singular and plural forms.) Honorific pronouns are always capitalized except for the polite reflexive pronoun "''sich''." In letters, e-mails, and other texts in which the reader is directly addressed, familiar pronouns may be capitalized or not. ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Franz Betz
Franz Betz (19 March 1835 – 11 August 1900) was a German bass-baritone opera singer who sang at the Berlin State Opera from 1859 to 1897. He was particularly known for his performances in operas by Richard Wagner and created the role of Hans Sachs in ''Die Meistersinger von Nürnberg''. Biography Franz Betz was born in Mainz and trained as a singer in Karlsruhe. He made his debut in 1856 at the Court Theater of Hanover as The Herald in Wagner's ''Lohengrin'', after which he sang as a guest performer in various other German opera houses. His 1859 success at the Berlin State Opera in the role of Don Carlo in Verdi's ''Ernani'', led to a permanent contract with the company. He became one of Wagner's most trusted singers, and sang the role of Hans Sachs in the world premiere of his ''Die Meistersinger von Nürnberg'' (National Theatre Munich, 1868). Betz sang the role more than a hundred times and was closely identified with the character. He also sang Wotan in ''Das Rheingold'' a ...
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Marie Lehmann (soprano)
Marie Lehmann (15 May 1851 – 19 December 1931) was a German operatic soprano. She had a coloratura soprano voice, but also appeared in Wagner operas, including the first complete performance of his ''Der Ring des Nibelungen'' at the inaugural Bayreuth Festival in 1876, playing one of the Rhinemaidens. Career Marie Lehmann was born in Hamburg, the daughter of the soprano Maria Theresia Löw and the heldentenor Karl August Lehmann, and the sister of Lilli Lehmann. Her mother trained the girls, working in Prague. Lehmann made her stage debut at the Leipzig Opera in 1867 as Ännchen in Weber's ''Der Freischütz'', where she was engaged until 1869. She took a break of two years, continuing her career at the Hamburg Opera in 1871, at the Cologne Opera in 1873, at the Breslau Opera in 1878, at the German Theatre in Prague in 1879, and finally at the Vienna Court Opera from 1891 until 1896, where she also took mezzo-soprano and contralto roles. She performed there as a guest until 19 ...
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Johanna Jachmann-Wagner
Johanna Jachmann-Wagner or Johanna Wagner (13 October 1828 – 16 October 1894) was a mezzo-soprano singer, tragédienne in theatrical drama, and teacher of singing and theatrical performance who won great distinction in Europe during the third quarter of the 19th century. She was a niece of the composer Richard Wagner and was the original performer, and in some respects the inspiration, of the character of Elisabeth in ''Tannhäuser (opera), Tannhäuser''. She was also the original intended performer of Brünnhilde in ''Der Ring des Nibelungen'', but in the event assumed other roles. Early career Johanna Wagner was born in Seelze, Kingdom of Hanover, Hanover. She was the natural daughter of a soldier named Bock von Wülfingen, and was adopted by Albert Wagner (1799–1874) (eldest brother of Richard) and his wife Elise (1800–1864). They had two other daughters. From Seelze the family moved to Würzburg in 1830, where both parents worked in the Royal Bavarian Theatre, father ...
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Hedwig Raabe
Hedwig Raabe (December 3, 1844 – April 21, 1905) was a German actress. Life She was born in Magdeburg, and at the age of fourteen was playing in the company of the Thalia theatre, Hamburg. In 1864, she joined the German Court theatre at St Petersburg, touring about Germany in the summer with such success that in 1868 she relinquished her Russian engagement to devote herself to starring. In 1871 she married Albert Niemann (1831–1917), the operatic tenor. She excelled in classical roles like Marianne in Goethe's ''Geschwister'' and Franziska in ''Minna von Barnhelm''. It was she who first brought Ibsen's plays to Berlin Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue .... References ;Attribution * {{DEFAULTSORT:Raabe, Hedwig 1844 births 1905 deaths Actresses from H ...
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Ludwig Schnorr Von Carolsfeld
Ludwig Schnorr von Carolsfeld (2 July 183621 July 1865) was a German Heldentenor. He is best known creating the role of Tristan in Wagner's opera ''Tristan und Isolde'' at its 1865 premiere at the Bavarian court opera in Munich. His career was curtailed by a serious illness which killed him at the age of 29, after only four performances in the role of Tristan. Biography Ludwig Schnorr von Carolsfeld was born in Munich, a son of the famous painter Julius Schnorr von Carolsfeld, and nephew of artist Ludwig Ferdinand Schnorr von Carolsfeld. Later, he became a pupil of Kreuzschule in Dresden, home of the Dresdner Kreuzchor (choir). This may have influenced his decision not to follow the family tradition of becoming a professional painter but to study singing instead, and he took voice lessons at the Leipzig Conservatory. He made his début in 1858 at Karlsruhe. By 1860, he had also sung at the Semperoper in Dresden and the Bavarian State Opera in Munich, appearing in Bellini's '' ...
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Meistersinger
A (German for "master singer") was a member of a German guild for lyric poetry, composition and unaccompanied art song of the 14th, 15th and 16th centuries. The Meistersingers were drawn from middle class males for the most part. Guilds The ''Meistersinger'' maintained and developed the traditions of the medieval Minnesingers. They belonged to the artisan and trading classes of the German towns, and regarded as their masters and the founders of their guild twelve poets of the Middle High German period, including Wolfram von Eschenbach, Konrad von Würzburg, Reinmar von Zweter, and Heinrich Frauenlob. Frauenlob allegedly established the earliest Meistersinger school at Mainz, early in the 14th century. The schools originated first in the upper Rhine district, then spread elsewhere. In the 14th century schools operated at Mainz, Strasbourg, Frankfurt, Würzburg, Zurich, and Prague; in the 15th at Augsburg and Nuremberg. Nuremberg, under the leadership of Hans Sachs, became th ...
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Maximilian II Of Bavaria
Maximilian II (28 November 1811 – 10 March 1864) reigned as King of Bavaria between 1848 and 1864. Unlike his father, King Ludwig I, "King Max" was very popular and took a greater interest in the business of Government than in personal extravagance. Ascending the throne during the German Revolution of 1848, King Maximilian restored stability in his kingdom. The rest of his reign was characterized by attempts to maintain Bavarian independence during the wars of German Unification and to transform his capital city of Munich into a cultural and educational city. Crown Prince He was born in Munich and was the eldest son of the Crown Prince of Bavaria (later King Ludwig I) and his wife Therese of Saxe-Hildburghausen. After studying at Göttingen and Berlin and travelling in Germany, Italy and Greece, he was introduced by his father into the council of state (1836). From the first he showed a studious disposition, declaring on one occasion that had he not been born in a royal crad ...
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Ludwig II
Ludwig II (Ludwig Otto Friedrich Wilhelm; 25 August 1845 – 13 June 1886) was King of Bavaria from 1864 until his death in 1886. He is sometimes called the Swan King or ('the Fairy Tale King'). He also held the titles of Count Palatine of the Rhine, Duke of Bavaria, Duke of Franconia, and Duke in Swabia. Ludwig ascended to the throne in 1864 at the age of 18. Two years later, Bavaria and Austria fought a war against Prussia lasting only a matter of weeks, which they lost. However, in the Franco-Prussian War of 1870, Bavaria sided with Prussia in their successful war against France. Despite Ludwig's reluctance to support the Unification of Germany, Bavaria and 21 other monarchies became part of the new German Empire in 1871 (), with Wilhelm I, the King of Prussia and Ludwig's cousin, as the German Emperor (). Bavaria retained a large degree of autonomy within the Empire under the new Imperial Constitution. Ludwig increasingly withdrew from day-to-day affairs of state in fav ...
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Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ...
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