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Josephine Schefsky
Josephine Schefsky (sometimes spelled Schefzky) (1843 – 11 November 1912) was a German opera singer who had an active career during the latter half of the 19th century. Possessing a powerful voice with a wide vocal range, she tackled roles from both the soprano and mezzo-soprano repertoires. She is best remembered today for portraying several roles in the first complete presentation of Richard Wagner's ''The Ring Cycle'' at the very first Bayreuth Festival in 1876."Die Sängerinnen und Sänger bei der Uraufführung des ganzen Rings 13. – 17.8.1876"Archived
27 February 2012 at the



Josephine Schefsky By August Weger
Josephine may refer to: People * Josephine (given name), a given name (including a list of people with the name) * Josephine (singer), a Greek pop singer Places *Josephine, Texas, United States *Mount Josephine (other) * Josephine County, Oregon, a county located in the U.S. state of Oregon Film and music * Josephine (2001 film), ''Josephine'' (2001 film), an English-language Croatian film directed by Rajko Grlić *Joséphine (2013 film), ''Joséphine'' (2013 film), a French film directed by Agnès Obadia *Josephine (album), ''Josephine'' (album), album by Magnolia Electric Co. Songs *Josephine (Wayne King song), "Josephine" (Wayne King song), a 1951 song, recorded by many artists including Les Paul and Ray Charles *"My Girl Josephine", by Fats Domino, also known as "Josephine" and "Hello Josephine", recorded by many artists *Josephine (Too Many Secrets)", a song by Jon English, 1982 *Josephine (Chris Rea song), "Josephine" (Chris Rea song), a 1985 song *Josephine (Ter ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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The Merry Wives Of Windsor (opera)
''The Merry Wives of Windsor'' (German: ''Die lustigen Weiber von Windsor'') is an opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on the play ''The Merry Wives of Windsor'' by William Shakespeare. The opera is a ''Singspiel'', containing much spoken dialogue between distinct musical numbers. The opera remains popular in Germany, and the overture is sometimes heard in concert in other countries. Composition history Otto Nicolai composed the music from 1845 to 1849. He had previously achieved great success with a few Italian operas, but this opera was to become his masterpiece in the German language. The composer himself made some changes to the libretto. Performance history It was difficult at first to find a stage that was willing to mount the opera. Following the premiere at the Königliches Opernhaus (Royal Opera House, now Berlin State Opera) in Berlin on 9 March 1849 under the baton of the composer, it proved unsuccessful at first, ...
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Le Prophète
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Performance history After the brilliant success of their grand opera ''Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera, and it was more than a decade in the composition and planning. ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849 in music#Opera, 1849. In the audie ...
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Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ...
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Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ...
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ...
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Berlin State Opera
The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ''Königliche Oper'' (Royal Opera) from 1743, it was renamed as the ''Preußische Staatsoper'' (Prussian State Opera) in 1919, then as the ''Deutsche Staatsoper '' in 1955. Until 1990, it housed the state opera of East Germany. Since 1990, it is officially called the ''Staatsoper Unter den Linden'' (State Ope ...
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Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ...
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Opéra National Du Rhin
The Opéra national du Rhin is an opera company which performs in Alsace, eastern France. It includes the Opéras in Strasbourg, in Mulhouse, where the Ballet de l'Opéra national du Rhin, also known as the Ballet Du Rhin, is based, and in Colmar, with its Opéra Studio, a training centre for young singers. Thee organisation has held the status of "national opera" since 1997. The Orchestre philharmonique de Strasbourg and the Orchestre symphonique de Mulhouse are the usual orchestras of this institution. History The first opera house opened in Strasbourg in 1701 in a converted granary. After a fire and temporary locations, a new Théâtre municipal opened in the Place Broglie in 1821. This building was virtually gutted during the German bombardment of 1870, but it was rebuilt in identical style, re-opening in 1873.Pitt, C. "Strasbourg", ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. During the German era up to 1919, several eminent conductors held po ...
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Hans Richter (conductor)
Johann Baptist Isidor Richter, or János Richter (4 April 1843 – 5 December 1916) was an Austrian– Hungarian orchestral and operatic conductor. Biography Richter was born in Raab ( Hungarian: Győr), Kingdom of Hungary, Austrian Empire. His father was a local composer, conductor and ''regens chori'' Anton Richter. His mother was opera-singer Jozefa Csazenszky. He studied at the Vienna Conservatory. He had a particular interest in the horn, and developed his conducting career at several different opera houses in the Austro-Hungarian Empire. He became associated with Richard Wagner in the 1860s, and played the solo trumpet part in the 1870 private premiere of the ''Siegfried Idyll''. In 1876, he was chosen to conduct the first complete performance of Wagner's ''Der Ring des Nibelungen'' at the Bayreuth Festspielhaus. In 1877, he assisted the ailing composer as conductor of a major series of Wagner concerts in London, and from then onwards he became a familiar feature of En ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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