Aida (1953 Film)
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Aida (1953 Film)
''Aida'' is a 1953 Italian film version of the opera ''Aida'' by Giuseppe Verdi. It was directed by Clemente Fracassi and produced by Gregor Rabinovitch and Federico Teti. The screenplay was adapted by Fracassi, Carlo Castelli, , and Giorgio Salviucci from the libretto by Antonio Ghislanzoni. The cinematography was by Piero Portalupi, the production design by Flavio Mogherini and the costume design by Maria De Matteis. The RAI National Symphony Orchestra was conducted by Giuseppe Morelli, the ballet was choreographed by Margherita Wallmann. The film was screened out of competition at the 1987 Cannes Film Festival. Plot Cast Yvette Chauviré and Léonide Massine are the dancers in the ballet with the Rome Opera Ballet. Production notes Renata Tebaldi was originally cast to play Aida, but she decided not to appear in the film. Gina Lollobrigida Luigia "Gina" Lollobrigida (born 4 July 1927) is an Italian actress, photojournalist, and politician. She was one of the ...
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Clemente Fracassi
Clemente Fracassi (5 March 1917 – 2 February 1993) was an Italian film producer, director and screenwriter. His career spanned from 1939 to 1967. Selected filmography * '' To Live in Peace'' (1947 - producer) * ''Senza pietà'' (1948 - producer) * ''A Dog's Life'' (1950 - producer) * '' Barefoot Savage'' (1952 - director, writer) * ''Aida'' (1953 - director) * ''Andrea Chénier ''Andrea Chénier'' () is a verismo opera in four acts by Umberto Giordano, set to an Italian libretto by Luigi Illica, and first performed on 28 March 1896 at La Scala, Milan. The story is based loosely on the life of the French poet Andr ...'' (1955 - director) External links * 1917 births 1993 deaths Italian film producers Italian film directors 20th-century Italian screenwriters Italian male screenwriters 20th-century Italian male writers {{Italy-film-director-stub ...
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Giorgio Salviucci
Giorgio may refer to: * Castel Giorgio, ''comune'' in Umbria, Italy * Giorgio (name), an Italian given name and surname * Giorgio Moroder, or Giorgio, Italian record producer ** ''Giorgio'' (album), an album by Giorgio Moroder * "Giorgio" (song), a song by Lys Assia * Giorgio Bruno, a character from the video game ''Time Crisis 4'' * Giorgio Zott, the main antagonist from the video game ''Time Crisis 3'' * Giorgio Beverly Hills, a prestige fragrance brand See also * Georgios * Georgio (other) * San Giorgio (other) San Giorgio, is the Italian form of Saint George. When used as the name of a person it is frequently contracted to Sangiorgio. Places Comuni Many towns and villages are named after the saint, including the following ''comuni'', or municipalities: ...
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Gina Lollobrigida
Luigia "Gina" Lollobrigida (born 4 July 1927) is an Italian actress, photojournalist, and politician. She was one of the highest-profile European actresses of the 1950s and early 1960s, a period in which she was an international sex symbol. As of 2022, Lollobrigida is among the last living, high-profile international actors from the Golden Age of Hollywood cinema. As her film career slowed, Lollobrigida established a second career as a photojournalist. In the 1970s, she achieved a scoop by gaining access to Fidel Castro for an exclusive interview. Lollobrigida has continued as an active supporter of Italian and Italian American causes, particularly the National Italian American Foundation (NIAF). In 2008, she received the NIAF Lifetime Achievement Award at the Foundation's Anniversary Gala. In 2013, she sold her jewelry collection, and donated the nearly $5 million from the sale to benefit stem-cell therapy research. Youth Born Luigia Lollobrigida in Subiaco, she was the daugh ...
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Rome Opera
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ...
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Léonide Massine
Leonid Fyodorovich Myasin (russian: Леони́д Фёдорович Мя́син), better known in the West by the French transliteration as Léonide Massine (15 March 1979), was a Russian choreographer and ballet dancer. Massine created the world's first symphonic ballet, ''Les Présages'', and many others in the same vein. Besides his "symphonic ballets," Massine choreographed many other popular works during his long career, some of which were serious and dramatic, and others lighthearted and romantic. He created some of his most famous roles in his own comic works, among them the Can-Can Dancer in ''La Boutique fantasque'' (1919), the Hussar in ''Le Beau Danube'' (1924), and, perhaps best known of all, the Peruvian in ''Gaîté Parisienne'' (1938). Today his oeuvre is represented by his son Theodor Massine. Early life and education Massine was born into a musical family on 9 August 1895 in Moscow, Russia. His mother was a soprano in the Bolshoi Theater Chorus and his father ...
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Yvette Chauviré
Yvette Chauviré (; 22 April 1917 – 19 October 2016) was a French prima ballerina and actress. She is often described as France's greatest ballerina, and was the coach of prima ballerinas Sylvie Guillem and Marie-Claude Pietragalla. She was awarded the Légion d'Honneur in 1964. Early life Yvonne Chauviré was born in Paris on 22 April 1917. Aged 10, in 1927, she entered the Paris Opera Ballet school, and at the age of 12 she was noticed for her performance in the children's ballet ''L'Eventail de Jeanne'' ("Jeanne's Fan"). When she was 13, she was invited to join the opera's ballet company. Career Chauviré rose through the ranks of dancers at the Paris Opera Ballet, becoming principal dancer in 1937 and étoile, the highest rank, in 1941. She was the star of a number of experimental works choreographed by the company's director Serge Lifar, including ''Alexandre le Grand, Istar, Suite en Blanc'' and ''Les Mirages.'' Lifar also encouraged her to study with two Russian choreo ...
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Giulio Neri
Giulio Neri (21 May 1909, Torrita di Siena - 21 April 1958, Rome) was an Italian operatic bass, particularly associated with the Italian repertory. Neri studied first in Florence with Ferraresi, and completed his studies in Rome. He made his stage debut in 1935, at the Teatro delle Quattro Fontane in Rome, where he sang mostly comprimario roles. He then joined the Rome Opera in 1938, where he quickly established himself as one of the leading basses of his generation. He sang throughout Italy, making his La Scala debut in 1941. After the war he began appearing abroad, notably at the Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Op ... in London, the Liceo in Barcelona, the Bavarian State Opera in Munich, the Teatro Colón in Buenos Aires, etc. He sang most of the g ...
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Antonio Cassinelli
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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Afro Poli
Afro Poli (22 December 1902 in Pisa – 22 February 1988 in Rome) was an Italian operatic baritone, particularly associated with the Italian repertory. Kutsch, Karl J. and Riemens, Leo (2004)"Poli, Afro" ''Großes Sängerlexikon'' 4th Edition, Vol. 1, p. 3715. Walter de Gruyter. Life and career Poli began his vocal studies when he joined the "Società Corale Pisana" in 1925, where he was a pupil of Bruno Pizzi. He made his stage debut in 1927 at the Teatro Verdi in Pisa, as Germont. He then went to Milan to further his studies with Gino Neri, and later joined the Teatro dell'Opera di Roma in 1930. He was a leading baritone at La Scala in Milan from 1937 to 1955, where he sang in a wide repertoire from Mozart to verismo, including; ''Le nozze di Figaro'', ''Così fan tutte'', ''Il barbiere di Siviglia'', ''Lucia di Lammermoor'', ''Rigoletto'', ''Simon Boccanegra'', ''L'amico Fritz'', ''Manon Lescaut'', ''La bohème'', ''Tosca'', ''Adriana Lecouvreur'', as well as Italian versi ...
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Dubbing (filmmaking)
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The te ...
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1987 Cannes Film Festival
The 40th Cannes Film Festival was held from 7 to 19 May 1987 in film, 1987. The Palme d'Or went to the ''Under the Sun of Satan (film), Sous le soleil de Satan'' by Maurice Pialat, a choice which was considered "highly controversial" and the prize was given under the jeers of the public. Pialat is quoted to have retorted "You don’t like me? Well, let me tell you that I don’t like you either!" The festival opened with ''A Man in Love (1987 film), Un homme amoureux'', directed by Diane Kurys and closed with ''Aria (film), Aria'', directed by Robert Altman, Bruce Beresford, Bill Bryden, Jean-Luc Godard, Derek Jarman, Franc Roddam, Nicolas Roeg, Ken Russell, Charles Sturridge and Julien Temple. The 1987 Festival also paid tribute to Federico Fellini. Juries Main competition The following people were appointed as the Jury of the 1987 feature film competition: *Yves Montand, French-Italian actor and singer (Jury President) *Danièle Heymann, French film critic and journalist *Elem ...
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Margherita Wallmann
Margarete Wallmann or Wallman (aka Margarethe Wallmann, Margherita Wallman or Margarita Wallmann) (22 June or July 1901 or 1904 – 2 May 1992) was a ballerina, choreographer, stage designer, and opera director. Life and career Born probably in Berlin, Wallmann received classical dancing education from Eugenia Eduardowa (1882–1960) in Berlin, and later from Heinrich Kröller (1880–1930) and Anna Ornelli in Munich. From 1923, she attended Mary Wigman's ballet school in Dresden and for a time belonged to Wigman's touring company, whose members included such future dance stars as Hanya Holm and Gret Palucca. In 1928 she traveled to New York and held lectures there on Wigman's Ausdruckstanz. In 1929 she became head of the Wigman School in Berlin. In 1930 she founded her own company ''Tänzer-Kollektiv'' which in 1931 had already grown to 37 members. Their first production was the "movement drama" ''Orpheus Dionysos'' by with Wallmann as Euridike and Ted Shawn as Orpheus. Sha ...
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