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Vals (Peruvian)
The vals criollo ( en, Creole waltz), or Peruvian waltz ( es, vals peruano), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country. It also became popular outside of Peru, particularly in Argentina, where local artists composed many notable Peruvian waltz compositions such as Amarraditos and Que nadie sepa mi sufrir. History "La Guardia Vieja," translated as "the old guard," was a time period in Peru approximately from 1900-1920 in which as a result of the combination of European, Afro-Peruvian, and indigenous musical elements the ''vals criollo'' emerged among the public. The music is characterized by the use of triple metre, sometimes compound duple time, and the lyrics consist of verses in strophic form with intercalated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chabuca Granda
María Isabel Granda Larco (3 September 1920 – 8 March 1983), better known as Chabuca Granda, was a Peruvian singer and composer. She created and interpreted a vast number of Criollo waltzes with Afro-Peruvian rhythms. Granda's "La flor de la canela", "José Antonio", "El Puente de los Suspiros", and "Fina estampa" helped the singer receive international recognition. She has influenced various Peruvian artists such as Susana Baca, Eva Ayllón, Gian Marco and Juan Diego Flórez. In 2017, her work was declared a ''Cultural Heritage of the Nation'' and in 2019, the Peruvian government posthumously awarded her the highest national honor, the Order of the Sun. Life and career Granda was born on 3 September 1920, in a copper mining area in the region of Apurímac. She began singing at 12 years old, in the school choir at the exclusive girls' school Colegio Sophianum, in San Isidro, an affluent neighborhood of Lima, Peru. At this age she sang as a soprano (an operation later gave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desde El Alma
Clotilde Mela Rosa Luciano, better known as Rosita Melo (July 9, 1897 – August 12, 1981), was an Argentine-Uruguayan pianist, composer and poet. She is the author of the famous ''vals criollo'' (Creole Waltz) ''"Desde el alma"'' for which she is known as the first widely recognized female Rioplatense Hispanic composer in the world. Family life Rosita Melo was born in Montevideo on July 9, 1897, as the youngest child of Italian immigrants Michele Mela and Rosa Luciano de Mela, from Rionero in Vulture, Basilicata. She was baptized at the cathedral of Montevideo. Shortly after, the family migrated to Argentina in 1900. They settled in Buenos Aires when Rosita was three years old. On February 23, 1922, she married the young poet and writer Victor Piuma Vélez who would write the lyrics for all her compositions. Musical influence Melo showed a great talent for music. At the age of four, she could already play the piano by ear. Once in primary school, she never gave up her mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajón
A cajón (; "box", "crate" or "drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music (specifically música criolla), but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo. Description Sheets of 13 to 19 mm (1/2 to 3/4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the ''tapa''. A sound hole is cut on the back side. The modern cajón may have rubber feet, and has several screws at the top for adjusting percussive timbre. Originally the inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Criolla
Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * ''Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giovanni 2008 * , an album by Paolo Meneguzzi 2007 * ''Musica'', an album by Pepito Bueno and Badal Roy 2000 * ''Musica'', an album by WalFredo Vargas 2001 * ''Musica'', an album by Paulinho da Viola 2005 * ', a Spanish album by Mocedades 1900 Songs * "Musica", an Italian song by Air 2003 * "Música", a Spanish song by Al Bano, 1968 * "Musica", an Italian song by Angelo Branduardi 1981 * , a song by Gemelli Diversi 2000 * "Música", a song by Il Divo on '' Siempre'' 2006 * "Musica", an English song by Fantastique, 1982 * , an English-language single by Fly Project 2012 * "Musica", a French song by Pierre Kartner 1984 * "Música", a Spanish song by Lucerito, 1985 * , 2007 * "Musica", an Italian song by Mina from album '' Kyrie, Vol. 1'' * "Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arturo "Zambo" Cavero
Arturo Cavero Velásquez (29 November 1940 – 9 October 2009), better known by the pseudonym "Zambo Cavero", was a Peruvian singer, representative of Afro-Peruvian identity. Biography Born in Lima, Peru, he was the son of Juan Cavero, of Huaral, and Digna Velásquez, of Cañete. His particular singing style captivated listeners, as his intensity had the feel of Peruvian creole taste. Zambo Cavero specialised in performing traditional Peruvian waltz. Some of his best performances are songs by Peruvian composers Augusto Polo Campos and Félix Pasache, others are renditions of traditional Peruvian creole music, which is Afro-Peruvian influenced. On 3 June 1987 Cavero, was honoured together with important Peruvian musicians like guitar player Óscar Avilés in Washington, D. C. by the Organization of American States. Arturo Cavero died from complications of sepsis in Hospital Edgardo Rebagliati, Lima, on 9 October 2009. Peruvian President Alan García Alan Gabriel Lud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Ayllón
Eva María Angélica Ayllón Urbina (born February 7, 1956) better known by her stage name Eva Ayllón, is a female composer and singer, one of Peru's foremost Afro-Peruvian musicians, and one of the country's most enduring living legends. She held the record for most nominations without a winning the Latin Grammy Award for Best Folk Album. In 2019, she received the Latin Grammy Lifetime Achievement Award. Also known as ''La Reina del Landó'' (''"The Queen of Landó"''), Ayllón is a winner of the Latin Grammy for Musical Excellence for her contribution to Peruvian culture, and has been nominated ten times for Best Folk Album. Considered one of the icons of Creole and ''musica criolla'', Ayllón also ventured into various musical genres and collaborated with a number of prominent artists such as Gilberto Santa Rosa, Soledad Pastorutti, Marc Anthony, Armando Manzanero, Raphael, Diego el Cigala, and José Luis Rodríguez. With an uninterrupted singing career of nearly 50 ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Troveros Criollos
Los Troveros Criollos (English: The Creole Searchers) is a Peruvian musical group that is recognized for its contribution to ''música criolla''. Between 1952 and 1961, they recorded a wide range of songs, which became standards within the genre. History Los Troveros Criollos was founded as a dúo in 1952 by lead guitarist and vocalist Luis Garland and Jorge Pérez, main vocalist and rhythm guitar. Their style was remarkable and somehow funny, using in their songs typical street expressions, known as "''replana''". Their composer Mario Cavagnaro created exclusively these songs for them. Their biggest hits were "''Yo la quería Patita''", "''Cantame ese vals Patita''"" and "''Afane otro estofado''". Garland and Pérez separated in 1955, because of musical reasons. Luis Garland, looking for improvements and development in his music found two other musicians, to fulfill his aspirations. Jorge Pérez remained loyal to his original style and continued singing similar songs until the en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucha Reyes (Peruvian Singer)
Lucila J. Sarsines Reyes (July 19, 1936 – October 31, 1973), was a Peruvian performer and one of the most respected singers of her country, one of Peru's most famous Afro-Peruvian personalities as well as a symbol of Peruvian nationalism both in Peru and to expatriates. She was also known by the pseudonyms "La Morena de Oro del Perú", given to her by Augusto Ferrando, and "La Reina de la Popularidad". She is well known for her voice and her music has gone through history as some of the best in the history of Peruvian music. History Born to a poor family in the capital, Lima, Reyes was one of sixteen siblings. Her father, Tobias Sarsines, died after she turned six months old. Reyes spent much of her childhood living away from her immediate family. She sold newspapers and lottery tickets to survive. Her house burned down, and she went on to live at a Catholic church. As a child, Reyes met Pitito Perez, a famous Peruvian singer of the era. Perez liked her voice and invited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lima
Lima ( ; ), originally founded as Ciudad de Los Reyes (City of The Kings) is the capital and the largest city of Peru. It is located in the valleys of the Chillón River, Chillón, Rímac River, Rímac and Lurín Rivers, in the desert zone of the central coastal part of the country, overlooking the Pacific Ocean. Together with the seaside city of Callao, it forms a contiguous urban area known as the Lima Metropolitan Area. With a population of more than 9.7 million in its urban area and more than 10.7 million in its metropolitan area, Lima is one of the largest cities in the Americas. Lima was named by natives in the agricultural region known by native Peruvians as ''Limaq''. It became the capital and most important city in the Viceroyalty of Peru. Following the Peruvian War of Independence, it became the capital of the Republic of Peru (República del Perú). Around one-third of the national population now lives in its Lima Metropolitan Area, metropolitan area. The city of Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Flor De La Canela
"La flor de la canela", commonly translated to the English language as "The Cinnamon Flower", is a Creole waltz composed by the Peruvian singer-songwriter Chabuca Granda. The song was first recorded in 1950 by the musica criolla trio Los Morochucos. However, it would be the 1953 version recorded by Los Chamas, another musica criolla ensemble, that would bring the song and Chabuca Granda widespread notability in Spain and Latin America with over 600 versions of the song being available. Since then, the song has become an unofficial anthem for Lima, the capital of Peru. Other versions Notable covers In 2013, Peruvian singer-songwriter Gian Marco recorded a cover which served as the lead single for his album Versiones. His version helped the album be cerfied gold in Perú and became nominated for the Latin Grammy Award for Album of the Year. Gian Marco performed the song at the Latin Grammy Awards that year. In 2016, Panamanian singer Rubén Blades released a salsa version of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vals (dance)
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a or rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by ''nostalgia'', sadness, and laments for lost love. The typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, and Ástor Piazzolla. History of tango The origins of tango are unclear because little historical documentation from that era exists. However, in recent years, a few tango aficionados have undertaken a thorough research of that history and so it is less mysterious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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